Margaret Oliphant had a full and varied literary career and continued writing almost to the end of her life. Unfortunately her personal life was filled with tragedy, as she lived through the deaths of her husband and all her children.
It was Colonel Kingsward himself who introduced Mr. Aubrey Leigh to the family. He was a young man who was travelling for the good of his health, or rather for the good of his mind, poor fellow, as might be seen at a glance. He was still in deep mourning when he presented himself at the hotel. Nevertheless, he had not been long among them before Bee taught him how to smile, even to laugh, though at first with many hesitations and rapid resuming of a still deeper tinge of gravity, as if asking pardon of some beloved object for whom he would not permit even himself to suppose that he had ceased to mourn. This way he had of falling into sudden gravity continued with him even when it was evident that every decorum required from him that he should cease to mourn. The pale young man drove out the image of the Captain at once from Bee's mind. She had perhaps had enough of captains, fine uniforms, spurs, and all. They had become what modern levity calls a drug in the market. They made Fenster parade all day long under her windows; they thronged upon her steps in the gardens; they tore the flounces from her tarlatan into pieces at the balls. It was something far more original to sit out in the moonlight and look at the moon with a sorrowful young hero, who gradually woke up into life under her hand. Bee was only nineteen. She had mocked and charmed and laughed at a whole generation of young officers, thinking of nothing but picnics and dinner parties and balls. She wanted something new upon which to try her little hand -- and now it was thrown, just when she felt the need, in her way. She had turned a young fool's head several times, so that the operation had lost its charm. But to bring a sad man back to life, to drive away sorrow, to teach him to hold up his head again, to learn how sweet it was to live and smile, and ride and run about this beautiful world, and wake every day to a new pleasure -- that was something she felt worthy of a woman's powers. And she did it with such effect that Mr. Aubrey Leigh went on improving for three weeks more, and finally ended up with that proposal which was to the Kingsward family in general the most amusing, the most exciting, the most delightful incident in the world.
After the death of Margaret Oliphant—the prolific nineteenth-century novelist, biographer, essayist, reviewer, and prominent voice on the “woman question”—two well-intending relatives took the autobiographical manuscripts she composed over a thirty-year period, and recomposed them to suit the model of a conventional memoir. In the process, they suppressed more than a quarter of the material. Based on the original manuscripts, the Broadview edition now makes available the missing text in its original order, and the restored Autobiography of Margaret Oliphant portrays a woman of scathing irony, anger, and grief. Part of Broadview’s Nineteenth-Century British Autobiographies series, this edition also includes extensive excerpts from Oliphant’s diaries.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Scots novelist and historical writer Margaret Oliphant (1828-97) wrote over a hundred works ranging from domestic fiction, to historical and regional novels, to literary criticism. She remains famous for the 'Chronicles of Carlingford', which sketch the religious and domestic politics of a provincial community, and in particular for the most popular novel in the cycle, Miss Marjoribanks (1866). Published posthumously in 1899, Oliphant's autobiography brings together fragments written in 1860, 1864, and towards the end of her life, originally written for her sons. These texts were edited by Oliphant's cousin and supplemented by selected letters - including Oliphant's correspondence with the Blackwood family, who published much of her work, and with close family members - to bridge narrative gaps. Focusing on Oliphant's personal life as a mother, widow, and prolific author, this work provides valuable insights into the condition of women in the Victorian era.
A three volume collection of the ghostly tales of Mrs. Oliphant Scottish author, Margaret Oliphant belonged to a well known and highly regarded group of female fiction writers of the Victorian period. Their individual talents are undeniable, but their career paths often followed a remarkably similar pattern. Most were writers of both novels and short stories, all were prolific and able to turn their pens successfully to a variety subjects and themes. Many of them wrote regularly for the periodicals of the day, and Mrs. Oliphant (her usual nom-de-plume) frequently wrote for 'Blackwood's Magazine' and specialised in the creation of tales of domestic realism, historical fiction and the genre for which she is most remembered today, ghost stories. That harshest of literary critics-and one of the finest exponents of the craft of supernatural fiction-M. R. James thought highly of Margaret Oliphant's work in the genre, drawing particular attention in his writings on the subject to her long ghost story 'The Beleaguered City, ' which is included in this comprehensive three volume edition of Mrs. Oliphant's well crafted and chilling tales of the uncanny. In volume three readers will find the long and haunting complete novel 'The Wizard's Son' and the short story 'The Little Dirty Angel'. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.
A three volume collection of the ghostly tales of Mrs. Oliphant Scottish author, Margaret Oliphant belonged to a well known and highly regarded group of female fiction writers of the Victorian period. Their individual talents are undeniable, but their career paths often followed a remarkably similar pattern. Most were writers of both novels and short stories, all were prolific and able to turn their pens successfully to a variety subjects and themes. Many of them wrote regularly for the periodicals of the day, and Mrs. Oliphant (her usual nom-de-plume) frequently wrote for 'Blackwood's Magazine' and specialised in the creation of tales of domestic realism, historical fiction and the genre for which she is most remembered today, ghost stories. That harshest of literary critics-and one of the finest exponents of the craft of supernatural fiction-M. R. James thought highly of Margaret Oliphant's work in the genre, drawing particular attention in his writings on the subject to her long ghost story 'The Beleaguered City, ' which is included in this comprehensive three volume edition of Mrs. Oliphant's well crafted and chilling tales of the uncanny. In volume one readers will find the novel, 'The Complete Little Pilgrim Series, ' 'The Secret Chamber, ' 'The Land of Suspense, ' 'A Visitor and His Opinions, ' 'Earthbound' and other haunting stories of the strange and unusual. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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