Puritan Family and Community in the English Atlantic World examines the dynamics of marriage, family and community life during the "Great Migration" through the microhistorical study of one puritan family in 1638 Rhode Island. Through studying the Verin family, a group of English non-conformists who took part in the "Great Migration", this book examines differing approaches within puritanism towards critical issues of the age, including liberty of conscience, marriage, family, female agency, domestic violence, and the role of civil government in responding to these developments. Like other nonconformists who challenged the established Church of England, the Verins faced important personal dilemmas brought on by the dictates of their conscience even after emigrating. A violent marital dispute between Jane and her husband Joshua divided the Providence community and resulted, for the first time in the English-speaking colonies, in a woman’s right to a liberty of conscience independent of her husband being upheld. Through biographical sketches of the founders of Providence and engaging with puritan ministerial and prescriptive literature and female-authored petitions and pamphlets, this book illustrates how women saw their place in the world and considers the exercise of female agency in the early modern era. Connecting migration studies, family and community studies, religious studies, and political philosophy, Puritan Family and Community in the English Atlantic World will be of great interest to scholars of the English Atlantic World, American religious history, gender and violence, the history of New England, and the history of family.
Jane Austen took a particular delight in the resonance of names, and in her novels she used the names of people and places as a potential source of meaning, satirical or historical. Margaret Doody s book is a learned and enjoyable investigation of this aspect of Austen s art. Doody tells us that Austen preferred first names in common and traditional English use, though these sometimes acquire a subtly new flavor in her works. Austen also favored the names of saints and of royalty, but she did use some classically derived pagan names, always with a purpose. And Austen would signal political loyalties and allegiances in her novels through the use of names, both first names and last names, as well as place names. In exploring Austen s names and their connotations, Doody has a larger point to make. By uncovering the riddling and punning in Austen s names, as well as Austen s interest in history, Doody casts Austen as a decidedly earthy writer steeped in the particulars of place and time, rather than a timeless novelist writing in an abstemious style. From this attention to names in her work emerges a picture of Austen that is both fuller than we ve had before, and controversial.
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