A collection of poems and short stories starting in the late 1970s and covering a range of emotions and attitudes, shifting and developing with the changing times.
Follows the lives of the four Westcott children and their adopted brother from the 1930's to the present, as they maintain their close family ties and old-fashioned values while living on their vast Montana ranch.
The fourth gospel presents the reader with an early Christian text in which women and men are treated as “a discipleship of equals.” Margaret M. Beirne makes an argument for the existence in the gospel of six examples of “gender pairs” of characters (a widely-accepted Lukan feature). The members of each pair are portrayed in a parallel or contrasting faith encounter with the Johannine Jesus, that is of substantial theological importance to the gospel's stated purpose (John 20:31). Through close examination of these pairs, Beirne offers a reading of the Gospel which gives support to the equality of women and men with respect to the nature and value of their discipleship.
The extraordinary story of St. Paul's Churchyard--the area of London that was a center of social and intellectual life for more than a millennium St. Paul's Cathedral stands at the heart of London, an enduring symbol of the city. Less well known is the neighborhood at its base that hummed with life for over a thousand years, becoming a theater for debate and protest, knowledge and gossip. For the first time Margaret Willes tells the full story of the area. She explores the dramatic religious debates at Paul's Cross, the bookshops where Shakespeare came in search of inspiration, and the theater where boy actors performed plays by leading dramatists. After the Great Fire of 1666, the Churchyard became the center of the English literary world, its bookshops nestling among establishments offering luxury goods. This remarkable community came to an abrupt end with the Blitz. First the soaring spire of Old St. Paul's and then Wren's splendid Baroque dome had dominated the area, but now the vibrant secular society that had lived in their shadow was no more.
Home and family are key, yet relatively unexplored, dimensions of religion in the contemporary United States. American cultural lore is replete with images of saintly nineteenth-century American mothers and their children. During the twentieth century, however, the form and function of the American family have changed radically, and religious beliefs have evolved under the challenges of modernity. As these transformations took place, how did religion manage to "fit" into modern family life? In this book, Margaret Lamberts Bendroth examines the lives and beliefs of white, middle-class mainline Protestants (principally northern Presbyterians, Baptists, Methodists, and Congregationalists) who are theologically moderate or liberal. Mainliners have pursued family issues for most of the twentieth century, churning out hundreds of works on Christian childrearing. Bendroth's book explores the role of family within a religious tradition that sees itself as America's cultural center. In this balanced analysis, the author traces the evolution of mainliners' roles in middle-class American culture and sharpens our awareness of the ways in which the mainline Protestant experience has actually shaped and reflected the American sense of self.
Everyone has a story to tell, or so the saying goes. This is certainly true in the towns of Parkes, Alectown, and Peak Hill that sit along one of Australias most iconic highways, the Newell. From a pioneering shearer with a penchant for karaoke, to a dentist who moved in Londons high society and made dental care available to all in the area, or a world-class opera singer in her twenties, the residents of this region have achieved at the highest levels across a variety of fieldssometimes against all odds. In Jewells along the Newell, Margaret Dwyer has documented the funny, tragic, and inspiring stories of the wonderful folk who have made their home along the Newell Highway over the past hundred years, shining light on these precious gems.
Winner of the Pfizer Award for Outstanding Book in the History of Science Margaret Rossiter's widely hailed Women Scientists in America: Struggles and Strategies to 1940 marked the beginning of a pioneering effort to interpret the history of American women scientists. That effort continues in this provocative sequel that covers the crucial years of World War II and beyond. Rossiter begins by showing how the acute labor shortage brought on by the war seemed to hold out new hope for women professionals, especially in the sciences. But the public posture of welcoming women into the scientific professions masked a deep-seated opposition to change. Rossiter proves that despite frustrating obstacles created by the patriarchal structure and values of universities, government, and industry, women scientists made genuine contributions to their fields, grew in professional stature, and laid the foundation for the breakthroughs that followed 1972.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Why would a mother make her own child feel worthless and unwanted? All her life, Little Margaret had wondered why her mother didn't love her. No matter how hard she tried, she could never please her. The harder she tried, the worse things got. She never knew that there was deep-rooted reason for her animosity a secret that Little Margaret mustn't know and didn't know until it's too late. When she begins to probe the past, a harsh discovery makes her realize that no secret is ever worth its price What is this secret that you Don't Tell Little Margaret? Please also visit www.webreeds.com
Master of Wangaree Homestead Guy Radcliffe is from one of the most revered families in the Outback. Now he wants a wife, and a queue of society beauties are at his door! Alana Callaghan is from the wrong side of town and doesn't fit the glamorous, pampered world of the other girls. But that hasn't stopped her from secretly being in love with Guy for years—even though she knows he'll never view her as wife material. A wedding at Wangaree will take place—but can Alana be Guy's bride?
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