A novel based on the life of the author's great-grandmother follows the story of Vyry, the child of a white plantation owner and one of his slaves, through the years of the Civil War and Reconstruction.
These highly personal essays, written over the course of six decades, reveal the woman as well as the artist, capturing the independent creative spirit of this literary icon. In accessible and stirring prose, Walker speaks directly about her own experiences - such as growing up in a deeply religious home, living in the Jim Crow South, marrying and raising a family, and becoming a civil rights activist. These essays also offer Walker's critical perspectives on a wide range of topics, from the role of the black woman artist to the distinctiveness of African American cultural life and to the importance of education in the fight for political change. Maryemma Graham's introduction provides a historical context for the essays, placing Walker's work within the African American literary canon. Walker reflects on the numerous poets and writers she has known over the years, including Zora Neale Hurston, Eudora Welty, Carson McCullers, and Richard Wright. A work of broad general appeal, On Being Female, Black, and Free offers a powerful introduction to the work of an essential American literary figure.
This text covers the AS specifications from the major examining boards and provides key information, hints, tips and guidance. Progress check questions test recall and understanding, and end of unit sample questions and model answers provide essential practice to improve students exam technique.
   This first comprehensive collection of Margaret Walker's autobiographical and literary essays has been acclaimed as "a powerful social history and as a serious study of black American literature."- Kirkus Review In the title essay, Walker recounts the search for family and social history from which she wrote her carefully researched novel of the Civil War. The autobiographical essays reflect on her work and her life as an artist, as African-American, and a woman, while the literary essays examine the writings of such giants as Richard Wright, W.E.B. DuBois, Phyllis Wheatley, Georgia Douglas Johnson, and others. "Spanning a half-century (1943to 1988), these brilliant, intimate writings capture the flavor of the times and powerfully convey the social and literary thoughts that distinguishes Walker as one of the intellectual beacons of her generation."- Booklist
It took a long time to stop laughing at Margaret Walker's 'Cucumber Sandwiches and Fishnet Tights'. Now she's doing it all over again. Sorry, we know you ran out of tissues to dry your eyes; you'll just have to get some more now. This time it's Swarfega instead of cucumber in the sandwiches. And her prostitute's jacket instead of the fishnet tights. Expect the unexpected with this delightful romp through a lifetime's memories of holidaying with vicar husband, Michael. After all, this is a vicar's wife whose knickers fell down in front of the Archbishop of York! And you have to remember that Margaret is not the wife of any old vicar. No. She is the wife of the sort of vicar that gets stopped by the police while on his bike wearing jingling jesters' shoes and a makeshift turban. Absolutely brilliant!
Margaret Walker's teenage dream was to be a vicar's wife. But was life in the vicarage what she expected when she set out to enmesh and marry a would-be vicar? Tears of laughter, tears of compassion, tears of joy and tears of sorrow have followed her through assorted flavours of Yorkshire life to Wales and into semi-retirement. The emotions come flooding back as she recalls the tales "that shouldn't happen to a vicar's wife" with an enchanting humour that is guaranteed to endear her to you. This lovely must-read book tells of Margaret's life of devotion - to God, to vicar Husband Michael and to more cucumber sandwiches than are strictly necessary. Not to mention that one recurrent theme. Ah, yes. The fishnet tights. There's no escaping those fishnet tights. Just when you thought it was safe to go back to Church ...
New York Times bestselling author Margaret Coel explores the nature of evil in this “outstanding entry” (Booklist) in the Wind River Reservation Mystery series. Father John O'Malley comes across the corpse lying in a ditch beside the highway. When he returns with the police, it is gone. The Arapahos of the Wind River Reservation speak of Ghost Walkers—tormented souls caught between the earth and the spirit world, who are capable of anything. Then, within days, a young man disappears from the Reservation without a trace. A young woman is found brutally murdered. And as Father John and Arapaho lawyer Vicky Holden investigate these crimes, someone—or something—begins following them. Together, Vicky and Father John must draw upon ancient Arapaho traditions to stop a killer, explain the inexplicable, and put a ghost to rest...
This is a revised edition of Walker's well-known book in feminist ethics first published in 1997. Walker's book proposes a view of morality and an approach to ethical theory which uses the critical insights of feminism and race theory to rethink the epistemological and moral position of the ethical theorist, and how moral theory is inescapably shaped by culture and history. The main gist of her book is that morality is embodied in "practices of responsibility" that express our identities, values, and connections to others in socially patterned ways. Thus ethical theory needs to be empirically informed and politically critical to avoid reiterating forms of socially entrenched bias. Responsible ethical theory should reveal and question the moral significance of social differences. The book engages with, and challenges, the work of contemporary analytic philosophers in ethics. Moral Understandings has been influential in reaching a global audience in ethics and feminist philosophy, as well as in tangential fields like nursing ethics; research ethics; disability ethics; environmental ethics, and social and political theory. This revised edition contains a new preface, a substantive postscript to Chapter 1 about "the subject of moral philosophy"; the addition of a new chapter on the importance of emotion in practices of responsibility; and the addition of an afterword, which responds to critics of the book.
The hardcover publication of this work resulted in a landmark case, Ellen Wright v. Warner Books Inc. and Margaret Walker. The court ruled in favor of Walker and Warner Books Inc. in a precedent setting opinion. The court's decision, as well as the opinion of the presiding judges is included in this volume.
Moral Repair examines the ethics and moral psychology of responses to wrongdoing. Explaining the emotional bonds and normative expectations that keep human beings responsive to moral standards and responsible to each other, Margaret Urban Walker uses realistic examples of both personal betrayal and political violence to analyze how moral bonds are damaged by serious wrongs and what must be done to repair the damage. Focusing on victims of wrong, their right to validation, and their sense of justice, Walker presents a unified and detailed philosophical account of hope, trust, resentment, forgiveness, and making amends - the emotions and practices that sustain moral relations. Moral Repair joins a multidisciplinary literature concerned with transitional and restorative justice, reparations, and restoring individual dignity and mutual trust in the wake of serious wrongs.
Yugoslavia 1942. Anton Markovic didn't believe in a girl with a gun. How could the Partisans win this war with only farmers, labourers and women for soldiers? The experiment was ridiculous. He should have stuck to the ships he knew and not be in a forest in Bosnia with a rifle in his hands, and a bullet in his head, and a woman by his side cackling like a throttled fowl in some dazzling display of hormonal triumph. Tito had allowed the girls from the villages to serve in combat roles, and Mara was all in favour of anything innovative for women. She had just shot her first fascist, and her face beneath Anton's was exuberant, breathless and beautiful. He was at war, and clearly on more fronts than he anticipated. But could he save Mara from that brilliant and psychotic fascist she could not shoot? From the forests and mountains of Bosnia to the White Cliffs of Dover, the Nazis and the Ustasha battle the most successful resistance movement in Occupied Europe.
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
Considéré comme l'Autant en emporte le vent des Noirs américains, cette vaste épopée raconte l'histoire de Vyry, l'arrière-grand-mère de Margaret Walker: esclave, fille d'esclave et d'un maître blanc, son destin se confond avec la longue marche vers la liberté. Partagée entre son amour de jeunesse et son époux, passionnément dévouée à ses enfants, Vyry incarne la promesse d'un monde nouveau.
To be truly reflective, moral thinking and moral philosophy must become aware of the contexts that bind our thinking about how to live. These essays show how to do this, and why it makes a difference. Visit our website for sample chapters!
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