Margaret Von Hammerstein's Books

Practicing Democracy

Elections and Political Culture in Imperial Germany

By: Margaret Lavinia Anderson

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Practicing Democracy

Elections and Political Culture in Imperial Germany

By: Margaret Lavinia Anderson

What happens when manhood suffrage, a radically egalitarian institution, gets introduced into a deeply hierarchical society? In her sweeping history of Imperial Germany's electoral culture, Anderson shows how the sudden opportunity to "practice" democracy in 1867 opened up a free space in the land of Kaisers, generals, and Junkers. Originally designed to make voters susceptible to manipulation by the authorities, the suffrage's unintended consequence was to enmesh its participants in ever more democratic procedures and practices. The result was the growth of an increasingly democratic culture in the decades before 1914. Explicit comparisons with Britain, France, and America give us a vivid picture of the coercive pressures--from employers, clergy, and communities--that German voters faced, but also of the legalistic culture that shielded them from the fraud, bribery, and violence so characteristic of other early "franchise regimes." We emerge with a new sense that Germans were in no way less modern in the practice of democratic politics. Anderson, in fact, argues convincingly against the widely accepted notion that it was pre-war Germany's lack of democratic values and experience that ultimately led to Weimar's failure and the Third Reich. Practicing Democracy is a surprising reinterpretation of nineteenth- and early twentieth-century Germany and will engage historians concerned with the question of Germany's "special path" to modernity; sociologists interested in obedience, popular mobilization, and civil society; political scientists debating the relative role of institutions versus culture in the transition to democracy. By showing how political activity shaped and was shaped by the experiences of ordinary men and women, it conveys the excitement of democratic politics.

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Page Count

504

Publisher

Princeton University Press

Published Date

ISBN 10

0691229538

ISBN 13

9780691229539

A Broad Place

An Autobiography

By: Jürgen Moltmann,Margaret Kohl

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A Broad Place

An Autobiography

By: Jürgen Moltmann,Margaret Kohl

In his autobiography Moltmann tells his engaging and searching life story, from his Hamburg youth in an unconventional parental home up to the incomplete completion of the present moment. Yet his narrative also sheds light on the creative arc of Moltmann's work, on the journey of his own theological development from its beginnings after World War II through the beginnings of political theology and, most phenomenally, the advent of the theology of hope.

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Page Count

450

Publisher

Fortress Press

Published Date

ISBN 10

1451411871

ISBN 13

9781451411874

Fanny Lewald

Between Rebellion and Renunciation

By: Margaret E. Ward

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Fanny Lewald

Between Rebellion and Renunciation

By: Margaret E. Ward

Fanny Lewald: Between Rebellion and Renunciation provides the first comprehensive account in English of the life and work of Fanny Lewald (1811-1889), tracing the way she positioned herself - sometimes precariously - between rebellion and renunciation. All genres are considered: novels and stories, autobiography, travel literature, essays, diaries, and letters. Widely recognized as one of the early German advocates of women's right to education and work, this study places Lewald's views on these issues in a broadly comparative cultural context. This book will, therefore, be of interest not only to specialists in German literature, but also to students and scholars of European cultural and social history, Jewish studies, and women's studies."--Publisher's website.

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Page Count

476

Publisher

Peter Lang

Published Date

ISBN 10

082048184X

ISBN 13

9780820481845

Operas in German

A Dictionary

By: Margaret Ross Griffel

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Operas in German

A Dictionary

By: Margaret Ross Griffel

With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.

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Page Count

1046

Publisher

Rowman & Littlefield

Published Date

ISBN 10

1442247975

ISBN 13

9781442247970

Great High Priest

The Temple Roots of Christian Liturgy

By: Margaret Barker

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Great High Priest

The Temple Roots of Christian Liturgy

By: Margaret Barker

Margaret Barker has been researching and writing about the Jerusalem temple for over twenty years. Many of her studies have remained unpublished. Here for the first time her work on the roots of Christian liturgy has been brought together.Whereas most scholarship has concentrated upon the synagogue, Margaret Barker's work on the Jerusalem temple contributes significantly to our understanding of the meaning and importance of many elements of Christian liturgy which have hitherto remained obscure. This book opens up a new field of research.The many subjects addressed include the roots of the Eucharist in various temple rituals and offerings other than Passover, the meaning of the holy of holies and the Christian sanctuary, the cosmology of temple and church, the significance of the Veil of the Temple for understanding priesthood and Incarnation, the Holy Wisdom and the Mother of God, angels and priesthood, the concept of unity, the high priestly tradition in the early church and evidence that Christianity was a conscious continuation of the temple.All scholars and students whose interest encompasses the origins of Christian (and Orthodox) liturgy, the Old Testament, early Christianity, Jewish Christian relations, Platonism and the origins of Islam will find this book a hugely rewarding source of information and new ideas.

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Page Count

438

Publisher

A&C Black

Published Date

ISBN 10

0567600580

ISBN 13

9780567600585

Nixon and Mao

The Week That Changed the World

By: Margaret MacMillan

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Nixon and Mao

The Week That Changed the World

By: Margaret MacMillan

Margaret MacMillan, praised as “a superb writer who can bring history to life” (The Philadelphia Inquirer), brings her extraordinary gifts to one of the most important subjects today–the relationship between the United States and China–and one of the most significant moments in modern history. In February 1972, Richard Nixon, the first American president ever to visit China, and Mao Tse-tung, the enigmatic Communist dictator, met for an hour in Beijing. Their meeting changed the course of history and ultimately laid the groundwork for the complex relationship between China and the United States that we see today. That monumental meeting in 1972–during what Nixon called “the week that changed the world”–could have been brought about only by powerful leaders: Nixon himself, a great strategist and a flawed human being, and Mao, willful and ruthless. They were assisted by two brilliant and complex statesmen, Henry Kissinger and Chou En-lai. Surrounding them were fascinating people with unusual roles to play, including the enormously disciplined and unhappy Pat Nixon and a small-time Shanghai actress turned monstrous empress, Jiang Qing. And behind all of them lay the complex history of two countries, two great and equally confident civilizations: China, ancient and contemptuous yet fearful of barbarians beyond the Middle Kingdom, and the United States, forward-looking and confident, seeing itself as the beacon for the world. Nixon thought China could help him get out of Vietnam. Mao needed American technology and expertise to repair the damage of the Cultural Revolution. Both men wanted an ally against an aggressive Soviet Union. Did they get what they wanted? Did Mao betray his own revolutionary ideals? How did the people of China react to this apparent change in attitude toward the imperialist Americans? Did Nixon make a mistake in coming to China as a supplicant? And what has been the impact of the visit on the United States ever since? Weaving together fascinating anecdotes and insights, an understanding of Chinese and American history, and the momentous events of an extraordinary time, this brilliantly written book looks at one of the transformative moments of the twentieth century and casts new light on a key relationship for the world of the twenty-first century.

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Page Count

443

Publisher

Random House Trade Paperbacks

Published Date

ISBN 10

0812970578

ISBN 13

9780812970579

Listening to Art Song

An Introduction

By: Margaret Olson

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Listening to Art Song

An Introduction

By: Margaret Olson

Listening to Art Song: An Introduction offers an easy-to-read, fresh perspective on the remarkably diverse musical genre of art song. As the ultimate expression of the human singing voice, song has provided succor and entertainment to humanity in many forms since the dawn of civilization. Margaret Olson examines art song’s development, outlines the elements that comprise it, offers ideas on how to effectively listen to it, provides brief biographical sketches of key art song composers, and lists important recordings in the Italian, French, German, British, and American art song traditions. By instructing readers in how to evaluate art songs, Olson informs and enhances the art song experience for listeners. Listening to Art Song is the ideal text for any student studying voice or anyone interested in the genre of song.

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Page Count

305

Publisher

Rowman & Littlefield

Published Date

ISBN 10

1442230215

ISBN 13

9781442230217

Operas in English

A Dictionary

By: Margaret Ross Griffel

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Operas in English

A Dictionary

By: Margaret Ross Griffel

Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.

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Page Count

1015

Publisher

Scarecrow Press

Published Date

ISBN 10

0810883252

ISBN 13

9780810883253

Book's by Margaret Von Hammerstein

Practicing Democracy

Practicing Democracy

A Broad Place

A Broad Place

Fanny Lewald

Fanny Lewald

Operas in German

Operas in German

Great High Priest

Great High Priest

Nixon and Mao

Nixon and Mao

Listening to Art Song

Listening to Art Song

Operas in English

Operas in English

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