A heartfelt story about friendship, hope, and forgiveness: two childhood friends, Maggie and Lizzy, seek self-discovery and personal healing. They ultimately find inspiration after searching to reveal the reasons for Maggie’s lifelong tendencies toward self-denial as the “great pretender.” A courageous book which stirs the soul, this novel demonstrates that the written word is far from silent. This journey of healing undoubtedly leaves a lasting impression, as it not only provides divine inspiration to accept life’s disappointments but also recognition of the compelling power of forgiveness. After all, if the heart truly forgives, there is nothing to forget. ENDORSEMENTS: “Like brisk winds over calm waters—this story stirs the heart to find forgiveness and the soul to heal. Where the sacred and profane converge, Margaret McBride embraces divine inspiration!” —Katrina Arnim, consultant “Great feel-good book! The folksy language and loveable characters drew me in as I anticipated the meaning of the hints sprinkled along the way. The end was fantastic—filled with surprising ‘ah-ha’ moments and shocking twists.” —Kim Stiles, author of Motivation for Mom series “Although That Melvin Bray is a novel that unravels a mystery, it is also a story about friendship as growing old together is also the ability of staying “young together.” A friend is often a mirror of ourselves—this novel is a marvelous reflection of a very comfortable, trusting friendship.” —NY Times bestselling author G.B. Giorgio “That Melvin Bray filled my heart with joy, laughter, humility, reverence, and rage. Margaret McBride has combined all those emotions to create an unforgettable memory for every reader to share.” —Maureen Mayberry, landscape artist
In this book, readers will discover a developmental view of social functioning in children at different stages. Chapters are based in transactional theory in that the environment plays a role in the development of social competence skills as well as the biological contributions the child brings to his/her experiences. The familial and school contributions to social understanding are discussed in this volume.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Father O'Malley and Arapaho attorney Vicky Holden return! When a sacred tribal artifact disappears from a museum, it's more than Arapaho history that is lost--it's an Arapaho student's life...
A Los Angeles Times Best Book of the Year: “Part social satire, part thriller, and entirely clever” (Elle). It is a midsummer’s evening in the English countryside, and the three grown Palmer children are coming to the end of an enjoyable meal in the company of their partners and offspring. From this pleasant vantage point they play a dinner-party game: What kind of society would you be willing to accept if you didn’t know your place in it? But the abstract question of justice, like all their family conversations, is eventually brought back to the more pressing problem of their eccentric mother, Frieda, the famous writer, who has abandoned them and her old life, and gone to live alone in Exmoor. Frieda has always been a powerful and puzzling figure, a monster mother with a mysterious past. What is she plotting against them now? Has some inconvenient form of political correctness led her to favor her enchanting half-Guyanese grandson? What will she do with her money? Is she really writing her memoirs? And why has she disappeared? Has the dark spirit of Exmoor finally driven her mad? The Witch of Exmoor brilliantly interweaves high comedy and personal tragedy, unraveling the story of a family whose comfortable, rational lives, both public and private, are about to be violently disrupted by a succession of sinister, messy events. “Leisurely and mischievous,” it is a dazzling, wickedly gothic tale of a British matriarch, her three grasping children, and the perils of self-absorption (The New Yorker). “As meticulous as Jane Austen, as deadly as Evelyn Waugh.” —Los Angeles Times
Mac McDougal has an urgent case to solve, and he’s not going to let victim’s advocate A.J. Ferguson stand in his way. His suspect is involved in the disappearance of a young waitress. The clients A.J. is shielding are the man’s abused wife and traumatized young son – the only ones who can lead Mac to the suspect. Mac and A.J. are complete opposites. But as they work together to protect her clients and solve the case, they discover they have more in common than they thought. Can they put their differences aside to find the accused man – before he finds them?
With her family in tow, Samantha leave the war-torn South to take a job as a bookkeeper in Abilene. A woman assistant, especially a Southern woman assistant, doesn't sit too well with Jack, a former Union soldier. The two have to catch an embezzler. Their different loyalties cause sparks to fly, but before long their distrust turns into an overwhelming passion.
Shows that it is possible and necessary to meet the literacy learning needs of a diverse range of students with engaging practices that are both authentic and accountable.
Packing an off-kilter sense of humor and keen scientific minds, authors Margaret Mittelbach and Michael Crewdson take off with renowned artist Alexis Rockman on a postmodern safari. Their mission? Tracking down the elusive Tasmanian tiger. This mysterious, striped predator was once the world’s largest carnivorous marsupial. It had a pouch like a kangaroo and a jaw that opened impossibly wide to reveal terrifying choppers. Tragically, this rare and powerful animal was hunted into extinction in the early part of the twentieth century. Or was it? Journeying first to the Australian mainland and then south to the wild island of Tasmania, these young naturalists brave a series of bizarre misadventures and uproarious wildlife encounters in their obsessive search for the long-lost beast. From an ancient cave featuring an aboriginal painting of the tiger to a lab in Sydney where maverick scientists are trying to resurrect the animal through cloning, this intrepid trio comes face-to-face with blood-sucking land leeches and venomous bull ants, a misbehaving wallaby who invades their motel room, and a crew of flesh-eating, bone-crunching Tasmanian devils gorging on roadkill. They bond with trappers, bushwackers, and wildlife experts who refuse to abandon the tiger hunt, despite the paucity of evidence. Sifting through local myths, bar-room banter, and historical accounts, these environmental detectives sweep readers into a world where platypus’ swim, kangaroos roam, and a large predator with a pouch was–or perhaps still is–queen of the jungle. Filled with Alexis Rockman’s stunning drawings of flora and fauna–-made from soil, wombat scat, and the artist’s own blood–Carnivorous Nights is a hip and hilarious account of an unhinged safari, as well as a fascinating portrayal of a wildly unique part of the world.
Stories in Mental Health 2nd edition is an insightful collection of personal stories from a range of mental health consumers, carers and mental health nurse clinicians who openly share their experiences. Through listening and observing, this extraordinary resource offers nursing students and health professionals a unique perspective on what it is like to live with a mental health disorder, care for a family member with a mental health disorder or work within various mental healthcare settings. Available as a print or eBook, this valuable resource builds empathy and understanding and provides examples of innovative approaches to care with a focus on reflection, inquiry and action. The teaching and learning strategies assist in developing skills, attitudes and appropriate responses when working in a range of mental healthcare settings. Most importantly, Stories in Mental Health provides a much-needed consumer voice to mental healthcare. All videos embedded within the eBook Part 1 Behind the scenes provides an overview of the structure of, and how to use, the resource. Part 2 Setting the scene provides the foundational concepts for practice and includes seven video and audio stories that reinforce the concepts underpinning the treatment of mental illness. Part 3 Stories from consumers, carers and clinicians presents 22 video and audio stories to provide insight into a range of mental health issues. Reflection, inquiry and action provide the framework for the teaching and learning strategies for each story. Weblinks and references are included for further reading and research. Transcripts of all interviews are included in the back of the book An eBook included in all print purchases
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