Margaret St Clair is best known for her shorter science fiction and fantasy, much of the latter written under the pen name of Idris Seabright. She has a remarkably ironic sense of humor, and many of her stories have social or philosophical themes. Contents: Idris' Pig (1964) The Gardener (1949) Child of Void (1949) Hathor's Pets (1950) The Pillows (1950) The Listening Child (1950) Brightness Falls from the Air (1951) The Man Who Sold Rope to the Gnoles (1951) The Causes (1952) An Egg a Month from All Over (1952) Prott (1953) New Ritual (1953) Brenda (1954) Short in the Chest (1954) Horrer Howce (1956) The Wines of Earth (1957) The Invested Libido (1958) The Nuse Man (1960) An Old-Fashioned Bird Christmas (1961) Wryneck, Draw Me (1980)
They had existed from time immemorial, hidden in a space warp far beneath the the surface of the Earth. Until now, their only form of nourishment had been a strange hallucinogenic grain. Now, they hungered for human flesh. The Earth was to be their stockyard and mankind their meat...
Don Haig had been content to lie around and drink in the synthetic beauty of the pleasure planetoid Fyon, until a woman came into his life. A woman more beautiful and more perfect than any other female in the galaxy. A woman who brought about a curious change in Don. For she was a pocket-sized foll - a very strange and miraculous puppet who shed constant tears and held powers that Don never even dreamed of. But what Don did know was that dangerous alien forces were swiftly focusing on him and his living puppet - and that he had to discover the doll's super-scientific secret before his own life was smashed into atoms.
American science fiction author Margaret St. Clair (1911–95) wrote more than 100 short stories as well as eight novels. Many of her stories appeared in such pulp magazines as Fantastic Adventures and Startling Stories, some under her own name and some under the pseudonyms Idris Seabright and Wilton Hazard. Introduced and edited by horror fiction great Ramsey Campbell, this newly assembled anthology is the only collection in print featuring short stories by the pioneering science fiction writer. Seventeen tales showcase St. Clair's ironic sense of humor and explore social and philosophical themes: "The Gardener," a condemnation of careless tree-felling and a seminal example of ecological science fiction; "The Island of the Hands," a voyage to a mysterious place that embodies the peril of wishes come true; "The Little Red Owl," a fable of supernatural horror offering a study of domestic abuse well ahead of its time; "Piety," a reflection of the haphazard nature of scientific progress; and other stories of compelling strangeness.
Change the Sky is a collection in which you will find: - A man who has spent his life searching for the world of his dreams and got exactly what he wanted - A women who found the people around her so boring she changed them - A righteous minister who preached an old-fashioned Christmas and started an energy crisis - 2000 years in the future
Did she hold the key to ecstasy - or to horror? The people of Gwethym were highly intelligent, rational beings. They worshiped the goddess Neith, not because they believed in such a golden-haired being, but because they recognised the need for religion as a counterbalance to human passions. So when trouble struck their planet, when they discovered an energy leak which was slowly destroying their world, the Gwethymians turned to science for their answer. If their world was to be saved, the solution must come from the logicians. Or so they thought, until one day a woman, in the image of their goddess Neith, walked across the waters of the harbour and into their city! Then their trouble was two-fold. Would there be anything left to save of their world if they waited for the scientists? And if they didn't, if they put their trust in this goddess whom logic told them could not even exist, would they just be sealing their doom that much quicker?
Startlingly original!" —Ramsey Campbell Margaret St. Clair (1911–1995) was an American fantasy and science fiction author who published about 130 stories in the pulps, mostly in the 1950s. She also wrote eight novels, four of which were published in the Ace Double series. St. Clair's pioneering role as a woman writing science fiction was noted by Eric Leif Davin in his book Partners in Wonder: Women and the Birth of Science Fiction, 1926-1965. This collection assembles six great tales: FLOWERING EVIL GARDEN OF EVIL RETURN ENGAGEMENT THE AUTUMN AFTER NEXT THE DANCERS THE VANDERLARK
On Venus: An ancient and powerful Venusian race finds its ultimate evolution - but can they accept it? On Mars: The people of the Fourth Planet are eminently reasonable in all things - except for the cult of the Sacred Martian Pig, for which 'fanatic' would be entirely too reasonable a word. And on Earth: On the unknown world of one or ten centuries from now, the strangest stories of all become haunting, fascinating reality, as we find out that human beings are, after all, the most alien of creatures . . .
American science fiction author Margaret St. Clair (1911–95) wrote more than 100 short stories as well as eight novels. Many of her stories appeared in such pulp magazines as Fantastic Adventures and Startling Stories, some under her own name and some under the pseudonyms Idris Seabright and Wilton Hazard. Introduced and edited by horror fiction great Ramsey Campbell, this newly assembled anthology is the only collection in print featuring short stories by the pioneering science fiction writer. Seventeen tales showcase St. Clair's ironic sense of humor and explore social and philosophical themes: "The Gardener," a condemnation of careless tree-felling and a seminal example of ecological science fiction; "The Island of the Hands," a voyage to a mysterious place that embodies the peril of wishes come true; "The Little Red Owl," a fable of supernatural horror offering a study of domestic abuse well ahead of its time; "Piety," a reflection of the haphazard nature of scientific progress; and other stories of compelling strangeness.
His name was Tharg, but he was not of any life form we know today. He lived so long ago that the planet Earth had not yet shaped itself. Lava seas roiled and churned, volcanoes spouted and grew, and heavy clouds hung in the hydrogen atmosphere, leaving the planet's surface dark and dangerous. On that world Tharg met his death, or something very much like it. He became a disembodied, totally nonphysical intelligence, cut off from all contact with the life he had known. He 'slept' for hundreds of millions of years, unconnected with the world, unthinking, hardly existing. But then he began to awake - for there was new life on Earth, creatures called 'human', and Tharg, knowing an ancient promise from the stars, had to tell them of it. But . . . how?
Before the dawn of man . . . . . . there was a covenant between the land and the sea people - a covenant long forgotten by those who stayed on shore, but indelibly etched in the minds of others - the dolphins of Altair. Now the covenant had been broken. Dolphins were being wantonly sacrificed in the name of scientific research, their waters increasingly polluted, their number dangerously diminished. They had to find allies and strike back. Allies willing to sever their own earthly bonds for the sake of their sea brothers - willing, if necessary, to execute the destruction of the whole human race . . .
Like others who withstood the pandemic, Sam Sewell lives in a subterranean shelter. The vast catacombs were built before the military's biological weapon leaked out, killing nine out of ten people and leaving the survivors so traumatized that they can barely tolerate each other's company. So it's quite peculiar that some government agents seem to think that Sam lives with a woman, Despoina, who's suspected of conducting germ warfare. Pressured by the agents to locate Despoina, Sam must literally go underground to discover the truth about a hidden world of witchcraft and secret rituals. This Wiccan-themed science fiction novel was cited by Gary Gygax as an inspiration for Dungeons & Dragons. Enthusiasts of the role-playing game will recognize the forerunner of Castle Greyhawk and its labyrinthine setting of multiple levels connected by secret passages. Other readers will savor the fantasy on its own terms, as the poetic recounting of an otherworldly mystery.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.