Considers the theatrical fortunes of Richard II from its politically controversial beginnings on the Elizabethan and Restoration stage, to its various later interpretations responding to 19th- and 20th-century tastes and attitudes. A wide range of performances is documented and discussed. These illustrate the ways in which different theatres and companies have staged the play by cutting, restructuring or adding to Shakepeare's script to highlight spectacle, the personality of the King, the nature of authority and the place of Richard in the overall sweep of English history.
The Single Homemaker and Material Culture in the Long Eighteenth Century represents a new synthesis of gender history and material culture studies. It seeks to analyse the lives and cultural expression of single men and women from 1650 to 1850 within the main focus of domestic activity, the home. Whilst there is much scholarly interest in singleness and a raft of literature on the construction and apprehension of the home, no other book has sought to bring these discrete studies together. Similarly, scholarly work has been limited in evaluating gendered consumption practices during the long eighteenth century because of an emphasis on the homes of families. Analysing the practices of single people emphasises the differences, but also amplifies the similarities, in their strategies of domestic life.
Need the go-to reference on adult bone and joint injuries? Get the definitive guide on fracture treatment, written by the world’s top orthopaedic surgeons: Rockwood and Green’s Fractures in Adults. This fully updated and expanded 8th edition offers up-to-the-minute research and recommendations from more than 80 leading orthopaedic experts from around the world. An essential resource on fractures for every orthopaedic surgeon or resident.. Features: NEW chapters on: Management of the Geriatric or Elderly Patient; Management of Bone Defects;; Psychological Aspect of Trauma NEW authors from countries including India, China, Columbia, Greece, and Denmark NEW 10 new full length videos added to the video library. All videos feature easy navigation so you can go directly to specific steps in the procedure, or watch the entire procedure from start to finish Pearls and Pitfalls and preventive measures listed for all procedures NEW Time-saving outline template for easy quick-reference “Before the Case” checklists of all necessary equipment for each surgical procedure Preferred Technique section provides algorithms explaining each author’s choice of preferred procedure Full-color operative photos, tables, x-rays, diagrams, and more than 500 line drawings of surgical procedures
Can Othello be a woman? Can Ophelia be a man? Why not? Intended for Shakespeare lovers, scholars, and Shakespearean theater professionals, this study explores ways in which gender is being reinterpreted by British and North American productions since the turn of the millennium. First discussing gender theory, including modern, individualistic identity, this book leads to deep shifts in thinking about sex, gender identity and expression, and sexuality seen in 21st century Shakespearean production casting, directing, and acting decisions. The inclusion of selected productions and characters such as Othello, Richard III, Ophelia, and Olivia encourage readers to make use of "category creation" to reinterpret these characters by rethinking gender. Covered productions are divided into three sections including those that "cross-sex" cast, those that "resex" a character, and those that leave open questions of gender considering how terms like "gender-blending," "gender-bending," or "gender-blind" are meaningful in 21st century Shakespeare.
Festivals have always been part of city life, but their relationship with their host cities has continually changed. With the rise of industrialization, they were largely considered peripheral to the course of urban affairs. Now they have become central to new ways of thinking about the challenges of economic and social change, as well as repositioning cities within competitive global networks. In this timely and thought-provoking book, John and Margaret Gold provide a reflective and evidence-based historical survey of the processes and actors involved, charting the ways that regular festivals have now become embedded in urban life and city planning. Beginning with David Garrick’s rain-drenched Shakespearean Jubilee and ending with Sydney’s flamboyant Mardi Gras celebrations, it encompasses the emergence and consolidation of city festivals. After a contextual historical survey that stretches from Antiquity to the late nineteenth century, there are detailed case studies of pioneering European arts festivals in their urban context: Venice’s Biennale, the Salzburg Festival, the Cannes Film Festival and Edinburgh’s International Festival. Ensuing chapters deal with the worldwide proliferation of arts festivals after 1950 and with the ever-increasing diversifycation of carnival celebrations, particularly through the actions of groups seeking to assert their identity. The conclusion draws together the book’s key themes and sketches the future prospects for festival cities. Lavishly illustrated, and copiously researched, this book is essential reading not just for urban geographers, social historians and planners, but also for anyone interested in contemporary festival and events tourism, urban events strategy, urban regeneration regeneration, or simply building a fuller understanding of the relationship between culture, planning and the city.
In this inspiring collection of hymns, prayers, songs and poems in honour of the Virgin Mary, Margaret Miles has drawn together many of the finest Christian compositions in prose and verse from all centuries, from liturgical and non-liturgical sources. Many of the pieces in this book have been devoted to the Mother of God over the centuries. Here, uniquely, they are brought together in their original language (mainly Latin) or in the vernacular. The material is arranged in sections following the Church's year, and brief historical introductions cover each of the feasts of Mary. The book therefore fills a significant gap in devotional literature. With interest in Mary growing up in all mainstream Christian churches, this delightful collection should appeal to readers of all denominations.
Physicians have had a major role in framing the middle-class values of modern western society, especially those relating to the professions. This book questions the bases of this hegemony, by looking first at the early modern physician's insecurities in terms of status and gender, and then at the wider world of medicine in London which the College of Physicians sought to suppress. The College's proceedings against irregular practitioners constitute a case-study in the regulation of an occupation critical for the well-being of contemporary Londoners. However, the College was, it is argued, an anomalous body, detached from most other forms of male authority in the urban context, and its claims lacked social recognition. It used stereotyping to construct an account designed for higher authority, but at the same time, its regulatory efforts were constantly undermined by the effects of patronage. The so-called irregular practitioners emerge as extremely diverse in country of origin, religious belief, and levels of formal education, yet the full analysis provided here also shows that most were literate, and that a significant number later became members of the College. Many were London artisans, barber-surgeons and apothecaries who can be seen as the 'excluded middle' between the two better-known extremes of the physician and the quack. In suppressing artisan practitioners, the College was also seeking to suppress contractual or 'citizen' medicine, an alternative system of structuring relations between the active patient and the practitioner which was fully integrated in contemporary urban custom and practice, but which has since disappeared. The College's selective account also inadvertently reveals the existence of female artisans who practised medicine outside the household routinely and for payment. Although distorted by the College's proximity to the Crown and to élite patrons, the Annals of the College give access to the rich variety of medical practice in early modern London and to the forms of resistance and self-presentation with which those outside the College justified, or denied, their identity as practitioners.
For the past five decades, Arab intellectuals have seen themselves in Shakespeare's Hamlet: their times "out of joint," their political hopes frustrated by a corrupt older generation. Hamlet's Arab Journey traces the uses of Hamlet in Arabic theatre and political rhetoric, and asks how Shakespeare's play developed into a musical with a happy ending in 1901 and grew to become the most obsessively quoted literary work in Arab politics today. Explaining the Arab Hamlet tradition, Margaret Litvin also illuminates the "to be or not to be" politics that have turned Shakespeare's tragedy into the essential Arab political text, cited by Arab liberals, nationalists, and Islamists alike. On the Arab stage, Hamlet has been an operetta hero, a firebrand revolutionary, and a muzzled dissident. Analyzing productions from Egypt, Syria, Iraq, Jordan, and Kuwait, Litvin follows the distinct phases of Hamlet's naturalization as an Arab. Her fine-grained theatre history uses personal interviews as well as scripts and videos, reviews, and detailed comparisons with French and Russian Hamlets. The result shows Arab theatre in a new light. Litvin identifies the French source of the earliest Arabic Hamlet, shows the outsize influence of Soviet and East European Shakespeare, and explores the deep cultural link between Egypt's Gamal Abdel Nasser and the ghost of Hamlet's father. Documenting how global sources and models helped nurture a distinct Arab Hamlet tradition, Hamlet's Arab Journey represents a new approach to the study of international Shakespeare appropriation.
A Catholic Gardener’s Spiritual Almanac is the first book to offer gardeners spiritual resources and creative projects that connect a love of gardening with their Catholic faith. Margaret Realy, master gardener, retreat leader, and writer, presents this spiritual companion that follows the natural and liturgical seasons and offers gardening tips and easy-to-do projects for each month of the year. A Catholic Gardener’s Spiritual Almanac explores the riches of the Catholic spiritual tradition in conjunction with all things gardening. Realy offers meditations and scripture passages on a spiritual theme for each month, reflections on the liturgical seasons and feasts, and delightful stories of saints who have special relevance to gardening. Readers also will discover the connection between the conversion of St. Paul and the canna seed, how the flight into Egypt was saved by a miraculous growth of seed, and the many miracles that made St. Brigid patroness of farmers. Additionally, there are creative ideas for garden design, practical tips and techniques, suggestions on unique plants, and a table of biblical plants. Gardeners at any level of proficiency and dedication will be enchanted by what they find in this extraordinary book.
When we look at Michelangelo's David, we see a nakedness that expresses physical prowess, self-knowledge, and spiritual discipline. What do we see when we look at Hans Baldung's Eve, the Serpent, and Death or Master Francke's Martyrdom of Saint Barbara? Why should those naked female images symbolize wantonness and shame? How do ideas about nakedness formed at the dawn of Christianity continue to shape today's sexual values? What must women do to take their bodies back? This revolutionary study by Margaret R. Miles, formerly Bussey Professor of Historical Theology at the Harvard Divinity School and author of the acclaimed Images as Insight, sifts through centuries of Christian writing and religious ritual and, above all, Western art to reveal the origins of our attitudes toward women's bodies and their encoded meanings. Broad enough to encompass fourth-century descriptions of Christian baptism and contemporary theories of representation, Carnal Knowing is a brilliant, startling work of scholarship whose implications extend far beyond the academy to the way we live and see.
These Western Civilization, Second Edition books explain why western civilization is worth knowing about. Taking a topical approach, they stress social and cultural themes, they ask, What is the West?, and incorporate significant discussion of peoples and civilizations outside the boundaries of the West. Provides a more coherent introduction to global issues than a world history presentation. Western Civilization, 2/e is accompanied by rich visual images, numerous textual excerpts, provocative special features, and timelines, charts and maps that make the narrative even more accessible. Each chapter now includes internet resources for research. Examines the French Revolution and 19th-century social and political movements in depth. Discussion of religion now occurs at key junctures in each chapter. Updated first chapter reflects the latest findings in paleoanthropology. Epilogue includes recent events such as global terrorism. Covers Social/economic history--e.g., gender roles, family and children, elite groups, urban/rural contrasts, cities and associations, commerce and manufacturing, and technological innovation. Non-Western (including North and South American) issues are discussed. Historians or anyone interested in a social, topical approach to Western Civilization with a global perspective.
Considers the theatrical fortunes of Richard II from its politically controversial beginnings on the Elizabethan and Restoration stage, to its various later interpretations responding to 19th- and 20th-century tastes and attitudes. A wide range of performances is documented and discussed. These illustrate the ways in which different theatres and companies have staged the play by cutting, restructuring or adding to Shakepeare's script to highlight spectacle, the personality of the King, the nature of authority and the place of Richard in the overall sweep of English history.
First published in 1958, these are the memoirs of Margaret Chanler Aldrich, a descendant of the prominent Astor family. A nurse for the American Red Cross during the Spanish-American War, and later the Philippine-American War, Aldrich joined the woman’s suffrage movement and became notable as one of Carrie Chapman Catt’s capable officials in the campaign for suffrage in New York State. A fascinating autobiography!
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