British Romantic literature descends from a line of impostors, forgers and frauds. Through a series of case-studies - beginning with the golden age of forgery in the late eighteenth century and continuing through canonical Romanticism and its aftermath - Margaret Russett demonstrates how Romantic writers distinguished their fictions from the fakes surrounding them. The book examines canonical and lesser-known Romantic works alongside fakes such as Thomas Chatterton's medieval poems and 'Caraboo', the impostor-princess. Through original readings of works by Wordsworth, Coleridge, Byron, Walter Scott, John Clare, and James Hogg, as well as chapters on impostors in popular culture, Russett's interdisciplinary and wide-ranging study offers a major reinterpretation of Romanticism and its continuing influence today.
Margaret Russett uses the example of Thomas De Quincey, the nineteenth-century essayist best remembered for his Confessions of an English Opium-Eater and his memoirs of Wordsworth and Coleridge, to examine the idea of the 'minor' author, and how it is related to what we now call the Romantic canon. The case of De Quincey, neither a canonical figure nor a disenfranchised marginal author, offers a point of access to specifically Romantic problems of literary transmission and periodization. Taking an intertextual approach, Russett situates De Quincey's career against the works of Wordsworth and Coleridge; the essays of Lamb, Hazlitt, and other writers for the London Magazine; and discourses of ethics and political economy which are central to the problem of determining literary value. De Quincey's Romanticism shows how De Quincey helped to shape the canon by which his career was defined.
The United Nations faced unprecedented opportunities and heightened expectations when the Cold War ended in 1990. By the time of the UN's fiftieth anniversary in 1995, the mood had shifted. Peacekeepers were bogged down in Bosnia and Somalia. Iraq continued to test the UN's resolve to enforce arms control inspections. In much of the world, the gap between haves and have-nots was increasing. Everyone agreed that UN reform was needed, yet the political will to effect change was absent. With unmet challenges throughout the world, the limits to UN power and effectiveness were being realized. From regional conflicts to areas of environmental degradation and human rights abuses, the UN's success depends more than ever on the way in which three dilemmas are resolved–the tensions between sovereignty and the reality of its erosion, between demands for global governance and the weakness of UN institutions (as well as the reluctance of states to commit), and between the need for leadership and the diffusion of power. In this second edition, the authors have undertaken major revisions along with thorough updating. They explore the three dilemmas in the context of the UN's evolving role in world politics, including its experience in maintaining peace and promoting development, environmental sustainability, and human rights–the focus of an entirely new chapter. They also consider the role of various actors in the UN system, from major powers (especially the United States), small and middle powers, coalitions, and nongovernmental organizations to the secretaries-general. The need for institutional reforms and specific proposals for reform are examined. Because multilateral diplomacy is now the norm rather than the exception in world politics, the UN's effectiveness has been challenged by the new demands of the post–Cold War era. This completely revised and updated text places the UN at the center of a set of core dilemmas in world politics and provides a series of case studies that probe the politics and processes of UN action.
For many Americans, nuns and sisters are the face of the Catholic Church. Far more visible than priests, Catholic women religious teach at schools, found hospitals, offer food to the poor, and minister to those in need. Their work has shaped the American Catholic Church throughout its history. McGuinness provides the reader with an overview of the history of Catholic women religious in American life, from the colonial period to the present.
In Activists beyond Borders, Margaret E. Keck and Kathryn Sikkink examine a type of pressure group that has been largely ignored by political analysts: networks of activists that coalesce and operate across national frontiers. Their targets may be international organizations or the policies of particular states. Historical examples of such transborder alliances include anti-slavery and woman suffrage campaigns. In the past two decades, transnational activism has had a significant impact in human rights, especially in Latin America, and advocacy networks have strongly influenced environmental politics as well. The authors also examine the emergence of an international campaign around violence against women.
So-called ovarian transplantations, performed in the early twentieth century, foreshadowed the modern practice of egg donation, and the first experiments in human in vitro fertilization date back to the 1930s. Marsh and Ronner also tell the little-known story of free and low-cost clinics in the urban North where low-income women were treated for infertility beginning in the nineteenth century.
Students of comparative politics have long faced a vexing dilemma: how can social scientists draw broad, applicable principles of political order from specific historical examples? In Analytic Narratives, five senior scholars offer a new and ambitious methodological response to this important question. By employing rational-choice and game theory, the authors propose a way of extracting empirically testable, general hypotheses from particular cases. The result is both a methodological manifesto and an applied handbook that political scientists, economic historians, sociologists, and students of political economy will find essential. In their jointly written introduction, the authors frame their approach to the origins and evolution of political institutions. The individual essays that follow demonstrate the concept of the analytic narrative--a rational-choice approach to explain political outcomes--in case studies. Avner Greif traces the institutional foundations of commercial expansion in twelfth-century Genoa. Jean-Laurent Rosenthal analyzes how divergent fiscal policies affected absolutist European governments, while Margaret Levi examines the transformation of nineteenth-century conscription laws in France, the United States, and Prussia. Robert Bates explores the emergence of a regulatory organization in the international coffee market. Finally, Barry Weingast studies the institutional foundations of democracy in the antebellum United States and its breakdown in the Civil War. In the process, these studies highlight the economic role of political organizations, the rise and deterioration of political communities, and the role of coercion, especially warfare, in political life. The results are both empirically relevant and theoretically sophisticated. Analytic Narratives is an innovative and provocative work that bridges the gap between the game-theoretic and empirically driven approaches in political economy. Political historians will find the use of rational-choice models novel; theorists will discover arguments more robust and nuanced than those derived from abstract models. The book improves on earlier studies by advocating--and applying--a cross-disciplinary approach to explain strategic decision making in history.
In this study of Pound's radio operas of the 1930s, Margaret Fisher draws on the unpublished correspondence between Pound and his maverick BBC producer, Edward Archibald Fraser Harding, to reveal a little-known aspect of Pound's career.
Margaret Russett uses the example of Thomas De Quincey, the nineteenth-century essayist best remembered for his Confessions of an English Opium-Eater and his memoirs of Wordsworth and Coleridge, to examine the idea of the 'minor' author, and how it is related to what we now call the Romantic canon. The case of De Quincey, neither a canonical figure nor a disenfranchised marginal author, offers a point of access to specifically Romantic problems of literary transmission and periodization. Taking an intertextual approach, Russett situates De Quincey's career against the works of Wordsworth and Coleridge; the essays of Lamb, Hazlitt, and other writers for the London Magazine; and discourses of ethics and political economy which are central to the problem of determining literary value. De Quincey's Romanticism shows how De Quincey helped to shape the canon by which his career was defined.
British Romantic literature descends from a line of impostors, forgers and frauds. Through a series of case-studies - beginning with the golden age of forgery in the late eighteenth century and continuing through canonical Romanticism and its aftermath - Margaret Russett demonstrates how Romantic writers distinguished their fictions from the fakes surrounding them. The book examines canonical and lesser-known Romantic works alongside fakes such as Thomas Chatterton's medieval poems and 'Caraboo', the impostor-princess. Through original readings of works by Wordsworth, Coleridge, Byron, Walter Scott, John Clare, and James Hogg, as well as chapters on impostors in popular culture, Russett's interdisciplinary and wide-ranging study offers a major reinterpretation of Romanticism and its continuing influence today.
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