Pedro Calderon de la Barca (1600-1681), one of the great dramatists of Spain's Golden Age, wrote a series of mythological spectacle plays for the Habsburg courts. Written when court spectacles were an instrument of monarchical absolutism, these later works by Calderon have often been dismissed by critics as servile flattery of the royalty or mere displays of dazzling showmanship. Margaret Rich Greer argues, however, that many of the playwright's court dramas not only explore human life and social organization, but also possess artistic unity and thematic complexity that make them landmarks in European dramatic history. Analyzing seven of these plays, she demonstrates Calderon's mastery in the integration of music, dance, elaborate scenery, and stage machinery to enhance rather than overpower his poetic text. Greer shows that by envisioning each drama in the physical setting of its performance and in the political context of its time, readers can appreciate a complex relationship of texts: intertwined with the flattering image of the splendor of royal power are a discourse relevant to common spectators and another one that is subtly critical of the policies of the king and the court. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In an insightful and provocative juxtaposition, Margaret Dickie examines the poetry of three preeminent women writers_Gertrude Stein, Elizabeth Bishop, and Adrienne Rich_investigating the ways in which each attempts to forge a poetic voice capable of expr
In an insightful and provocative juxtaposition, Margaret Dickie examines the poetry of three preeminent women writers_Gertrude Stein, Elizabeth Bishop, and Adrienne Rich_investigating the ways in which each attempts to forge a poetic voice capable of expr
In 1831 John Dodgson Carr, son of a Quaker grocer, set off to walk from his home in Kendal to Carlisle, determined to launch a great enterprise. Within 15 years, Carr's of Carlisle had become one of the largest baking businesses in the world -and is a by-word for biscuits to this day. Following his trail to Carlisle (where she herself was born and grew up), Margaret Forster brings 19th-century daily life into vivid focus and charts the rise and rise of a middle-class family like the Carrs, ambitious, innovative yet sternly religious. This is history as it was lived by the men and women both above and below stairs - from the shop floor to the comfortable bourgeois homes of the paternalistic Carrs. We see the conflict between religion and profit, the family feuds and the changing face of a city through this compelling historical narrative, told with Margaret Forster's characteristic blend of scholarship, readability and marvellous attention to the texture of everyday life.
In 1831 John Dodgson Carr, son of a Quaker grocer, set off to walk from his home in Kendal to Carlisle, determined to launch a great enterprise. Within 15 years, Carr's of Carlisle had become one of the largest baking businesses in the world -and is a by-word for biscuits to this day. Following his trail to Carlisle (where she herself was born and grew up), Margaret Forster brings 19th-century daily life into vivid focus and charts the rise and rise of a middle-class family like the Carrs, ambitious, innovative yet sternly religious. This is history as it was lived by the men and women both above and below stairs - from the shop floor to the comfortable bourgeois homes of the paternalistic Carrs. We see the conflict between religion and profit, the family feuds and the changing face of a city through this compelling historical narrative, told with Margaret Forster's characteristic blend of scholarship, readability and marvellous attention to the texture of everyday life.
Mar&ía de Zayas y Sotomayor (1590&–1650?) published two collections of novellas, Novelas amorosas y exemplares (1637) and Desenga&ños amorosos (1647), which were immensely popular in her day. During the nineteenth and early twentieth centuries, Victorian and bourgeois sensibilities exiled her &“scandalous&” works to the outer fringes of serious literature. Over the last two decades, however, she has gained an enthusiastic and ever-expanding readership, drawing intense critical attention and achieving canonical status as a major figure of the Spanish Golden Age. In this first comprehensive study of Zayas&’s prose, Margaret R. Greer explores the relationship between narration and desire, analyzing both the &“desire for readers&” displayed by Zayas in her Prologue and the sexual desire that drives the telling within the novellas themselves. Greer examines Zayas&’s narrative strategies through the twin lenses of feminist and psychoanalytic theory. She devotes close attention to the weight of Renaissance literary traditions and the role of Zayas&’s own cultural context in shaping her work. She discusses Zayas&’s biography and the reception of her publications; her advocacy of women&’s rights; her conflictive loyalty to an aristocratic, patriarchal order; her crafting of feminine tales of desire; and her erasure of the frontiers between the natural and supernatural, indeed, between love and death itself. In so doing, Greer offers an expansive analysis of this recently rediscovered Golden Age writer.
A collection of taste-tempting romances includes "Miss Delwin's Delights" by Raine Cantrell, "Rocky Road" by Margaret Brownley, "The Taste of Remembrance" by Alexis Harrington, and "Sweet Creations" by Sue Rich. Original.
The importance of teaching and assessing vocabulary -- A new perspective for thinking about vocabulary -- Surveying the state of vocabulary assessment -- Which words and word meanings should we teach and assess? -- How should we assess vocabulary? -- Classroom practices for vocabulary instruction -- The role of technology to support adaptive, flexible, and scalable assessments -- Resources for developing a nation of word learners
The purpose of this text is to draw an analogy between the experiences of the peacock in the natural order and the peak experiences in the human condition. The peacock is capable of personifying the male and female consciousness in humans. Peak experiences are part of everyday life. The task is to assimilate human experience into the male (animus) and female (anima)parts of our consciousness. These experiences allow one to illuminate and identify one
Passion in paradise... Interior decorator Lucinda Oliver is shocked to discover that her latest client is none other than devilishly handsome Zane Alexander. She knew Zane a long time ago, and remembers him as a workaholic playboy. Despite his good looks, Lucinda is determined she won't become just another conquest. But their work takes them to a beautiful isolated house in the Caribbean, and Lucinda finds herself seduced not only by the heat and exotic surroundings, but also by Zane's sizzling dark desire...
Like her mother and grandmother, Ruth Bailey née Blackburn was born in Carlton and spent virtually her whole life in two houses barely a kilometre apart. Interviewed in 2010, she recalled the details of a traditional upper working class childhood at 16 Rathdowne Street, a stone's throw from the Exhibition (Carlton) Gardens, and shopping for everyday necessities in a still largely Anglo Lygon Street. Daily visits were paid to the home of her grandmother, across the road from what is today Carlton Primary School. After marriage and the birth of two daughters, it was in this house at 149 Palmerston Street that Ruth spent the rest of her life, living through the upheaval of the Housing Commission's demolition of huge swathes of Carlton just to her north and the building of the high rise flats in Lygon Street. Later she saw the original working class population of these flats gradually replaced by waves of refugees, most recently from Africa, and experienced the gentrification of a suburb once a byword for poor housing and crime.
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