Why did some offenses in the South end in mob lynchings while similar crimes led to legal executions? Why did still other cases have nonlethal outcomes? In this well-researched and timely book, Margaret Vandiver explores the complex relationship between these two forms of lethal punishment, challenging the assumption that executions consistently grew out of-and replaced-lynchings. Vandiver begins by examining the incidence of these practices in three culturally and geographically distinct southern regions. In rural northwest Tennessee, lynchings outnumbered legal executions by eleven to one and many African Americans were lynched for racial caste offenses rather than for actual crimes. In contrast, in Shelby County, which included the growing city of Memphis, more men were legally executed than lynched. Marion County, Florida, demonstrated a firmly entrenched tradition of lynching for sexual assault that ended in the early 1930s with three legal death sentences in quick succession. With a critical eye to issues of location, circumstance, history, and race, Vandiver considers the ways that legal and extralegal processes imitated, influenced, and differed from each other. A series of case studies demonstrates a parallel between mock trials that were held by lynch mobs and legal trials that were rushed through the courts and followed by quick executions. Tying her research to contemporary debates over the death penalty, Vandiver argues that modern death sentences, like lynchings of the past, continue to be influenced by factors of race and place, and sentencing is comparably erratic.
Transgender activists are all about speaking up—unless you regret your “transition” and have made the journey back. Then you’d better keep your mouth shut. But a compelling new book gives detransitioners a voice. And their testimony is unforgettable. The number of teens and pre-teens persuaded they were born with the wrong body has exploded. Goaded by a toxic online “community” and assisted by teachers, doctors, and even their own parents, they are promptly set on the path of puberty-blockers, cross-sex hormones, and gruesome “gender-affirming” surgeries. Media and activists insist that “transitioning” is the happy ending to these stories. But countless young people bear terrible emotional and physical scars. Adding to their anguish, the transgender community that once embraced them now wants to keep them quiet. Now one fearless reporter, Mary Margaret Olohan, shares their stories. Based on in-depth personal interviews, Detrans exposes the unconscionable abuse these detransitioners have endured—manipulative therapy sessions, mental and emotional anguish, botched surgeries, and attempts to construct phantom body parts. Their testimonies reveal a truth so disturbing that transgender activists will do anything to hide it. Detrans is indispensable evidence of the life-shattering power of gender ideology.
This book, first published in 1990, studies the oral fiction entertainments of Afghanistan by focusing on aspects of the oral narrative process which can be observed in individual performances.
When a chilling discovery is made in one of the manor’s greenhouses, the Frog End villagers rely on the Colonel to reluctantly solve another baffling mystery. Following the untimely death of her mother, Ursula Swynford, Ruth Harvey has taken over the manor in Frog End, where she runs a successful plant-selling business and provides gardening therapy for an increasing number of her husband Dr Tom Harvey’s troubled patients: embittered Lawrence Deacon, lonely Joyce Reed, widowed Tanya Carberry and wheelchair-bound Johnny Turner, the young victim of a horrific motorbike crash. Gardening at the manor quickly becomes a much-needed lifeline for the group, and all seems to be going well – until the major stumbles across a body among the tomato plants in one of the greenhouses. Once again, the manor is the scene of a brutal murder – and, once again, the Colonel reluctantly finds himself drawn into solving the mystery.
We often dismiss history as dull or irrelevant, but our modern disengagement from the past puts us fundamentally out of step with the long witness of the Christian tradition. Yet, says Margaret Bendroth, the past tense is essential to our language of faith, and without it our conversation is limited and thin. This accessible, beautifully written book presents a new argument for honoring the past. The Christian tradition gives us the powerful image of a vast communion of saints, all of God's people, both living and dead, in vital conversation with each other. This kind of connection with our ancestors in the faith, Bendroth maintains, will not happen by wishing or by accident. She argues that remembering must become a regular spiritual practice, part of the rhythm of our daily lives as we recognize our world to be, in many ways, a gift from others who have gone before.
After secretly receiving injections at the age of 100 that are meant to reverse the aging process, Melly and Anny Beth grow younger until, as teenagers, they try to find a guardian to take care of them as they return to infancy.
Easy-to-follow illustrated instructions show how to create more than 50 awesome, airborne objects — everything from simple bag kites to Vietnamese, Snake, Dutch, Dragon, Bullet, Delta, and Flowform flyers.
A homicide detective and the victim's sister battle Charlestown's code of silence to keep the case against a crime boss afloat despite his manipulations of the justice system.
Sukie is worried -- her parents are acting strange. When she runs in the house, her dad asks, "If all your friends jumped off a bridge, would you jump off a bridge too?" When she eats peas with her fingers, Mom yells, "You'll put an eye out with that thing!" What is going on? Have her parents been replaced by aliens? Are they robots with broken circuits? She and her older brothers decide to investigate. And what they discover leads to a kids-against-parents WAR! This very funny book casts a new light on family rules.
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. At the crossroads between the Cathy Gale-era stricture of video tape and the glossy, surreal, comic-strip world of 'glorious Technicolor', the monochrome filmed Emma Peel season represents the artistic pinnacle of a show which was exported around the world and remains the only British television drama to be networked at 'primetime' in the USA. Bright Horizons draws on the knowledge of a broad range of experts and fans of The Avengers - including scriptwriter Roger Marshall - offering critical explorations of all twenty-six 'mini-films' which made up Season 4, the collective peak of an extraordinary television series.
In her incredibly productive lifetime (1883-1974), American-born ornithologist Margaret Morse Nice earned the admiration of ornithologists and naturalists in far distant lands. Research Is a Passion With Me is an enthralling autobiography of one of the great individuals in her field and of her time. The prominent California nature writer, Donald Peattie, in commenting on Margaret Nice's writing ability, stated: "Your art of telling is so good that it conceals how good the science is." And Professor Ernst Mayer of Harvard University said: "Margaret Nice was a remarkable person and only those who know the state of American ornithology when she started her work will appreciate her contribution." "An extraordinary bird watcher. Every summer she and her husband would gather the girls, pack their old car with camping gear, and head off into the wilds to look for new birds. This eccentric way of living was unusual in the early 1920s, but even their youngest daughter adjusted to it. Their older girls shinnied up trees to observe nests and helped in housekeeping tasks around the campsite." - Marcia Bonta, Bird Watcher's Digest
This is Book 6 of 7 in the Ethnographer's Toolkit, Second Edition. Ethics in Ethnography explores the burgeoning field of research ethics and addresses how both formal and informal ethical considerations underpin good ethnographic research. Coming from the position that no particular research design is more or less prone to generate ethical issues, LeCompte and Schensul open this volume with a short history of formal oversight for human research and address the formal ethical responsibilities incumbent upon researchers. Next, they consider how informal or “everyday” ethics affect researchers’ daily interactions in the field. In recognition of the shift toward team-based field research, the authors pay special attention to ethics related to collaborative research. The book concludes with an examination of new challenges and issues ranging from new field realities to the ethics of interpreting research results. As with all books in the series, this title features case studies, checklists, key points to remember, and additional resources to consult; the result is a uniquely detailed and eminently useful introduction to the ethical conduct of ethnography. Other books in the set: Book 1: Designing and Conducting Ethnographic Research: An Introduction, Second Edition by Margaret D. LeCompte and Jean J. Schensul 9780759118690 Book 2: Initiating Ethnographic Research: A Mixed Methods Approach by Stephen L. Schensul, Jean J. Schensul, and Margaret D. LeCompte 9780759122017 Book 3: Essential Ethnographic Methods: A Mixed Methods Approach, Second Edition by Jean J. Schensul and Margaret D. LeCompte 9780759122031 Book 4: Specialized Ethnographic Methods: A Mixed Methods Approach edited by Jean J. Schensul and Margaret D. LeCompte 9780759122055 Book 5: Analysis and Interpretation of Ethnographic Data: A Mixed Methods Approach, Second Edition by Margaret D. LeCompte and Jean J. Schensul 9780759122079 Book 7: Ethnography in Action: A Mixed Methods Approach by Jean J. Schensul and Margaret D. LeCompte 9780759122116
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
The newest title in the Princeton Architectural Press Campus Guide series takes readers on a tour of Smith College. Founded in 1871 as one of the first full-fledged colleges for women, Smith is known for its beautiful campus set in an idyllic New England landscape. A walk around its grounds is like a comprehensive tour through American architecture from the eighteenth century to the present. The campus includes such diverse buildings as Peabody & Stearn's Queen Anne-style College Hall; the neo-Georgian Quadrangle by Ames, Dodge and Putnam; Skidmore, Owings & Merrill's International Style Cutter and Ziskind houses; as well as the postmodern Bass Science Center and Young Science Library by Shepley, Bullfinch, Richardson, and Abbott. The university's most recent additions include the Brown Fine Arts Center, designed by the Polshek Partnership; the Olin Fitness Center, by Leers Weinzapfel Associates; and the Campus Center by Weiss/Manfredi.
Diagnostic Lymph Node Pathology presents a logical and systematic approach to lymph node biopsies and guides general pathologists and haematopathologists alike through the maze of differential diagnoses, enabling them to reach an accurate diagnosis. The book is presented in an easy-to-read format and contains boxes for quick reference detailing the clinical, morphological, immunohistochemical, and genetic features of each entity. Thoroughly revised, the third edition also includes more than 300 high-quality histological colour photographs along with updated references. This edition covers both classical and less well-known features of individual disease processes. It is a valuable guide for both professionals and trainees.
This book is designed for upper-division undergraduate and graduate level archaeology students taking courses in ancient technologies, archaeological craft production, material culture, the history of technology, archaeometry, and field methods. This text can also serve as a general introduction and a reference for archaeologists, material culture specialists in socio-cultural disciplines, and engineers/scientists interested in the backgrounds and histories of their disciplines. The study of ancient technologies, that is, the ways in which objects and materials were made and used can reveal insights into economic, social, political, and ritual realms of the past. This book summarizes the current state of ancient technology studies by emphasizing methodologies, some major technologies, and the questions and issues that drive archaeologists in their consideration of these technologies. It shows the ways that technology studies can be used by archaeologists working anywhere, on any type of society and it embraces an orientation toward the practical, not the philosophical. It compares the range of pre-industrial technologies, from stone tool production, fiber crafts, wood and bone working, fired clay crafts, metal production, and glass manufacture. It includes socially contextualized case studies, as well as general descriptions of technological processes. It discusses essential terminology (technology, material culture, chaine operatoire, etc.), primarily from the perspective of how these terms are used by archaeologists.
In the last half of the nineteenth century, yellow fever plagued the American South. It stalked the region's steaming cities, killing its victims with overwhelming hepatitis and hemorrhage. Margaret Humphreys explores the ways in which this tropical disease hampered commerce, frustrated the scientific community, and eventually galvanized local and federal authorities into forming public health boards. She pays particular attention to the various theories for containing the disease and the constant tension between state and federal officials over how public funds should be spent. Her research recovers the specific concerns of the late nineteenth- and early twentieth-century South, broadening our understanding of the evolution of preventive medicine in the United States.
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