More Than Things is a collection of essays on a variety of political, cultural, and literary issues, all linked by Margaret Randall’s attention to power: its use, misuse, and impact on how we live our lives. There are texts on sex, fashion, food, LGBT rights, automobiles, forgiving, women’s self-image, writing, books, and more. Two of the essays provide glimpses into present-day Cuba and Tunisia. She reflects on her family; her romantic partners; and the revolutionaries, writers, artists, and activists she has known personally and admired: Roque Dalton, Meridel LeSueur, and Haydée Santamaría. Randall’s writings move in unexpected directions, evoked by the “things” and ideas in her life: objects picked up around the world, her children’s names, family heirlooms, artistic practices, dreams, poems, and memories. Elegantly weaving together the personal and the political, More Than Things is a tour de force by one of America’s most formidable and elegiac writers and political activists.
Well into her ninth decade, legendary human rights activist, poet, historian, translator and editor Margaret Randall keeps right on producing important and impressive books — so many that even Randall lost count around 200. In her latest poetry collection, This Honest Land, she revisits many of her familiar themes: memory, place and displacement, climate change, fear, love, and the desert landscape of her New Mexican home. These poems are alive and vivid, almost youthfully intense, yet simultaneously wise and insightful with the authority of the poet's mature voice.
Che on My Mind is an impressionistic look at the life, death, and legacy of Che Guevara by the renowned feminist poet and activist Margaret Randall. Recalling an era and this figure, she writes, "I am old enough to remember the world in which [Che] lived. I was part of that world, and it remains a part of me." Randall participated in the Mexican student movement of 1968 and eventually was forced to leave the country. She arrived in Cuba in 1969, less than two years after Che's death, and lived there until 1980. She became friends with several of Che's family members, friends, and compatriots. In Che on My Mind she reflects on his relationships with his family and fellow insurgents, including Fidel Castro. She is deeply admiring of Che's integrity and charisma and frank about what she sees as his strategic errors. Randall concludes by reflecting on the inspiration and lessons that Che's struggles might offer early twenty-first-century social justice activists and freedom fighters.
Traces the remarkable life of a feminist poet through the items and images that have have defined her experiences My Life in 100 Objects is a personal reflection on the events and moments that shaped the life and work of one extraordinary woman. With a masterful, poetic voice, Margaret Randall uses talismanic objects and photographs as launching points for her nonlinear narrative. Through each “object,” Randall uncovers another part of herself, starting in a museum in Amman, Jordan, and ending in the Latin American Studies Association in Boston. Interwoven throughout are her most precious relationships, her growth as an artist, and her brave, revolutionary spirit. As Randall’s adventures often coincide with important moments in history, many of her objects provide a transcontinental glimpse into social upheavals and transitions. She shares memories from her years in Cuba (1969 to 1980) and Nicaragua (1980 to 1984), as well as briefer periods in North Vietnam (immediately preceding the end of the war in 1975), and Peru (during the government of Velasco Alvarado). In her introduction, Randall states, “objects and places have always been alive to me.” Her history too is alive, as much of a means to consider our own present as it is to glimpse her vibrant past.
Fearless personal essays from a treasured feminist poet and activist Luck is a collection of essays covering such topics as memory, language, landscape, poetry, anger, sex, food, pandemics, war, violence, feminism, lies, imagination, death, power, identity, and of course luck. Some are full-blown explorations, others brief riffs. Some are prose poetry, others straightforward prose. The author combines scholarly research with personal experience, producing texts both intimate and illuminating. Always attentive to the world around her and the one within, Randall has brought us her most relevant and powerful essays to date.
Combining anecdotes with analysis, Margaret Randall describes how, in 20th century revolutionary societies, women's issues were gradually pushed aside. Randall shows how distorted visions of liberation and shortcomings in practice left a legacy that not only shortchanged women but undermined the revolutionary project itself. Finally, she grapples with the ways in which women themselves often retreated into more traditional roles and the rage that this engenders.
Against Atrocity is Margaret Randall's first large book of poems since Time's Language: Selected Poems 1959-2018, a major collection covering work from 30 of her books over a period of 60 years. This new book shows that this poet continues to be a relevant and inspiring voice in American letters. It is also a stellar example of contemporary, intelligent protest poetry by a significant writer. Long known and honored for her work throughout the Americas, she is also long admired in the LGBTQ community. Among numerous awards, Randall was awarded the Lillian Hellman and Dashiell Hammett grant for writers victimized by political repression. In 2004 she was the first recipient of PEN New Mexico’s Dorothy Doyle Lifetime Achievement Award for Writing and Human Rights Activism. In 2017, she was only the second American to be awarded the prestigious Medal of Literary Merit by Literatura en el Bravo, Chihuahua, Mexico. Nicaraguan poet Daisy Zamora writes: "These poems restore language to its authentic meaning, remind us of the power of words when expressing the truth, and the redeeming potential of poetry in these terrible times." These are indeed terrible times, ones in which we increasingly find ourselves looking to art and creativity to lift us from the unchecked violence, everyday frustration of deaf governance, and an out-of-control profit motive that too often seems to bury us in a dangerous sense of futility. Randall writes as insightfully about the plight of a single woman or child as she does about global warming or the mysteries of aging. In these poems we find more questions than answers, but they are the questions we must continue to ask ourselves in order for our humanity to survive.Against Atrocity will also see publication this year, in completely bilingual format, by Aguacero in Buenos Aires, Argentina. And some of the poems are included in El lenguaje del tiempo, a book-length sampling of the poet's work coming out from El Angel Editor in Quito, Ecuador to coincide with that country's Poesía en paralelo cero (Poetry on the Equator), an important Latin American poetry festival. Randall's work is being published in Cuba, throughout South America, in Europe and Asia. She is someone who combines the intimate with the international, our small stories with the larger one that shapes us all. Here are poems that pierce complacency's thick skin and provide a road map to agency and hope.
A collection of intimate and conversational accounts of the artists that have impacted the poet activist Margaret Randall on her own creative journey. As makers of art, social commentators, women in a world dominated by male values, and in solitude or collaboration with communities, each artist is seen in the context of the larger artistic arena. Through her reflections, Randall also takes on questions about visual art as a whole and its lasting political influence on the world"--
In To Change the World, the legendary writer and poet Margaret Randall chronicles her decade in Cuba from 1969 to 1980. Both a highly personal memoir and an examination of the revolution's great achievements and painful mistakes, the book paints a portrait of the island during a difficult, dramatic, and exciting time. Randall gives readers an inside look at her children's education, the process through which new law was enacted, the ins and outs of healthcare, employment, internationalism, culture, and ordinary people's lives. She explores issues of censorship and repression, describing how Cuban writers and artists faced them. She recounts one of the country's last beauty pageants, shows us a night of People's Court, and takes us with her when she shops for her family's food rations. Key figures of the revolution appear throughout, and Randall reveals aspects of their lives never before seen. More than fifty black and white photographs, most by the author, add depth and richness to this astute and illuminating memoir. Written with a poet's ear, depicted with a photographer's eye, and filled with a feminist vision, To Change the Worldùneither an apology nor gratuitous attackùadds immensely to the existing literature on revolutionary Cuba.
Margaret Randall's most recent collection of poems, Out of Violence Into Poetry, was written over these past few years when language itself was violated by a president who lied until each lie, repeated often enough, resembled a terrible truth in the public discourse. Reality, sanity, beauty: all bend and run the risk of breaking when distorted beyond recognition. These poems consciously restore language to its natural habitat. They deal with history, memory, loss, life, death and promise. They address love and aging. They become a welcome refuge at a time of uncertainty and take us on disparate journeys that often have surprising twists. There is humor as well as rage. We cannot leave it to the politicians alone to give words their meaning back. That is the job of poets, and this book does that job well. Randall is the author of nearly 200 books, spanning more than six decades. Out of Violence into Poetry may well be her finest collection of poetry to date.
In this poetry collection, Margaret Randall uses the metaphor of ruins to meditate on time's movement--through memory, through cities, through the leavings of history, and through the bodies of people who have experienced time's transformations and traumas. Randall's ruins include not only Chaco Canyon, Hovenweep, Teotihuacan, Machu Picchu, Kiet Siel, Petra, and sites in ancient Greece and Egypt, but also Auschwitz-Birkenau and lives shattered by torture and oppression. "Always there is that moment of arrival, as another reality rises before me, superimposed upon the one I live today. Sometimes the membrane is torn, and I find myself moving in and out. Boundaries dissolve. A mysterious space, between then and now, warns as it invites: promising revelation and maybe also fresh trauma if I am willing to risk its secrets."--Margaret Randall, in the Introduction
Concerns about power, its use and abuse, have been at the center of Margaret Randall's work for more than fifty years. And over time Randall has acquired a power all her own, as her unique ability to observe, consider, and distill experience has drawn readers into new experiences and insights. Tempered by time and reflecting a life fully lived and richly examined, her thoughts on race, gender, poetry, landscape, cellular memory, and personal loss speak with eloquence and urgency.
First revised edition of interviews with 14 prominent activists whose writings influenced the 1979 Nicaraguan revolution and help us understand present-day Nicaragua Margaret Randall presents a dynamic collection of personal interviews with Nicaragua's most important writer-revolutionaries who played major roles in the 1979 revolution and the subsequent reconstruction. This revised first edition includes a new preface and additional notes that frame the narrative in high relevance to the present day. The featured writer-activists speak of their work and practical tasks in constructing a new society. Among the writers included are Gioconda Belli, Tomás Borge, Omar Cabezas, Ernesto Cardenal, Vidaluz Menéses, Julio Valle-Castillo, and Daisy Zamora. The work also features 50 evocative photographs from the era by Margaret Randall.
In 1969, poet and revolutionary Margaret Randall was forced underground when the Mexican government cracked down on all those who took part in the 1968 student movement. Needing to leave the country, she sent her four young children alone to Cuba while she scrambled to find safe passage out of Mexico. In I Never Left Home, Randall recounts her harrowing escape and the other extraordinary stories from her life and career. From living among New York's abstract expressionists in the mid-1950s as a young woman to working in the Nicaraguan Ministry of Culture to instill revolutionary values in the media during the Sandinista movement, the story of Randall's life reads like a Hollywood production. Along the way, she edited a bilingual literary journal in Mexico City, befriended Cuban revolutionaries, raised a family, came out as a lesbian, taught college, and wrote over 150 books. Throughout it all, Randall never wavered from her devotion to social justice. When she returned to the United States in 1984 after living in Latin America for twenty-three years, the U.S. Immigration and Naturalization Service ordered her to be deported for her “subversive writing.” Over the next five years, and with the support of writers, entertainers, and ordinary people across the country, Randall fought to regain her citizenship, which she won in court in 1989. As much as I Never Left Home is Randall's story, it is also the story of the communities of artists, writers, and radicals she belonged to. Randall brings to life scores of creative and courageous people on the front lines of creating a more just world. She also weaves political and social analyses and poetry into the narrative of her life. Moving, captivating, and astonishing, I Never Left Home is a remarkable story of a remarkable woman.
Margaret Randall's most recent collection of poems, Out of Violence Into Poetry, was written over these past few years when language itself was violated by a president who lied until each lie, repeated often enough, resembled a terrible truth in the public discourse. Reality, sanity, beauty: all bend and run the risk of breaking when distorted beyond recognition. These poems consciously restore language to its natural habitat. They deal with history, memory, loss, life, death and promise. They address love and aging. They become a welcome refuge at a time of uncertainty and take us on disparate journeys that often have surprising twists. There is humor as well as rage. We cannot leave it to the politicians alone to give words their meaning back. That is the job of poets, and this book does that job well. Randall is the author of nearly 200 books, spanning more than six decades. Out of Violence into Poetry may well be her finest collection of poetry to date.
Starting from meditations on the ancient Pueblo Indian ruins at Kiet Seel, a collection of photography, poetry, and personal essays ponders the histories of conquest and displacement, religion and mythology, humans' relationship with space, gender and womanhood, nature, and politics.
Through direct testimony, historical narrative, and photographs, relates the 1980's kidnap, imprisonment, and torture of social activists Nora Miselem of Hondurus and Maria Suarez Toro of Costa Rica. Details the support they gave each other during incarceration, what they did to achieve release, and their attempts to reconstruct their lives afterwards. [back cover].
In The Price We Pay, Margaret Randall interviews women from a wide range of economic, racial, and cultural backgrounds to reveal the role money plays in their lives. These women speak of their changing expectations and attitudes regarding money. Daughters of immigrants remember what money meant in the transition between worlds. They disclose the feelings that they have of stigma or shame at not having enough, guilt at having too much, and the lies, secrets and silences caused by these feelings. These personal stories are woven into a history of women's economics and chapters on family, work, the media, power and control, and lesbian economics.
Randall interviewed these outspoken women from all walks of life: working-class Diana Espinoza, head bookkeeper of an employee-owned factory; Daisy Zamora, a vice minister of culture under the Sandinistas; and Vidaluz Meneses, daughter of a Somozan official, who ties her revolutionary ideals to her Catholicism. The voices of these women, along with nine others, lead us to recognize both the failed promises and continuing attraction of the Sandinista movement for women.
In her new book, Exporting Revolution, Margaret Randall explores the Cuban Revolution's impact on the outside world, tracing Cuba's international outreach in health care, disaster relief, education, literature, art, liberation struggles, and sports. Randall combines personal observations and interviews with literary analysis and examinations of political trends in order to understand what compels a small, poor, and underdeveloped country to offer its resources and expertise. Why has the Cuban health care system trained thousands of foreign doctors, offered free services, and responded to health crises around the globe? What drives Cuba's international adult literacy programs? Why has Cuban poetry had an outsized influence in the Spanish-speaking world? This multifaceted internationalism, Randall finds, is not only one of the Revolution's most central features; it helped define Cuban society long before the Revolution.
The Morning After is Margaret Randall's 30th poetry collection and eleventh with Wings Press. The title poem was written, as so many in this country were, the morning after the November 8, 2016 presidential election: "I wish there was a pill for that," is one of its lines. But Randall doesn't stay with anger, irony, or a pamphleteering voice. Her work goes much deeper, grappling with ageless concerns and unexpected details. Throughout this volume there is a concern with time, place, and memory; intimate landscape; mature love; the current threat to the richness of language; global consciousness; a mapping of human questioning and exploration of identity.
The bestselling classic about a mixed-race child in the Civil War-era South that “chronicles the triumph of a free spirit over many kinds of bondage” (TheNew York Times Book Review). Jubilee tells the true story of Vyry, the child of a white plantation owner and his black mistress. Vyry bears witness to the antebellum South in both its opulence and its brutality, its wartime ruin, and the promises of Reconstruction. Weaving her own family’s oral history with thirty years of research, Margaret Walker brings the everyday experiences of slaves to light in a novel that churns with the hunger, the hymns, the struggles, and the very breath of American history. “A revelation.”—Milwaukee Journal Includes a foreword by Nikki Giovanni
Margaret Oliphant achieved fame during the Victorian era for her masterpieces of domestic realism, historical novels and spellbinding tales of the supernatural. This eBook presents a comprehensive range of Oliphant’s works, with the complete Chronicles of Carlingford, the complete Stories of the Seen and Unseen, numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 2) * Beautifully illustrated with images relating to Oliphant’s life and works * Concise introductions to the novels and other texts * 79 novels, with individual contents tables * Rare novels available in no other collection, including Oliphant’s first novels MARGARET MAITLAND and CHRISTIAN MELVILLE * Rare supernatural novels appearing in digital publishing for the first time: DIES IRAE and THE LADY’S WALK * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete ‘Chronicles of Carlingford’ series, inspired by Trollope’s Barsetshire books, with special index and links – includes the very rare short story ‘The Executor’ * Special chronological and alphabetical contents tables for the short stories * Features the complete Stories and Novels of the Seen and Unseen – first time in digital print * Includes a selection of Oliphant’s non-fiction * Features a bonus biography * Scholarly ordering of texts into chronological order and literary genres * UPDATED with 60 more books – including 56 novels, 2 short story collections, 1 non-fiction work and an autobiography CONTENTS: The Chronicles of Carlingford Stories of the Seen and Unseen The Novels Passages in the Life of Mrs. Margaret Maitland (1849) Merkland (1850) The Quiet Heart (1854) Christian Melville (1855) The Athelings (1857) The Days of My Life (1857) The Laird of Norlaw (1858) The House on the Moor (1861) The Doctor’s Family (1861) The Last of the Mortimers (1862) Salem Chapel (1862) Heart and Cross (1863) The Perpetual Curate (1863) A Son of the Soil (1865) Miss Marjoribanks (1865) Madonna Mary (1867) Brownlows (1868) The Minister’s Wife (1869) The Three Brothers (1870) John (1870) Squire Arden (1871) Ombra (1872) At His Gates (1872) May (1873) A Rose in June (1874) For Love and Life (1874) Whiteladies (1875) The Story of Valentine and His Brother (1875) The Curate in Charge (1876) Phoebe, Junior (1876) Mrs. Arthur (1877) Young Musgrave (1877) The Primrose Path (1878) A Beleaguered City (1879) Within the Precincts (1879) He That Will Not When He May (1880) The Greatest Heiress in England (1880) Harry Joscelyn (1881) In Trust (1881) The Ladies Lindores (1883) The Lady’s Walk (1883) Sir Tom (1883) Hester (1883) It was a Lover and His Lass (1883) Madam (1884) The Wizard’s Son (1884) Old Lady Mary (1884) The Prodigals and Their Inheritance (1885) Oliver’s Bride (1886) Effie Ogilvie (1886) The Son of His Father (1886) A Poor Gentleman (1886) A House Divided Against Itself (1886) A Country Gentleman and His Family (1886) Joyce (1888) Cousin Mary (1888) Lady Car (1889) The Mystery of Mrs. Blencarrow (1890) Sons and Daughters (1890) The Duke’s Daughter (1890) Kirsteen (1890) The Fugitives (1890) The Railway Man and His Children (1891) The Story of a Governess (1891) The Heir Presumptive and the Heir (1891) The Marriage of Elinor (1891) The Cuckoo in the Nest (1892) Diana Trelawny (1892) The Sorceress (1893) A House in Bloomsbury (1894) Lady William (1894) Who Was Lost and Is Found (1894) Sir Robert’s Fortune (1894) Old Mr. Tredgold (1895) Two Strangers (1895) Dies Irae (1895) The Unjust Steward (1896) The Two Marys (1896) The Ways of Life (1897) The Shorter Fiction The Executor (1861) The Rector (1861) The Land of Darkness (1888) Neighbours on the Green (1889) A Widow’s Tale and Other Stories (1898) Complete Stories of the Seen and Unseen The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Non-Fiction Royal Edinburgh (1890) Historical Characters in the Reign of Queen Anne (1894) The Makers of Modern Rome (1895) Jeanne d’Arc (1896) The Sisters Brontë (1897) The Autobiography The Autobiography and Letters of Mrs. M. O. W. Oliphant (1899) The Biography Margaret Oliphant (1901) by Richard Garnett
“A lively tale of historical innovation, the thrill of the bibliophile’s hunt, greed and betrayal.” – The New York Times Book Review "An addictive and engaging look at the ‘competitive, catty and slightly angst-ridden’ heart of the world of book collecting.” - The Houston Chronicle The never-before-told story of one extremely rare copy of the Gutenberg Bible, and its impact on the lives of the fanatical few who were lucky enough to own it. For rare-book collectors, an original copy of the Gutenberg Bible--of which there are fewer than 50 in existence--represents the ultimate prize. Here, Margaret Leslie Davis recounts five centuries in the life of one copy, from its creation by Johannes Gutenberg, through the hands of monks, an earl, the Worcestershire sauce king, and a nuclear physicist to its ultimate resting place, in a steel vault in Tokyo. Estelle Doheny, the first woman collector to add the book to her library and its last private owner, tipped the Bible onto a trajectory that forever changed our understanding of the first mechanically printed book. The Lost Gutenberg draws readers into this incredible saga, immersing them in the lust for beauty, prestige, and knowledge that this rarest of books sparked in its owners. Exploring books as objects of obsession across centuries, this is a must-read for history buffs, book collectors, seekers of hidden treasures, and anyone who has ever craved a remarkable book--and its untold stories.
Love Inspired Suspense brings you three new titles at a great value, available now! Enjoy these suspenseful romances of danger and faith. STANDOFF AT CHRISTMAS Alaskan Search and Rescue by Margaret Daley Injured K-9 police officer Jake Nichols comes home for Christmas to heal, but when his childhood friend Rachel Hart gets caught up in a drug-smuggling ring, he vows to protect her at any cost. YULETIDE FUGITIVE THREAT Bounty Hunters by Sandra Robbins When the man who killed Mia Fletcher's husband starts terrorizing her, she turns to her ex-boyfriend, bounty hunter Lucas Knight, for help in the days leading up to Christmas. SILENT NIGHT PURSUIT Roads to Danger by Katy Lee Lacey Phillips travels north at Christmas to find Captain Wade Spencer, who she hopes can give her answers about her brother's death. But someone will stop at nothing to keep the truth hidden.
She had sworn never to marry, never to allow any man to claim her or her lands. Nevertheless, Lady Adelaide fended off fortune hunters aplenty when she arrived at the king's court. Yet when dark whispers in castle corridors threw her into the arms of a valiant knight seeking a wife, the beautiful heiress began to rethink her solemn vow. To ransom his captive brother, Armand de Boisbaston had great need of a wealthy—and willing—wife. Fate sent him the lady Adelaide instead. A woman who claimed she wished to avoid the marriage bed, yet whose lips told a different tale. Now dangerous intrigues forced them into a match as inescapable as the burgeoning passion that grew between them.…
Fundamentals of Engineering Thermodynamics, 9th Edition sets the standard for teaching students how to be effective problem solvers. Real-world applications emphasize the relevance of thermodynamics principles to some of the most critical problems and issues of today, including topics related to energy and the environment, biomedical/bioengineering, and emerging technologies.
Levittown, the prototype for suburban housing development in America, emerged from the hands of legendary builders Abraham, William, and Alfred Levitt in 1947, in response to the housing dilemmas faced by veterans returning home after World War II. Skeptics predicted that the community would deteriorate, but Levittown soon became the model for housing developments throughout the nation. Its strategically planned neighborhoods were reproduced overseas as well, including cities in Germany, France, Spain, and Israel. Through more than 200 vintage photographs combined with a thoroughly researched text, Levittown Volume II illuminates the evolution of this close-knit community and invites readers to meet the families that contributed to its growth. This second volume of Levittown images takes us a step beyond the pre-Levitt history presented in Levittown: The First 50 Years and further explores the town's progress to date.
There has been dispute amongst social historians about whether only the more prosperous in village society were involved in religious practice. A group of historians working under Dr. Spufford's direction have produced a factual solution to this dispute by examining the taxation records of large groups of dissenters and churchwardens, and have established that both late Lollard and post-Restoration dissenting belief crossed the whole taxable spectrum. We can no longer speak of religion as being the prerogative of either 'weavers and threshers' or, on the other hand, of village elites. The group also examined the idea that dissent descended in families, and concluded that this was not only true but that such families were the least mobile population group so far examined in early modern England - probably because they were closely knit and tolerated in their communities. The cause of the apparent correlation of 'dissenting areas' and areas of early by-employment was also questioned. The group concludes that travelling merchants and carriers on the road network carried with them radical ideas and dissenting print, the content of which is examined, as well as goods. In her own substantial chapter Dr. Spufford draws together the pieces of the huge mosaic constructed by her team of contributors, adds radical ideas of her own, and disagrees with much of the prevailing wisdom on the function of religion in the late seventeenth century. Professor Patrick Collinson has contributed a critical conclusion to the volume. This is a book which breaks new ground, and which offers much original material for ecclesiastical, cultural, demographic, and economic historians of the period.
Born two months premature starts life’s journey that will be filled with emotional and physical struggles for a little girl named Summer Gale Dupree. Summer Gale’s growth is much slower than her peers, she is painfully shy and she is academically challenged. Beginning school she quickly learns that being teased, threatened, and bullied will be a way of life for her. At the tender age of nine years old she becomes a victim of a medical condition called Alopecia and she looses the one thing that made her feel normal, her beautiful hair. Summer Gale was born in a small farming town in 1948, a time when few victims received attention and even fewer received help from cruel bullies. Summer Gale’s mother begins her story by briefly telling about the stormy night she was born. Then Summer Gale continues from the first grade throughout her senior year of high school.
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