Offers an introduction to British Gothic literature. This book examines works by Gothic authors such as Horace Walpole, Matthew Lewis, Ann Radcliffe, William Godwin and Mary Shelley against the backdrop of eighteenth-and-nineteenth-century British social and political history.
In this journey through the work of artists and the writings of travelers who have been both smitten and repelled by the influence of Venice, Margaret Doody explores ways in which this is a city profoundly unlike any other on earth—and one that simultaneously unsettles and reveals many of our most deeply rooted cultural values.
By weaving discussions of the personal and professional writings of Ruth Benedict, Margaret Mead presents the anthropologist's work in the context of her life and times. Mead also defends Benedict's humanistic approach to anthropology as she considers considers her most important works. In addition to a selection of Benedict's anthropological writings, this edition includes new forewords by two leading Benedict scholars.
Over the years, their commissions included scores of city and country residences for the elite of both regions as well as major institutional and business buildings such as those at Harvard and Radcliffe, the Cambridge City Hall, and Pittsburgh's Duquesne Club and Carnegie Institute.
With the thoroughness and resourcefulness that characterize the earlier volumes, she recounts the rich history of the courageous and resolute women determined to realize their scientific ambitions.
Over the span of forty years, Professor Raphael Dorman O'Leary passionately imparted to his students his love of writing and English literature at the University of Kansas. When he died after a short illness in 1936, his personal effects were passed to several relatives until Dennis O'Leary, and his wife, Margaret, discovered his papers while restoring a family house. Amid Professor O'Leary's papers were two slim and battered booklets containing the colorful journal that he kept during his sabbatical in Oxford, England, from 1910 to 1911. The journal paints a vibrant picture of O'Leary's academic, social, political, and religious encounters in Oxford, England, as he and his family attempted to adjust to an alien world. Professor O'Leary portrays with humor and pathos his myriad encounters with professors, politicians, Rhodes scholars, shopkeepers, nurses, street urchins, and mummers while vividly describing the dreary climate, tea and dinner parties, football games, the marketplace, musty bookstores, Oxford's slums, and the birth of his son in a rooming house bedroom. Notes from Oxford, 1910-1911 reveals a fascinating glimpse into the experiences of a revered English professor during his one-year sabbatical in Oxford, England.
Despite her fascinating life and her importance as a writer, until now Lady Mary Wroth has never been the subject of a full-length biography. Margaret Hannay's reliance on primary sources results in some corrections, as well as additions, to our knowledge of Wroth's life, including Hannay's discovery of the career of her son William, the marriages of her daughter Katherine, her grandchildren, her last years, the date of her death, and the subsequent history of her manuscripts. This biography situates Lady Mary Wroth in her family and court context, emphasizing the growth of the writer's mind in the sections on her childhood and youth, with particular attention to her learned aunt, Mary Sidney Herbert, Countess of Pembroke, as literary mentor, and to her Continental connections, notably Louise de Coligny, Princess of Orange, and her stepson Prince Maurice. Subsequent chapters of the biography treat her experience at the court of Queen Anne, her relationships with parents and siblings, her love for her cousin William Herbert, her marriage to Robert Wroth, the birth and early death of her only legitimate child, her finances and properties, her natural children, her grandchildren, and her last years in the midst of England's civil wars. Throughout the biography attention is paid to the complex connections between Wroth's life and work. The narrative is enhanced with a chronology; family trees for the Sidneys and Wroths; a map of Essex, showing where Wroth lived; a chart of family alliances; portraits; and illustrations from her manuscripts.
This is the biography of Rosemond Tuve, a remarkable woman scholar, who rose to honor and acclaim in the United States and abroad. Her story is told mainly in her own compelling voice through personal letters, diaries, and lectures. Tuve was an internationally recognized Renaissance scholar. She was the first visiting woman English professor to Harvard University in 1958, and to Princeton University in 1961. A reading of Rosemond Tuve is a reflection on education and rewards of the life of the mind.
Master of Wangaree Homestead Guy Radcliffe is from one of the most revered families in the Outback. Now he wants a wife, and a queue of society beauties are at his door! Alana Callaghan is from the wrong side of town and doesn't fit the glamorous, pampered world of the other girls. But that hasn't stopped her from secretly being in love with Guy for years—even though she knows he'll never view her as wife material. A wedding at Wangaree will take place—but can Alana be Guy's bride?
Fifty of Margaret Atwood's finest essays and reviews from 1960 to 1982 are included in this collection of her key critical writings. Wit and originality infuse discussions of the writing process, literary life, and such literary figures as Adrienne Rich, Northrop Frye, Anne Sexton, and E. L. Doctorow. Atwood's perspectives on Canadian nationalism and the American dream emerge, as do her controversial attitudes about feminism, sexism, and contemporary North American life. This largest collection of her critical prose showcases the human insight and sharp intellect that has distinguished Atwood as one of the most compelling writers of the 21st century.
The nineteenth-century French novel has long been seen as the heroic production of great men, who confronted in their works the social consequences of the French Revolution. And it is true that French realism, especially as developed by Balzac and Stendhal, was one of the most influential novelistic forms ever invented. Margaret Cohen, however, challenges the traditional account of the genesis of realism by returning Balzac and Stendhal to the forgotten novelistic contexts of their time. Reconstructing a key formative period for the novel, she shows how realist codes emerged in a "hostile take-over" of a prestigious contemporary sentimental practice of the novel, which was almost completely dominated by women writers. Cohen draws on impressive archival research, resurrecting scores of forgotten nineteenth-century novels, to demonstrate that the codes most closely identified with realism were actually the invention of sentimentality, a powerful aesthetic of emerging liberal-democratic society, although Balzac and Stendhal trivialized sentimental works by associating them with "frivolous" women writers and readers. Attention to these gendered struggles over genre explains why women were not pioneers of realism in France during the nineteenth century, a situation that contrasts with England, where women writers played a formative role in inventing the modern realist novel. Cohen argues that to understand how literary codes respond to material factors, it is imperative to see how such factors take shape within the literary field as well as within society as a whole. The book also proposes that attention to literature as a social institution will help critics resolve the current, vital question of how to practice literary history in the wake of poststructuralism.
Poet, anthropologist, feminist—Ruth Fulton Benedict was all of these and much more. Born into the last years of the Victorian era, she came of age during the Progressive years and participated in inaugurating the modern era of American life. Ruth Benedict: Stranger in This Land provides an intellectual and cultural history of the first half of the twentieth century through the life of an important and remarkable woman. As a Lyricist poet, Ruth Benedict helped define Modernism. As an anthropologist, she wrote the classic Patterns of Culture and at one point was considered the foremost anthropologist in the United States—the first woman ever to attain such status. She was an intellectual and an artist living in a time when women were not encouraged to be either. In this fascinating study, Margaret Caffrey attempts to place Benedict in the cultural matrix of her time and successfully shows the way in which Benedict was a product of and reacted to the era in which she lived. Caffrey goes far beyond providing simple biographical material in this well-written interdisciplinary study. Based on exhaustive research, including access for the first time to the papers of Margaret Mead, Benedict's student and friend, Caffrey is able to put Benedict's life clearly in perspective. By identifying the family and educational influences that so sharply influenced Benedict's psychological makeup, the author also closely analyzes the currents of thought that were strong when Victorianism paralleled the Modernism that figured in Benedict's life work. The result is a richly detailed study of a gifted woman. This important work will be of interest to students of Modernism, poetry, and women's studies, as well as to anthropologists.
Written by experienced authorities from around the world giving a wider international perspective on palliative nursing, this substantially expanded new edition has been specifically adapted to reflect working practices within the NHS. All nurses especially those that are new to palliative care, and those working in other areas of health where palliative skills are required, will find this essential reading.
Jane Austen took a particular delight in the resonance of names, and in her novels she used the names of people and places as a potential source of meaning, satirical or historical. Margaret Doody s book is a learned and enjoyable investigation of this aspect of Austen s art. Doody tells us that Austen preferred first names in common and traditional English use, though these sometimes acquire a subtly new flavor in her works. Austen also favored the names of saints and of royalty, but she did use some classically derived pagan names, always with a purpose. And Austen would signal political loyalties and allegiances in her novels through the use of names, both first names and last names, as well as place names. In exploring Austen s names and their connotations, Doody has a larger point to make. By uncovering the riddling and punning in Austen s names, as well as Austen s interest in history, Doody casts Austen as a decidedly earthy writer steeped in the particulars of place and time, rather than a timeless novelist writing in an abstemious style. From this attention to names in her work emerges a picture of Austen that is both fuller than we ve had before, and controversial.
Margaret Cromarty was a nurse who suffered a catastrophic stroke aged just 43, which left her with Locked-In Syndrome. Still paralysed even now, with the aid of an on-screen keyboard she has written this unflinching account of her treatment. It describes the frustrations of being fully aware but ignored as a person by carers unable to communicate effectively, and the painfully slow steps towards rehabilitation.It contains vital lessons for health professionals caring for victims of stroke, and for families and friends of patients. 'I learned later that the doctors expected that I would die. They made a poor attempt at concealing this expectation. They discussed me over me. I was dismayed at the negative vibes they exuded each time they came to see me. I felt that they had written me off already. Of course they can have had little idea of how their behaviour affected me. I just lay there, seemingly unresponsive, just existing, unable to enlighten them as to what was going on inside my head.' - Margaret Cromarty.
A must-have collection of Jane Austen covers from the past two centuries—complete with fun trivia and anecdotes, fascinating insights into book design and publishing, and much more Jane Austen never goes out of style. Since the first publication of her six novels in the 19th century, she has delighted generations of fans with classic stories that have never changed—and countless covers that have. Jane Austen Cover to Cover compiles two centuries of design showcasing one of the world’s most beloved and celebrated novelists. With over 200 images, plus historical commentary, Austen trivia, and a little bit of wit, this fascinating and visually intriguing look back is a must for Janeites, design enthusiasts, and book lovers of every age.
As Australian cities face uncertain water futures, what insights can the history of Aboriginal and settler relationships with water yield? Residents have come to expect reliable, safe, and cheap water, but natural limits and the costs of maintaining and expanding water networks are at odds with forms and cultures of urban water use. Cities in a Sunburnt Country is the first comparative study of the provision, use, and social impact of water and water infrastructure in Australia's five largest cities. Drawing on environmental, urban, and economic history, this co-authored book challenges widely held assumptions, both in Australia and around the world, about water management, consumption, and sustainability. From the 'living water' of Aboriginal cultures to the rise of networked water infrastructure, the book invites us to take a long view of how water has shaped our cities, and how urban water systems and cultures might weather a warming world.
Women of the Place is a study of gender relations in the kastom communities of South Pentecost, Vanuatu. It considers kastom in these communities not as an eternal tradition, but rather as a way of life, an identity in relation, and in resistance to the forces of European development. The way in which Christian missions, the labour trade, and the development of Western political institutions had a divergent impact on women and men is explored. The relations between persons and things is highlighted in an examination of the myths and rituals of the life-cycle and of grade-taking. The significance of this ritual is located in the context of colonial history, particularly the impact of pacification on men. Finally, the book considers more generally kastom and gender in the post-colonial state.
This first collection of Margaret Mead's personal correspondence creates a vivid and intimate portrait of an American icon--with a foreword by Mead's daughter, Mary Catherine Bateson.
This is the 13th episode in the third season of Bookburners, a 13-episode serial from Serial Box Publishing. This episode written by Max Gladstone. Magic is real . . . and hungry. The Bookburners thought they had seen some strange things in their time, but as they watch London become a hellscape, its own buildings rising up and rampaging through the streets, they realize it's only going to get stranger from here on out. In an epic battle to defend the world as they know it, they gamble on trusting the new Team Four, along with the magic they command. And it soon becomes clear that even if they win this battle, the war is just beginning. Things have changed for the Vatican's magic-fighting Team Three: their forces are depleted, and internal rifts are coming close to tearing this close-knit group apart. But some things never change. Magic still threatens to overwhelm our world, and when a startling appearance from Menchú's past reveals new dimensions to this danger, the team will have to reassess their loyalties-to their jobs, their beliefs, and even to each other.
Magic is real, and hungry--trapped in ancient texts and artifacts. Only a few who discover it survive to fight back. Join Detective Sal Brooks, newest recruit to a black-ops magic hunting team backed by the Vatican, as she travels the world to keep the supernatural in check. Just remember: watch your back and don't touch anything. Fans of Supernatural, The X-Files, Buffy the Vampire Slayer, and The Da Vinci Code will love this epic urban fantasy. Bookburners Season 3 is written by Max Gladstone, Margaret Dunlap, Brian Francis Slattery, Andrea Phillips, Mur Lafferty, and Amal El-Mohtar and presented by Serial Box Publishing.
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