Beatrix Potter, creator of such well-known characters as Peter Rabbit, Miss Moppet, and Squirrel Nutkin, wrote tales that have stood the test of time and delighted generation upon generation of readers young and old.
Beatrix Potter, creator of such well-known characters as Peter Rabbit, Miss Moppet, and Squirrel Nutkin, wrote tales that have stood the test of time and delighted generation upon generation of readers young and old.
When Beatrix Potter died, few people knew the full story of her life. Margaret Lane's remarkable piece of literary detective work, originally published only three years after Beatrix's death, told her story for the first time. Extensively revised in 1985 to include new material that had come to light, and now available in this eBook format, it remains essential reading for anyone interested in the background to the author of the famous Peter Rabbit Tales.
You must have a curious taste, to love someone whom you believe to be capable of murder.' Detective Superintendent Simon Hudson finds himself in a difficult position. Attending the Metropolitana Choir's concert was intended to make him a supportive partner... not the head of a murder investigation. But when the conductor drops dead during the performance, Hudson winds up with a shocking list of suspects - including his girlfriend. Unable to keep his professional and personal lives separate, Hudson finds himself embroiled in the peculiar hatreds and spiteful grudges that dominate the Metro's managing committee. Desperate to ensure his girlfriend's innocence, Hudson must work quickly to bring the murderer to light before it's too late. This melodic murder mystery, brimming with charm and wit, was first published in 1959 and was Margaret Newman's first novel. Murder to Music is also part of Agora Books' Uncrowned Queens of Crime series.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
It was the evening of Tuesday, January 12th, in the year 1744. By six o'clock the gray of afternoon had deepened to the blackness of night, and a heavy rain began to fall, so that the Sèvres road, a mile beyond the Paris barrier, was shortly thick with mud. The only light here visible came from the window of a wretched tavern at the way-side; and by this mine host, had he been watching, would have had some difficulty in perceiving the two riders who came to an uncertain halt by his door. "It is late, du Plessis, and we have still three miles to go. More than that, 'tis the worst cabaret in France." "And you would be no more of a Jean-Jacques than necessary to-night—eh, Claude?" returned the other good-humoredly. "I should prefer drowning or to perish of a rheum by the way than be poisoned by the liquor to be had here," returned the other, flicking his saddle restlessly with his riding-whip. "So be it, then. Come, we waste time. Mordi! A little gently there, I beseech! It is raining mud." A dig of the spur in the thoroughbred's flank, a spattering of drops from the puddle in which they had stood, a quick apology, and the landlord had lost his guests, illustrious guests, who paid never a sou too much for their wine, but could make a drinking-place the fashion for weeks by five minutes' presence within it. The two rode for some minutes in silence, though no one of the finest apperception could have felt any enmity existent between them. The night lowered. The rain pelted coldly from the starless sky; and horses and riders alike shrank from the raw, streaming atmosphere. When the silence was again broken the lights of Paris were visible in the distance. This time it seemed that du Plessis—the Duc de Richelieu—addressed his companion's secret thoughts as though he had been reading them for some time past.
Recently, Elizabeth Gilbert unpacked some boxes of family books that had been sitting in her mother's attic for decades. Among the old, dusty hardbacks was a book called At Home on the Range, written by her great-grandmother, Margaret Yardley Potter. As Gilbert writes in her Foreword: 'I jumped up and dashed through the house to find my husband, so I could read parts of it to him: Listen to this! The humor! The insight! The sophistication! Then I followed him around the kitchen while he was making our dinner (lamb shanks), and I continued reading aloud as we ate... By the end of the night there were three of us sitting at that table. Gima had come to join us, and she was wonderful, and I was in love.' The cookbook was far ahead of its time. In it, Potter espouses the importance of farmer's markets and ethnic food (Italian, Jewish and German), derides preservatives and culinary shortcuts and generally celebrates a devotion to epicurean adventures. Potter takes car trips out to Pennsylvania Dutch country to eat pickled pork products, and to the eastern shore of Maryland, where she learns to catch and prepare eels so delicious, she says, they must be 'devoured in a silence almost devout'. Part scholar and part crusader for a more open food conversation than currently existed, it's not hard to see where Elizabeth Gilbert inherited both her love of food and her warm, infectious prose. At Home on the Range is a fascinating, humorous and useful cookbook from the past that is essential for the present day.
First published in 1984, Social Texts and Context illustrates the ways in which familiar psychological concepts – femininity, the environment, groups, the self – are constructed in discourse. Novels by Thomas Hardy, Barbara Cartland, Doris Lessing, C. P. Snow, Charles Dickens and Robert Musil are examined, and the theoretical approaches of Roland Barthes, Rom Harre, Jonathan Culler, Henri Tajfel, Irving Janis and Paul Willis are discussed. Development in literary theory – such as semiology and deconstruction and in theories of social action – such as ethogenics and discourse analysis – make it difficult to treat literary and psychological texts as a neutral medium of communication. Instead, texts should be seen in terms of their fundamental constructive role in the organization of social life. As the authors demonstrate, contemporary life in both its personal and professional spheres is hedged around by discourse, conversations, newspaper articles, novels, scientific reports. This book will be of interest to students of literature and psychology.
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