National Bestseller New York Times Editors’ Choice Winner of the PEN Hessell Tiltman Prize Winner of the Duff Cooper Prize Silver Medalist for the Arthur Ross Book Award of the Council on Foreign Relations Finalist for the Robert F. Kennedy Book Award For six months in 1919, after the end of “the war to end all wars,” the Big Three—President Woodrow Wilson, British prime minister David Lloyd George, and French premier Georges Clemenceau—met in Paris to shape a lasting peace. In this landmark work of narrative history, Margaret MacMillan gives a dramatic and intimate view of those fateful days, which saw new political entities—Iraq, Yugoslavia, and Palestine, among them—born out of the ruins of bankrupt empires, and the borders of the modern world redrawn.
An eclectic collection of poetry by one of 17th century England's boldest, smartest, and independent women. Margaret Cavendish, the Duchess of Newcastle-upon-Tyne, was a groundbreaking writer—a utopian visionary, a scientist, a science-fiction pioneer. She moved in philosophical circles that included Thomas Hobbes and René Descartes, and she produced startlingly modern poems unlike anything published in the seventeenth century or since, at once scientific and visionary, full of feminist passion and deep sympathy with the nonhuman world. In recent years, Cavendish has found many new admirers, and this selection of her verse by Michael Robbins is an ideal introduction to her singular poetic world.
Ezra Pound met Margaret Cravens in Paris in 1910 during one of his most creative and formative periods. Margaret Cravens, of Madison, Indiana, had come to Paris several years earlier to study piano and was drawn to the young Pound out of a shared interest in poetry and the arts. Their friendship began when she offered Pound generous financial support, which continued, unknown to anyone else, until June 1912, when she committed suicide in Paris, one year after her father's suicide in Indiana. Pound was deeply affected by her death, as was the poet H. D., who had recently come to know her. Pound's letters to Cravens, extensively annotated, are published here for the first time; her suicide note to him is also included. Ezra Pound and Margaret Cravens contains photographs and previously unpublished material by Pound and H.D., as well as an excerpt from H.D.'s autobiographical novel Asphodel, in which Cravens figures prominently. This portrait of a friendship provides insight into the literary achievements of Pound and H.D. and tells the unknown story of Margaret Cravens's tragic life.
This is Margaret French Cresson 1947 biography "The Life of Daniel Chester French - Journey Into Fame". It is a fascinating exploration of the life and work of Daniel Chester French not to be missed by those with an interest in this exceptional artist. Daniel Chester French (1850 - 1931) was an American sculptor of the late nineteenth and early twentieth centuries. He is one of the most famous and prolific sculptors of that period, and is best known for designing the statue of Abraham Lincoln (1920) in the Lincoln Memorial, Washington, D.C.. Other notable statues of his include: "Death and the Sculptor" (1893), Boston; "Architecture" (1901), Richard Morris Hunt Memorial, and "Republic", (1893), Chicago. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in a modern, high-quality edition complete with the original text and artwork.
Between January and July 1919, after "the war to end all wars," men and women from around the world converged on Paris to shape the peace. Center stage was an American president, Woodrow Wilson, who with his Fourteen Points seemed to promise to so many people the fulfillment of their dreams. Stern, intransigent, impatient when it came to security concerns and idealistic in his dream of a League of Nations that would resolve all future conflicts peacefully, Wilson is only one of the characters who fill the pages of this book. David Lloyd George, the British prime minister, brought Winston Churchill and John Maynard Keynes. Lawrence of Arabia joined the Arab delegation. Ho Chi Minh, a kitchen assistant at the Ritz, submitted a petition for an independent Vietnam. For six months, Paris was effectively the center of the world as the peacemakers carved up bankrupt empires and created new countries. This book brings to life the personalities, ideals, and prejudices of the men who shaped the settlement. They pushed Russia to the sidelines, alienated China, and dismissed the Arabs. They struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; above all they failed to prevent another war. Margaret MacMillan argues that they have unfairly been made the scapegoats for the mistakes of those who came later. She refutes preconceived ideas about the path from Versailles to World War II and debunks the widely accepted notion that reparations imposed on the Germans were in large part responsible for the Second World War.
The magic of Christmas! When Dr. Alyssa Ferguson returns to work at the Clinique Ste Catherine in her beloved Paris, the last person she expects to see is her ex-lover, Dr. Pierre Dupont—and now he is her new boss! As they begin to rekindle their passionate romance, Pierre makes Alyssa realize she has to face up to the past. Maybe they can look forward to a blissful Christmas in Paris together if she can explain why she abandoned their dreams of marriage and a family eight years ago—but if she does, will he still want her?
https://www.marieantoinettethecourageousend.com This chilling but ultimately life affirming novel about the agonising last year of Marie Antoinette’s turbulent life will help you understand the tragic queen and her ill-fated decisions, better. It will help you decide if the shameless, sex-mad, Marie Antoinette deserved to be guillotined. The Parisians thought so. What would you have thought if you had been there during the French Revolution in August 1792? Whose side would you have been on? The side of the French princes, 7,000 French aristocrats and 80,000 awesome Austrian and Prussian soldiers advancing on Paris to raze it to the ground, wreaking destruction across France as they advanced? Or the side of the starving people, fighting to protect their brand new National Assembly and their brand new rights to liberty, equality and fraternity? What would you have thought of your deceitful king, Louis XVI, and his spendthrift wife Marie Antoinette, who had secretly invited these formidable German armies to march on Paris – to restore their absolute monarchy and annihilate all your new rights? Would you have stormed Marie Antoinette’s palace with the downtrodden people? Would you have guillotined her? As the shrieking Parisians stormed their palace, the apathetic Louis XVI waited passively for death. whilst Marie Antoinette fought valiantly for her children and her throne. She wanted to live – for the sake of her darling son, whom she burned to see on the throne of France. Not to mention her darling comte Axel de Fersen, the handsome Swedish nobleman she had fallen in love with 18 years before. Yes, 36 year old Marie Antoinette had loved the dashing Fersen for 18 years, because her hopeless, sweet, liar of a husband – was never enough of a man for the tragic queen. Find out why in this novel, based on the memoirs of those who were there, and twenty years of research and translation of original French resources by MacLeod. The furious Parisians stormed Marie Antoinette’s palace and imprisoned her. And this once thoughtless, pleasure seeking queen transformed herself into the courageous, admirable queen she should always have been. But it was too late to save her life and her throne. If only she had changed while she still had time. If only the people had got to know the new admirable queen. Share Marie Antoinette’s agony as she dutifully remained at the side of her hopeless, sweet, liar of a husband, as the Parisians stormed her palace. Witness the last heart-breaking meeting between Marie Antoinette and her husband – before he was led off to the guillotine. Experience her anguish on the day they wrenched her shrieking little boy (now a child-king) out of her arms – forever. Feel for her 14 year old daughter on the night the revolutionaries came for Marie Antoinette. No wonder the queen’s beauty had faded! No wonder her hair had begun to turn white! Based on contemporary accounts, and with characters (most of whom were actual historical personages) speaking the very words they recall in their memoirs. Includes as extras: 20 pages of snippets from Marie Antoinette’s letters to her beloved comte Axel de Fersen, the love of her life: “Most loved and most loving of men.” And extracts from the moving memoirs of Marie Therese, Marie Antoinette’s daughter, about her disturbing 2 and a half years of imprisonment, after they guillotined her mother: “The guards came to search my room at four o’clock in the morning. They were all drunk and their oaths and blasphemy dare not be repeated.” No wonder Marie Antoinette’s daughter Marie Therese, the only survivor of the family’s imprisonment, seemed to suffer for the rest of her life. And of course, there was the simply wicked treatment of Marie Antoinette’s beloved son, which only ended with his merciful death, whilst in solitary confinement – although not before the child had endured two years of hell on earth. “His look seemed to say: ‘Dispatch your victim.’”
Postcolonial theory is one of the key issues of scholarly debates worldwide; debates, so the author argues, which are rather sterile and characterized by a repetitive reworking of old hackneyed issues, focussing on cultural questions of language and identity in particular. She explores the divergent responses to the debates on globalization.
An author and photographer recalls her long exile's journey from the shores of Cuba to an American citizen in this memoir of the Cuban-American experience.
Margaret Cohen's encounter with Walter Benjamin, one of the twentieth century's most influential cultural and literary critics, has produced a radically new reading of surrealist thought and practice. Cohen analyzes the links between Breton's surrealist fusion of psychoanalysis and Marxism and Benjamin's post-Enlightenment challenge to Marxist theory. She argues that Breton's surrealist Marxism played a formative role in shaping postwar French intellectual life and is of continued relevance to the contemporary intellectual scene.
A landmark work of narrative history, Paris 1919 is the first full-scale treatment of the Peace Conference in more than twenty-five years. It offers a scintillating view of those dramatic and fateful days when much of the modern world was sketched out, when countries were created—Iraq, Yugoslavia, Israel—whose troubles haunt us still. Winner of the Samuel Johnson Prize • Winner of the PEN Hessell Tiltman Prize • Winner of the Duff Cooper Prize Between January and July 1919, after “the war to end all wars,” men and women from around the world converged on Paris to shape the peace. Center stage, for the first time in history, was an American president, Woodrow Wilson, who with his Fourteen Points seemed to promise to so many people the fulfillment of their dreams. Stern, intransigent, impatient when it came to security concerns and wildly idealistic in his dream of a League of Nations that would resolve all future conflict peacefully, Wilson is only one of the larger-than-life characters who fill the pages of this extraordinary book. David Lloyd George, the gregarious and wily British prime minister, brought Winston Churchill and John Maynard Keynes. Lawrence of Arabia joined the Arab delegation. Ho Chi Minh, a kitchen assistant at the Ritz, submitted a petition for an independent Vietnam. For six months, Paris was effectively the center of the world as the peacemakers carved up bankrupt empires and created new countries. This book brings to life the personalities, ideals, and prejudices of the men who shaped the settlement. They pushed Russia to the sidelines, alienated China, and dismissed the Arabs. They struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; above all they failed to prevent another war. Margaret MacMillan argues that they have unfairly been made the scapegoats for the mistakes of those who came later. She refutes received ideas about the path from Versailles to World War II and debunks the widely accepted notion that reparations imposed on the Germans were in large part responsible for the Second World War. Praise for Paris 1919 “It’s easy to get into a war, but ending it is a more arduous matter. It was never more so than in 1919, at the Paris Conference. . . . This is an enthralling book: detailed, fair, unfailingly lively. Professor MacMillan has that essential quality of the historian, a narrative gift.” —Allan Massie, The Daily Telegraph (London)
Following France’s defeat in the Franco-Prussian War in 1870–71, French patriots feared that their country was in danger of becoming a second-rate power in Europe. Decreasing birth rates had largely slowed French population growth, and the country’s population was not keeping pace with that of its European neighbors. To regain its standing in the European world, France set its sights on building a vast colonial empire while simultaneously developing a policy of pronatalism to reverse these demographic trends. Though representing distinct political movements, colonial supporters and pronatalist organizations were born of the same crisis and reflected similar anxieties concerning France’s trajectory and position in the world. Regeneration through Empire explores the intersection between colonial lobbyists and pronatalists in France’s Third Republic. Margaret Cook Andersen argues that as the pronatalist movement became more organized at the end of the nineteenth century, pronatalists increasingly understood their demographic crisis in terms that transcended the boundaries of the metropole and began to position the French empire, specifically its colonial holdings in North Africa and Madagascar, as a key component in the nation’s regeneration. Drawing on an array of primary sources from French archives, Regeneration through Empire is the first book to analyze the relationship between depopulation and imperialism.
Celia and Granny Meg Go to Paris: a survival guide is a charming children's story. It contains life lessons as well as historical facts about French life and how to be a polite tourist. In a rash moment, Granny Meg promises Celia, her eldest grandchild and only granddaughter, a three-day visit to Paris by Eurostar as a tenth birthday treat. During their time in Paris they will try to speak only French, something Celia's Dad feels would result in a very quiet few days if it ever actually happened. But Fate suddenly intervenes and their visit to Paris turns out to be anything but quiet... On Celia and Granny Meg’s first afternoon, they are involved in an incident at the Eiffel Tower which catapults them into a different scenario. But even after an attempted theft the next morning, they fail to realise that they have become the targets of some very unpleasant characters who will stop at nothing to get what they want from them.. Before long, they are being followed all over Paris by dangerous criminals who are involved in a crime that threatens the security of the French Republic itself. It is then up to Celia and Granny Meg, the most unlikely crime fighting duo ever, to save the day. But first they must save themselves, and that might not be so easy... Inspired by true events, Celia and Granny Meg Go to Paris: a survival guide will appeal to children aged 9-12. The author herself is inspired by Rumer Godden who has written numerous books including The Greengage Summer which is Margaret’s personal favourite.
Celia and Granny Meg Go to Paris: a survival guide is a charming children's story. It contains life lessons as well as historical facts about French life and how to be a polite tourist. In a rash moment, Granny Meg promises Celia, her eldest grandchild and only granddaughter, a three-day visit to Paris by Eurostar as a tenth birthday treat. During their time in Paris they will try to speak only French, something Celia's Dad feels would result in a very quiet few days if it ever actually happened. But Fate suddenly intervenes and their visit to Paris turns out to be anything but quiet... On Celia and Granny Meg’s first afternoon, they are involved in an incident at the Eiffel Tower which catapults them into a different scenario. But even after an attempted theft the next morning, they fail to realise that they have become the targets of some very unpleasant characters who will stop at nothing to get what they want from them.. Before long, they are being followed all over Paris by dangerous criminals who are involved in a crime that threatens the security of the French Republic itself. It is then up to Celia and Granny Meg, the most unlikely crime fighting duo ever, to save the day. But first they must save themselves, and that might not be so easy... Inspired by true events, Celia and Granny Meg Go to Paris: a survival guide will appeal to children aged 9-12. The author herself is inspired by Rumer Godden who has written numerous books including The Greengage Summer which is Margaret’s personal favourite.
This book analyses the processes of educational change in England and France by relating political, social, economic and ideological trends to the changing pattern of educational institutions from the time of the Industrial and French revolutions. The authors first assess the relevance of major sociological theories for the interpretation of the main trends in education in both countries in the first half of the nineteenth century. They then put forward an alternative approach, derived from Weber, which links educational change with social conflict. This theory of domination and assertion of groups competing for control over formal instruction before the emergence of the state system is applied to England and France in this period. The main part of the book is devoted to a more detailed analysis of the competing groups in both countries and of their ideologies which served as blueprints for educational reform.
After eight years, Dr. Alyssa returns to the Paris clinic that holds many memories for her. There she met Pierre, fell in love with him, and broke up with him. She returns to move on from her past. However, Pierre, who was supposed to be living on some island in the Caribbean, is now standing in as the head of the clinic. There's no way he’ll ever forgive Alyssa for disappearing so suddenly all those years ago. And she can never tell him the real reason she left…
Margaret Mead collaborated with her long-time colleague Rhoda Métraux in this unique study of French culture. The Hoover Institute at Stanford University originally published this volume, which grew out of the Columbia University project on Research of Contemporary Cultures in 1954. It is one of the few works by American social scientists dealing with broad themes of French life. Mead and Métraux present a vivid picture of the French starting with the organization of the house and its architecture, and drawing original conclusions for the structure of French families and overall cultural values. This work, long out of print, is a fascinating and penetrating portrait of a contemporary European society.
The nineteenth-century French novel has long been seen as the heroic production of great men, who confronted in their works the social consequences of the French Revolution. And it is true that French realism, especially as developed by Balzac and Stendhal, was one of the most influential novelistic forms ever invented. Margaret Cohen, however, challenges the traditional account of the genesis of realism by returning Balzac and Stendhal to the forgotten novelistic contexts of their time. Reconstructing a key formative period for the novel, she shows how realist codes emerged in a "hostile take-over" of a prestigious contemporary sentimental practice of the novel, which was almost completely dominated by women writers. Cohen draws on impressive archival research, resurrecting scores of forgotten nineteenth-century novels, to demonstrate that the codes most closely identified with realism were actually the invention of sentimentality, a powerful aesthetic of emerging liberal-democratic society, although Balzac and Stendhal trivialized sentimental works by associating them with "frivolous" women writers and readers. Attention to these gendered struggles over genre explains why women were not pioneers of realism in France during the nineteenth century, a situation that contrasts with England, where women writers played a formative role in inventing the modern realist novel. Cohen argues that to understand how literary codes respond to material factors, it is imperative to see how such factors take shape within the literary field as well as within society as a whole. The book also proposes that attention to literature as a social institution will help critics resolve the current, vital question of how to practice literary history in the wake of poststructuralism.
This volume provides a vital new reading of documentary and realist fiction film of the French 1930s that focuses on how these genres interlock their representations of urban spaces and places.
Upon Mademoiselle Louise Humanns death in 1836, a distraught Abb Thodore Ratisbonne said of his spiritual mother, Here lays this sweet, strong Christian who, from the depths of her quiet, secluded home, has exercised more influence on the world of her time than will ever be known! Yet in an era when women had few opportunities to excel or contribute to society outside the home, how did this brilliant and pious French mystic help re-Christianize France following the upheaval of the French Revolution? In Louise Humann (17661836)Re-Christianizing Post-Revolutionary France, author Margaret R. OLeary provides a thorough and comprehensive English-language exploration of the history and life of a woman whose extraordinary intellectual prowess, range of thought, and curiosity helped assist a risky underground pastoral ministry during the French Revolution and rebuild the decimated Roman Catholic diocese of Mayence, France. From her early years as a youth receiving the daily light of God to the later development of her radical Christian philosophya philosophy that so confounded Pope Gregory XVI that he said she and her disciples had sinned by an excess of faiththe history of Louise Humann comes alive in detailed historical records, letters, and biographies. Though an anachronism for her timea woman with the mind of a man and the capabilities of a scholar, said one professor who knew her as a youththe power of Louise Humanns apostolate is central for understanding the direction and development of the Roman Catholic Church and the Congrgation de Notre Dame de Sion in the nineteenth century.
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The nineteenth-century French novel has long been seen as the heroic production of great men, who confronted in their works the social consequences of the French Revolution. And it is true that French realism, especially as developed by Balzac and Stendhal, was one of the most influential novelistic forms ever invented. Margaret Cohen, however, challenges the traditional account of the genesis of realism by returning Balzac and Stendhal to the forgotten novelistic contexts of their time. Reconstructing a key formative period for the novel, she shows how realist codes emerged in a "hostile take-over" of a prestigious contemporary sentimental practice of the novel, which was almost completely dominated by women writers. Cohen draws on impressive archival research, resurrecting scores of forgotten nineteenth-century novels, to demonstrate that the codes most closely identified with realism were actually the invention of sentimentality, a powerful aesthetic of emerging liberal-democratic society, although Balzac and Stendhal trivialized sentimental works by associating them with "frivolous" women writers and readers. Attention to these gendered struggles over genre explains why women were not pioneers of realism in France during the nineteenth century, a situation that contrasts with England, where women writers played a formative role in inventing the modern realist novel. Cohen argues that to understand how literary codes respond to material factors, it is imperative to see how such factors take shape within the literary field as well as within society as a whole. The book also proposes that attention to literature as a social institution will help critics resolve the current, vital question of how to practice literary history in the wake of poststructuralism.
In the first major study of representations of World War II in French crime fiction, Margaret-Anne Hutton draws on a corpus of over a hundred and fifty texts spanning more than sixty years. Included are well-known writers (male and female) such as Aubert, Simenon, Boileau-Narcejak, Vargas, Daeninckx, and Jonquet, as well as a broad range of lesser-known authors. Hutton's introduction situates her study within the larger framework of literary representations of World War II, setting the stage for her discussions of genre; the problem of defining crimes and criminals in the context of the war; the epistemological issues that arise in the relationship between World War II historiography and the crime novel; and the temporal textures linking past crimes to the present. Filling a gap in the fields of crime fiction and fictional representations of the War, Hutton's book calls into question the way both crime fiction and the French theatre of World War II have been conceptualized and codified.
Margaret Mead collaborated with her long-time colleague Rhoda Métraux in this unique study of French culture. The Hoover Institute at Stanford University originally published this volume, which grew out of the Columbia University project on Research of Contemporary Cultures in 1954. It is one of the few works by American social scientists dealing with broad themes of French life. Mead and Métraux present a vivid picture of the French starting with the organization of the house and its architecture, and drawing original conclusions for the structure of French families and overall cultural values. This work, long out of print, is a fascinating and penetrating portrait of a contemporary European society.
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