Takes up the problem of how Brahms fits into the culture of turn-of-the-century Vienna. This book examines the stylistic and a historical category of 'lateness' as it relates to the nineteenth century Viennese composer. It also looks at Brahms' place in narratives of lateness in both music and social history.
Censorship had an extraordinary impact on Alban Berg's opera Lulu, composed by the Austrian during the politically tumultuous years spanning 1929 to 1935. Based on plays by Frank Wedekind that were repeatedly banned from being published and performed from 1894 until the end of World War I, the libretto was in turn censored by Berg himself when he characterized it as a morality play after submitting it to authorities in Nazi Germany in 1934. After Berg died the next year, the third act was censored by his widow, Helene, and his former teacher, Arnold Schoenberg. In "Taken by the Devil", author Margaret Notley uncovers the unusual and uniquely generative role of censorship throughout the lifecycle of Berg's great opera. Placing the opera and its source material in wider cultural contexts, Notley provides close readings of the opera's libretto and score to reveal techniques employed by the composer and by Wedekind before him in negotiating censorship. She also explores ways in which Berg chose to augment discrepancies between the plays rather than flatten them as in certain performances of the plays during the 1920s, adding further dimensions of interpretation to the work. Elegantly readable, "Taken by the Devil" is one of the most meticulously researched and nuanced studies of Lulu to date, and illuminates the process of politically-driven censorship of theater, music, and the arts during the tumultuous early twentieth century.
Takes up the problem of how Brahms fits into the culture of turn-of-the-century Vienna. This book examines the stylistic and a historical category of 'lateness' as it relates to the nineteenth century Viennese composer. It also looks at Brahms' place in narratives of lateness in both music and social history.
This is the first book to offer a serious examination of the phenomenon of political marketing in Britain. It presents an analysis of the increasingly influential role of the image-makers and casts a critical eye over the debate concerning the impact of marketing on political conduct and governance. Its primary focus is party and government communications in the Thatcher era and beyond, up to and including the 1992 general election. It argues that Thatcher, despite her image as the resolute politician, pioneered marketing techniques and concepts which have since become standard practice. Designer Politics looks at the historical engines of growth of commercial salesmanship in politics. It explores how political culture and conduct have been affected by the phenomenon and to what extent politics and policy have been remoulded to fit the marketing process. The author challenges the prevailing pessimism that Britain is hurtling towards American presidential-style campaigns and that marketing necessarily demeans and undermines democracy. While there are inherent dangers, there also comes new potential for a more genuinely popular democracy.
Over the span of forty years, Professor Raphael Dorman OLeary labored tirelessly to make his students understand the importance of originality and of apt expression in English composition. He especially loved words well chosen and dared his students to put beauty and smoothness and sinew into their sentences. He tried passionately to make them feel the dignity and the majesty of the English language at its best. When he died after a short illness in 1936, his personal effects passed among descendants until finally coming to rest with Dennis OLeary and his spouse, Margaret, who discovered them in a poor condition while restoring a family house. Amid Professor OLearys papers was his handwritten journal from the year 1914 to 1915. The journal displays the full measure of R. D. OLeary in his myriad academic, social, political, and religious experiences at the University of Kansas atop Mount Oread; in the adjacent city of Lawrence, Kansas; and while traveling to rural Kansas during the summer months and to Minneapolis, Minnesota, in the dead of winter. Throughout his journal, Professor OLeary portrays with humor and pathos his encounters with students, colleagues, his spouse, his three sons, his mother, shopkeepers, religious zealots, pro-German zealots, anti-German zealots, drayers, Pullman conductors, bankers, politicians, publishers, educated spinsters, and garden wasps, while vividly describing cold classrooms, interminable whist parties, trilling sopranos, Kansas football games, and Lawrence seed stores. R. D. OLeary (18661936): Notes from Mount Oread 19141915 is a fascinating glimpse into the life and times of a revered English professor, half way through his forty years of teaching at the University of Kansas.
First published in 1954, Farquharson's Textbook of Operative General Surgery has become firmly established as a classic textbook for trainee surgeons throughout the world. Basic surgical techniques, including the reasons for their application, are discussed. General surgical operations are described and the indications for them are covered. Techniques are described in sufficient detail to allow a surgeon who has limited experience of a particular operation to proceed with confidence and safety. The text is thus also valuable for surgeons practising in smaller hospitals worldwide where specialised advice may not otherwise be available. This ninth edition has been fully updated with many chapters entirely rewritten. New contributing authors in the subspecialties of general surgery bring their own particular expertise to the book. Separate surgical specialties such as plastic, orthopaedic and urological surgery are covered in those areas where there is potential overlap with general surgery. Selected operative techniques in cardiothoracic, gynaecological and neurosurgery are also described as a general surgeon must occasionally operate in an emergency in the absence of the relevant surgical specialist. Advice from surgeons practising in other surgical disciplines has been extensively utilised in these sections. Key features: Fully revised edition of this classic text An unrivalled source of practical advice and information Covers all operations commonly performed by the general surgeon Practical coverage of trauma and emergencies in all surgical specialties Preserves the readable and accessible style so popular in earlier editions Illustrated throughout with over 650 high-quality operative line illustrations and photographs Combining the extensive experience of Margaret Farquharson, daughter of the original author, and Brendan Moran, both practising general surgeons at an acknowledged centre of teaching excellence, the ninth edition of Farquharsons will continue to be an essential addition to the bookshelves of trainee and practising surgeons everywhere.
Discover the Stones That Whisper the History of Early Christianity Step into a journey that bridges the gap between faith and history, illuminating the path walked by figures of the New Testament. Unearthing the Gospel: Archaeological Revelations serves as your guide through the ruins and relics that hold the whispers of ancient Christian tales. From the dusty roads of Palestine, hailed as the fifth gospel, to the majestic ruins that echo the life and times of Jesus, this book delves deep into the heart of biblical archaeology to uncover secrets long buried beneath the sands of time. Imagine walking through the forgotten cities mentioned in the Gospels, unearthing the storied sites of Old Testament mentioned by Jesus Himself. Picture the thrill of discovering the real locations of Sodom and Gomorrah, or the profound sensation of holding the Isaiah Stamp, a tactile connection to prophecy and kings. Each chapter is a doorway to the past, offering a rare glimpse into the dates of Jesus' birth and ministry, and the intricate web of Jerusalem's archaeology. But it doesn't stop with mere locations. Miracles Engraved in Stone explores the physical evidence of Jesus' miracles, providing a tangible link to stories that have been told through millennia. From the multiplications of loaves and fishes depicted in ancient mosaics to the very dwellings of Peter, unearth insights that bring biblical accounts to life. Venture further to uncover the archeological footprint of Pontius Pilate, cross-examine the tomb of Jesus, and decipher voices from ancient tombs that offer new perspectives on the family tree of Jesus. In a resounding conclusion, The Dawn of Christianity unveils the origins of the faith through the first Christian churches and the rise of Galilean faith amidst the tides of history. This book is not just an exploration; it's an invitation to experience the bedrock of belief through the lens of archaeology. Unearthing the Gospel: Archaeological Revelations is your portal to understanding the depth of history's greatest story through the silent, yet profound testimony of the earth itself. Whether you're a fervent believer, a curious historian, or simply fascinated by the ancient world, this compelling narrative promises to enchant, inform, and inspire. Embark on this captivating journey to uncover truths that have waited centuries to be told.
In the absence of borough status and after the winding up of the guilds, the townsmen of Bury St Emunds experiment with town government. In 1569, thirty years after its abbey had been dissolved, the large town of Bury St Edmunds remained unincorporated. These accounts show how the feoffees (still essentially the medieval Candlemas guild) experimented with town government. The pre-Reformation landed endowments were increased throughout the period. This enabled the feoffees to address many aspects of town life. In addition to payments for housing and clothing the poor, and the provision of medical care, they also contributed to the cost of providing clergy (whose theology was akin to their own) for the two town churches. To encourage trade, they built the town's first covered Market Cross, while the acquisition of theShire House enabled the assizes and quarter sessions to move into the town. After the turn of the century, the Charitable Uses Act of 1601 was used to recover land which had long ago been alienated. At the same time some of the up and coming men successfully petitioned for a charter of incorporation for Bury St Edmunds, so that in 1606 the town acquired the borough status which had eluded it for centuries. Unless new sources are discovered, these accounts, though inevitably slanted to the feoffees' activities, are the most revealing source for the work of the new corporation in its early years.
The author offers an innovative mix of memoir, jigsaw-puzzle history, and the strange delights of puzzling, with sketches of her family members and her thoughts on the importance of childhood play, art, and writing.
With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.
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