This handbook and accompanying CD have been designed to help dentists, dental hygienists, and other dental personnel communicate with Spanish-speaking patients. Intended for novice learners as well as those who need to polish their rusty high school Spanish,Paso a Pasocan be used in emergency situations or as a source of phrases to make routine visits more comfortable for patients--or anywhere between those extremes. The book includes aspects of Latino culture vital for any dental professional as well as key dental health phrases and useful grammar.Paso a Pasofocuses on learning, practicing, and speaking both standard and colloquial Spanish for an office setting. The accompanying CD presents dialogues in which Latino patients interact with health professionals using a variety of accents and levels of fluency. Like the book, the CD will be useful in workshops, work-site training, and individual learning. The chapter structure permits work-site training of an hour a day for six weeks. The CD will not be sold separately. FromPaso a Paso/Step by Step, Chapter Two "In Latin America, more than one last name is used to describe family relationships. Latino names consist of a first and middle name, or "given names," followed by the father's last name, followed by the mother's paternal surname--in that order. Many people shorten their names by using only an initial for the maternal surname. For example, in the story, Marco's name would be written Marco Antonio Hernández Calderón or Marco Hernández C. So, the surname by which official records are kept is the first surname "It is important for Americans and Latinos to understand these differences, to record the correct surname on dental records, consistently. Among Latinos, the first last name is the equivalent of a last name in the US.
The development of cognitive science is one of the most remarkable and fascinating intellectual achievements of the modern era. The quest to understand the mind is as old as recorded human thought; but the progress of modern science has offered new methods and techniques which have revolutionized this enquiry. Oxford University Press now presents a masterful history of cognitive science, told by one of its most eminent practitioners. Cognitive science is the project of understanding the mind by modeling its workings. Psychology is its heart, but it draws together various adjoining fields of research, including artificial intelligence; neuroscientific study of the brain; philosophical investigation of mind, language, logic, and understanding; computational work on logic and reasoning; linguistic research on grammar, semantics, and communication; and anthropological explorations of human similarities and differences. Each discipline, in its own way, asks what the mind is, what it does, how it works, how it developed - how it is even possible. The key distinguishing characteristic of cognitive science, Boden suggests, compared with older ways of thinking about the mind, is the notion of understanding the mind as a kind of machine. She traces the origins of cognitive science back to Descartes's revolutionary ideas, and follows the story through the eighteenth and nineteenth centuries, when the pioneers of psychology and computing appear. Then she guides the reader through the complex interlinked paths along which the study of the mind developed in the twentieth century. Cognitive science, in Boden's broad conception, covers a wide range of aspects of mind: not just 'cognition' in the sense of knowledge or reasoning, but emotion, personality, social communication, and even action. In each area of investigation, Boden introduces the key ideas and the people who developed them. No one else could tell this story as Boden can: she has been an active participant in cognitive science since the 1960s, and has known many of the key figures personally. Her narrative is written in a lively, swift-moving style, enriched by the personal touch of someone who knows the story at first hand. Her history looks forward as well as back: it is her conviction that cognitive science today--and tomorrow--cannot be properly understood without a historical perspective. Mind as Machine will be a rich resource for anyone working on the mind, in any academic discipline, who wants to know how our understanding of our mental activities and capacities has developed.
Margaret H. Williams examines how classical writers saw and portrayed Jesus, engaging with the fact that as the originator of a new (and still existing) world religion, Jesus of Nazareth, otherwise known as Christus (Christ), is an individual of indisputable historical significance. Williams shows how from the outset Jesus was a controversial figure. Contemporary Jews in the Roman province of Judaea tended either to adore or to abhor him. When indue course his fame spread throughout the wider Roman empire, reactions to him there among both Jews and non-Jews were no less divergent. Each of the early classical writers who makes mention of him, the historian Tacitus, the biographer Suetonius, the epistolographer Pliny and the satirist Lucian, takes a different view of him and presents him in a different way. Williams considers these different depictions and questions why these writers had such differing views of Jesus. To answer this question Williams examines not only to the different literary conventions by which each of these writers was bound but also to the social, cultural and religious contexts in which they operated.
Brings together theoretical and empirical papers prepared by noted researchers and theoreticians. The first part includes chapters by criminological theorists who apply their theory of crime particularly to violence. The second part contains chapters by researchers who look at the substantive area of their expertise through the lens of theories of violence. Each chapter is original and was written specifically for this book.
This volume deals with the reception of the psalms in the New Testament, taking as an example the Fourth Gospel, a work profoundly shaped by early Christian liturgy. It explores the contemporary Jewish attribution of the Psalms to David, an idealized figure envisaged as Temple founder and man of prayer. It then shows how this image of David has affected the way the Fourth Evangelist draws on the psalms through quotation, allusion and echo. It frequently demonstrates that the Fourth Gospel attests to Jewish psalm interpretations found in rabbinic sources. Challenging the prevailing view that the Fourth Evangelist intentionally dissociates Jesus from David, this book argues that David as psalmist plays a highly significant role in the Johannine portrayal of Jesus.
Winner of Grawemeyer Award In this remarkable and timely work - in many ways the culmination of his systematic theology - world-renowned theologian Jurgen Moltmann stands Christian eschatology on its head. Moltmann rejects the traditional approach, which focuses on the End, an apocalyptic finale, as a kind of Christian search for the "final solution." He centers instead on hope and God's promise of new creation for all things. "Christian eschatology," he says, "is the remembered hope of the raising of the crucified Christ, so it talks about beginning afresh in the deadly end." Yet Moltmann's novel framework, deeply informed by Jewish and messianic thought, also fosters rich and creative insights into the perennially nettling questions of eschatology: Are there eternal life and personal identity after death? How is one to think of heaven, hell, and purgatory? What are the historical and cosmological dimensions of Christian hope? What are its social and political implications. In a heartbreakingly fragile and fragment world, Moltmann's comprehensive eschatology surveys the Christian vista, bravely envisioning our "horizons of expectation" for personal, social, even cosmic transformation in God.
During her lifetime, Gloria Fuertes achieved the status of a controversial cultural icon, both through her poetry for adults and through her poetry, recorded readings, and television programs for juveniles. This collection of lively essays, by authors who specialize in contemporary Spanish poetry, approaches the works of Gloria Fuertes from various theoretical and critical perspectives. In Her Words speaks to the inherent complexity of Gloria Fuertes's poetry, as manifested in its ultimate indeterminacy and undecidability, yet attests to this poet's abiding value as the voice of the marginalized-women, the poor, children, all the invisible members of society-who were silenced during the years of Spanish dictatorship under Franco. This book manifests the prescience of Fuertes's stands on a variety of social and cultural issues, from women's changing roles in society, gender and sexuality, identity within a society held captive by a dictatorial regime, to more universal themes such as love, justice, ethics, nature, and obsolete societal norms. In Her Words decisively addresses and ultimately rejects the Spanish cultural elite's inclination to disavow Fuertes's influence and reveals how her voice has shaped succeeding generations of Spanish poets and underscored the ubiquity of her verse in contemporary Spanish literature and culture. The subtlety and diversity of the essays included in this volume attest to the power of Gloria Fuertes's poetic creativity, her ability to appeal to a wide audience both in Spain and abroad, and her place in the contemporary Spanish poetic canon.
The book amazed me" Writers Digest judge With her trademark candor, wry wit, and warmth award-winning author Margaret Agard gives us a smart, funny and timeless memoir appealing to both skeptics and believers, alike. Already overwhelmed with her five-page long to-do list thanks to a new marriage, two sons facing the tumultuous teen years, and work as a computer consultant, she's asked to organize care for all the women of her church from the new young mothers to grieving widows. In desperation, she turns her list over to God each day asking, "What do I do?" Her life is quickly filled with experiences both touching and quirky from hospital visits to screaming peacocks culminating in her heart-felt changed relationship with God. Filled with captivating characters, familiar to anyone involved in community, down to earth spirituality, and sparkling stories of life with Parker and the boys. Agard brings both profound insight and self-deprecating humor to the simplest of life's moments. Each finely crafted piece illuminates the small and great events of a woman's life with strength and compassion while the whole creates a memorable experience, that lingers long after the memoir is finished. "An inspiring, easy read with laugh-out-loud moments" Kindle reviewer "Recommended for the OCD among us" Amazon review
Margaret Agard and her new husband Parker felt the call - Sell all that they had and follow in missonary work. Starting out in one of Parker's projects, a restored 1980 El Camino, Agard shares a compelling and often humorous account of the life of modern day servant/missionaries. From an inner city Hispanic church to the wilds of Alaska, Agard's account of missionary stories radiates warmly from her skillful depiction of the characters she befriended. Agard invokes people and life lessons that become a part of you from the Hispanic matriarch who shares food and off-beat insight (why it's smart to have a death quilt) to the native Alaskan culture where gray hair is a plus. Written with wry humor and engaging personality--taking on faith, love, family, and the elderly --In His Footsteps 3: Missions How I Sold All I Had and Followed As God Created Miracles and New Hearts is a moving memoir of spiritual growth, certain to delight anyone who has ever given up everything (or wanted to) to gain wisdom and a new heart. Margaret Agard is a mother, former missionary and an award-winning author whose book series, In His Footsteps shares the inspiring and quirky results of her fresh approach to prayer.
It is impossible to comprehend the political development of the United States, England, or France without considering the US Constitution, English common law or the Code Napoleon, respectively. Why then has legalism been neglected in the study of German politics? Drawing on constitutional and legal history, this book reconsiders the creation of the German state and the nature of the 'bourgeois revolution'. The author reviews the critical time period of 1814-1930 to demonstrate the links between the legal code and political evolution. She argues that German liberals perceived that the ends of revolution could be achieved legislatively; thus Germany was able to attain a modern political and social system while avoiding - or at least delaying - violent movements. This book provides a ... republican synthesis of German political development through time.
This exhaustive reference includes new chapters and pedagogical features, as well as—for the first time—content on managing fragility factures. To facilitate fast, easy absorption of the material, this edition has been streamlined and now includes more tables, charts, and treatment algorithms than ever before. Experts in their field share their experiences and offer insights and guidance on the latest technical developments for common orthopaedic procedures, including their preferred treatment options.
Shakespeare's sonnets and A Lover's Complaint constitute a rich tapestry of rhetorical play about Renaissance love in all its guises. A significant strand of this spiritual alchemy is working the 'metal' of the mind through meditation on love, memory work and intense imagination. Healy demonstrates how this process of anguished soul work - construed as essential to inspired poetic making - is woven into these poems, accounting for their most enigmatic imagery and urgency of tone. The esoteric philosophy of late Renaissance Neoplatonic alchemy, which embraced bawdy sexual symbolism and was highly fashionable in European intellectual circles, facilitated Shakespeare's poetry. Arguing that Shakespeare's incorporation of alchemical textures throughout his late works is indicative of an artistic stance promoting religious toleration and unity, this book sets out a crucial new framework for interpreting the 1609 poems and transforms our understanding of Shakespeare's art.
As Louise Brown—the first baby conceived by in vitro fertilization—celebrates her 30th birthday, Margaret Marsh and Wanda Ronner tell the fascinating story of the man who first showed that human in vitro fertilization was possible. John Rock spent his career studying human reproduction. The first researcher to fertilize a human egg in vitro in the 1940s, he became the nation’s leading figure in the treatment of infertility, his clinic serving rich and poor alike. In the 1950s he joined forces with Gregory Pincus to develop oral contraceptives and in the 1960s enjoyed international celebrity for his promotion of the pill and his campaign to persuade the Catholic Church to accept it. Rock became a more controversial figure by the 1970s, as conservative Christians argued that his embryo studies were immoral and feminist activists contended that he had taken advantage of the clinic patients who had participated in these studies as research subjects. Marsh and Ronner’s nuanced account sheds light on the man behind the brilliant career. They tell the story of a directionless young man, a saloon keeper’s son, who began his working life as a timekeeper on a Guatemalan banana plantation and later became one of the most recognized figures of the twentieth century. They portray his medical practice from the perspective of his patients, who ranged from the wives of laborers to Hollywood film stars. The first scholars to have access to Rock’s personal papers, Marsh and Ronner offer a compelling look at a man whose work defined the reproductive revolution, with its dual developments in contraception and technologically assisted conception.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.