This work casts new light on the genre, function, and composition of Paul's first letter to the Corinthians. Margaret Mitchell thoroughly documents her argument that First Corinthians was a single letter, not a combination of fragments, whose aim was to persuade the Corinthian Christian community to become unified.
A readily accessible text and translation for scholars and students of Paul, ancient Christian history, and biblical reception. In this new volume in the Writings from the Greco-Roman World series, Margaret M. Mitchell collects twenty-five of John Chrysostom's lesser-known sermons on Pauline passages as well as some that focus on Paul himself. Mitchell presents the Greek text and an original translation of each of these fascinating sermons in a fresh, engaging style that seeks to recapture the vibrancy and dynamism of the live oratory behind the homilies. Extensive notes to each homily evaluate how Chrysostom dealt with some of the ethical, theological, historical, political, and literary problems present in Paul's writings. Mitchell's work on Chrysostom offers a model for scholars to explore and understand how ancient Christian interpreters found in Paul’s letters a legacy that was as problematic as it was precious.
A collection of letters between Margaret Mitchell & Lucille Busey providing glimpses into the lives of these women & their families during the war years, 1938-1946. "Scarlett O'Hara may be the best-known fictional heroine in history, but what about the woman who created her? In these letters we gain much insight into the thinking & beliefs of Margaret Mitchell. We learn that, in stark contrast to the vain & self-seeking Scarlett, Mitchell was deeply concerned about others. This collection is MUST reading for those who want a personal glimpse into the character & thinking of the creator of the most successful novel of all time."--James A. Autry, Author of: Love & Profit, Nights Under a Tin Roof, Life After Mississippi. "Much has been written about Margaret Mitchell, author of the bestselling novel of all times. But little is known about the Margaret Mitchell who was passionately concerned about the education & well-being of the people of her beloved Southland. This small but significant grouping of letters & other documents illustrates, in a charming fashion, Mitchell's love for libraries & her even stronger love for the people of her native Georgia."--Thomas L. Camden, Head, Hargrett Rare Book & Manuscript Library, University of Georgia.
Arguing that all Pauline interpretation depends significantly on the ways in which readers formulate their own images of the apostle, Margaret M. Mitchell posits that John Chrysostom, the most prolific interpreter of the Pauline epistles in the early church, exemplifies this phenomenon. Mitchell brings together Chrysostom's copious portraits of Paul--of his body, his soul, and his life circumstances--and for the first time analyzes them as complex rhetorical compositions built on well-known conventions of Greco-Roman rhetoric. Two appendices offer a fresh translation of Chrysostom's seven homilies de laudibus sancti Pauli and a catalogue of color plates of artistic representations that graphically represent the author/exegete dynamic this study explores.
This book shows how in the Corinthian letters Paul was fashioning the principles that later authors would use to interpret scripture. This engagingly written demonstration of the hermeneutical impact of Paul's correspondence on early Christian exegetes also illustrates a new way to think about the history of reception of biblical texts.
A readily accessible text and translation for scholars and students of Paul, ancient Christian history, and biblical reception. In this new volume in the Writings from the Greco-Roman World series, Margaret M. Mitchell collects twenty-five of John Chrysostom's lesser-known sermons on Pauline passages as well as some that focus on Paul himself. Mitchell presents the Greek text and an original translation of each of these fascinating sermons in a fresh, engaging style that seeks to recapture the vibrancy and dynamism of the live oratory behind the homilies. Extensive notes to each homily evaluate how Chrysostom dealt with some of the ethical, theological, historical, political, and literary problems present in Paul's writings. Mitchell's work on Chrysostom offers a model for scholars to explore and understand how ancient Christian interpreters found in Paul’s letters a legacy that was as problematic as it was precious.
This book shows how in the Corinthian letters Paul was fashioning the principles that later authors would use to interpret scripture. This engagingly written demonstration of the hermeneutical impact of Paul's correspondence on early Christian exegetes also illustrates a new way to think about the history of reception of biblical texts.
Traumatic brain injury (TBI) is a complex condition for which limited research exists. The recent conflicts in Iraq and Afghanistan have resulted in numerous service members returning home after sustaining TBI, and healthcare providers scrambling to find resources on how to treat them. This toolkit is a comprehensive source of inventories and therapy options for treating service members with mild TBI. All aspects of mild TBI are covered, including vestibular disorders, vision impairment, balance issues, posttraumatic headache, temporomandibular dysfunction, cognition, and fitness, among others. With easy-to-follow treatment options and evaluation instruments, this toolkit is a one-stop resource for clinicians and therapists working with patients with mild TBI.
This work casts new light on the genre, function, and composition of Paul's first letter to the Corinthians. Margaret Mitchell thoroughly documents her argument that First Corinthians was a single letter, not a combination of fragments, whose aim was to persuade the Corinthian Christian community to become unified.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
The Parish Church has not only played a significant part in the life of Leeds, it captures within it the history of the great events and people who together have shaped that city through the centuries. Hundreds of monuments and memorials dating from the Middle Ages to the present day encrust its walls and floors, telling as they do, the part Leeds people have played in that story. Here we see memorials to members of the Leeds Volunteers, formed to offset Napoleon's threatened invasion, and to the men from the city who fought in the Crimea, in South Africa and in two World Wars. Here also we find tributes to hundreds of local men, women and children who lived out their lives in the town; some now forgotten, others nationally famous, like Richard Oastler the 'Factory King'. Now for the first time, those memorials have been captured in Margaret Pullan's pioneering publication, the product of years of devoted research. The range of information offered includes records of births, marriages, and deaths, full inscriptions, background histories explaining why the deceased were buried in the Parish Church and the artistic merits of their tombs. Architectural, ecclesiastical and local historians will find this an invaluable contribution in their respective fields of work whilst the general public will find it gives a fascinating view of the people of Leeds who lived through the years as the old town grew into a major city.
The 2015 collection will include papers from the following symposia: Alumina and Bauxite Aluminum Alloys: Fabrication, Characterization and Applications Aluminum Processing Aluminum Reduction Technology Cast Shop for Aluminum Production Electrode Technology for Aluminum Production Strip Casting of Light Metals
Arguing that all Pauline interpretation depends significantly on the ways in which readers formulate their own images of the apostle, Margaret M. Mitchell posits that John Chrysostom, the most prolific interpreter of the Pauline epistles in the early church, exemplifies this phenomenon. Mitchell brings together Chrysostom's copious portraits of Paul--of his body, his soul, and his life circumstances--and for the first time analyzes them as complex rhetorical compositions built on well-known conventions of Greco-Roman rhetoric. Two appendices offer a fresh translation of Chrysostom's seven homilies de laudibus sancti Pauli and a catalogue of color plates of artistic representations that graphically represent the author/exegete dynamic this study explores.
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