A mother's compromise. A daughter's price to pay. Rose Kendall's childhood has been one long attempt to pull her mother, Marcy, out of depression. But even Rose is unprepared for Marcy's sudden interest in Jack Bradford, owner of the elite menswear shop The Suitable. Marcy allows her fianc to move into their beautiful old home, and Rose becomes his next victim. A top student with a promising future, Rose is devastated to discover she's pregnant. With Jack manipulating her mother, Rose shelters Marcy from the truth, even as she follows clues that Jack and a local diver are involved in something illegal. When Jack discovers Rose eavesdropping, Rose is placed in double danger, first from Jack and then from the diver who's determined to take back what is his. Emotionally abandoned, Rose flees her hometown, finding both a Christian friend willing to take her in and an intimate God willing to speak to her. Will Rose be safe from the violent man who seeks her? Can she be certain she's doing what's best for her baby? And can she learn to trust the love of her mother, who suddenly seems so changed? Both poignant and dramatic, Unsuitable will refresh your faith as it reveals the power of hope in dark places.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
A mother's compromise. A daughter's price to pay. Rose Kendall's childhood has been one long attempt to pull her mother, Marcy, out of depression. But even Rose is unprepared for Marcy's sudden interest in Jack Bradford, owner of the elite menswear shop The Suitable. Marcy allows her fianc to move into their beautiful old home, and Rose becomes his next victim. A top student with a promising future, Rose is devastated to discover she's pregnant. With Jack manipulating her mother, Rose shelters Marcy from the truth, even as she follows clues that Jack and a local diver are involved in something illegal. When Jack discovers Rose eavesdropping, Rose is placed in double danger, first from Jack and then from the diver who's determined to take back what is his. Emotionally abandoned, Rose flees her hometown, finding both a Christian friend willing to take her in and an intimate God willing to speak to her. Will Rose be safe from the violent man who seeks her? Can she be certain she's doing what's best for her baby? And can she learn to trust the love of her mother, who suddenly seems so changed? Both poignant and dramatic, Unsuitable will refresh your faith as it reveals the power of hope in dark places.
Margaret Cavendish was one of the most subversive and entertaining writers of the seventeenth century. She invented new genres, challenged gender roles, and critiqued the new science as well as the mores of society. “Paper Bodies” was the wonderful phrase she used to described her manuscripts, which she hoped would continue to make “a great Blazing Light” after her death. There are connections here to Cavendish’s most famous work, The Description of a New World, Called the Blazing World (1666), a unique tale of a woman travelling through the north pole to a strange new world. In addition to The Blazing World, this volume includes Cavendish’s brief autobiography, A True Relation of My Birth, Breeding and Life (1667), her play The Convent of Pleasure, and selections from her Sociable Letters, her poetry, and her critical writings. A variety of background documents by other seventeenth-century writers helps to set her work in context for the modern reader.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Part IV offers the first critical edition of the four full length novels and three stories that comprise the Chronicles of Carlingford. Each of the five volumes contains a full scholarly apparatus, including the important variations between the serial versions and the first publication in volume format.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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