The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. The creation of The New Avengers, in 1976, saw John Steed re-emerge, alongside two younger co-leads: sophisticated action girl Purdey and Gambit, a 'hard man' with a soft centre. The cultural context had changed - including the technology, music, fashions, cars, fighting styles and television drama itself - but Avengerland was able to re-establish itself. Nazi invaders, a third wave of cybernauts, Hitchcockian killer birds, a sleeping city, giant rat, a deadly health spa, a skyscraper with a destructive mind...The 1970s series is, paradoxically, both new yet also part of the rich, innovative Avengers history. Avengerland Regained draws on the knowledge of a broad range of experts and fans as it explores the final vintage of The Avengers.
Master the cardiology boards and save money, with our new convenient Mayo Clinic Cardiology: Course Pack. Packed with hundreds of board-focused questions, this new course pack saves over $19.00 and includes the complete Mayo Clinic Cardiology: Concise Textbook, Third Edition PLUS the Mayo Clinic Cardiology: Board Review Questions and Answers. Focus
This book provides a practical, unbiased and non-promotional international guide for all health professionals dealing with menopausal and postmenopausal women. With regard to management strategies, it discusses both oestrogen and non-oestrogen-based treatments and their relative merits.
An introduction summarizes the social theories of homicide and the methodological issues in the study of homicide. This accessible volume then focuses on specific types of homicides including: mass and serial murders, homicides by youth, gang homicides, domestic homicides, homicides by female offenders, and alcohol/drug related homicides.
Originally published in 1949, this book covers both psychological and sociological aspects of moral life in Western society in the first half of the 20th Century and the historical influences on its thinking and way of behaviour. It discusses education, art, social structure, law and religion and ethical failure.
A bracing spotlight on the avoidable causes of the COVID-19 Eldercide in the United States. Twenty percent of the Americans who have died of COVID since 2020 have been older and disabled adults residing in nursing homes—even though they make up fewer than one percent of the US population. Something about this catastrophic loss of life in government-monitored facilities has never added up. Until now. In American Eldercide, activist and scholar Margaret Morganroth Gullette investigates this tragic public health crisis with a passionate voice and razor-sharp attention to detail, showing us that nothing about it was inevitable. By unpacking the decisions that led to discrimination against nursing home residents, revealing how governments, doctors, and media reinforced ageist or ableist biases, and collecting the previously little-heard voices of the residents who survived, Gullette helps us understand the workings of what she persuasively calls an eldercide. Gullette argues that it was our collective indifference, fueled by the heightened ageism of the COVID-19 era, that prematurely killed this vulnerable population. Compounding that deadly indifference is our own panic about aging and a social bias in favor of youth-based decisions about lifesaving care. The compassion this country failed to muster for the residents of our nursing facilities motivated Gullette to pen an act of remembrance, issuing a call for pro-aging changes in policy and culture that would improve long-term care for everyone.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
A set of chapters prepared by leading figures currently engaged in the study of homicide. Each chapter provides a review and summary of research literatures that deal with social theories of homicide, methodological problems in the study of homicide research among specific groups, and public policy reactions designed to prevent homicide.
Margaret Oliphant Wilson Oliphant (1828-97) had a wide-ranging and prolific literary career that spanned almost fifty years. She wrote some 98 novels, over fifty short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. As the self-styled 'general utility woman' for Blackwood's Edinburgh Magazine, often contributing both fiction and literary reviews to the same issue, she became a major critical voice for her generation. Her influence, usually cast on the side of 'the common reader', was such that it provoked fellow novelists such as Anthony Trollope, Henry James and Thomas Hardy to savage fictional portraits by way of retaliation.
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