Have you ever wondered how events occurring inside the sun can trigger changes on earth? Travel at the speed of light into the sun. Learn how a UC Berkeley student navigates through a year of turbulent demonstrations and protests. Discover how her life is an extended metaphor of the sun. Watch politics changes the lives of her colleagues. Warning: Enter the sun at your own risk! Your eyes might become radio telescopes. You are guaranteed to look at the universe from a new point of view.
Have you ever wondered how events occurring inside the sun can trigger changes on earth? Travel at the speed of light into the sun. Learn how a UC Berkeley student navigates through a year of turbulent demonstrations and protests. Discover how her life is an extended metaphor of the sun. Watch politics changes the lives of her colleagues. Warning: Enter the sun at your own risk! Your eyes might become radio telescopes. You are guaranteed to look at the universe from a new point of view.
The most precious treasure of this collection is that it gives us the rich back-story and diverse range of influences on Margaret Atwood's work. From the aunts who encouraged her nascent writing career to the influence of George Orwell's Nineteen Eighty-Four on The Handmaid's Tale, we trace the movement of Atwood's fertile and curious mind in action over the years.Atwood's controversial political pieces, Napoleon's Two Biggest Mistakes and Letter to America -- both not-so-veiled warnings about the repercussions of the war in Iraq -- also appear, alongside pieces that exhibit her active concern for the environment, the North, and the future of the human race. Atwood also writes about her peers: John Updike, Marina Warner, Italo Calvino, Marian Engel, Toni Morrison, Angela Carter, Gabriel Garcia Marquez, Mordecai Richler, Elmore Leonard, and Ursula Le Guin.This is a landmark volume from a major writer whose worldwide readership is in the millions, and whose work has influenced and entertained generations. Moving Targets is the companion volume to Second Words.
From one of the world's most passionately engaged and acclaimed literary citizens comes Writing with Intent, the largest collection to date of Margaret Atwood's nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces to great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes. Included are the Booker Prize -- winning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remembers herself reading Virginia Woolf's To the Lighthouse at age nineteen, and discusses the influence of George Orwell's 1984 on the writing of The Handmaid's Tale. Atwood's New York Times Book Review piece that helped make Orhan Pamuk's Snow a bestseller can be found here, as well as a look back on a family trip to Afghanistan just before the Soviet invasion, and her "Letter to America," written after September 11, 2001. The insightful and memorable pieces in this book serve as a testament to Atwood's career, reminding readers why she is one of the most esteemed writers of our time.
This first collection of Margaret Mead's personal correspondence creates a vivid and intimate portrait of an American icon--with a foreword by Mead's daughter, Mary Catherine Bateson.
Key issues surrounding the composition and recording of folklore include its frequently intensely political aspect and it preoccupation with chimerical cultural authority. These issues are dramatically displayed in Soviet epic compositions of the 1930s and 1940s, the so-called noviny (“new songs”), which took their formal inspiration to a great extent from traditional Russian epic songs, byliny (“songs of the past"), and their narrative content from contemporary political and other events in Stalinist Russia. The story of the noviny is at once complex and comprehensible. While it may be tempting to interpret the excrescences of Stalinism as unique aberrations, the reality was often more complicated. The noviny were not simply the result of political fiat, an episode in an ideological vacuum. Their emergence occurred in part because of specific trends and controversies that marked European folklore collection and publication from at least the late eighteenth century on, as well as because of developments in Russian folkloristics from the mid-nineteenth century on that assumed perhaps exaggerated proportions. The demise of the noviny was equally mediated by a host of political and theoretical considerations. This study tells the story of the rise and fall of the noviny in all its cultural richness and pathos, an instructive tale of the interaction of aesthetics and ideology.
Lucius Polk Brown was a professional chemist who became a bureaucrat in the field of public health during the Progressive era, when middle-class reformers first attempted to order American society through integrated systems. In his native state of Tennessee, between 1908 and 1915 Brown created a public health enforcement agency, began educating the masses to public health needs, waged flamboyant campaigns against those who violated the laws, and attracted widespread support for pure food and drug control. Moving on to become director of the Bureau of Food and Drugs in the New York City Department of Health in 1915, he continued his battle for public health reform amidst the maze of government agencies and political power struggles surrounding Tammany Hall. In Many respects Brown was typical of Progressive reformers. A middle-class, Anglo-Saxon Protestant and a professional, he represented a link between the nineteenth-century agrarian and the twentieth-century urbanite. More importantly, Brown exemplified a new character on the American scene: a scientist out of the agricultural-experiment-station mold entering public life, ready to challenge politicians on their own ground. This book contains fresh insights on the history of the public health movement in America, one area of reform that has not received the attention it deserves. Except for incidental references, the major figures of food and drug regulation at the local level have been largely ignored by historians. Lucius Polk Brown’s quest for pure food and drugs is representative of what municipal and state officials, as scientific people, encountered when they fought for the passage of new laws, struggled to enforce existing ones, and battled with the politicians, quacks, ignorance that threatened their efforts. Brown’s diversified career provides a unique opportunity for studying a scientific reformer caught up in the political turmoil of the Progressive era. His experience in government service spanned twelve years and touched on two dissimilar political systems. In focusing on Brown’s struggles, achievements, and failures, Margaret Ripley Wolfe provides a comparative study of state and municipal health administrations, of bureaucratic development in a rural southern state and a northern metropolis. For that reason this book should be of interest to political scientists and public health officials as well as to social historians and students of the Progressive era.
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