In 1943 the Eaton family, from the parents to the four children, aged 12-3, struggle to save the farm from foreclosure and to support the war effort. Ten year old Jane tells the story.
SUMMER ON THE SUN-UP (Illustrated Edition) The Ranch with the Quarter-Circle-Three-Bar Brand Theme: A young American family works together to save their ranch and to help fight World War II on the home front. Middle Grades Ages: 8-12 Juvenile Historical Fiction Summer on the Sun-Up is the story of a family struggling to fight foreclosure on their cattle ranch and to do their part for the country at war. A young Jane Eaton tells of the family's adventures of that summer of 1943 - a round up, a cattle auction, and a strange accident at The Dalles Ferry. She tells of the family's sorrowful good-bye to Uncle Robbie as he goes off to war. She tells of 14-year-old cousin Scott who plays practical jokes, reads minds, and learns to drive the wheat truck. Here are strong men - optimistic Dad, grumpy Grandpa, the fiery Red Evans baling hay, and brave "Pops" sailing in the Pacific with the navy. Here is Mother who wanted to be a librarian, but now keeps the ranch books, races to smooth the rocky path for everyone else, and grows a Victory Garden. Here is Ann, high-spirited 12-year-old sister and sidekick. Here is five-year-old Ellie with a voice that flits like a moth, and who names the new bull. Youngest is three-year-old Tom, who gathers up scrap metal for the war and chases cows with his stick. Summer on the Sun-Up is a story set in Klickitat County in the State of Washington. It follows Jane as she promises to work even harder to help save the ranch. She does not give up. Like the country, Jane hangs on and survives.
CHRISTMAS ON THE SUN-UPHypnotized by the swirling snow, 10-year-old Jane Eaton peers into the days of December of 1943, the days that lead to Christmas. From her perch in the hayloft of the barn on the Sun-Up, her thoughts ride far on the blowing wind. With the hard work of the ranch behind them, Jane's foresight shows the Eatons soaring into a fun-filled season.But, she cannot see into the week before Christmas when a missing-in-action telegram from the War Department brings all hopes for Christmas to a dead stop. She does not catch a glimpse of Mother's jangled nerves or Scott's despair. She does not have a far-sighted view of their sunny home struck silent as blackened midnight.Nor, can Jane imagine the wonder of Christmas Day after a hoped-for, but unexpected gift arrives—not in a sleigh but a black Chevrolet—on the night before Christmas.
Put on your boots, bring out your sled.Let's fetch our Christmas tree, Dad said. We'll have it trimmed by first owl's lightBefore the blizzard strikes tonight. Along with Dad, Mother, and Purr-dy Cat, the children follow a winding path through the snowy wood. They walk past stonewalls and fallen logs. Uphill and downhill they hunt for that special tree as the wind blows the blue out of billowing clouds in a wintry sky. When the children spot the proud spruce, they know it is the tree for them. Moose tracks circleits trunk. A black-capped chickadee flits from its branches. A snowshoe hare bounds from its shadow to the edge of the glen. Purr-dy Cat sharpens his claws on the tree's soft bark. Using a bow saw, the little loggers fell the tree. They load their prize onto the sled and head home. The sky darkens, and soon the laughing moon replaces the sun. They follow their own tracks going back, but the path seems different in moonlight. Different, too, are the spicy perfumes of the wood, now mixing with colder air—pungent pine, fir balsam, birch, and muskiness from a foxes' lair. Late that night, after the children help trim the tree and after they set up the holy crèche scene of the first Christmas in Bethlehem, they gaze at their work. An unexpected surprise brings added reward. It is as if the fragrant incense of the king's gift of that first Christmas is wafting across continents and centuries— . . . the gift of frankincense,Precious and sweet with scent intense, Like that they breathed there where they stood—Wild perfumes from a winter wood.
In addition to identifying design sources actually used in Texas, Culbertson provides personal background information on several of the original owners, many of whom were prosperous and respected members of their communities. By providing such contextual information about the houses and their owners, Culbertson shows that using designs published in magazines and catalogues was socially and culturally acceptable during this period." "The book closes with an in-depth look at the use of published designs in one particular community, Waxahachie, and the place of these houses within the community and in the lives of their original owners."--BOOK JACKET.
In the spring of 1585, seven English ships sailed around Cape Feare and up the windswept coast of Florida. Their mission: to gain a foothold in the Americas, a gateway to riches, an island fortress against the Spanish. But within ten years, the vibrant new colony had vanished without a trace.… In Hampton Court, Elizabeth is under siege—surrounded by sycophants, spies, and assassins who stalk her every move. Among those charged with protecting her is a tall, charismatic spy named Gabriel North…and when the queen’s advisers persuade her to send ships to the Americas, North is given a job for which he is perfectly suited: to seduce Roanoke’s Secota princess and gain information about a fabled treasure hidden in the wilderness. In Princess Naia, North meets a woman who bewitches him utterly—and he soon sees the dangerous deceptions from which his mission was born. As war and calamity crash down on Roanoke Island, Gabriel North becomes a wanted man in a desperate hunt that will lead back across the Atlantic—into a trap set by his enemies, and into a shocking act of treachery that swirls around Elizabeth herself…. With the grace of a master storyteller, Margaret Lawrence brings to life a cast of brave hearts and blackguards, petty criminals and grand schemers, who play their roles in a searing drama of conquest, rule, and rebellion.
The town of Vestal has evolved over generations, from the quiet days of Native Americans fishing along the Susquehanna River to the bustling, dynamic community that it is today. Established in 1823 from the town of Union, Vestal began as a lumbering and farming town whose population later flourished with the introduction of mills, factories, and tanneries. In 1901, a train wreck caused five tons of dynamite to explode near the center of town, and in 1927, a fire destroyed most of the business district. Still the town persevered and rebuilt, and by the mid-20th century, Vestal grew again, becoming home to the employees of industrial powerhouses across the river. After years of progress, the town of Vestal continues to redefine itself and shape the course of its own history.
Cultural Secrets as Narrative Form: Storytelling in Nineteenth-Century America examines the interplay between the familiar and the forgotten in tales of America's first century as a nation. By studying both the common concerns and the rising tensions between the known and the unknown, the told and the untold, this book offers readers new insight into the making of a nation through stories. Here, identity is built not so much through the winnowing competition of perspectives as through the cumulative layering of stories, derived from sources as diverse as rumors circulating in early patriot newspapers and the highest achievements of aesthetic culture. And yet this is not a source study: the interaction of texts is reciprocal, and the texts studied are not simply complementary but often jarring in their interrelations. The result is a new model of just how some of America's central episodes of self-definition -- the Puritan legacy, the Revolutionary War, and the Western frontier -- have achieved near mythic force in the national imagination. The most powerful myths of national identity, this author argues, are not those that erase historical facts but those able to transform such facts into their own deep resources. Book jacket.
As cities from Cape Town to La Paz face acute water shortages, citizens need to know how urban water systems evolved to understand their vulnerabilities and alternatives. This volume sheds light on the challenges of water management in Australian cities drawing on environmental, urban and economy history.
With the thoroughness and resourcefulness that characterize the earlier volumes, she recounts the rich history of the courageous and resolute women determined to realize their scientific ambitions.
Margaret Spufford has written as detailed an account of the lives and activities of the chapmen as there is likely to be, given the widely-spread and fragmented evidence. She shows where and when they were active, and in particular their rise in the 17th century, their ranks and their typical careers, the variety of the cloths and other wares they carried, and the attitude of authority towards them.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
A listing from the 1850 census of approximately 8,160 free blacks and mulattos between the ages of 1 month and 112 years, providing name, age, sex, occupation, color, place of birth, household and dwelling number, and county.
From Gone with the Wind to Designing Women, images of southern females that emerge from fiction and film tend to obscure the diversity of American women from below the Mason-Dixon line. In a work that deftly lays bare a myriad of myths and stereotypes while presenting true stories of ambition, grit, and endurance, Margaret Ripley Wolfe offers the first professional historical synthesis of southern women's experiences across the centuries. In telling their story, she considers many ordinary lives—those of Native-American, African-American, and white women from the Tidewater region and Appalachia to the Mississippi Delta to the Gulf Coastal Plain, women whose varied economic and social circumstances resist simple explanations. Wolfe examines critical eras, outstanding personalities and groups—wives, mothers, pioneers, soldiers, suffragists, politicians, and civil rights activists—and the impact of the passage of time and the pressure of historical forces on the region's females. The historical southern woman, argues Wolfe, has operated under a number of handicaps, bearing the full weight of southern history, mythology, and legend. Added to these have been the limitations of being female in a patriarchal society and the constraining images of the "southern belle" and her mentor, the "southern lady." In addition, the specter of race has haunted all southern women. Gender is a common denominator, but according to Wolfe, it does not transcend race, class, point of view, or a host of other factors. Intrigued by the imagery as well as the irony of biblical stories and southern history, Wolfe titles her work Daughters of Canaan. Canaan symbolizes promise, and for activist women in particular the South has been about promise as much as fulfillment. General readers and students of southern and women's history will be drawn to Wolfe's engrossing chronicle.
Dr. Klein has recorded tombstone inscriptions from eighty family cemeteries, twenty-five church cemeteries, and several small proprietary cemeteries in King George County, Virginia. The result is this enumeration, giving the dates of birth and death and frequently specifying the family relationships of approximately 1,500 persons. The recorded inscriptions are limited, by and large, to persons who either died before 1900 or were born before 1850.
As clerk of the House of Commons, Bourinot advised the speaker and other members of the house on parliamentary procedure; he also wrote the standard Canadian work on the subject. A founding member of the Royal Society of Canada, he played a leading role during the Society's first twenty years. Ahead of his time in writing intellectual history, Bourinot was also an early supporter of higher education for women. He was a man of contrasts, an early Canadian nationalist as well as an imperialist. In spite of the constitutional changes of 1982, there is still much in Bourinot's writing that is relevant today.
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