Taken as a whole, this collection of Mitchell's journalism transcends the simple fact gathering of the reporter's trade to give a portrait of the artist as a young woman and a compelling snapshot at life in the Jazz Age South.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This first collection of Margaret Mead's personal correspondence creates a vivid and intimate portrait of an American icon--with a foreword by Mead's daughter, Mary Catherine Bateson.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A memoir consisting of episodes in the life of Margaret Benham. Its genesis was in the author's participation in "Save Your Life," a memoir-writing group.
First published in 1958, these are the memoirs of Margaret Chanler Aldrich, a descendant of the prominent Astor family. A nurse for the American Red Cross during the Spanish-American War, and later the Philippine-American War, Aldrich joined the woman’s suffrage movement and became notable as one of Carrie Chapman Catt’s capable officials in the campaign for suffrage in New York State. A fascinating autobiography!
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
It was l929. Margaret Bundy, a young journalist with an interest in literature, jazz, and politics, worked for a Seattle weekly called the Town Crier. Assigned to review the Northwest Annual art show she met a struggling young painter named Kenneth Callahan. In l930 Kenneth and Margaret eloped. Though not a perfect union, they were mutually distressed by the Great Depression and shared a love for travel as well as a love for the Cascade Mountains, where in l938 they rented a woodcutter's shack in the Robe Valley near Granite Falls, Washington for fifteen dollars a year. The Callahan's circle in Seattle included many who subsequently became well-known, as did Kenneth, in the world of arts and letters. Her observations provide insight into the characters of these well-known personalities. But Margaret's interest in people was not limited to those in the art world. She was equally attracted to many of the pioneers and working people she met. She and Kenneth used the expression 'a real person' to describe someone they found of value. Margaret brings to life many 'real' people who, regardless of social status or wealth, have fascinating stories to tell. This memoir is compiled from her earliest recollections until her untimely death at the age of fifty-seven in l96l. 1904 - 1961. Child of Mabel Upton (Chicago University Medical School) and Edward Bundy (self-educated lawyer in Seattle). Graduated l924 from the University of Washington School of Journalism. Reporter for the Seattle Star newspaper. Edited the weekly Town Crier. Later wrote features for the Seattle Times. Married Kenneth Callahan in l930. Traveled to Mexico, Europe, and Central America. Active in the Seattle political scene of the l930s. Son born in l938. Subsequently, divided her time between Seattle and a cabin in the Robe Valley in Washington's Cascade Range. Margaret compulsively recorded her thoughts and impressions about everything: the people she knew, political events, and her intense love of nature. ForeWord Clarion Book Review
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