A historical novel to stir the heart! Katherine Ferguson's parents are slaves in the late 1700s. Her mother escapes to New York only to be sold into slavery yet again, this time with her newborn, Katy. As her mother faces being taken away, she prays a desperate prayer, giving the little Katy over to God. More Than a Slave is a story of perseverance and inspiration about Katherine Ferguson, who became a pioneer in the Sunday school movement.
Our common definition of literacy is the ability to read and write in one language. Margaret Ferguson reveals in this text that this is inadequate, because it fails to help understand heated conflicts over literature during the emergence of print culture.
Elizabeth Cary (c.1585-1639) was an accomplished scholar of languages and theology. Her considerable strength of character was demonstrated by her public conversion to Catholicism in 1625 thereby creating an irrevocable rift in her marriage and her family. Her biography, written by her daughter, says she wrote ’for her private recreation’ and mentions various works, now lost, including the lives of saints, and poems to the Virgin Mary. She is best known today, however, for the works reproduced here.
This book brings together new essays by leading cultural critics who have been influenced by the groundbreaking scholarship of Richard Helgerson. The original essays penned for this anthology evince the ongoing impact of Helgerson’s work in major critical debates including national identity, literary careerism, and studies of form. Analyzing not only early modern but also medieval literary texts, the pieces that comprise Essays in Memory of Richard Helgerson: Laureations respond to both Helgerson’s more famous scholarly works and the whole range of his critical corpus, from his earliest work on prodigality to his latest writings on mid-sixteenth century European poets. The interdisciplinary, transnational, and comparativist spirit of Helgerson’s criticism is reflected in the essays, as is his commitment to studies of multiple genres that nevertheless attend to the particularities of form.Contributors offer new interpretations of several of Shakespeare’s plays—Hamlet, I Henry IV, The Tempest, Coriolanus, Antony and Cleopatra, King Lear—and other dramas such as Beaumont’s The Knight of the Burning Pestle, the anonymous drama The London Prodigal, and Stephen Greenblatt and John Mee’s contemporary play Cardenio. In keeping with Helgerson’s comparativist turn, the volume includes analyses of Joachim Du Bellay’s poetry and Donato Gianotti’s discussion of The Divine Comedy. Prose works featured in the volume encompass More’s Utopia and Isaac Walton’s The Compleat Angler. Spenser’s early poetry and the medieval romance Floris and Blanchflour also receive new readings.
Juxtaposing the insights of feminism with those of marxism, psychoanalysis, and deconstruction, this unique collection creates new common ground for women's studies and Renaissance studies. An outstanding array of scholars—literary critics, art critics, and historians—reexamines the role of women and their relations with men during the Renaissance. In the process, the contributors enrich the emerging languages of and about women, gender, and sexual difference. Throughout, the essays focus on the structures of Renaissance patriarchy that organized power relations both in the state and in the family. They explore the major conequences of patriarchy for women—their marginalization and lack of identity and power—and the ways in which individual women or groups of women broke, or in some cases deliberately circumvented, the rules that defined them as a secondary sex. Topics covered include representations of women in literature and art, the actual work done by women both inside and outside of the home, and the writings of women themselves. In analyzing the rhetorical strategies that "marginalized" historical and fictional women, these essays counter scholarly and critical traditions that continue to exhibit patriarchal biases.
The essays in this special issue of Modern Language Quarterly reflect intensively on feminism during various periods and build conceptual bridges linking early modern female writers, such as Marguerite de Navarre and Mary Wollstonecraft, with theorists, poets, and fiction writers of the postmodern era. Contributors. Jonathan Culler, Joan DeJean, Rachel Blau DuPlessis, Carla Freccero, Angela Leighton, Laura Mandell, Jeffrey Masten, Robyn Wiegman
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