The economy didn't go through the Great Depression - people did. Margaret DuBois grew up in a period of historic deprivation. Her family had to retreat to her grandparents' Ozark farm to survive. The farm patriarch, her grandfather, was an orator - a minister who had once served as a State Legislator. Their home-life differed from most similarly-situated Ozark families in its focus on spiritual duties and the love of learning. Books lined their shelves. Political bombast and pious sermon occupied their dinners. They didn't get up pre-dawn as most farm families did. Hard times drew out the best and worst of human character. As she watched her family cope with all manner of human failing, and unremitting rotten luck, Margaret saw that people are complex and rife with contradictions. In her family's composure through bitter disappointments she saw a strength of character worthy of remembrance. And on that rocky ground where the DuBois family held fast, she hatched her dreams.
A new swashbuckling epic fantasy series by New York Times bestselling author Margaret Weis and Robert Krammes. The known world floats upon the Breath of God, a thick gas similar to Earth's oceans, with land masses accessible by airship. The largest of these land masses are ruled by the rival empires of Freya and Rosia. Magic is intrinsic to the functioning of these societies, and is even incorporated into their technological devices. But now a crucial scientific discovery has occurred that could destroy the balance of power-and change the empires forever.
Margaret Weis and co-author Robert Krammes bring the enthralling Dragon Brigade trilogy to a thrilling conclusion in The Seven Sigil, a sweeping novel of worldwide war and personal redemption. Five hundred years ago, a clan of rebels was banished to the bottom of the enchanted world of Aeronne; ever since, these Bottom Dwellers have sought revenge, and now they are waging all-out war on the rest of humanity. Their deadly "contramagic" beams destroy buildings and attack naval airships, and their demonic drumming brings terrible storms and disrupts the magic of the people and dragons Above. The attack of their full contramagic power will create a magical armageddon. In an effort to prevent further death, Captain Stephano de Guichen leads the Dragon Brigade, taking the fight to the Bottom. But strength of arms alone will not be enough to conquer their foe. As the Bottom Dwellers' blood magic eats away at the world, those Above realize their only possible defense lies in the heretical secrets of contramagic. Loyal priests must decide whether to protect the Church, or risk its destruction in pursuit of the truth. Only the Dragon Brigade can prevent an endless dark age. Their epic battle will test the mettle of those thrown into the breach, and determine the fate of this magical world. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
When their centuries-warring kingdoms are simultaneously attacked by the evil magic forces of a Bottom-Dweller society that blames them for the destruction in their land, Freya and Rosia are forced to put aside their differences to defend themselves while a dragon-riding hero leads a ragtag group to save the kingdoms.
This book is the second in Margaret de Rohan's trilogy and the follow-up to Celia and Granny Meg to go Paris: A Survival Guide. Celia and Granny Meg return to Paris to give their evidence at the trial of Bruno Escargot, who murdered The Professor, the architect of the secret plans for the nuclear defence of the French Republic, and stole those plans. This time, the travellers expect a trouble-free visit to the French capital, but nothing could be further from the truth... No sooner do they arrive at Gare du Nord than the surprises start. As the intimidation escalates with the unwelcome arrival of ten perfectly-formed but very dead snails on their doorstep one morning, a number of questions must be urgently answered. Who is trying to kill them? Who were the sinister men behind the plot to abduct Celia? What is Bruno Escargot up to now? And what have Prince Charles' ears got to do with the price of poisson? It must be time for Celia and Granny Meg to remove their gloves and take matters into their own four hands again! Celia and Granny Meg Return to Paris: The Man with No Face is a crime adventure story that will be enjoyed by readers aged twelve and older. The author is inspired by Rumer Godden, whose book The Greengage Summer is Margaret's favourite.
Alibis are as scarce as murders prolific in this darkly funny locked-room mystery wherein a group of stranded winter sports enthusiasts must endure the harshness of winter, murder, and a handsome French-Canadian separatist. A bus filled with ski enthusiasts headed for a rustic chalet in Canada breaks down in the middle a blizzard, sending a mismatched group of strangers out into the night to find shelter from the storm. Shelter is found by way of a dilapidated country mansion replete with a crazy old woman and her caregiver, who “accidentally” shoots at the skiers as they approach. Unlike the would-be skiers, the inhospitable situation only goes downhill from there.
In the spring of 1915, Chicagoans elected the city’s first black alderman, Oscar De Priest. In a city where African Americans made up less than five percent of the voting population, and in a nation that dismissed and denied black political participation, De Priest’s victory was astonishing. It did not, however, surprise the unruly group of black activists who had been working for several decades to win representation on the city council. Freedom’s Ballot is the history of three generations of African American activists—the ministers, professionals, labor leaders, clubwomen, and entrepreneurs—who transformed twentieth-century urban politics. This is a complex and important story of how black political power was institutionalized in Chicago in the half-century following the Civil War. Margaret Garb explores the social and political fabric of Chicago, revealing how the physical makeup of the city was shaped by both political corruption and racial empowerment—in ways that can still be seen and felt today.
A long essay on The Man and His Poetry plus extensive bibliography of Cullen's major writings, writings about Cullen, including newspaper references, and poetry anthologies in which Cullen's work appeared.
Taken together, these texts reveal the complicated public discussion of education in the 1890s - a period of transformation in culture, schooling, and the organization of knowledge. Moreover, they reveal the rhetorical structure of many of the questions Americans ask about education today: who should be educated, by whom, for what purposes, using what methods or materials? What of the past should we pass on to the future, and how? Contesting Cultural Rhetorics will be useful to readers interested in the history of education and nineteenth-century popular culture, as well as those involved in current debates on education and public policy.
In this compelling chronicle, the author details her search for the origins of Beauvoir's existential philosophy. Addressing many issues, Simons offers an original contribution to the renaissance of Beauvoir scholarship.
Margaret Walker (1915-1998) began her writing career as a poet in the late 1930s. But she was cast into the limelight in 1966 when her novel Jubilee was published to wide critical and commercial acclaim. In interviews ranging from 1972 to 1996, Conversations with Margaret Walker captures Walker's voice as she discusses an incredibly wide range of interests. The same erudition, wit, and love of language on display in Jubilee comes through in conversations, as well as her sense of moral authority--imbued by a resonant Christian humanism--and her attention to historical detail. In a long 1972 conversation with fellow poet Nikki Giovanni, Walker argues about the tribulations and triumphs of motherhood, the presence of black women in literature, and race relations in American culture from 1900 to the present. With Marcia Greenlee in 1977, she talks extensively about her family's history and her love of botany. In several of the interviews, her friendship with Richard Wright rises to the forefront. Even in her interviews with Claudia Tate and John Griffin Jones, in which the interviewers try to direct the conversations toward the mechanics and thought processes behind Walker's writing, the talks often sweep into broader issues of African American culture, family history, and the past's influence on the present. This collection amply shows that Margaret Walker was a writer who considered her work to be deeply influenced by the culture around her. She viewed her writing as part of her larger life and not separate or distanced from her existence. Bracingly direct, witty, and oddly charming, the writer in Conversations with Margaret Walker is complicated, passionate, forceful, and piercingly intelligent.
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