Gettysburg has been written about and studied in great detail over the last 140 years, but there are still many participants whose experiences have been overlooked. In augmenting this incomplete history, Margaret Creighton presents a new look at the decisive battle through the eyes of Gettysburg's women, immigrant soldiers, and African Americans. An academic with a superb flair for storytelling, Creighton draws on memoirs, letters, diaries, and newspapers to get to the hearts of her subjects. Mag Palm, a free black woman living with her family outside of town on Cemetery Ridge, was understandably threatened by the arrival of Lee's Confederate Army; slavers had tried to capture her three years before. Carl Schurz, a political exile who had fled Germany after the failed 1848 revolution, brought a deeply held fervor for abolitionism to the Union Army. Sadie Bushman, a nine-year-old cabinetmaker's daughter, was commandeered by a Union doctor to assist at a field hospital. In telling the stories of these and a dozen other participants, Margaret Creighton has written a stunningly fluid work of original history -- a narrative that is sure to redefine the Civil War's most essential battle.
Traditional accounts of whaling celebrate exotic locales and dangerous exploits but shed little light on the lives of the men who went to sea. Rites and Passages places sailors at the center of a social history of whaling and explores the ways in which the history of the sea and the history of the shore have intersected. Drawing on the evidence of ship logs and sailors' letters and journals, Margaret S. Creighton examines American whalemen during the industry's peak--the mid-nineteenth century--and argues that whaling life and culture were shaped by both the American mainland and by the exigencies of ocean life. Unlike other accounts of seafaring, this work brings gender into the maritime equation, not only with a discussion of the ways that women figured in this male-dominated world, but also with an examination of the ways that seafaring served as a rite of passage into manhood. Professor of History at Bates College, Margaret Creighton is the author of Dogwatch and Liberty Days: Seafaring Life in the 19th Century and co-editor of Iron Men and Wooden Women: Gender and Maritime History. She has been guest curator at The Peabody Museum of Salem and the U.S.S. Constitution Museum of Boston.
A marvelous recounting of the 1901 World’s Fair. Every chapter sparkles…The Buffalo-Niagara Falls extravaganza comes alive in these pages. Highly recommended!" —Douglas Brinkley, author of American Moonshot The Pan-American Exposition in Buffalo, New York, dazzled with its new rainbow-colored electric lights. It showcased an array of wonders, like daredevils attempting to go over Niagara Falls in a barrel, or the "Animal King" putting the smallest woman in the world and also terrifying animals on display. But the thrill-seeking spectators little suspected that an assassin walked the fairgrounds, waiting for President William McKinley to arrive. In Margaret Creighton’s hands, the result is "a persuasive case that the fair was a microcosm of some momentous facets of the United States, good and bad, at the onset of the American Century" (Howard Schneider, Wall Street Journal).
This first collection of Margaret Mead's personal correspondence creates a vivid and intimate portrait of an American icon--with a foreword by Mead's daughter, Mary Catherine Bateson.
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