Wangga, originating in the Daly region of Australia’s Top End, is one of the most prominent Indigenous genres of public dance-songs. This book is organised around six repertories: four from the Belyuen-based songmen Barrtjap, Muluk, Mandji and Lambudju, and two from the Wadeye-based Walakandha and Ma-yawa wangga groups, the repertories being named after the ancestral song-giving ghosts of the Marri Tjavin and Marri Ammu people respectively. Framing chapters include discussion of the genre’s social history, musical conventions and the five highly endangered languages in which the songs are composed. The core of the book is a compendium of recordings, transcriptions, translations and explanations of over 150 song items. Thanks to permissions from the composers’ families and a variety of archives and recordists, this corpus includes almost every wangga song ever recorded in the Daly region.
Wangga, originating in the Daly region of Australia's Top End, is one of the most prominent Indigenous genres of public dance-songs. This book focuses on the songmen who created and performed the song
Twenty-Five Astronomical Observations That Changed the World" takes twenty-five journeys through space, back in time and into human history. We begin with the simplest sight of the Tycho Crater on the Moon, through a repeat of Galileo's observations of Jupiter's moons, and then move out towards the nebulae, stars, and galaxies. The astronomical observations repeat the original groundbreaking discoveries that have changed our understanding of science and ourselves. This title contains graded observing challenges from the straightforward to the more difficult (in chapter order). It offers clear observing tips and lots of practical help, presuming no prior in-depth knowledge of equipment. Binoculars and/or a small astronomical telescope are all that is required for most of the observations. Secondly, it explores for each observation the science of what is seen, adding to the knowledge and enjoyment of amateur astronomers and offering lots of reading for the cloudy nights when there is not a star in view. Thirdly, the book puts the amateur astronomers' observations into a wider perspective. "Twenty-Five Astronomical Observations That Changed the World" makes the observer part of that great story of discovery. Each chapter, each observing challenge, shows how to observe and then how to look with understanding. The projects begin with practicalities: where the object is, how best is it observed and with what appropriate equipment (usually a small-to-medium aperture amateur telescope, binoculars, even the naked eye). "Twenty-Five Astronomical Observations that Changed the World" guides even the inexperienced amateur astronomer - beginners can use the book - around a variety of night-sky objects, and reminds the more experienced how they can best be seen. These practical observations put us in contact with all the history and culture surrounding them: through scientific speculation and literature to those first fuzzy images made in 1959 by the Russian space probe Luna 3.
Wangga, originating in the Daly region of Australia's Top End, is one of the most prominent Indigenous genres of public dance-songs. This book focuses on the songmen who created and performed the song
Discover Japanese culture and one of the world's oldest performance artforms in an exhilarating new way: through English-language noh theatre. Intercultural Japanese Noh Theatre: Texts and Analyses of English-language Noh provides a unique perspective on intercultural engagement with Japanese noh, a classical dance-drama that has been performed since the 14th century. Unlike many projects approaching noh from the 'outside in,' this volume dives 'inside out,' tapping into the expertise of both professional Japanese noh performers and dedicated non-indigenous practitioners. Through selected play texts and insightful essays, this collection introduces a new realm of noh to global readers, academics, and theatre enthusiasts interested in Japanese culture. The opening chapters, guided by Akira Matsui, a master actor of the Kita school of noh, offer a contemporary view from within the professional noh world: the subsequent seven playtexts, chosen for their representation of shifts in practice and global resonance, are introduced by the writers, providing insights into their creative motivations. Following each play, experts analyse its performance aspects, from movement and music to costume and language, exploring the implications of integrating Japanese noh professionals with international amateurs. This volume not only contextualizes the chosen noh texts but also serves as a window into a dynamic form of intercultural engagement with noh theatre. By blending tradition with global perspectives, it illuminates the multifaceted nature of noh in a globalized context. For those interested in the longevity of performance art and new intercultural approaches, this book offers a comprehensive exploration of English-language noh and its rich complexity on the global stage.
A mesmerizing journey into the musical world of Australia's Aboriginal people. Winner of the Stanner Award from the Australian Institute of Aboriginal and Torres Strait Islanders Studies (2006) Aboriginal musicians receive songs both from an eternal realm known as The Dreaming and from the ghosts of deceased ancestors. Songs, Dreamings, and Ghosts is the first book-length study of wangga, a musical and ceremonial genre of Aboriginal people of the Daly Region of Northern Australia. This work is a labor of love, the culmination of nearly 20 years of field work and research by renowned ethnomusicologist Allan Marett, and represents the only comprehensive documentation of a single major genre of Aboriginal music. With first-hand, in-depth knowledge of Northwest Australia's Aboriginal cultures, Marett provides the reader with a penetrating description and analysis of this compelling musical practice. This book makes a significant contribution to knowledge of Aboriginal studies, and provides a rare glimpse into relatively unknown traditions and cultures. It includes illustrations, musical examples, and links to a web-based virtual CD loaded with samples of this fascinating music, closely linked to the text, at http://www.wesleyan.edu/wespress/wanggacd/.
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