A gambler runs out of luck in this rousing Ralph Compton western. Mississippi charmer Abner Mason is a professional gambler and a regular on the Delta Jack, a luxurious riverboat. But things haven’t exactly been going Mason’s way. After a disastrous loss at the tables, he owes an impossible debt to the most powerful man on the ship: mysterious, ruthless Cam Greeley. And Greeley’s willing to do whatever it takes to get his fortune back—even threaten Mason’s life. Now Mason has a single night to raise all the funds to pay off his debt by completing whatever ominous jobs Greeley has waiting for him. He just has to make it through alive....
W.E.B. DuBois immortalized Philadelphia's Black Seventh Ward neighborhood, one of America's oldest urban black communities, in his 1899 sociological study The Philadelphia Negro. In the century after DuBois's study, however, the district has been transformed into a largely white upper middle class neighborhood. Black Citymakers revisits the Black Seventh Ward, documenting a century of banking and tenement collapses, housing activism, black-led anti-urban renewal mobilization, and post-Civil Rights political change from the perspective of the Black Seventh Warders. Drawing on historical, political, and sociological research, Marcus Hunter argues that black Philadelphians were by no means mere casualties of the large scale social and political changes that altered urban dynamics across the nation after World War II. Instead, Hunter shows that black Americans framed their own understandings of urban social change, forging dynamic inter- and intra-racial alliances that allowed them to shape their own migration from the old Black Seventh Ward to emergent black urban enclaves throughout Philadelphia. These Philadelphians were not victims forced from their homes - they were citymakers and agents of urban change. Black Citymakers explores a century of socioeconomic, cultural, and political history in the Black Seventh Ward, creating a new understanding of the political agency of black residents, leaders and activists in twentieth century urban change.
This second volume of Robert A. Hill's monumental ten-volume survey of Marcus Mosiah Garvey's extraordinary mass movement of black social protest covers a period of rapid growth. The Universal Negro Improvement Association, with its "Africa for the Africans" program of racial nationalism, rapidly gained in strength in the aftermath of Garvey's successful meeting in Carnegie Hall in August 1919, and culminated in its spectacular First International Convention of the Negro Peoples of the World in 1920. Hill has compiled a wealth of archival documents and original manuscripts, with descriptive source notes and explanatory footnotes. He provides a fascinating account of the spread of Garvey's movement, which was seen-and feared-by officials in America, Europe, and colonial governments in Africa and the Caribbean as the major ideological force promoting radical consciousness among blacks. Hill continues the comprehensive outline begun in Volume I of Garvey's Black Star Line, the all-black merchant marine, and documents the beginnings of Garvey's proposals for massive loans to the Liberian government. These controversial financial schemes led to Garvey's reputation as a swindler, and Volume II details the first charges of fraud. The federal investigation of Garvey broadened and deepened during 1919--1920, with J. Edgar Hoover--then an assistant to the attorney general--continuing to search tor grounds to deport Garvey. Included here are numerous repons from government agents and informers, which provide a valuable ponrait of day-to-day UNIA operations. Volume II ends with the UNIA's 1920 convention, presented by Garvey as a turning point in the history of black-white relations. The legislation and the elective offices produced by that convention were intended to form a virtual government in exile for Africa, fulfilling Garvey's ambition to practice statecraft and create the symbols of black nationhood and sovereignty. This volume is the second of six that focus on America; the seventh and eighth focus on Africa, and the last two on the Caribbean. Hill has brought together far more than a portrait of a single intriguing historical figure. Garvey's movement was a mass social phenomenon, an Afro-American protest movement with strong links to African and Caribbean nationalism in the first decades of the twentieth century.
Laura Marcus is one of the leading literary critics of modernist literature and culture. Dreams of Modernity: Psychoanalysis, Literature, Cinema covers the period from around 1880 to 1930, when modernity as a form of social and cultural life fed into the beginnings of modernism as a cultural form. Railways, cinema, psychoanalysis and the literature of detection - and their impact on modern sensibility - are four of the chief subjects explored. Marcus also stresses the creativity of modernist women writers, including H. D., Dorothy Richardson and Virginia Woolf. The overriding themes of this work bear on the understanding of the early twentieth century as a transitional age, thus raising the question of how 'the moderns' understood the conditions of their own modernity.
Africa for the Africans" was the name given in Africa to the extraordinary black social protest movement led by Jamaican Marcus Mosiah Garvey (1887-1940). Volumes I-VII of the Marcus Garvey and Universal Negro Improvement Association Papers chronicled the Garvey movement that flourished in the United States during the 1920s. Now, the long-awaited African volumes of this edition (Volumes VIII and IX and a forthcoming Volume X) demonstrate clearly the central role Africans played in the development of the Garvey phenomenon. The African volumes provide the first authoritative account of how Africans transformed Garveyism from an external stimulus into an African social movement. They also represent the most extensive collection of documents ever gathered on the early African nationalism of the inter-war period. Here is a detailed chronicle of the spread of Garvey's call for African redemption throughout Africa and the repressive colonial responses it engendered. Volume VIII begins in 1917 with the little-known story of the Pan-African commercial schemes that preceded Garveyism and charts the early African reactions to the UNIA. Volume IX continues the story, documenting the establishment of UNIA chapters throughout Africa and presenting new evidence linking Garveyism and nascent Namibian nationalism.
FROM THE AUTHOR After I returned to prison, I took a long look at myself, and for the first time in my life, admitted that I was wrong, that I had gone astray; astray not so much from the law as from being human, civilized. Even though I had some insight into my own motivations, I did not feel justified. I lost my self-respect. My whole fragile moral structure seemed to collapse, completely shattered. That is when I started to write, to save myself. Eldridge Cleaver All right, ladies and gents, get ready to hold onto your seats as I lead you back through the labyrinth of mystery, sex, violence and philosophy, in this my second venture into the world of fiction writing, “Stories from the Pen of a Prisoner, Volume Two.” It will be an exciting and entertaining ride. First stop will be a reunion with Renee, a leading character in my first venture into the art of story writing. If you have not read that lead story, Renee, you owe it to yourself to go out and purchase your copy of “Stories from the Pen of a Prisoner, Volume One.” (Marcus Stockton)
THE IDENTITY OF MAX SLEDGE is a short novel about a middle-aged writer of mysteries who takes an ocean cruise to cure his writer's block but unexpectedly falls in love with a much younger woman. Together they take a European tour of Five-Star hotels and a few of the Continent's finer restaurants before she swindles him out of his money, passport and credit cards. Penniless and brokenhearted, he strives to regain his fortune and self-respect by writing the greatest mystery novel of his career. In this Romantic-Thriller, the action takes place aboard a luxury ocean liner, at a Venice palazzo, on a Greek Isle and along the canals of Amsterdam. (156 pages) [ISBN 978-0-578-00678-9]
Marcus Mosiah Garvey (1887- 1940) led an extraordinary mass movement of black social protest. His Universal Negro Improvement Association and his "back to African" program of racial nationalism introduced many ideas that emerged again during the Black Power years of the 1960s: pride in black roots, pride in black physical features and African culture, and rejection of assimilation into white America. Yet the charismatic black Jamaican who roared his credo before huge audiences on the st reet corners of Harlem remains an enigma. His image as an honest idealist urging blacks to build their own nation has been clouded by accusations that he was a con man who, in the name of black pride, perpetrated one of history's greatest swindles. The Marcus Garvey And Universal Negro Improvement Association Papers clarifies the Garvey phenomenon. This is the first volume in a monumental ten-volume survey of thirty thousand archival documents and original manuscripts from widely separated sources, brought together by editor Robert A. Hill to provide a compelling picture of the evolution, spread, and influence of the UNIA. Letters, pamphlets, vital records, intelligence reports, newspaper articles, speeches, legal records, and diplomatic dispatches are enhanced by Hill's descriptive source notes, explanatory footnotes, and comprehensive introduction. Of the over three hundred items included in Volume I, only very few have ever been published or reprinted before. Volume I begins with the earliest mentions in 1826 of the Garvey family in Jamaica's slave records, and closes with Garvey's triumphant address at Carnegie Hall on August 25, 1919. The information is fascinating and often startling, tracing Garvey's early career in Jamaica, Central America, Europe, and the United States, and detailing the first stirrings of what was to become an international mass movement. Hill presents complete documentation of the first official surveillance of the UNIA, which prepared the way for the beginning of the criminal and civil litigation that engulfed Garvey and his movement, as American and European governments reacted to the perceived threat with repressive policies. The documents also record the internal structure and political splits during the early years of the UNIA, and provide the financial history of Garvey's controversial Black Star Line steamship venture, one of the schemes that ultimately led to the financial collapse of his movement. The first volume and the following five focus on America, the seventh and eighth on Mrica, and the last two on the Caribbean. The information Hill has compiled goes far beyond preoccupation with a single intriguing historical figure to document the growth and demise of a mass social phenomenon, an Mro-American protest movement with strong links to African and Caribbean nationalism in the first decades of the twentieth century.
Combining off-the-wall trivia questions with hardcore stats and nickname puzzlers, the All-Time, All-Team Pro Football Quiz contains stumpers for even the most well-versed football fan. Whether you’re a Cheesehead or a Broncomaniac, you’ll find quizzes for every team in the league—from the teams you love to the teams you love to hate. Which former NFL player had a role in Mel Brooks’ Blazing Saddles? True or False: Gerald Ford was the only U.S. president to play in the NFL? Who was the first black coach in NFL history? How many teams that won NFL championships are now defunct?
The best conception of love, Marcus Nordlund contends, and hence the best framework for its literary analysis, must be a fusion of evolutionary, cultural, and historical explanation. It is within just such a bio-cultural nexus that Nordlund explores Shakespeare’s treatment of different forms of love. His approach leads to a valuable new perspective on Shakespearean love and, more broadly, on the interaction between our common humanity and our historical contingency as they are reflected, recast, transformed, or even suppressed in literary works. After addressing critical issues about love, biology, and culture raised by his method, Nordlund considers four specific forms of love in seven of Shakespeare’s plays. Examining the vicissitudes of parental love in Titus Andronicus and Coriolanus, he argues that Shakespeare makes a sustained inquiry into the impact of culture and society upon the natural human affections. King Lear offers insight into the conflicted relationship between love and duty. In two problem plays about romantic love, Troilus and Cressida and All’s Well that Ends Well, the tension between individual idiosyncrasies and social consensus becomes especially salient. And finally, in Othello and The Winter’s Tale, Nordlund asks what Shakespeare can tell us about the dark avatar of jealousy.
Now in a thoroughly updated new edition, this successful textbook surveys the history of technology in America from the 1600s to the 21st century. Alan I Marcus and Howard P. Segal explore the effect society, culture, politics and economics have had upon technological advances, and place the evolution of American technology within the broader context of the development of systems such as transportation and communications. This unique book connects phenomena such as colonial printing presses with the American Revolution; early photographs with the creation of an allegedly unique American character; and high-tech advances in biotechnology with a growing desire for individual autonomy. This is an ideal resource for undergraduate and postgraduate students of the history of technology, the history of science, and American history.
DIVThese papers contain over 2300 documents relating to the presence and influence of the Universal Negro Improvement Association in the Caribbean from 1911 to 1945./div
Can you literally sell your soul for rock 'n' roll? In the summer of 1982, the five young musicians of the rock band Entropy came close to finding out when an otherworldly entity beyond their understanding contacted them. This dangerous, terrifying being brought Entropy to the edge of fame, but ultimately tore them apart. Join Marcus F. Griffin as he reveals the true, first-hand story of his band's encounters with the Gray Man - a dark entity so powerful it could punch a hole between worlds and materialize at will. This demonic creature takes them on one of the greatest paranormal journeys anyone has ever experienced. For the members of Entropy, these real-life adventures with the Devil have never truly ended.
Following in the tradition of his first collection of ghost stories, Dark Woods, Chill Waters, Marcus LiBrizzi has researched and written a collection of 21 true ghost stories from the Acadia/Mount Desert Island region of Maine. All the stories stand out due to their frightening elements and legendary qualities, combined with historical background and eye-witness accounts. The collection also provides a kind of gothic tour guide, recounting stories in settings that readers can go and visit.
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