This two-part book on collections of paintings in Madrid is part of the series Documents for the History of Collecting, Spanish Inventories 1, which presents volumes of art historical information based on archival records. One hundred forty inventories of noble and middle-class collections of art in Madrid are accompanied by two essays describing the taste and cultural atmosphere of Madrid in the seventeenth and eighteenth centuries.
In the final volume of this set, Marcus deals with the coming and challenge of the East European Jews from 1852 to 1920. In United States Jewry, 1776–1985, the dean of American Jewish historians, Jacob Rader Marcus, unfolds the history of Jewish immigration, segregation, and integration; of Jewry’s cultural exclusiveness and assimilation; of its internal division and indivisible unity; and of its role in the making of America. Characterized by Marcus’s impeccable scholarship, meticulous documentation, and readable style, this landmark four-volume set completes the history Marcus began in The Colonial American Jew, 1492–1776. In the fourth and final volume of this set, Marcus deals with the coming and challenge of the East European Jews from 1852 to 1920. He explores settlement and colonization, dispersal to rural areas, life in large cities, the proletarians, the garment industry, the unions, and socialism. He also describes the life of the middle and upper class East European Jew. Special attention is paid to the growth of Zionism. In the epilogue, Marcus writes about the evolution of the "American Jew.
Providing an introduction to the artistic and architectural traditions of the Islamic world, A Story of Islamic Art explores fifty case studies, taken from different regions of the Islamic world and from the seventh to the twenty-first centuries. The novel aspect of these case studies is that they are presented as fictional narratives, allowing the reader to imagine art and architecture, either in their original cultural settings or at some later point in their histories. These stories are supported by a scholarly framework that allows the reader to continue their exploration of the chosen artefacts and their historical context. The fifty case studies take the form of short stories, each of which focuses on one or more object from the Islamic world. These encompass portable items in a wide variety of media, book illustrations, calligraphy, photographs, architectural decoration, buildings, and archaeological sites. The book also provides a detailed introduction, maps, timeline, glossary, and guides for further reading. This book offers accessible answers to key questions in the scholarship on Islamic art and architecture from its earliest times to the present. The issues dealt with in each of the stories include iconography, attitudes towards representation, the role of script, the elaboration of geometric decoration, the creation of sacred and secular spaces in architecture, and the socio-cultural context of art production and consumption. Artistic interactions between the Islamic world and other regions including Europe and China are also discussed in this book. A Story of Islamic Art is an engaging and informative introduction for interested readers and students of Islamic art, history, and architecture.
SHEBA'S VOW is a novel about the struggle for democracy on a "South American" island. South Chale is ruled by a military dictatorship that has divided the country into four different racial groups, each strictly segregated. On South Chale, Asians rule the nation, while whites and blacks are treated as a subservient subclass. Sheba is born into the most despised class of all, the mongrels, for the mongrels blur the differences between the races. After seeing her father persecuted by the State Security Police, Sheba vows to work for the overthrow of the dictatorship Their neighbouring island (Suntos) has become communist, but here things are reversed, it is the blacks who rule over the whites and Asians. When Sheba visits Suntos to investigated whether they should seek the assistance of Soviet advisors, she finds a horror that is beyond anything she could have imagined. SHEBA'S VOW is a blend of fact and fiction. South Chale, where the story takes place is largely an amalgam of Chile, Argentina, and South Africa of the 1980s. The novel is largely about a political and personal struggle to find a way out of the despair and violence of dictatorships, a reflection of world events during the period 1980-1995.
Slavery, Empathy, and Pornography considers the operations of slavery and of abolition propaganda on the thought and literature of English from the late-eighteenth to the mid-nineteenth centuries. Incorporating materials ranging from canonical literatures to the lowest form of street publication, Marcus Wood writes from the conviction that slavery was, and still is, a dilemma for everyone in England, and seeks to explain why English society has constructed Atlantic slavery in the way it has. He takes on the works of canonic eighteenth- and nineteenth-century white authors which claimed, when written, to 'account' for slavery, and asks with some scepticism what kind of 'truth' they hold. Taking an interdisciplinary approach, chapters focus on the writings of the major Romantic poets, English Radicals William Cobbett and John Thelwall, the Surinam writings of John Stedman, the full range of slavery texts generated by Harriet Martineau, John Newton, and the social prophets Carlyle and Ruskin. Slavery, Empathy, and Pornography also contains a radical new critique of the operations of slavery within the work of Austen and Charlotte Brontë.
This text serves as an accessible introduction to the law of contract. The headings chosen for examination track the main points in the lifetime of a contract-from its formation, drafting, and onward to its eventual dissolution, whether this occurs due to the terms of the contract, the will of the parties, or because of a breach of the agreed terms. It also provides studies of other notable areas within the subject, such as third-party rights, damages, and equitable remedies. In distinction to other guides to contract law, this text provides a comparative analysis of the area, incorporating sources drawn from both the civil law tradition, characteristic of several nations within Continental Europe, as well as the Anglo-American common law tradition, with cases and legislation drawn from England and the United States of America. It also explores contract law in the unique context of so-called hybrid jurisdictions-those that incorporate elements of both the common law and civilian traditions. As business assumes a global dimension, knowledge of the operation of contract law across various legal traditions and national contexts is increasingly at a premium. This text enables the student to gain a coherent vision of contract law, as well as to speak confidently when discussing the intricacies of the subject.
This book offers a comparative study of the civilisations of the Late Preclassic lowland Maya and Mycenaean Greece. The approach used here seeks to combine traditional iconographic approaches with more recent models on metaphor and the social agency of things.
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