A “funny, contemplative” memoir of working at Amazon in the early years, when it was a struggling online bookstore (San Francisco Chronicle). In a book that Ian Frazier has called “a fascinating and sometimes hair-raising morality tale from deep inside the Internet boom,” James Marcus, hired by Amazon.com in 1996—when the company was so small his e-mail address could be james@amazon.com—looks back at the ecstatic rise, dramatic fall, and remarkable comeback of the consummate symbol of late 1990s America. Observing “how it was to be in the right place (Seattle) at the right time (the ’90s)” (Chicago Reader), Marcus offers a ringside seat on everything from his first interview with Jeff Bezos to the company’s bizarre Nordic-style retreats, in “a clear-eyed, first-person account, rife with digressions on the larger cultural meaning throughout” (Henry Alford, Newsday). “Marcus tells his story with wit and candor.” —Booklist, starred review
Within the secluded shelter of evergreens and cliffside that surrounds Bellingham Washington is South Hill, the citys prominent old money neighborhood; filled with gracious Victorians and manor homes, over looking the fishing port of Fairhaven and the dark waters of Bellingham Bay. Seventeen year old Trevor Blackmoore has lived here his entire life, shunned and feared, along with the rest of his clan by the snobbish and superstitious families that surround them; who regard the Blackmoores as the devils concubines. As a young clairvoyant dealing not only with the dark secrets of his family but also with his homosexuality; two things which have made him an outsider, he struggles to find normalcy. Trevors life is made extremely difficult by his tormentors and former childhood friends Cheri Hannifin, Greg Sheer, and Christian Vasquez; three school gods of the prestigious Mariner High School. When Christian suddenly returns to Trevors life, full of regret and a sudden need for something more, Trevor is unaware that he is walking into a devilish and dangerous trap concocted by Cheri and Greg, who have more in store for Trevor than simple revenge but a plot to ruin an unsuspecting Christian as well; this act setting off a chain of events that will fulfill the doomed prophecy of the Blackmoore family, who in their mysterious world, lined with voodoo and their dark and complicated Irish roots, are in grave danger. A centurys old curse comes to an end, releasing an ancient and bloodthirsty evil, set out on destroying the family, and Trevor learns that he is at the center of it; realizing that he is all the stands between this darkness and his familys survival.
An engaging reassessment of the celebrated essayist and his relevance to contemporary readers More than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces readers to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness. This Emerson is a rebel. He is also a lover, a friend, a husband, and a father. Having declared his great topic to be “the infinitude of the private man,” he is nonetheless an intensely social being who develops Transcendentalism in the company of Henry David Thoreau, Margaret Fuller, Bronson Alcott, and Theodore Parker. And although he resists political activism early on—hoping instead for a revolution in consciousness—the burning issue of slavery ultimately transforms him from cloistered metaphysician to fiery abolitionist. Drawing on telling episodes from Emerson’s life alongside landmark essays like “Self-Reliance,” “Experience,” and “Circles,” Glad to the Brink of Fear reveals how Emerson shares our preoccupations with fate and freedom, race and inequality, love and grief. It shows, too, how his desire to see the world afresh, rather than accepting the consensus view, is a lesson that never grows old.
Volume 2 details the workings of the Court's experimental practice of sending Justices around the country to serve as judges at sessions of the various federal circuit courts. The documents in this volume reveal that the justices quickly voiced bitter complaints about the demands of their circuit duties. They also questioned the propriety--and perhaps constitutionality--of assigning the same individuals to act as superior and inferior court judges. The documents in this volume also touch upon topics that figured prominently in the law and politics of the era: neutrality, the boundary between state and federal crimes, the constitutional prohibition against impairing the obligations of contracts, and the relationship between law and morality.
TidalWave brings back the classic comic book series that started in 1946. Its inspirational stories of sports and folk heroes, saints, school kids, history, science and similar topics were drawn by artists that included such prominent figures as EC's Reed Crandall, Graham Ingels and Joe Orlando, Marvel Comics' Joe Sinnott, and DC Comics' Murphy Anderson and Jim Mooney. Other features included literary adaptations and such typical comics fare as funny animal humor strips.
Volume one presents documents that establish the structure of the Supreme Court and recount the official record of the Court's activity during its first decade. It serves as an introduction and reference tool for the subsequent volumes in the series.
What if you and your best friend shared a secret? a secret that threatened everything about your life, and what if you discovered that you shared that secret with two of the most unlikely people? Travis Espinoza and Mary Reeves have walked through the halls of Saint Francis Academy as social outcasts, just as privilaged as their classmates, but unable to fit in. Jessica Trea and Devon Court have always been on the inside, and yet these four teens find themselves drawn to each other by the one thing about themselves that they cannot escape; they're gay, and in their world being gay isn't just unacceptable, it doesn't exist. When a final project forces Travis and Devon together, they start a chain of events that begins to slowly unravel their fragile lives.
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