Marcus Harmes's Books

The Countryman's Jewel - Days in the Life of a Sixteenth Century Squire

By: Marcus Woodward

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The Countryman's Jewel - Days in the Life of a Sixteenth Century Squire

By: Marcus Woodward

“The Countryman's Jewel” is novel by naturalist and nature writer Marcus Woodward. It follows the daily life of a country squire in sixteenth century England, offering an authentic and informative insight into traditional country life. This charming volume is highly recommended for nature lovers and those with an interest in English history. Contents include: “Sixteenth-Century Squire”, “The Dutie of a Father of a Familie”, “The Office of the Farmer”, “The Housewife”, “On The Hills”, “The Garden of Delight”, “The Squire's Mills”, “The Moat and Fish Ponds”, “The Ale-House”, “Downland Sheep”, “Oxen and Horses”, “The Barber Surgeon and Some Gossip”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

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Page Count

309

Publisher

Read Books Ltd

Published Date

ISBN 10

1528784316

ISBN 13

9781528784313

A Legal History for Australia

By: Sarah McKibbin,Libby Connors,Marcus Harmes

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A Legal History for Australia

By: Sarah McKibbin,Libby Connors,Marcus Harmes

This is a contemporary legal history book for Australian law students, written in an engaging style and rich with learning features and illustrations. The writers are a unique combination of talents, bringing together their fields of research and teaching in Australian history, British constitutional history and modern Australian law. The first part provides the social and political contexts for legal history in medieval and early modern England and America, explaining the English law which came to Australia in 1788. This includes: The origins of the common law The growth of the legal profession The making of the Magna Carta The English Civil Wars The Bill of Rights The American War of Independence. The second part examines the development of the law in Australia to the present day, including: The English criminal justice system and convict transportation The role of the Privy Council in 19th century Indigenous Australia in the colonial period The federation movement Constitutional Independence The 1967 Australian referendum and the land rights movement. The comprehensive coverage of several centuries is balanced by a dynamic writing style and tools to guide the student through each chapter including learning outcomes, chapter outlines and discussion points. The historical analysis is brought to life by the use of primary documentary evidence such as charters, statutes, medieval source books and Coke's reports, and a series of historical cameos - focused studies of notable people and issues from King Edward I and Edward Coke to Henry Parkes and Eddie Mabo - and constitutional detours addressing topics such as the separation of powers, judicial review and federalism. A Legal History for Australia is an engaging textbook, cogently written and imaginatively resourced and is supported by a companion website: https://www.bloomsburyonlineresources.com/a-legal-history-for-australia

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Page Count

448

Publisher

Bloomsbury Publishing

Published Date

ISBN 10

1509939598

ISBN 13

9781509939596

Bishops and Power in Early Modern England

By: Marcus K. Harmes

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Bishops and Power in Early Modern England

By: Marcus K. Harmes

Armed with pistols and wearing jackboots, Bishop Henry Compton rode out in 1688 against his King but in defence of the Church of England and its bishops. His actions are a dramatic but telling indication of what was at stake for bishops in early modern England and Compton's action at the height of the Restoration was the culmination of more than a century and a half of religious controversy that engulfed bishops. Bishops were among the most important instruments of royal, religious, national and local authority in seventeenth-century England. While their actions and ideas trickled down to the lower strata of the population, poor opinions of bishops filtered back up, finding expression in public forums, printed pamphlets and more subversive forms including scurrilous verse and mocking illustrations. Bishops and Power in Early Modern England explores the role and involvement of bishops at the centre of both government and belief in early modern England. It probes the controversial actions and ideas which sparked parliamentary agitation against them, demands for religious reform, and even war. Bishops and Power in Early Modern England examines arguments challenging episcopal authority and the counter-arguments which stressed the necessity of bishops in England and their status as useful and godly ministers. The book argues that episcopal writers constructed an identity as reformed agents of church authority. Charting the development of this identity over a hundred and fifty years, from the Reformation to the Restoration, this book traces the history of early modern England from an original and highly significant perspective. This book engages with many aspects of the social, political and religious history of early modern England and will therefore be key reading for undergraduates and postgraduates, and researchers working in the early modern field, and anyone who has an interest in this period of history.

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Page Count

224

Publisher

A&C Black

Published Date

ISBN 10

1472509757

ISBN 13

9781472509758

Supernatural and Secular Power in Early Modern England

By: Marcus Harmes,Victoria Bladen

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Supernatural and Secular Power in Early Modern England

By: Marcus Harmes,Victoria Bladen

For the people of early modern England, the dividing line between the natural and supernatural worlds was both negotiable and porous - particularly when it came to issues of authority. Without a precise separation between ’science’ and ’magic’ the realm of the supernatural was a contested one, that could be used both to bolster and challenge various forms of authority and the exercise of power in early modern England. In order to better understand these issues, this volume addresses a range of questions regarding the ways in which ideas, beliefs and constructions of the supernatural threatened and conflicted with authority, as well as how the power of the supernatural could be used by authorities (monarchical, religious, legal or familial) to reinforce established social norms. Drawing upon a range of historical, literary and dramatic texts the collection reveals intersecting early modern anxieties in relation to the supernatural, issues of control and the exercise of power at different levels of society, from the upper echelons of power at court to local and domestic spaces, and in a range of publication contexts - manuscript sources, printed prose texts and the early modern stage. Divided into three sections - ’Magic at Court’, ’Performance, Text and Language’ and ’Witchcraft, the Devil and the Body’ - the volume offers a broad cultural approach to the subject that reflects current research by a range of early modern scholars from the disciplines of history and literature. By bringing scholars into an interdisciplinary dialogue, the case studies presented here generate fresh insights within and between disciplines and different methodologies and approaches, which are mutually illuminating.

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Page Count

250

Publisher

Routledge

Published Date

ISBN 10

1317048377

ISBN 13

9781317048374

Doctor Who and the Art of Adaptation

Fifty Years of Storytelling

By: Marcus K. Harmes

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Doctor Who and the Art of Adaptation

Fifty Years of Storytelling

By: Marcus K. Harmes

Although it started as a British television show with a small but devoted fan base, Doctor Who has grown in popularity and now appeals to audiences around the world. In the fifty-year history of the program, Doctor Who’s producers and scriptwriters have drawn on a dizzying array of literary sources and inspirations. Elements from Homer, classic literature, gothic horror, swashbucklers, Jacobean revenge tragedies, Orwellian dystopias, Westerns, and the novels of Agatha Christie and Evelyn Waugh have all been woven into the fabric of the series. One famous storyline from the mid-1970s was rooted in the Victoriana of authors like H. Rider Haggard and Arthur Conan Doyle, and another was a virtual remake of Anthony Hope’s The Prisoner of Zenda—with robots! In Doctor Who and the Art of Adaptation: Fifty Years of Storytelling, Marcus Harmes looks at the show’s frequent exploration of other sources to create memorable episodes. Harmes observes that adaptation in Doctor Who is not just a matter of transferring literary works to the screen, but of bringing a diversity of texts into dialogue with the established mythology of the series as well as with longstanding science fiction tropes. In this process, original stories are not just resituated, but transformed into new works. Harmes considers what this approach reveals about adaptation, television production, the art of storytelling, and the long-term success and cultural resonance enjoyed by Doctor Who. Doctor Who and the Art of Adaptation will be of interest to students of literature and television alike, and to scholars interested in adaptation studies. It will also appeal to fans of the series interested in tracing the deep cultural roots of television’s longest-running and most literate science-fiction adventure.

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Page Count

245

Publisher

Rowman & Littlefield

Published Date

ISBN 10

1442232854

ISBN 13

9781442232853

The Curse of Frankenstein

By: Marcus Harmes

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The Curse of Frankenstein

By: Marcus Harmes

Critics abhorred it, audiences loved it, and Hammer executives where thrilled with the box office returns: The Curse of Frankenstein was big business. The 1957 film is the first to bring together in a horror movie the 'unholy two', Christopher Lee and Peter Cushing, together with the Hammer company, and director Terence Fisher, combinations now legendary among horror fans. In his Devil's Advocate, Marcus Harmes goes back to where the Hammer horror production started, looking at the film from a variety of perspectives: as a loose literaryadaptation of Mary Shelley's novel; as a film that had, for legal reasons, to avoid adapting from James Whale's 1931 film for Universal Pictures; and as one which found immediate sources of inspiration in the Gainsborough bodice rippers of the 1940s and the poverty row horrors of the 1950s. Later Hammer horrors may have consolidated the reputation of the company and the stars, but these works had their starting point in the creative and commercial choices made by the team behind The Curse of Frankenstein. In the film sparks fly, new life is created and horrors unleashed but the film itself was a jolt to 1950s cinema going that has never been entirely surpassed.

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