If you had only 24 hours to live, will this make a difference in how you live? The truth is we don't know when that last 24 hours will approach us. That final inch may take us while we are healthy, young or old, or even physically sick. But we can never leave it to chance. This book prepares you.
Looking Forward . . . Take a Look at the Last 24 Hours . . . We know how valuable it could be to have a manual on the essentials of life on topics such as ‘Parenting: How to Bring Up Perfect People’ or ‘The Formula for Never Having to Say Goodbye’ or ‘Arriving at the Secret to a Never-fail Marriage’. The reality is there are no quick-fix booklets or a step-by-step instruction encyclopedia of sorts in existence, only helpful suggestions. Fully aware, my Husband and I co-authored this book to be messengers of God’s heart for such a stressful time everyone alive is facing. To the human race who has walked this journey of ups and downs, difficult struggles, heart breaking trials and perhaps even tasted some victories along the way, a journey called life…our hearts are purposed to extend anyhow, points we can join in to somehow encourage and to cheer You on across the Final Inch. When a runner nears the finishing line, all the stops are pulled out. All they can see is the ribbon and all they can think about is crossing that ribbon to victory. Think of this book as the “all-stops-pulled-out” and the focus is to take the final inch across the ribbon. “You can do it because God is with you all the way across the final inch!” The Last 24 Hours . . . It’s Inescapable . . . Captivating . . . Motivational.
Looking Forward . . . Take a Look at the Last 24 Hours . . . We know how valuable it could be to have a manual on the essentials of life on topics such as ‘Parenting: How to Bring Up Perfect People’ or ‘The Formula for Never Having to Say Goodbye’ or ‘Arriving at the Secret to a Never-fail Marriage’. The reality is there are no quick-fix booklets or a step-by-step instruction encyclopedia of sorts in existence, only helpful suggestions. Fully aware, my Husband and I co-authored this book to be messengers of God’s heart for such a stressful time everyone alive is facing. To the human race who has walked this journey of ups and downs, difficult struggles, heart breaking trials and perhaps even tasted some victories along the way, a journey called life…our hearts are purposed to extend anyhow, points we can join in to somehow encourage and to cheer You on across the Final Inch. When a runner nears the finishing line, all the stops are pulled out. All they can see is the ribbon and all they can think about is crossing that ribbon to victory. Think of this book as the “all-stops-pulled-out” and the focus is to take the final inch across the ribbon. “You can do it because God is with you all the way across the final inch!” The Last 24 Hours . . . It’s Inescapable . . . Captivating . . . Motivational.
Laura Marcus is one of the leading literary critics of modernist literature and culture. Dreams of Modernity: Psychoanalysis, Literature, Cinema covers the period from around 1880 to 1930, when modernity as a form of social and cultural life fed into the beginnings of modernism as a cultural form. Railways, cinema, psychoanalysis and the literature of detection - and their impact on modern sensibility - are four of the chief subjects explored. Marcus also stresses the creativity of modernist women writers, including H. D., Dorothy Richardson and Virginia Woolf. The overriding themes of this work bear on the understanding of the early twentieth century as a transitional age, thus raising the question of how 'the moderns' understood the conditions of their own modernity.
“Marcus shows the ways in which Black activists and writers, in particular, have continued to express their political desires. In doing so, she draws our attention to the centrality of disappointment in American political life.” —Keeanga-Yamahtta Taylor, New Yorker “Political Disappointment is an abundant text, overflowing with Sara Marcus’s considerable gifts. She is adept at presenting history and narrative with equal clarity; her writing is urgent but also optimistic. This is a book that is sometimes painful but never sacrifices hope or beauty.” —Hanif Abdurraqib Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment—the unfulfilled desire for change—into a basis for solidarity. Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities. Political Disappointment shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world. Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus’s unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life.
The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement. In examining the writings of early film critics and commentators in tandem with those of more specifically literary figures, including H.G.Wells and Virginia Woolf, and in bringing literary texts into this field, Laura Marcus provides a new account of relationships between cinema and literature. Intertwining two major strands of research - the exploration of early film criticism and theory and cinema's presence in literary texts - The Tenth Muse shows how issues central to an understanding of cinema (including questions of time, repetition, movement, vision, sound and silence) are threaded through both kinds of writing, and the ways in which discursive and fictional writings overlapped. The movement that defined cinema was also perceived as a more fragile and unstable ephemerality that inhered at every level, from the fleeting nature of the projected images to the vagaries of cinematic exhibition. It was the anxiety over the mutability of the medium and its exhibition which, from the 1920s onwards, led to the establishment of such institutional spaces for cinema as the London-based Film Society, the new film journals, and, in the 1930s, the first film archives. The Tenth Muse explores the continuities between these sites of cinematic culture and the conceptual, literary and philosophical understandings of the filmic medium.
Marcus offers this animated history of the visionaries--editors, illustrators, and others--whose books have transformed American childhood and American culture.
In this book Bajema seeks to use the greater emphasis on chance and the aleatory in recent Marxist theory to rethink major aspects of historical materialism, emphasising especially the plurality of historical time and space.
Autobiography is one of the most popular of written forms. From Casanova to Benjamin Franklin to the Kardashians, individuals throughout history have recorded their own lives and experiences. These personal writings are central to the work of literary critics, philosophers, historians and psychologists, who have found in autobiographies from across the centuries not only an understanding of the ways in which lives have been lived, but the most fundamental accounts of what it means to be a self in the world. In this Very Short Introduction Laura Marcus defines what we mean by 'autobiography', and considers its relationship with similar literary forms such as memoirs, journals, letters, diaries, and essays. Analysing the core themes in autobiographical writing, such as confession, conversion and testimony; romanticism and the journeying self; Marcus discusses the autobiographical consciousness (and the roles played by time, memory and identity), and considers the relationship between psychoanalysis and autobiography. Exploring the themes of self-portraiture and performance, Marcus also discusses the ways in which fiction and autobiography have shaped each other. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This book explains how grassroots communities are infiltrated and politically co-opted in ways that render their resistance harmless. It reveals contemporary practices of domination, as powerholding elites - from elected officials to welfare bureaucrats - are teaching oppressed people to internalize their grievances and silence their needs. In the end, politics becomes a space where advocating for social justice makes less and less sense to people. It is therefore explaining the politics of inaction through disengagement from radicalism. It considers multiple sites of resistance to police violence, including the police killing Akai Gurley, Freddie Gray, and Korryn Gaines in particular. It also considers the mass protest associated with the wider Movement for Black Lives (M4BL). The book argues that anti-radicalism is an embedded feature of neoliberalism, that the widespread adoption of neoliberal politics has reinforced ongoing racial and gender oppressions, and that these same oppressed communities are being infiltrated in order to minimize their commitments to radical political resistance. Covering multiple sites and methods - from in-depth interviews on the resistance politics of Black welfare recipients in Chicago, to nationally representative survey data on hard-work beliefs in politics and the labor force, and case study analyses of police violence in Baltimore and New York - the book shows how political domination today is about ensnaring minds, constraining imaginations, and upending resistance. With the creation of the invisible weapons framework, future research can better explain sites of political disengagement and the connection to the erosion of whatever remains of democracy in the U.S"--
We are pleased to present this Global Edition, which has been developed specifically to meet the needs of internationalInvestment students. A market leader in the field, this text introduces major issues of concern to all investors and placesemphasis on asset allocation. It gives students the skills to conduct a sophisticated assessment of watershed current issuesand debates. Bodie Investments' blend of practical and theoretical coverage combines with a complete digital solution tohelp your students achieve higher outcomes in the course.
A history of surfing in America by a man who grew up surfing southern California in the 1970s and was there through all the big developments. This book will look at how the sport developed, the science of big waves, surfer personalities, the evolution of boards, and surf culture from movies to rock'n'roll to hot rodding. Along with the narrative text will be a large archives of surfing memorabilia, movie posters, album covers, and pop art. With photographs and artwork by Jeff Divine, John Severson, LeRoy Grannis, Ron Dahlquist, Rick Griffin, Greg Noll, Doc Ball, and more.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.