Taking the end of the Second World War as a starting point, this innovative volume leads users on a journey through the multifaceted spirit of modern architecture. These facets range from technological expressiveness to the invention of a new modernity, from gargantuan structures and hi-tech to postmodernism, minimalism and deconstructionism.
Italian unification is one of the pivotal events in European history but the period leading up to Risorgimento has often been analysed in less detail. This book focuses on the history of the Italian states between 1815 and 1860 focusing on state institutions, international relations, economic and fiscal policies, living conditions and culture.
In un futuro vagamente ucronico - dal sapore anni settanta - David ha perso la memoria e per lui la realtà si è ridotta ad un incubo di frammenti spezzati. E' davvero pazzo come dicono o è ... qualcos'altro? Qualcuno lo sta aiutando ad uscire dal labirinto, per portarlo verso un altro livello di realtà, ma la scoperta non sarà piacevole ... Amandla! è un romanzo a cavallo tra SF e narrativa di anticipazione, che si muove tra l'Africa e le suggestioni virtuali di P.K. Dick e di Matrix, tra i Beatles e Nelson Mandela. Il primo capitolo di Amandla! è apparso sulla rivista on-line Inciquid n. 7/2005
This exploration of the environmental practices of Benito Mussolini’s fascist regime invites readers to consider the ecological connections of all political projects. “We might think we see a mountain while it was a war; a forest can actually be an engine; a monument to workers might reflect the violence of a colonial empire.”—extracted from Mussolini’s Nature In this first environmental history of Italian fascism, Marco Armiero, Roberta Biasillo, and Wilko Graf von Hardenberg reveal that nature and fascist rhetoric are inextricable. Mussolini’s Nature explores fascist political ecologies, or rather the practices and narratives through which the regime constructed imaginary and material ecologies functional to its political project. The book does not pursue the ghost of a green Mussolini by counting how many national parks were created during the regime or how many trees planted. Instead, the reader is trained to recognize fascist political ecology in Mussolini’s speeches, reclaimed landscapes, policies of economic self-sufficiency, propaganda documentaries, reforested areas, and in the environmental transformation of its colonial holdings. The authors conclude with an examination of the role of fascist landscapes in the country’s postwar reconstruction: Mussolini’s nature is still visible today through plaques, monuments, toponomy, and the shapes of landscapes. This original, and surprisingly intimate, environmental history is not merely a chronicle of conservation in fascist Italy but also an invitation to consider the socioecological connections of all political projects.
Paradoxes, contrary propositions that are not contestable separately but that are inconsistent when conjoined, constitute a pervasive feature of contemporary organizational life. When contradictory elements are constituted as equally important in day-to-day work, organizational actors frequently experience acute tensions in engaging with these contradictions. This Element discusses the presence of paradoxes in the life of organizations, introduces the reader to the notion of paradox in theory and practice, and distinguishes paradox and adjacent conceptualizations such as trade-off, dilemma, dialectics, ambiguity, etc. This Element also covers what triggers paradoxes and how they come into being whereby the Element distinguishes latent and salient paradoxes and how salient paradoxes are managed. This Element discusses key methodological challenges and possibilities of studying, teaching, and applying paradoxes and concludes by considering some future research questions left unexplored in the field.
This brief offers a novel vision of the city of Florence, tracing the development of chemistry via the biographies of its most illustrious chemists. It documents not only important scientific research that came from the hands of Galileo Galilei and the physicists who followed in his footsteps, but also the growth of new disciplines such as chemistry, pharmaceutical chemistry, and biochemistry. It recounts how, in the Middle Ages, chemistry began as an applied science that served to bolster the Florentine economy, particularly in the textile dyeing industry. Later, important scientific collections founded by the ruling Medici family served as the basis of renowned museums that now house priceless artifacts and instruments. Also described in this text are the chemists such as Hugo Schiff, Angelo Angeli, and Luigi Rolla, who were active over the course of the following century and a quarter. The authors tell the story of the evolution of the Royal University of Florence, which ultimately became the University of Florence. Of interest to historians and chemists, this tale is told through the lives and work of the principal actors in the university’s department of chemistry.
Improper Names offers a genealogy and theory of the “improper name,” which author Marco Deseriis defines as the adoption of the same pseudonym by organized collectives, affinity groups, and individual authors. Although such names are often invented to pursue a specific social or political agenda, they are soon appropriated for different and sometimes diverging purposes. This book examines the tension arising from struggles for control of a pseudonym’s symbolic power. Deseriis provides five fascinating and widely varying case studies. Ned Ludd was the legendary and eponymous leader of the English Luddites, textile workers who threatened the destruction of industrial machinery and then advanced a variety of economic and political demands. Alan Smithee—an alias coined by Hollywood film directors in 1969 in order to disown films that were recut by producers—became a contested signature and was therefore no longer effective to signal prevarication to Hollywood insiders. Monty Cantsin was an “open pop star” created by U.S. and Canadian artists in the late 1970s to critique bourgeois notions of authorship, but its communal character was compromised by excessive identification with individual users of the name. The Italian media activists calling themselves Luther Blissett, aware of the Cantsin experience, implemented measures to prevent individuals from assuming the alias, which was used to author media pranks, sell apocryphal manuscripts to publishers, fabricate artists and artworks, and author best-selling novels. The longest chapter here is devoted to the contemporary “hacktivist” group known as Anonymous, which protests censorship and restricted access to information and information technologies. After delving into a rich philosophical debate on community among those who have nothing in common, the book concludes with a reflection on how the politics of improper names affects present-day anticapitalist social movements such as Occupy and 15-M.
Se l’Informe è un carattere della nostra epoca, è indispensabile ripensare gli strumenti con cui descriviamo e trasformiamo la realtà. Come potrebbero mutare i nostri paradigmi se assumessimo l’Informe come strumento critico? Il ruolo operativo dell’Informe, proposto da Georges Bataille, permette di dare senso a molte pratiche di trasformazione del mondo. “Assemblaggi” è costruito come un montaggio di testi su autori di diverse epoche. La descrizione e il commento delineano un percorso che indaga la potenza plastica e critica dell’Informe come apertura all’indeterminato. L’idea di un’Architettura geologica interroga le pieghe della Terra e dispiega una pratica del “maifinito” come nodo di congiunzione tra tempi e mondi diversi. Mettere in forma la tensione tra le cose costituisce il compito di un’Architettura terrestre per immaginare nuove alleanze capaci di generare futuri.
La piccola chiesa di San Procolo fu testimone delle prime gesta della mia gente" "Una carrozza usciva dallo stallo, iniziava una nuova giornata piena di gioie, speranze e sofferenze..." ""A mezzogiorno andavo a prendere il pranzo all'albergo ""Mazzanti,"" il cui proprietario era cugino di Don Calabria. Alla sera ci arrangiavamo alla meglio."" "Va a trovarlo che le un to parente..." Mi sono sentito guidato per mano a portare a termine questo progetto, come ringraziamento ed un dovere verso chi mi ha aiutato a vedere piu positivamente la mia vita. chi era il ""proprietario dell'albergo Mazzanti"" era Luigi Litterotto, fratello del mio bisnonno Vittorio; insieme caratterizzarono, per venticinque anni, la storia della mia famiglia, riportando luci, ombre e misteri non svelati. Lassu, vicino alla Chiesa che ricevette in dono dalla Divina Provvidenza, visse per quasi cinquant'anni della sua esistenza San Giovanni Calabria, ed io ne sono un lontano parente.
Con questo testo Marco Maurizi propone una serie di riflessioni su limiti e possibilità del movimento antispecista. Il nucleo centrale di tali riflessioni è la critica all'identitarismo che caratterizza i gruppi umani non ultimi quelli animalisti/antispecisti: la chiusura in un'identità di gruppo (vegana, animalista, antispecista, anarchica ecc.) è ciò che impedisce all'idea di liberazione animale di crescere e strutturarsi come una forza in grado di cambiare la realtà del mondo contemporaneo. Secondo Maurizi non è possibile dare voce all'Altro se ci si serra dentro un'identità che per definizione esclude l'alterità. Solo come movimento che coltiva in se stesso tale radicale apertura l'antispecismo può sperare di nascere e realizzare i propri obiettivi. Altrimenti tutto si riduce a moda o a consolazione autocompiaciuta della propria impotenza.
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