-No other publication currently available offers such a comprehensive overview of the care required by a child with hypoplasia of the left heart -Address the needs of the families of children born with this condition, and is the first to includes insight from parents -Authors are acknowledged world leaders in the diagnostic, medical and social needs of children born with this condition
-No other publication currently available offers such a comprehensive overview of the care required by a child with hypoplasia of the left heart -Address the needs of the families of children born with this condition, and is the first to includes insight from parents -Authors are acknowledged world leaders in the diagnostic, medical and social needs of children born with this condition
Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style."--Page 4 of cover.
Initially developed by Savoia-Marchetti as a transport, the aircraft had evolved into a dedicated medium bomber by the time the S.79-I made its combat debut in the Spanish Civil War in 1936. During World War 2, it became Italy's most successful bomber, and the most produced, with around 1370 built between 1936 and early 1944. Although initially hampered by poor tactics, the S.79 bomber crews nonetheless scored sunk a number of Allied vessels, and provided a constant threat to Allied sailors in the Mediterranean in the early stages of the war. In East Africa and the Red Sea the Sparvieri were the most modern bombers in-theatre, proving a challenge to RAF and SAAF biplane fighters. Using specially commissioned full-colour artwork, first-hand accounts and historic photographs, this volume chronicles the history of the S.79's war in the Mediterranean, North African, Balkan, and East African theatres.
Using the Natural Semantic Metalanguage methodology, Gian Marco Farese presents a comprehensive analysis of the most important Italian cultural keywords and cultural scripts that foreign learners and cultural outsiders need to know to become linguistically and culturally proficient in Italian. Farese focuses on the words and speech practices that are used most frequently in Italian discourse and that are uniquely Italian: both untranslatable into other languages and reflective of salient aspects of Italian culture and society. Italian Discourse: A Cultural Semantic Analysis sheds light on ways in which the Italian language is related to Italians’ character, values, and way of thinking, and it does so in contrastive perspective with English. Each chapter focuses on a cultural keyword, tracing the term through novels, plays, poems, and songs. Italian Discourse will be an important resource for anyone interested in Italian studies and Italian linguistics, as well as in semantics, cultural studies, linguistic anthropology, cognitive linguistics, intercultural communication, and translation.
This is the first comprehensive history of conscription and the military in Italy from the Restoration to the eve of WWI. The comparative and transnational approach enables this work to compare and contrast the Italian experience with that of many other countries in the world as well as understand transfers and the adaptive and imitative processes that emerge when conscription and the military are viewed from an Italian perspective. Peacetime and wartime recruitment, military life, culture, justice and civil-military relationships are analysed using a wide range of sources and an interdisciplinary approach that combines top-down and bottom-up perspectives. This enables the book not only to assess the contribution the military has made to the country in terms of state-building, nation building, modernization, pedagogical and disciplinary models, gender identity and roles, but also to reconsider the standard taxonomies as well as some established evolutionary models of the armies. Moreover, the Italian military is seen as an internally complex world that is incapable of defining its own one-dimensional identity or of imposing any such identity on its members. Consequently, it is an element in the history of a country that is substantially the same as any other such element and thus important in people’s collective and individual lives whether or not they are in uniform. Rather than being an object of study in and of itself, the military becomes a vantage point from which to observe the Italian history in the long 19th century. Therefore, this book can be profitably read by professional military historians and non-specialist readers interested in the military, as well as by all scholars working on Italian pre- and post-unification political, institutional, socio-economic, cultural and gender history.
Manuscript Poetics explores the interrelationship between the material features of textual artifacts and the literary aspects of the medieval Italian texts they preserve. This original study is both an investigation into the material foundations of literature and a reflection on notions of textuality, writing, and media in late medieval and early modern Italy. Francesco Marco Aresu examines the book-objects of manuscripts and early printed editions, asking questions about the material conditions of production, circulation, and reception of literary works. He invites scholars to reconcile reading with seeing (and with touching) and to challenge contemporary presumptions about technological neutrality and the modes of interfacing and reading. Manuscript Poetics investigates the correspondences between textuality and materiality, content and medium, and visual-verbal messages and their physical support through readings of Dante Alighieri’s Vita nova, Giovanni Boccaccio’s Teseida, and Francesco Petrarca’s canzoniere (Rerum vulgarium fragmenta). Aresu shows that Dante, Boccaccio, and Petrarca evaluated and deployed the tools of scribal culture to shape, signal, or layer meanings beyond those they conveyed in their written texts. Medieval texts, Aresu argues, are uniquely positioned to provide this perspective, and they are foundational to the theoretical understanding of new forms and materials in our media-saturated contemporary world.
Heritage and landscape education is crucial to training young people in active and responsible citizenship, protection of the public assets, appreciation of the cultural diversity and intergenerational dialogue. Therefore, it cannot be limited to sporadic experiences and on outstanding heritage and contexts but must be transdisciplinary, inclusive and practicable everywhere. This book relates the research and action project “Scuola Attiva Risorse” (ScAR), winner of the Polisocial Award that recognizes research for social purposes at the Politecnico di Milano. The text describes an experimental and innovative action delivered within the fragile context of the urban peripheries. This participatory process involved schools, universities, cultural institutions, administrations and private actors in interpreting and enhancing the “hidden” cultural heritage in Milan’s fringe neighbourhoods.
From the twelfth to the seventeenth century, Aristotle’s writings lay at the foundation of Western culture, providing a body of knowledge and a set of analytical tools applicable to all areas of human investigation. Scholars of the Renaissance have emphasized the remarkable longevity and versatility of Aristotelianism, but they have mainly focused on the Latin tradition. Scarce, if any, attention has gone to vernacular works. Nonetheless, several important Renaissance figures wished to make Aristotle’s works accessible and available outside the narrow circle of professional philosophers and university professors to a broad set of readers. The thesis underpinning this book is that Italian vernacular Aristotelianism, especially in the field of logic, made fundamental contributions to the thought of the period, anticipating many of the features of early modern philosophy and contributing to a new conception of knowledge.
Etienne Decroux and His Theatre Laboratory is based on the long-awaited translation of Marco De Marinis' monumental work on mime in the twentieth century: Mimo e teatro nel Novecento (1993). Now revised and updated, the volume focuses specifically on the seminal role played by French mime artist and pedagogue Etienne Decroux. Mime is a theatrical form of ancient tradition. In the nineteenth century, it saw both apogee and crisis in the west with the realistic and gesticulating 'white pantomime'. In the twentieth century, it underwent a radical overhaul, transforming into an 'abstract' corporeal art that shunned imitation and narrative, and which instead tended towards the plastic, elliptic, allusive, and symbolic transposition of actions and situations. This book is the result of detailed investigations, based on contemporary accounts and obscure or unpublished materials. Through the examination of the creative, pedagogical, and theoretical work of the 'inventor' of the new mime art, Etienne Decroux, De Marinis focuses on the different assumptions underlying the various modes of the problematic presence of mime in the theatre of the twentieth century: from the utopia of a 'pure' theatre, attributed to the sole essence of the actor, to its decline into a closed poetic genre often nostalgically stuck in the past; from mime as a pedagogical tool for the actor to mime as an expressive and virtuosic means in the hands of the director.
This exploration of the environmental practices of Benito Mussolini’s fascist regime invites readers to consider the ecological connections of all political projects. “We might think we see a mountain while it was a war; a forest can actually be an engine; a monument to workers might reflect the violence of a colonial empire.”—extracted from Mussolini’s Nature In this first environmental history of Italian fascism, Marco Armiero, Roberta Biasillo, and Wilko Graf von Hardenberg reveal that nature and fascist rhetoric are inextricable. Mussolini’s Nature explores fascist political ecologies, or rather the practices and narratives through which the regime constructed imaginary and material ecologies functional to its political project. The book does not pursue the ghost of a green Mussolini by counting how many national parks were created during the regime or how many trees planted. Instead, the reader is trained to recognize fascist political ecology in Mussolini’s speeches, reclaimed landscapes, policies of economic self-sufficiency, propaganda documentaries, reforested areas, and in the environmental transformation of its colonial holdings. The authors conclude with an examination of the role of fascist landscapes in the country’s postwar reconstruction: Mussolini’s nature is still visible today through plaques, monuments, toponomy, and the shapes of landscapes. This original, and surprisingly intimate, environmental history is not merely a chronicle of conservation in fascist Italy but also an invitation to consider the socioecological connections of all political projects.
The process by which securities are traded is very different from the idealized picture of a frictionless and self-equilibrating market offered by the typical finance textbook. This book offers a more accurate and authoritative take on this process. The book starts from the assumption that not everyone is present at all times simultaneously on the market, and that participants have quite diverse information about the security's fundamentals. As a result, the order flow is a complex mix of information and noise, and a consensus price only emerges gradually over time as the trading process evolves and the participants interpret the actions of other traders. Thus, a security's actual transaction price may deviate from its fundamental value, as it would be assessed by a fully informed set of investors. The book takes these deviations seriously, and explains why and how they emerge in the trading process and are eventually eliminated. The authors draw on a vast body of theoretical insights and empirical findings on security price formation that have come to form a well-defined field within financial economics known as "market microstructure." Focusing on liquidity and price discovery, the book analyzes the tension between the two, pointing out that when price-relevant information reaches the market through trading pressure rather than through a public announcement, liquidity may suffer. It also confronts many striking phenomena in securities markets and uses the analytical tools and empirical methods of market microstructure to understand them. These include issues such as why liquidity changes over time and differs across securities, why large trades move prices up or down, and why these price changes are subsequently reversed, and why we observe temporary deviations from asset fair values"--
Body of State offers a critical perspective on the Moro Affair and on Marco Baliani's work. With contributions from scholars, theater practitioners, teachers, and students, it constitutes a unique resource for disciplines that train on the intersection of art and politics. The relevance of the topic raise the interest of the audience as well.
When democracy is under threat from authoritarianism, models of resistance must come to the fore. Giustizia e Libert, founded by the Italian thinker and activist Carlo Rosselli in 1929, is one intriguing historical example. Operating both in exile and as part of a clandestine network at home, the organization fought against fascism and Nazism, while criticizing Stalinism. To defeat the enemy, the group aimed to go beyond the Marxist notion of class and to assert fresh concepts of nationhood and Europe. The book traces the group's trajectories and debates and follows its legacy to the present. - 'Bresciani's book is a remarkable contribution to the current debate on the distinctive nature of fascism(s)' - CARLO GINZBURG, author of NEVERTHELESS: MACHIAVELLI, PASCAL - 'The story that Bresciani tells with great finesse in this necessary book is the heroic history that accompanied the birth of democracy in Italy' - NADIA URBINATI, author of ME THE PEOPLE - 'Bresciani has given a great gift to fascism's enemies everywhere ... a book of rare intelligence and inspiration' - JOSEPH FRONCZAK, author of EVERYTHING IS POSSIBLE - 'Learning from the Enemy is essential reading for anyone interested in the histories of antifascism, socialism, and liberalism in the twentieth century' - IAIN STEWART, author of RAYMOND ARON AND LIBERAL THOUGHT IN THE TWENTIETH CENTURY
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
This book explores the intellectual world of Francesco Robortello, one of the most prominent scholars of the Italian Renaissance. From poetics to rhetoric, philology to history, topics to ethics, Robortello revolutionised the field of humanities through innovative interpretations of ancient texts and with a genius that was architectural in scope. He was highly esteemed by his contemporaries for his acute wit, but also envied and disparaged for his many qualities. In comparison with other humanists of his time such as Carlo Sigonio and Pier Vettori, Robortello had a deeply philosophical vein, one that made him unique not only to Italy, but to Europe more generally. Robortello’s role in reforming the humanities makes him a constituent part of the long-fifteenth century. Robortello’s thought, however, unlike that of other fifteenth-century humanists, sprung from and was thoroughly imbued with a systematic, Aristotelian spirit without which his philosophy would never have emerged from the tumultuous years of the mid-Cinquecento. Francesco Robortello created a system for the humanities which was unique for his century: a perfect union of humanism and philosophy. This book represents the first fully fledged monograph on this adventurous intellectual life.
The assembly of this study started in 2013 during the preparation of the foundation of the Flexible Electrical Networks (FEN) Research Campus, an institution supported by the German Federal Ministry of Education and Science, concentrating on DC technology in power grids as an enabler for the energy transition. It reflects the state-of-the-art and research needs of DC technology against the background of application in public grids up until the year 2015. Topics as components, control, management and automation, high-, medium, and low-voltage grid concepts as well as social dimensions, economics, and impact on living beings are considered. After substantial editorial effort, its first public edition has become ready now. The aim of FEN is to investigate and to develop flexible power grids. Such grid will safeguard the future energy supply with a high share of fluctuating and decentralized renewable energy sources. At the same time, these grids will enable a reliable and affordable energy supply in the future. The objective is to provide new technologies and concepts for the security and quality of the energy supply in the transmission and distribution grids. To pursue this goal, the use of direct-current (DC) technology, based on power electronics, automation and communication technologies, plays an important role. Although DC technology is not yet established as a standard technology in the public electrical power supply system, its high potential has been widely recognized. The use of DC is an enabler to make the future energy supply system more economical than a system based on alternating-current (AC), because of its superior properties in handling distributed and fluctuation power generation. Indeed, DC connections are already the most cost-efficient solution in cases of very high-power long-distance point-to-point transmission of electricity or via submarine cables. The objective of the FEN Research Campus is now to achieve and demonstrate feasibility of DC as a standard solution for future electrical grids, as described in this study.
... and still we could never suppose that fortune were to be so friendly to us, such as to allow us to be perhaps the first in handling, as it were, the electricity concealed in nerves, in extracting it from nerves, and, in some way, in putting it under everyone's eyes." With these words, Luigi Galvani announced to the world in 1791 his discovery that nervous conduction and muscle excitation are electrical phenomena. The result of more than years of intense experimental work, Galvani's milestone achievement concluded a thousand-year scientific search, in a field long dominated by the antiquated beliefs of classical science. Besides laying the grounds for the development of the modern neurosciences, Galvani's discovery also brought to light an invention that would forever change humankind's everyday life: the electric battery of Alessandro Volta. In an accessible style, written for specialists and general readers alike, Shocking Frogs retraces the steps of both scientific discoveries, starting with the initial hypotheses of the Enlightenment on the involvement of electricity in life processes. So doing, it also reveals the inconsistency of the many stereotypes that an uncritical cultural tradition has imparted to the legacies of Galvani and Volta, and proposes a decidedly new image of these monumental figures.
This text offers 11 servings of 'slow food' for the architectural imagination as opposed to the tasteless 'fast food' that dominates many drawing tables or digital tablets.
Translated for the first time into English, The Myth of the Superhero looks beyond the cape, the mask, and the superpowers, presenting a serious study of the genre and its place in a broader cultural context.
Gait and mobility are cardinal to maintain autonomy and independency in daily life, also for older persons. Changes in these functions might be critical in the transition towards disability and loss of autonomy during the aging process. The aim of the present work, which collects three years of research conducted between Italy and the United States, was to assess some of the main risk factors for the progressive impairment of mobility and gait in older adults living in the community. According to our results, abnormalities in the nervous and cardiovascular systems, even subtle, are associated with a subsequent worsening of these functions. These data might help to better understand the progressive development of disability in the elderly, and in the future might also have practical implications for prevention.
Milan, since the period after World War II, has developed its own specific interpretation of modern architecture: a Milanese path to architectural Modernity. In model suburban developments like QT8 (a proving ground for the best solutions formulated by international architectural culture in the 1920s and 1930s), but also in original buildings in the center, like the Torre Velasca and the Pirelli skyscraper, Milan has become a true outdoor museum of modern architecture. The names of the leading figures of this period are Gio Ponti, Piero Bottoni, Ernesto Nathan Rogers, Lodovico Belgiojoso, Ignazio Gardella, Luigi Moretti, Luigi Caccia Dominioni, Vico Magistretti; as well as Vittorio Gregotti, Aldo Rossi, Guido Canella, Carlo Aymonino, Gino Valle, Gabetti & Isola: architects that over a few decades gave Milan its building-symbols, providing structures suitable for a city aspiring to a role as a leading player on the European stage. The works of these architects have been joined, in the late 20th century and the initial years of the new millennium, in a period of renewed construction activity, by projects bearing the world-famous signatures of Zaha Hadid, Daniel Libeskind, Arata Isozaki, Peter Eisenman and Rem Koolhaas, along with those of Italian talents like - among others - Renzo Piano, Cino Zucchi and Stefano Boeri. A significant contribution that has given Milan an important position on the international architecture scene, destined to be reinforced by EXPO 2015. This book takes a critical look at the various aspects of development of Milanese architecture, and in 100 profiles illustrated with photographs made for the occasion it presents the city's most outstanding buildings erected over the course of the last seventy years.
If you used to be a punk, you never where! I wasn't even twelve years old in 1976 when I heard about this "New Thing" from England called: PUNK ROCK! Something completely new, snotty and revolutionary. A musical and verbal revolution against the Establishment! A punch right in the face of the whining love song era! I was immediately affected...or better said: infected! It started with The Sex Pistols and The Damned - but when I heard Jean Jacques Burnel's bass guitar in "Goodbye Toulouse" by The Stranglers I was totally stoked! Then as now, the music has never lost its power and energy, and I love all these songs like the first day I heard them! In this book I'm attempting to describe the beginning of the Punk movement in Bremen - a very unpopular and rough German city - especially in the 80s. About the ongoing battles with right-wing Skinheads, and how we had to scrape together every penny just so we could go to as many cool shows as possible. First in Bremen, then other German cities, then in England (the Promised Land of Punk Rock!), and later in California. To me, it's an ongoing, never-ending adventure. Finally, In 2012, I "landed" in the Bay Area. In December 2014 I became 50 years old and Punk Rock is still, to this day, the only kind of music that always gives me goose bumps! And this will never change - as with many of the other "infected" - to my last breath!
This book offers a valuable tool for understanding current efforts to promote the reuse and enhancement of pre-consumer waste in the development of new products for the construction sector, as well as the financial and regulatory tools being used to support this trend. It explores the vast and complex topic of the circular economy from the perspective of strategies for the reuse/recycling of waste, and develops a number of key premises: waste reuse/recycling must be considered using a logic of cross-sectoriality, recognizing the need to enhance the “dialogue” between different sectors; pre-consumer waste is particularly interesting for the recycling market because the construction sector can reduce its environmental impacts by enhancing its capacity to use secondary raw materials and by-products from other sectors; and lastly, the manufacturing sector is currently experimenting with promising forms of reducing/recycling pre-consumer waste and is at the same time providing by-products that can be used in other production chains. As such, the book offers a valuable asset for professionals who are interested in sustainability in construction, and in the study of construction products; however, it will be equally useful for local decision-makers tasked with implementing development policies and innovations in the industrial sector.
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