A Times Literary Supplement Book of the Year A Marginal Revolution Best Non-Fiction Book of the Year A Seminary Co-op Notable Book of the Year A Times Higher Education Book of the Week A Choice Outstanding Academic Title of the Year Marco Santagata’s Dante: The Story of His Life illuminates one of the world’s supreme poets from many angles—writer, philosopher, father, courtier, political partisan. Santagata brings together a vast body of Italian scholarship on Dante’s medieval world, untangles a complex web of family and political relationships for English readers, and shows how the composition of the Commedia was influenced by local and regional politics. “Reading Marco Santagata’s fascinating new biography, the reader is soon forced to acknowledge that one of the cornerstones of Western literature [The Divine Comedy], a poem considered sublime and universal, is the product of vicious factionalism and packed with local scandal.” —Tim Parks, London Review of Books “This is a wonderful book. Even if you have not read Dante you will be gripped by its account of one of the most extraordinary figures in the history of literature, and one of the most dramatic periods of European history. If you are a Dantean, it will be your invaluable companion forever.” —A. N. Wilson, The Spectator
In a fascinating and accessible style, Marco Piccolino and Nick Wade analyse the scientific and philosophical work of Galileo Galilei from the particular viewpoint of his approach to the senses (and especially vision) as a means of acquiring trustworthy knowledge about the constitution of the world
A family cloaked in secrets. A beguiling woman. A unique setting. Inspector Bordelli is back to solve one of the most difficult cases of his entire career in the sixth book in this atmospheric crime noir series - perfect for fans of Andrea Camilleri. Florence, 1967. It is winter, and one year has passed since the historic and devastating flood of the Arno, though the memories of that day still linger with the stains on the city walls. The anniversary of the flood brings with it a new case for Inspector Bordelli, who is weighed down with remorse for having taken justice into his own hands, and yearning for Eleonora, the woman he's lost, when the mystery opens. A local wealthy industrialist - fiercely loved and respected by everyone he knew - has been found murdered in his grand villa in the Fiesole hills, and the killer has left no trace. With no obvious leads to follow, Bordelli is patiently retracing the victim's last days when he encounters an old friend from the war. Inviting the frail man into his home with the aim of restoring him to strength with good food and wine, Bordelli is yet to realise that this very friend will lead him ever closer to the secrets at the heart of the mystery - starting with a mysterious woman . . .
Milan, since the period after World War II, has developed its own specific interpretation of modern architecture: a Milanese path to architectural Modernity. In model suburban developments like QT8 (a proving ground for the best solutions formulated by international architectural culture in the 1920s and 1930s), but also in original buildings in the center, like the Torre Velasca and the Pirelli skyscraper, Milan has become a true outdoor museum of modern architecture. The names of the leading figures of this period are Gio Ponti, Piero Bottoni, Ernesto Nathan Rogers, Lodovico Belgiojoso, Ignazio Gardella, Luigi Moretti, Luigi Caccia Dominioni, Vico Magistretti; as well as Vittorio Gregotti, Aldo Rossi, Guido Canella, Carlo Aymonino, Gino Valle, Gabetti & Isola: architects that over a few decades gave Milan its building-symbols, providing structures suitable for a city aspiring to a role as a leading player on the European stage. The works of these architects have been joined, in the late 20th century and the initial years of the new millennium, in a period of renewed construction activity, by projects bearing the world-famous signatures of Zaha Hadid, Daniel Libeskind, Arata Isozaki, Peter Eisenman and Rem Koolhaas, along with those of Italian talents like - among others - Renzo Piano, Cino Zucchi and Stefano Boeri. A significant contribution that has given Milan an important position on the international architecture scene, destined to be reinforced by EXPO 2015. This book takes a critical look at the various aspects of development of Milanese architecture, and in 100 profiles illustrated with photographs made for the occasion it presents the city's most outstanding buildings erected over the course of the last seventy years.
This book explores the relationship between the sciences of representation and the strategy of landscape valorisation. The topic is connected to the theme of the image of the city, which is extended to the territory scale and applied to case studies in Italy’s Umbria region, where the goal is to strike a dynamic balance between cultural heritage and nature. The studies demonstrate how landscape represents an interpretive process of finding meaning, a product of the relationships between mankind and the places in which it lives. The work proceeds from the assumption that it is possible to describe these connections between environment, territory and landscape by applying the Vitruvian triad, composed of Firmitas (solidity), Utilitas (utility) and Venustas(beauty). The environment, the sum of the conditions that influence all life, represents the place’s solidity, because it guarantees its survival. In turn, territory is connected to utility, and through its etymological meaning is linked to possession, to a domain; while landscape, as an “area perceived by people”, expresses the search for beauty in a given place, the process of critically interpreting a vision.
Florence, 1966. The rain is never-ending. When a young boy vanishes on his way home from school the police fear the worst, and Inspector Bordelli begins an increasingly desperate investigation.Then the flood hits. During the night of November 4th, the swollen River Arno, already lapping the arches of the Ponte Vecchio, breaks its banks and overwhelms the city. Streets become rushing torrents, the force of the water sweeping away cars and trees, doors, shutters and anything else in its wake.In the aftermath of this unimaginable tragedy the mystery of the child's disappearance seems destined to go unsolved. But obstinate as ever, Bordelli is not prepared to give up.
Inthe?eldofformalmethodsincomputerscience,concurrencytheoryisreceivinga constantlyincreasinginterest.Thisisespeciallytrueforprocessalgebra.Althoughit had been originally conceived as a means for reasoning about the semantics of c- current programs, process algebraic formalisms like CCS, CSP, ACP, ?-calculus, and their extensions (see, e.g., [154,119,112,22,155,181,30]) were soon used also for comprehendingfunctionaland nonfunctionalaspects of the behaviorof com- nicating concurrent systems. The scienti?c impact of process calculi and behavioral equivalences at the base of process algebra is witnessed not only by a very rich literature. It is in fact worth mentioningthe standardizationprocedurethat led to the developmentof the process algebraic language LOTOS [49], as well as the implementation of several modeling and analysis tools based on process algebra, like CWB [70] and CADP [93], some of which have been used in industrial case studies. Furthermore, process calculi and behavioral equivalencesare by now adopted in university-levelcourses to teach the foundations of concurrent programming as well as the model-driven design of concurrent, distributed, and mobile systems. Nevertheless, after 30 years since its introduction, process algebra is rarely adopted in the practice of software development. On the one hand, its technica- ties often obfuscate the way in which systems are modeled. As an example, if a process term comprises numerous occurrences of the parallel composition operator, it is hard to understand the communicationscheme among the varioussubterms. On the other hand, process algebra is perceived as being dif?cult to learn and use by practitioners, as it is not close enough to the way they think of software systems.
21:30 OLD COPTON FAIR BLUE 6 FEET was written on Mattias agenda when he moved from Milan to London. This is the story of a gay guy in his twenties who threw himself into the vibrant scene of the British capital and started there his intensive adult life. Mattia accompanies the reader through a journey he started in Milan in the late nineties and that brought him to some of the most intriguing World cities like London, New York City, Tokyo, Berlin and Barcelona. Mattias biography is set between the last decade of the twentieth century and the first of the twenty-first century, a period of time that has a great influence in the protagonists life. These are the experiences of a gay guy in the European and American scenes while he was looking for the One. Its a gay, adventurous and yet funny book.
Guida Gallo is a milestone in cookbooks dedicated to rice, a food from the East but now an ambassador of Italian haute cuisine. 101 signature recipes by chefs of the most famous restaurants in the world, to impress your guests with original dishes or simply make a very special course with your own hands. The recipes range from traditional Italian dishes such as "risi e bisi" (rice and peas) or "seafood risotto" to the more imaginative ones, with unusual combinations of fruits, wine, cheese... From a classic "sepia risotto" to a risotto with “Celline” black olives, from a surprising “arancino” (rice ball) with fish sauce and "riso in cagnun" (rice with cheese) to rice with nettle or green apples. Staying at home, enjoy a journey through the pleasures of taste in the top restaurants of the world, from Milan to Tokyo, from Rome to New York, from Piedmont to China, knowing the secrets of world-class chefs. Recipes for every season and every taste, for those who have much time and for those wanting a good meal after a day's work, for food lovers and for those starting out but not wanting to give up taste and quality.
Marsala needed a new priest. There was only one candidate for the diocese. Don Michele from Palermo. With a bus ticket and two suitcases, he reluctantly took on the new task, but a pretty wife of his predecessor. A hostile congregation, idle carabinieri and a powerful monsignor who ran the cathedral with ostentation and splendour were just the beginning of an exciting story that was to be followed by others.
The Author addresses the complex and unsolved relationship that Italians live with their "Cultural Heritage", analyzing the issue of their management and administration.
SHORTLISTED FOR THE CRIME WRITERS' ASSOCIATION INTERNATIONAL DAGGER 2013. Florence, 1965. A man is found murdered, a pair of scissors stuck through his throat. Only one thing is known about him - he was a loan shark, who ruined and blackmailed the vulnerable men and women who would come to him for help. Inspector Bordelli prepares to launch a murder investigation. But the case will be a tough one for him, arousing mixed emotions: the desire for justice conflicting with a deep hostility for the victim. And he is missing his young police sidekick, Piras, who is convalescing at his parents' home in Sardinia. But Piras hasn't been recuperating for long before he too has a mysterious death to deal with . . .
Poisonville is a noir thriller par excellence—there's murder, moral ambiguity, and a protagonist less than heroic. In this #1 bestselling noir novel, however, the killer is not an individual but an entire system. The heavily industrialized northeast, Italy's richest region, is undergoing dramatic change. It once drove the nation's economic boom, a regional superpower, affluent and arrogant, a land that abided only its own rules. But then the factory owners began moving their operations east, across the border to former Soviet countries where labor was cheap and regulatory bodies absent. With the factories, the jobs, and the riches gone, new elements began insinuating themselves into the old system, and the Brahmin families of the northeast began employing increasingly violent methods to protect their status and their wealth. Once renowned for its economic might, the region is now infested by organized crime, trafficking of every commodity, including human, ranks of media personalities and politicians on the payrolls of rich families and mobsters, and an ongoing environmental catastrophe. Welcome to Poisonville! Here, the young lawyer Francesco, heir to the region's second richest family, will have to decide between business as usual or a violent rupture with the ways of the past. The wrong choice could cost him his life.
An era of exuberant creativity is the focus of this magnificently illustrated, competitively priced new art book. Baroque art was characterized by unbridled emotion, intricate decorative flourishes, and a dramatic use of light, reaching its summit in works such as Bernini’s magnificent altarpiece, The Ecstasy of St. Theresa. Over time, this robust genre evolved into the more ornate and sensuously playful Rococo, a style epitomized by the opulent paintings of Watteau. This beautifully produced exploration of both movements guides the reader through more than a century of art history--exploring the lives and works of sculptors such as Bernini, painters such as Watteau, Boucher, Rubens, and Hogarth, and architects such as Christopher Wren.
This book explores the communicative practices of the Italian radical group Red Brigades (Brigate Rosse, or BR), the relationship the group established with the Italian press, and the specific social historical context in which the BR developed both its own self-understanding and its complex dialectical connection with the society at large. The BR’s worldview and the dominant ideology(ies) mediated by the press are treated as competing responses to structural issues of Italian history: the structural weakness of the nation state, the contradictions of an uneven economic development, and the consequent struggle of the bourgeois class to achieve hegemonic rule.
This exploration of the environmental practices of Benito Mussolini’s fascist regime invites readers to consider the ecological connections of all political projects. “We might think we see a mountain while it was a war; a forest can actually be an engine; a monument to workers might reflect the violence of a colonial empire.”—extracted from Mussolini’s Nature In this first environmental history of Italian fascism, Marco Armiero, Roberta Biasillo, and Wilko Graf von Hardenberg reveal that nature and fascist rhetoric are inextricable. Mussolini’s Nature explores fascist political ecologies, or rather the practices and narratives through which the regime constructed imaginary and material ecologies functional to its political project. The book does not pursue the ghost of a green Mussolini by counting how many national parks were created during the regime or how many trees planted. Instead, the reader is trained to recognize fascist political ecology in Mussolini’s speeches, reclaimed landscapes, policies of economic self-sufficiency, propaganda documentaries, reforested areas, and in the environmental transformation of its colonial holdings. The authors conclude with an examination of the role of fascist landscapes in the country’s postwar reconstruction: Mussolini’s nature is still visible today through plaques, monuments, toponomy, and the shapes of landscapes. This original, and surprisingly intimate, environmental history is not merely a chronicle of conservation in fascist Italy but also an invitation to consider the socioecological connections of all political projects.
This book shows through historical data, diagrams and drawings, the design system of an Italian historic center, that of Vicenza, Italy. Vicenza is the result of an urban construction process that has as its model the invention of the Palladian design system. The main argument is how the architectural vision of Andrea Palladio shaped Vincenza to the city it is today. Vicenza is an example of a collective dream, an expression of the best Renaissance artistic culture, a classic example that a city can reform itself through intellectual activity.
In The Secret Therapy of Trees, Marco Mencagli and Marco Nieri explore the relationship between plants and organisms, and illustrate how to benefit from nature's positive impact on our psychological and physical well-being. Our connection to nature is deeply rooted in the history of our evolution. And yet, we have less contact with green space now than ever, and our stress and anxiety levels are at an all-time high. The Secret Therapy of Trees helps us rediscover the restorative value of our natural environment and presents the science behind green therapies like forest bathing and bioenergetic landscapes, explaining which are the most effective and how to put them into practice to achieve the best possible results. Studies have shown that increased exposure to green space can result in a regulated heartbeat, lowered blood pressure, reduced aggressiveness, improved memory skills and cognitive function, and a healthier immune system. Just one visit to a forest can bring positive effects (hint: monoterpenes, the natural essential oils in plants, have numerous positive effects on health), and even a mindful walk through a semi natural park can alleviate physical and psychological stress. With multiple studies backing its findings and thorough explanations for each technique, The Secret Therapy of Trees is a treasure trove of tips on how to harness the regenerative power of plants and reconnect with our planet's natural spaces, bringing us health and happiness. You'll also discover: * Which plants purify the environment at home and in the office * The benefits of negative ions and where to find them * How to recharge through contact with trees
This book analyzes the dynamics through which the two major communist parties of the capitalist world—which in the 1970s had great influence on their respective national political contexts since the 1980s are increasing their marginality and, although in different forms and with different timeframes are unable to stem the decline of their political and cultural influences on the working classes.
“Filled with interesting character sketches and the dirt of Italian street life . . . a haunting and troubling crime story” from the author of Death in August (Crime Time UK). It is April of 1964, and the cruelest month is breeding bad weather and worse news. And plenty of disturbing news is coming to Florence detective Inspector Bordelli. Bordelli’s friend, Casimiro, insists he’s discovered the body of a man in a field above Fiesole. Bordelli races to the scene, but doesn’t find any sign of a corpse. Only a couple of days later, a little girl is found at Villa Ventaglio. She has been strangled, and there is a horrible bite mark on her belly. Then another young girl is found murdered, with the same macabre signature. And meanwhile, Casimiro has disappeared without a trace. This new investigation marks the start of one of the darkest periods of Bordelli’s life: a nightmare without end, as black as the sky above Florence.
Se l’Informe è un carattere della nostra epoca, è indispensabile ripensare gli strumenti con cui descriviamo e trasformiamo la realtà. Come potrebbero mutare i nostri paradigmi se assumessimo l’Informe come strumento critico? Il ruolo operativo dell’Informe, proposto da Georges Bataille, permette di dare senso a molte pratiche di trasformazione del mondo. “Assemblaggi” è costruito come un montaggio di testi su autori di diverse epoche. La descrizione e il commento delineano un percorso che indaga la potenza plastica e critica dell’Informe come apertura all’indeterminato. L’idea di un’Architettura geologica interroga le pieghe della Terra e dispiega una pratica del “maifinito” come nodo di congiunzione tra tempi e mondi diversi. Mettere in forma la tensione tra le cose costituisce il compito di un’Architettura terrestre per immaginare nuove alleanze capaci di generare futuri.
This book presents a contrastive analysis of various forms of address used in English and Italian from the perspective of cultural semantics, the branch of linguistics which investigates the relationship between meaning and culture in discourse. The objects of the analysis are the interactional meanings expressed by different forms of address in these two languages, which are compared adopting the methodology of the Natural Semantic Metalanguage. The forms analyzed include greetings, titles and opening and closing salutations used in letters and e-mails in the two languages. Noticeably, the book presents the first complete categorization of Italian titles used as forms of address ever made on the basis of precise semantic criteria. The analysis also investigates the different cultural values and assumptions underlying address practices in English and Italian, and emphasizes the risks of miscommunication caused by different address practices in intercultural interactions. Every chapter presents numerous examples taken from language corpora, contemporary English and Italian literature and personal e-mails and letters. The book encourages a new, innovative approach to the analysis of forms of address: it proposes a new analytical method for the analysis of forms of address which can be applied to the study of other languages systematically. In addition, the book emphasizes the role of culture in address practices and takes meaning as the basis for understanding the differences in use across languages and the difficulties in translating forms of address of different languages. Combining semantics, ethnopragmatics, intercultural communication and translation theory, this book is aimed at a very broad readership which includes not only scholars in linguistics, second-language learners and students of cross-cultural communication, but virtually anyone interested in Italian and English linguistics as well as in cultural semantics. The approach taken is interdisciplinary and brings together various fields in the social sciences: linguistics, anthropology, cross-cultural studies and sociology.
Narrating from the Archive describes the historical development of the archival novel, a fictional genre in which the narrative stores records, bureaucratic writing informs language, and the archive frames the readers' apprehension of the text. Archival novels have been written in two distinct paradigms--legitimation and challenge. While in the former paradigm the archive guarantees the novel's verisimilitude, in the latter the archive is questioned as a hierarchized and politically biased system for establishing truth. In this book, Alessandro Manzoni's I promessi sposi, Honore de Balzac's Ursule Mirouet and Le Colonel Chabert, are examples of novels written within the paradigm of legitimation; while Gustave Flaubert's Bouvard et Pecuchet permits the transition between the two paradigms, George Perece's La vie mode d'emploi and Don DeLillo's Libra represent cases of archival fiction written within the paradigm of challenge.
Marco Polo Guides are packed with unique insider tips. Straightforward information is presented in an engaging format which will appeal to the young and the young at heart. Includes a street atlas and a separate pull-out map.
How different was the practice of magic in the Latin West from that of the eastern Mediterranean basin? Was it just derivative from Greek practice, or did it have its own originality? The recent discovery of important new curse-tablets in Mainz and in the Fountain of Anna Perenna at Rome has made the question newly topical. This volume contains the first commented editions in English of most of these new texts as well as major surveys of new prayers for justice. Other sections are devoted to the discourse of magic in the West, to the linguistics and aims of cursing, and to the major field of protective and eudaemonic magic up to and including the Visigothic slates and the Celtic loricae. The essays are by well-known scholars in the field as well as by established and younger Spanish scholars.
Regarded by his contemporaries as the leading madrigal composer of his time, Luca Marenzio was an important figure in sixteenth-century Italian music, and also highly esteemed in England, Flanders and Poland. This English translation of Marco Bizzarini's study of the life and work of Marenzio provides valuable insights into the composer's influence and place in history, and features an extensive, up-to-date bibliography and the first published list of archival sources containing references to Marenzio. Women play a decisive role as dedicatees of Marenzio's madrigals and in influencing the way in which they were performed. Bizzarini examines in detail the influence of both female and male patrons and performers on Marenzio's music and career, including his connections with the confraternity of SS Trinit nd other institutions. Dedications were also a political tool, as the book reveals. Many of Marenzio's dedications were made at the request of his employer Cardinal d'Este who wanted to please his French allies. Bizzarini examines these extra-musical dimensions to Marenzio's work and discusses the composer's new musical directions under the more austere administration of Pope Clement VIII.
Body of State offers a critical perspective on the Moro Affair and on Marco Baliani's work. With contributions from scholars, theater practitioners, teachers, and students, it constitutes a unique resource for disciplines that train on the intersection of art and politics. The relevance of the topic raise the interest of the audience as well.
Workshops in architecture and urban morphology (WAM) is an educational-scientific tool directed to the main themes of Architecture and Urban Design. Urban Morphology is the main instrument used for these experiences. Each workshop involves one or more institutions (universities, municipalities, foundations) and is coordinated by academics and practitioners. It is held in three stages: a first one, methodological, during which the participants (M.Sc. students) learn the main instruments of Urban Morphology and apply them to the "structural" reading of the project area; a second phase, the in-the-field Workshop, during which they verify the reading and set up the project's main frame. A third and final phase is then entirely dedicated to design and to the preparation of the final project. At the end the most interesting results are published in a series aimed at documenting the possible educational/operative outcomes of a "morphological" design methodology for the contemporary city.
The first study of Anglophone and Italian novels by Somali diasporic authors, offering a new critical framework for multilingual and transnational analysis of Somali literature. Building on the latest scholarship about multilingual contexts, diaspora studies and the rapidly expanding field of Italian postcolonial studies, Marco Medugno examines Somali diasporic literature with a comparative perspective. Considering works written in English and Italian, he argues that Somali diasporic authors share similar themes and aesthetics, thus creating an interliterary community within the diaspora space. By using multilingualism as a starting point, Medugno provides significant insights into how Somali national and individual identities are constructed in diasporic, global contexts through geography, style, form, language and the re-writing of national histories emerging out of colonization and independence. Analysing acclaimed Somali novels such as Nuruddin Farah's Links and Crossbones, Igiaba Scego's Adua and Cristina Ali Farah's Little Mother, he questions any definition of 'local' as 'provincial', instead considering it a site for interrogating global concerns. Literature of the Somali Diaspora is organized around three themes: spatiality, language and resistance help to contextualize authors, forced by the decades-long Somali Civil War, to write outside Somalia and in different languages – including Somali, Italian, English, German, Dutch and Arabic – within global literary circuits. Their work thus creates a literature not confined within national borders but an interliterary global community, a transnational and multilingual space in which they share world aesthetic ideologies, challenge and engage with literary traditions in different languages and show an interplay between diverse cultures.
A behind-the-scenes view of the power struggles within the Vatican and “a look inside the byzantine halls of the institutional Catholic Church.”—Publishers Weekly A journalist who has long covered the Vatican, Marco Politi takes us deep inside the struggle roiling the Roman Curia and the Catholic Church worldwide, beginning with Benedict XVI, the pope who famously resigned in 2013, and intensifying with the unexpected election of Jorge Mario Bergoglio, archbishop of Buenos Aires, now known as Pope Francis. Politi’s account balances the perspectives of Pope Francis’s supporters, Benedict’s sympathizers, and those disappointed members of the laity who feel alienated by the institution’s secrecy, financial corruption, and refusal to modernize. Politi dramatically recounts the sexual scandals that have rocked the church and the accusations of money laundering and other financial misdeeds swirling around the Vatican and the Italian Catholic establishment, and how Pope Francis’s attempts to address these crimes has been met with resistance from entrenched factions. He writes of the decline in church attendance and vocations to the priesthood as the church continues to prohibit divorced and remarried Catholics from receiving Communion. He visits European parishes where women perform the functions of missing male priests—and where the remaining parishioners would welcome the ordination of women, if the church would allow it. Pope Francis’s emphasis on pastoral compassion for all who struggle with the burden of family life has also provoked the ire of traditionalists. He knows from experience what life is like for the poor in South America and elsewhere, and highlights the contrast between the vital, vibrant faith of these parishioners and the disillusionment of European Catholics. As Pope Francis and his supporters are locked in battle with the defenders of the traditional hard line and with ecclesiastical corruption, the future of Catholicism is at stake—and it is far from certain Francis will succeed in saving the institution from decline.
Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
This book focuses on territorial policies as instruments for local development in Europe’s periphery. Using a multiple-case research design in three typical case studies in the context of the Mediterranean island of Sardinia (Italy), we empirically test the hypothesis that the institutionalisation of the governance system is an independent variable that is capable of influencing the quality of public policy, intended as a dependent variable. According to this hypothesis, the two above-mentioned variables tend to change according to a linear and direct correlation: upward variation of the degree of institutionalisation of the governance system tends to correspond to upward variation in the quality of the policy, and vice versa. In our conclusions, we discuss the descriptive and prescriptive implications of the empirical findings of the research for the local development of peripheral areas. Regarding the descriptive implications, we explain how territorial policy-making can be articulated, based on the degree of institutionalisation of the governance system and the quality of the territorial policies. Regarding the prescriptive implications, we identify the best practices for territorial governance in order to improve the chances of local development in Europe’s periphery.
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