Marco Girolamo Vida (1485-1566), humanist and bishop, came to prominence as a Latin poet in the Rome of Leo X and Clement VII. Leo commissioned this famous epic, a retelling of the life of Christ in the style of Vergil, which was published in 1535. This translation, accompanied by extensive notes, is based on a new edition of the Latin text.
Marco Girolamo Vida (1485-1566), humanist and bishop, came to prominence as a Latin poet in the Rome of Leo X and Clement VII. Leo commissioned this famous epic, a retelling of the life of Christ in the style of Vergil, which was published in 1535. This translation, accompanied by extensive notes, is based on a new edition of the Latin text.
Two italian authors of the 16th century interpret the symbolism of the tarot deck. These texts are translated here for the first time. Deux auteurs italiens du 16e siècle interprètent le symbolisme du jeu de tarot. Ces textes sont ici traduits en anglais pour la première fois.
Regarded by his contemporaries as the leading madrigal composer of his time, Luca Marenzio was an important figure in sixteenth-century Italian music, and also highly esteemed in England, Flanders and Poland. This English translation of Marco Bizzarini's study of the life and work of Marenzio provides valuable insights into the composer's influence and place in history, and features an extensive, up-to-date bibliography and the first published list of archival sources containing references to Marenzio. Women play a decisive role as dedicatees of Marenzio's madrigals and in influencing the way in which they were performed. Bizzarini examines in detail the influence of both female and male patrons and performers on Marenzio's music and career, including his connections with the confraternity of SS Trinit nd other institutions. Dedications were also a political tool, as the book reveals. Many of Marenzio's dedications were made at the request of his employer Cardinal d'Este who wanted to please his French allies. Bizzarini examines these extra-musical dimensions to Marenzio's work and discusses the composer's new musical directions under the more austere administration of Pope Clement VIII.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.