This textbook describes the basic mechanical features of concrete and explains the main resistant mechanisms activated in the reinforced concrete structures and foundations when subjected to centred and eccentric axial force, bending moment, shear, torsion and prestressing. It presents a complete set of limit-state design criteria of the modern theory of RC incorporating principles and rules of the final version of the official Eurocode 2. This textbook examines methodological more than notional aspects of the presented topics, focusing on the verifications of assumptions, the rigorousness of the analysis and the consequent degree of reliability of results. Each chapter develops an organic topic, which is eventually illustrated by examples in each final paragraph containing the relative numerical applications. These practical end-of-chapter appendices and intuitive flow-charts ensure a smooth learning experience. The book stands as an ideal learning resource for students of structural design and analysis courses in civil engineering, building construction and architecture, as well as a valuable reference for concrete structural design professionals in practice.
This textbook describes the basic mechanical features of concrete and explains the main resistant mechanisms activated in the reinforced concrete structures and foundations when subjected to centred and eccentric axial force, bending moment, shear, torsion and prestressing. It presents a complete set of limit-state design criteria of the modern theory of RC incorporating principles and rules of the final version of the official Eurocode 2. This textbook examines methodological more than notional aspects of the presented topics, focusing on the verifications of assumptions, the rigorousness of the analysis and the consequent degree of reliability of results. Each chapter develops an organic topic, which is eventually illustrated by examples in each final paragraph containing the relative numerical applications. These practical end-of-chapter appendices and intuitive flow-charts ensure a smooth learning experience. The book stands as an ideal learning resource for students of structural design and analysis courses in civil engineering, building construction and architecture, as well as a valuable reference for concrete structural design professionals in practice.
An era of exuberant creativity is the focus of this magnificently illustrated, competitively priced new art book. Baroque art was characterized by unbridled emotion, intricate decorative flourishes, and a dramatic use of light, reaching its summit in works such as Bernini’s magnificent altarpiece, The Ecstasy of St. Theresa. Over time, this robust genre evolved into the more ornate and sensuously playful Rococo, a style epitomized by the opulent paintings of Watteau. This beautifully produced exploration of both movements guides the reader through more than a century of art history--exploring the lives and works of sculptors such as Bernini, painters such as Watteau, Boucher, Rubens, and Hogarth, and architects such as Christopher Wren.
The Italian community in Artificial Life and Evolutionary computation has grown remarkably in recent years, and this book is the first broad collection of its major interests and achievements (including contributions from foreign countries). The contributions in Artificial Life as well as in Evolutionary Computation allow one to see the deep connections between the two fields. The topics addressed are extremely relevant for present day research in Artificial Life and in Evolutionary Computation, which include important contributions from very well-known researchers. The volume provides a very broad picture of the Italian activities in this field.
Se l’Informe è un carattere della nostra epoca, è indispensabile ripensare gli strumenti con cui descriviamo e trasformiamo la realtà. Come potrebbero mutare i nostri paradigmi se assumessimo l’Informe come strumento critico? Il ruolo operativo dell’Informe, proposto da Georges Bataille, permette di dare senso a molte pratiche di trasformazione del mondo. “Assemblaggi” è costruito come un montaggio di testi su autori di diverse epoche. La descrizione e il commento delineano un percorso che indaga la potenza plastica e critica dell’Informe come apertura all’indeterminato. L’idea di un’Architettura geologica interroga le pieghe della Terra e dispiega una pratica del “maifinito” come nodo di congiunzione tra tempi e mondi diversi. Mettere in forma la tensione tra le cose costituisce il compito di un’Architettura terrestre per immaginare nuove alleanze capaci di generare futuri.
The Complete Yule-Cordier Edition : Including the Unabridged Third Edition (1903) of Henry Yule's Annotated Translation, as Revised by Henri Cordier, Together with Cordier's Later Volume of Notes and Addenda (1920).
The Complete Yule-Cordier Edition : Including the Unabridged Third Edition (1903) of Henry Yule's Annotated Translation, as Revised by Henri Cordier, Together with Cordier's Later Volume of Notes and Addenda (1920).
A vast treasury of invaluable observations on the peoples and geography of the Near East and Asia in the 13th century. Detailed descriptions of cities, customs, laws, crops, animals, politicals, more.
Primordial Cosmology deals with one of the most puzzling and fascinating topics debated in modern physics — the nature of the Big Bang singularity. The authors provide a self-consistent and complete treatment of the very early Universe dynamics, passing through a concise discussion of the Standard Cosmological Model, a precise characterization of the role played by the theory of inflation, up to a detailed analysis of the anisotropic and inhomogeneous cosmological models. The most peculiar feature of this book is its uniqueness in treating advanced topics of quantum cosmology with a well-traced link to more canonical and pedagogical notions of fundamental cosmology.This book traces clearly the backward temporal evolution of the Universe, starting with the Robertson-Walker geometry and ending with the recent results of loop quantum cosmology in view of the Big Bounce. The reader is accompanied in this journey by an initial technical presentation which, thanks to the fundamental tools given earlier in the book, never seems heavy or obscure.
Della Porta has assembled a distinguished group of scholars who have made great strides in illuminating the early phases of the movement. The book includes especially keen analyses of the movement against global capitalism, particularly in its European manifestations." John D. McCarthy, Pennsylvania State University "Della Porta has skillfully coordinated a comparative study in six European countries and the US. Renowned scholars give testimony of the movement in their countries. [This is] the first attempt to document a genuine transnational movement." Bert Klandermans, Vrije Universiteit, Amsterdam You G-8, we 6 billion!" So went the chant at the international parade leading into the summit in Genoa, Italy. The global justice movement has led to a new wave of protest, building up transnational networks, inventing new strategies of action, constructing new images of democracy, and boldly asserting that "another world is possible". This book examines all this and more with case studies drawn from seven different countries, covering transnational networks and making cross-national comparisons. Leading European and American scholars analyze more than 300 organizations and 5,000 activists, looking at mobilizations that bridge old and new movements and bring politics back to the street. Contributors include: Massimiliano Andretta, Angel Calle, Helene Combes, Donatella della Porta, Nina Eggert, Marco Giugni, Jennifer Hadden, Manuel Jimenez, Raffaele Marchetti, Lorenzo Mosca, Mario Pianta, Herbert Reiter, Christopher Rootes, Dieter Rucht, Clare Saunders, Isabelle Sommier, Sidney Tarrow, Simon Teune, Mundo Yang.
This detailed volume explores the role and actions of economists in US, Japanese and various European parliaments in the critical period between 1848 and 1920. Featuring chapters written by an international array of contributors from both economics and history, the book provides fascinating insights into the parliamentary life in the period. It highlights the often pivotal role of economists within each administration; examines their influence on policy making, their relationships with other MPs, civil servants, external economic associations and looks at the influence of public opinion on economic policy. The book also discusses the nature of the economic discourse practised in the parliamentary arena, considering the complex relationships between science and practice, and between politics and political economy in light of the evolution of economics during this period. The book is the first of its kind to provide a comparative framework for analysis, and will appeal to economists and historians alike.
Montage, today, is a widespread procedure that doesn’t concern just artistic production, but also our daily lives and the use everyone makes of that huge visual archive that contemporary media place at our disposal. In a technologically advanced society, where the notion of postproduction regulates our relationship with images and objects, it is therefore necessary to thoroughly investigate the role, possibilities, and, most of all, anthropological and political connotations of montage; and to ask ourselves whether – in comparison to the heroic years of the avant-garde movements – montage has become a faded and standardized practice or if it is a more and more effective means to understand and reprogramme the world, especially in relation to the technical possibilities offered by new media and remix practices.
In a fascinating and accessible style, Marco Piccolino and Nick Wade analyse the scientific and philosophical work of Galileo Galilei from the particular viewpoint of his approach to the senses (and especially vision) as a means of acquiring trustworthy knowledge about the constitution of the world
Deeply learned, and with a style all his own, Marco Grassi is as at home with Duccio as he is with Norton Simon; Bronzino as with Bernard Berenson; a painting on his desk as with a Last Supper in Florence’s Basilica of Santa Croce. In the Kitchen of Art selects the art conservator and dealer’s most memorable contributions to The New Criterion over a span of nearly twenty years. Beginning with a previously unpublished memoir of his own Florentine upbringing, and continuing with in-depth critical discussions of the greats of Italian art along with recollections of the grandest collectors of the twentieth century, this book shows the art world in the round.
Taste is considered one of the lowest sensory modalities, and the most difficult to express in language. Recently, an increasing body of research in perception language and in Food Studies has been sparkling new interest and new perspectives on the importance of this sense. Merging anthropology, evolutionary physiology and philosophy, this book investigates the language of Taste in English, and its relationship with our embodied minds. In the first part of the book, the author explores the semantic dimensions of Taste terms with a usage-based approach. With the application of experimental protocols, Bagli enquires their possible organization in a radial network and calculates the Salience index of gustatory terms in both American and British English. The second part of the book is an overview of the metaphorical extensions that motivate the polysemy of Taste terms, with the aid of corpus analysis methods and various texts. This book is the first to review systematically and in a usage-based perspective the role of the sensory domain of Taste in English, showing a more complicated picture and suggesting that its under-representation and difficulty of encoding does not correspond to lack of importance.
Finance, Law, and the Courts offers a comprehensive legal treatment of finance's regulatory sources and complex problems. Drawing from European and US case law, the book demonstrates that law and the courts provide finance with the certainty it needs to operate and the elasticity it needs to evolve.
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
A spirited critique of the cultural politics of the tourist age. Or, why we are all tourists who hate tourists We've all been tourists at some point in our lives. How is it we look so condescendingly at people taking selfies in front of the Tower of Pisa? Is there really much to distinguish the package holiday from hipster city-breaks to Berlin or Brooklyn? Why do we engage our free time in an activity we profess to despise? The World in a Selfie dissects a global cultural phenomenon. For Marco D'Eramo, tourism is not just the most important industry of the century, generating huge waves of people and capital, calling forth a dedicated infrastructure, and upsetting and repurposing the architecture and topography of our cities. It also encapsulates the problem of modernity: the search for authenticity in a world of ersatz pleasures. D'Eramo retraces the grand tours of the first globetrotters - from Francis Bacon and Samuel Johnson to Arthur de Gobineau and Mark Twain - before assessing the cultural meaning of the beach holiday and the 'UNESCO-cide' of major heritage sites. The tourist selfie will never look the same again.
Derived from the renowned multi-volume International Encyclopaedia of Laws, this practical analysis of the structure, competence, and management of Italy provides substantial and readily accessible information for lawyers, academics, and policymakers likely to have dealings with its activities and data. No other book gives such a clear, uncomplicated description of the organization’s role, its rules and how they are applied, its place in the framework of international law, or its relations with other organizations. The monograph proceeds logically from the organization’s genesis and historical development to the structure of its membership, its various organs and their mandates, its role in intergovernmental cooperation, and its interaction with decisions taken at the national level. Its competence, its financial management, and the nature and applicability of its data and publications are fully described. Systematic in presentation, this valuable time-saving resource offers the quickest, easiest way to acquire a sound understanding of the workings of Italy for all interested parties. Students and teachers of international law will find it especially valuable as an essential component of the rapidly growing and changing global legal milieu.
The relationship between East and West remains a topic of burning timeliness, particularly in its political dimension. Yet, we can gain a complete understanding of the current tensions only if we consider them within a broader historical framework, spanning from art to diplomacy, from religion to ethnography. The present volume tackles precisely this complex task, offering its reader a rich mosaic of case studies and scholarly research, relating to the mutual approaches between the Euro-American ‘West’, and the Sino-Japanese ‘East’. In the first part of the book, art historian Marco Musillo uses the depictions of Tartars in fourteenth-century Italian frescoes as the starting point of a trajectory leading to eighteenth-century European literature on China. In the second part, the reader is introduced to two cases of diplomatic encounter, one in sixteenth-century Italy between Japanese subjects and local courts, and the other one between Qing China and twentieth-century United States, in the space of the universal exhibition in St. Louis. Finally, the last section proposes three interconnected art historical explorations: the screen design of Chinese origin in colonial Mexico, Medieval Christian tombstones in China, and early-modern Filipino sacred sculpture.
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