Nomadic people, have over the years, been subject to prejudice and negative thinking by sedentarised societies as well as by political and legislative systems. It was finally only in the 1970s that international lawyers began to reassess the status of these peoples, to recognise their rights and above all, to protect them. In his thesis Marco Moretti defines the relationship between nomadic people and law-makers between the 16th and 19th centuries. This is followed by establishing the evolution of the human rights movement, recognising peoples who are not state-entities and therefore giving place for the existence of nomadic people worldwide.
On the eve of All the World's Futures at the 2015 Venice Biennale, Schwartz City is pleased to announce the publication of Let's Destroy Work, the first major monograph on Marco Fusinato. A comprehensive overview of the past two decades of Fusinato's projects in art and music, featured projects include FREE (1998 - 2004), a series of guerrilla performances in unsuspecting music stores around the world; Mass Black Implosion (2007 - ), an ongoing series of propositional scores; Aetheric Plexus (2009 - 2013), a viewer-triggered installation of white noise and white light; and TM/MF (2000), a collaborative project with Thurston Moore. Included is new writing by Branden W. Joseph, Professor in Art History at Columbia University; a text by US-based music critic Byron Coley; and essays from insurrectional anarchist writer Alfredo M. Bonanno's publication 'Let's Destroy Work, Let's Destroy the Economy'. The book is rich in colour and mono illustrations of Fusinato's works, and a selection of reference images. Marco Fusinato's practice references the rhetoric of radical politics (its ambitions and failures), noise as music and the conditions and conventions of conceptual art. Through wide-ranging forms of work in gallery contexts and performances, he foregrounds moments of disruption and impact in which lie the possibility of a shift in perception or change in the course of events. Fusinato performs regularly in the international experimental music underground, obliterating the guitar into improvised noise-spit tsunamis.
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