Body of State offers a critical perspective on the Moro Affair and on Marco Baliani's work. With contributions from scholars, theater practitioners, teachers, and students, it constitutes a unique resource for disciplines that train on the intersection of art and politics. The relevance of the topic raise the interest of the audience as well.
SHORTLISTED FOR THE CRIME WRITERS' ASSOCIATION INTERNATIONAL DAGGER 2013. Florence, 1965. A man is found murdered, a pair of scissors stuck through his throat. Only one thing is known about him - he was a loan shark, who ruined and blackmailed the vulnerable men and women who would come to him for help. Inspector Bordelli prepares to launch a murder investigation. But the case will be a tough one for him, arousing mixed emotions: the desire for justice conflicting with a deep hostility for the victim. And he is missing his young police sidekick, Piras, who is convalescing at his parents' home in Sardinia. But Piras hasn't been recuperating for long before he too has a mysterious death to deal with . . .
This brief offers a novel vision of the city of Florence, tracing the development of chemistry via the biographies of its most illustrious chemists. It documents not only important scientific research that came from the hands of Galileo Galilei and the physicists who followed in his footsteps, but also the growth of new disciplines such as chemistry, pharmaceutical chemistry, and biochemistry. It recounts how, in the Middle Ages, chemistry began as an applied science that served to bolster the Florentine economy, particularly in the textile dyeing industry. Later, important scientific collections founded by the ruling Medici family served as the basis of renowned museums that now house priceless artifacts and instruments. Also described in this text are the chemists such as Hugo Schiff, Angelo Angeli, and Luigi Rolla, who were active over the course of the following century and a quarter. The authors tell the story of the evolution of the Royal University of Florence, which ultimately became the University of Florence. Of interest to historians and chemists, this tale is told through the lives and work of the principal actors in the university’s department of chemistry.
... and still we could never suppose that fortune were to be so friendly to us, such as to allow us to be perhaps the first in handling, as it were, the electricity concealed in nerves, in extracting it from nerves, and, in some way, in putting it under everyone's eyes." With these words, Luigi Galvani announced to the world in 1791 his discovery that nervous conduction and muscle excitation are electrical phenomena. The result of more than years of intense experimental work, Galvani's milestone achievement concluded a thousand-year scientific search, in a field long dominated by the antiquated beliefs of classical science. Besides laying the grounds for the development of the modern neurosciences, Galvani's discovery also brought to light an invention that would forever change humankind's everyday life: the electric battery of Alessandro Volta. In an accessible style, written for specialists and general readers alike, Shocking Frogs retraces the steps of both scientific discoveries, starting with the initial hypotheses of the Enlightenment on the involvement of electricity in life processes. So doing, it also reveals the inconsistency of the many stereotypes that an uncritical cultural tradition has imparted to the legacies of Galvani and Volta, and proposes a decidedly new image of these monumental figures.
The first complete and detailed catalogue of Lavoisier’s collection of instruments preserved at the Musée des Arts et Métiers in Paris. The story of the collection is carefully reconstructed and its instruments (all illustrated) are described in detail.
This beautifully illustrated and scholarly book examines the importance of electric fishes in science and medicine and how three species in particular shaped neurophysiology. Anchored in the philosophy and science of past epochs, it is the story of one of Nature's greatest puzzles. Over a long and tortuous path, it focuses on how some numbing fishes helped to make physiology modern.
This book explores the relationship between the sciences of representation and the strategy of landscape valorisation. The topic is connected to the theme of the image of the city, which is extended to the territory scale and applied to case studies in Italy’s Umbria region, where the goal is to strike a dynamic balance between cultural heritage and nature. The studies demonstrate how landscape represents an interpretive process of finding meaning, a product of the relationships between mankind and the places in which it lives. The work proceeds from the assumption that it is possible to describe these connections between environment, territory and landscape by applying the Vitruvian triad, composed of Firmitas (solidity), Utilitas (utility) and Venustas(beauty). The environment, the sum of the conditions that influence all life, represents the place’s solidity, because it guarantees its survival. In turn, territory is connected to utility, and through its etymological meaning is linked to possession, to a domain; while landscape, as an “area perceived by people”, expresses the search for beauty in a given place, the process of critically interpreting a vision.
Chipless RFID Reader Design for Ultra-Wideband Technology: Design, Realization and Characterization deals with the efficient design of Field Programmable Gate Array (FPGA) based embedded systems for chipless readers, providing a reading technique based on polarization diversity that is shown with the aim of reading cross-polarized, chipless tags independently from their orientation. This approach is valuable because it does not give any constraint at the tag design level. This book presents the state-of-the-art of chipless RFID systems, also providing useful comparisons. The international regulations that limit the UWB emission are taken into consideration, along with design guidance. Two designed, realized, and characterized reader prototypes are proposed. Sampling noise reduction, reading time, and cost effectiveness are also introduced and taken into consideration. - Presents the design, realization and characterization of chipless RFID readers - Provides concepts that are designed around a FPGA and its internal architecture, along with the phase of optimization - Covers the design of a novel pulse generator
Antonio Gramsci was an Italian Marxist thinker whose radical ideas on how to build an alternative world from below remain vigorously relevant today. Gramsci’s philosophy of praxis critically dissects the institutions of modern liberal democracy to reveal what is perhaps its deepest secret: it is the most successful political system in modernity at preserving an objective condition of domination while transforming it into a subjective conviction of freedom. Based on a careful reading of Gramsci's The Prison Notebooks, Marco Fonseca shows hegemony as more than leadership of elites over subaltern majorities based on "consent". Following Gramsci’s critique of citizenship, civil society and democracy, including the current project of neoliberal "democracy promotion" particularly in the Global South, he discloses a hidden process of hegemony that generates the preconditions for consent and, thus, successful domination. As the struggles from Zapatismo to Chavismo and from the Arab Springs to Spain’s Podemos show, liberation is not possible without counter-hegemony. This book will be of interest to activist scholars engaged in the study of Marxism, Gramsci, political philosophy, and contemporary debates about the renewal of Marxist thought and the relevance of revolution and Communism for the twenty-first century.
Thirty-three distinguished authorities in the field of labour and industrial relations law gather here to enhance and complement the work of the late Marco Biagi, a man who, at the time of his violent and untimely death, had shown himself to be the most insightful and committed international scholar in this complex and controversial and, as it proved, even dangerous field. The topics covered range over many of Professor Biagi's special interests, including the following: the formulation of a new basis for labour law that could resolve new issues; employee protection in corporate restructuring; the trend toward individual 'enterprise bargaining'; a new European employment policy and what it might entail; the growing phenomenon of 'flexibilisation'; the effects of an aging workforce; the crucial nexus of free trade, labour, and human rights; the promise of EU enlargement; and protection of part-time workers. There is a lot of insight, innovation, and just clear thinking in this wide-ranging and far-reaching book. It will be of exceptional value to scholars, lawyers, and others concerned with the extensive and unpredictable changes under way in today's world of work.
Jurisprudence: Themes and Concepts offers an original introduction to, and critical analysis of, the central themes studied in jurisprudence courses. The book is presented in three parts each of which contains General Themes, Advanced Topics, tutorial questions and guidance on further reading: Law and Politics, locating the place of law within the study of institutions of government Legal Reasoning, examining the contested nature of the application of law Law in Modernity, exploring the social forces that shape legal development. This second edition includes enhanced discussion of the rise of legal positivism within the context of the rise of the modern state, the changing role of natural and human rights discourse, concepts of justice in and beyond the nation state, the impact of emergency doctrines in contemporary legal regulation, and challenges to the rule of law in light of shifting and competing demands for new types of social solidarity. Accessible, interdisciplinary, and socially informed this book has been revised to take into account the latest developments in jurisprudential scholarship.
In this book, Marco Ianniello investigates the complex art of television drama screenwriting, arguing that the screenplay itself, rather than the final product, is at the heart of the current success of the genre. Bridging a crucial gap between theory and practice through textual analyses of various case studies, Ianniello expands on television story structure theory and screenwriting practice by foregrounding story construction and character development in the serial drama. The development of these key frameworks – structure and character – will enable both screenwriting scholars and practitioners to better identify, assess, critique, and craft the complexities of the television drama screenplay.
This book looks at the field of fine arts, design and culture as an alternative source of inspiration for ways to work. It is a book about a better future for brand marketing and business leadership, thanks to the dreams and the visions of artists, designers and other creative industry leaders.
This book provides detailed practical guidance on the management of acute ischemic stroke in the clinical settings encountered in daily practice. Real-life cases are used to depict a wide range of clinical scenarios and to highlight significant aspects of management of ischemic stroke. In addition, diagnostic and therapeutic protocols are presented and helpful decision-making algorithms are provided that are specific to the different professionals involved in delivery of acute stroke care and to differing types of hospital facility. The coverage is completed by the inclusion of up-to-date scientific background information relevant to diagnosis and therapy. Throughout, the approach adopted is both practical and multidisciplinary. The book will be of value for all practitioners involved in the provision of acute stroke care, and also for medical students.
In un futuro vagamente ucronico - dal sapore anni settanta - David ha perso la memoria e per lui la realtà si è ridotta ad un incubo di frammenti spezzati. E' davvero pazzo come dicono o è ... qualcos'altro? Qualcuno lo sta aiutando ad uscire dal labirinto, per portarlo verso un altro livello di realtà, ma la scoperta non sarà piacevole ... Amandla! è un romanzo a cavallo tra SF e narrativa di anticipazione, che si muove tra l'Africa e le suggestioni virtuali di P.K. Dick e di Matrix, tra i Beatles e Nelson Mandela. Il primo capitolo di Amandla! è apparso sulla rivista on-line Inciquid n. 7/2005
Hugo Grotius and the Century of Revolution, 1613-1718 is a reconstruction of the way Hugo Grotius (1583-1645) was read and used by English political and religious writers in the seventeenth and early eighteenth centuries. Engaging with the reception of all of Grotius's key works and a wide range of topics, the volume has much to say about the search for peace in an age of religious conflict and about the cultural roots of the Enlightenment. Most of all, Marco Barducci aims to deepen our understanding of the connections that made English political thought part of the history of European thought. To this end, it brings together a succinct account of Grotius's own thinking on key topics, mapping these accounts within English debates, to show why his ideas were seen to be relevant at key moments; shows awareness of the possibilities for the misappropriation inherent in reception; and adds something new to our understanding of why seventeenth-century Englishmen argued in the ways that they did.
Milan, since the period after World War II, has developed its own specific interpretation of modern architecture: a Milanese path to architectural Modernity. In model suburban developments like QT8 (a proving ground for the best solutions formulated by international architectural culture in the 1920s and 1930s), but also in original buildings in the center, like the Torre Velasca and the Pirelli skyscraper, Milan has become a true outdoor museum of modern architecture. The names of the leading figures of this period are Gio Ponti, Piero Bottoni, Ernesto Nathan Rogers, Lodovico Belgiojoso, Ignazio Gardella, Luigi Moretti, Luigi Caccia Dominioni, Vico Magistretti; as well as Vittorio Gregotti, Aldo Rossi, Guido Canella, Carlo Aymonino, Gino Valle, Gabetti & Isola: architects that over a few decades gave Milan its building-symbols, providing structures suitable for a city aspiring to a role as a leading player on the European stage. The works of these architects have been joined, in the late 20th century and the initial years of the new millennium, in a period of renewed construction activity, by projects bearing the world-famous signatures of Zaha Hadid, Daniel Libeskind, Arata Isozaki, Peter Eisenman and Rem Koolhaas, along with those of Italian talents like - among others - Renzo Piano, Cino Zucchi and Stefano Boeri. A significant contribution that has given Milan an important position on the international architecture scene, destined to be reinforced by EXPO 2015. This book takes a critical look at the various aspects of development of Milanese architecture, and in 100 profiles illustrated with photographs made for the occasion it presents the city's most outstanding buildings erected over the course of the last seventy years.
How different was the practice of magic in the Latin West from that of the eastern Mediterranean basin? Was it just derivative from Greek practice, or did it have its own originality? The recent discovery of important new curse-tablets in Mainz and in the Fountain of Anna Perenna at Rome has made the question newly topical. This volume contains the first commented editions in English of most of these new texts as well as major surveys of new prayers for justice. Other sections are devoted to the discourse of magic in the West, to the linguistics and aims of cursing, and to the major field of protective and eudaemonic magic up to and including the Visigothic slates and the Celtic loricae. The essays are by well-known scholars in the field as well as by established and younger Spanish scholars.
The purpose of this book is to explore what a liturgical approach to the Bible looks like and what hermeneutical implications this might have: How does the liturgy celebrate, understand, and communicate Scripture? The starting point is Pope Benedict's affirmation that "a faith-filled understanding of sacred Scripture must always refer back to the liturgy" (Verbum Domini 52). The first part of the book (based on SC 24) provides significant examples to demonstrate: The liturgical order of readings intertextually combines Old Testament and New Testament readings using manifold hermeneutical principles, specifically how the psalms show the wide range of interpretations the liturgy employs. Prayers are biblically inspired and help to appropriate Scripture personally. The hymns convey Scripture in a poetic way. Signs and actions such as foot-washing or the Ephphetha rite enact Scripture. The study considers the Mass, the sacraments and the Liturgy of the Hours. In the second part, Benini systematically focuses on the various dimensions of liturgical hermeneutics of the Bible, which emerge from the first part. The study reflects the approaches the liturgy offers to Scripture and its liturgical reception. It explores theological aspects such as the unity of the two Testaments in Christ's paschal mystery or the anamnesis as a central category in both Scripture and liturgy. The liturgy does not understand Scripture primarily as a document of the past, but celebrates it as a current and living "Word of the Lord," as a medium of encounter with God: Scripture is sacramental. Liturgical Hermeneutics of Sacred Scripture seeks to contribute not only to the comparison of the Roman, Ambrosian, and Byzantine Rite regarding the Word of God, but most of all to the overall "liturgical approach" to Scripture. As such, it promotes an interdisciplinary dialogue of liturgical and biblical studies.
Regarded by his contemporaries as the leading madrigal composer of his time, Luca Marenzio was an important figure in sixteenth-century Italian music, and also highly esteemed in England, Flanders and Poland. This English translation of Marco Bizzarini's study of the life and work of Marenzio provides valuable insights into the composer's influence and place in history, and features an extensive, up-to-date bibliography and the first published list of archival sources containing references to Marenzio. Women play a decisive role as dedicatees of Marenzio's madrigals and in influencing the way in which they were performed. Bizzarini examines in detail the influence of both female and male patrons and performers on Marenzio's music and career, including his connections with the confraternity of SS Trinit nd other institutions. Dedications were also a political tool, as the book reveals. Many of Marenzio's dedications were made at the request of his employer Cardinal d'Este who wanted to please his French allies. Bizzarini examines these extra-musical dimensions to Marenzio's work and discusses the composer's new musical directions under the more austere administration of Pope Clement VIII.
Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style."--Page 4 of cover.
It's July, 1975 and an overworked Chicago police force receives a call that an 85-year-old white man has been attacked by a gang of black youths on the lakefront in Burnham Park. Amid public outrage, contentious Mayor Richard J. Daley commands his police to find the killers fast and make the bucolic park safe again. Uncommonly but fortunately for the police, twelve-year-old James Overstreet steps forward and identifies five of the six assailants and arrests are made. But detectives and county attorneys bungle the case, leaving the judge no choice but to release the accused. This startling turn of events jeopardizes James's life, forcing the entire Overstreet family into witness protection in Arizona, and creates a nightmare that will haunt the brave witness forever. Fast-forward thirty years. The stoic young man has grown to become Maricopa County's most feared prosecutor. But his life is about to be turned upside down when paths from the past cross into the present, veering toward a shocking climax.
The Taurus Reach: the source of a secret that has driven the great powers of the 23rd century to risk everything in the race to control it. Now four new adventures—previously untold tales of the past and present, with hints of what is yet to come—begin the next great phase in the Vanguard saga. Witness the dawn of Starbase 47, as Ambassador Jetanien faces choices that will shape the future of Operation Vanguard. Follow journalist Tim Pennington as he reaches a crossroads in his search for the truth. See how the crises on two colonies transform the lives of Diego Reyes and Rana Desai. And travel with Cervantes Quinn to a deadly confrontation that will change everything—all in one unforgettable Star Trek collection.
You expect the city of Al Capone and what you find are pleasant boulevards coursing up and down between the neo-classical buildings of the 1893 Universal Exhibition ... The city center unfolds before you, an architectural miracle that is to twentieth-century urban planning what Venice must have been for the fifteenth century." Like a cross between Philip Marlowe and Walter Benjamin, Marco d'Eramo stalks the streets of Chicago, leaving no myth unturned. Maintaining a European's detached gaze, he slowly comes to recognize the familiar stink of modernity that blows across the Windy City, the origins of whose greatness (the slaughterhouses, the railroads, the lumber and cereal-crop trades) are by now ancient history, and where what rears its head today is already scheduled for tomorrow's chopping block. Chicago has been the stage for some of modernity's key episodes: the birth of the skyscraper, the rise of urban sociology, the world's first atomic reactor, the hard-nosed monetarism of the Chicago School. Here in this postmodern Babel, where the contradictions of American society are writ large, d'Eramo bears witness to the revolutionary, subversive power of capitalism at its purest.
This is the first comprehensive history of conscription and the military in Italy from the Restoration to the eve of WWI. The comparative and transnational approach enables this work to compare and contrast the Italian experience with that of many other countries in the world as well as understand transfers and the adaptive and imitative processes that emerge when conscription and the military are viewed from an Italian perspective. Peacetime and wartime recruitment, military life, culture, justice and civil-military relationships are analysed using a wide range of sources and an interdisciplinary approach that combines top-down and bottom-up perspectives. This enables the book not only to assess the contribution the military has made to the country in terms of state-building, nation building, modernization, pedagogical and disciplinary models, gender identity and roles, but also to reconsider the standard taxonomies as well as some established evolutionary models of the armies. Moreover, the Italian military is seen as an internally complex world that is incapable of defining its own one-dimensional identity or of imposing any such identity on its members. Consequently, it is an element in the history of a country that is substantially the same as any other such element and thus important in people’s collective and individual lives whether or not they are in uniform. Rather than being an object of study in and of itself, the military becomes a vantage point from which to observe the Italian history in the long 19th century. Therefore, this book can be profitably read by professional military historians and non-specialist readers interested in the military, as well as by all scholars working on Italian pre- and post-unification political, institutional, socio-economic, cultural and gender history.
The book's title is taken from the rank that the author had at age seven when his playmates - all older than him - were kings, presidents and generals, and found that the rank of soldier was still too high for him. Rather than a reason for humiliation and consequent insecurity, this demotion has trained the author since childhood not to put on airs and not to believe himself important, even when with advancing of age and career he might perhaps have thought so. The cut of the book is therefore to look at things from the bottom upwards, and to remember, without emphasis and often tongue in cheek, a life that in many ways was exciting, sometimes useful, always lived as a service and never as an opportunity for personal gain. In a sense, "Under-soldier" is a non-book: it breaks the rule of going from the general to the specific, from the atmosphere of the time to private history, and leads the story in reverse, from private history to History. It's like listening to a conversation that does not concern you from the room next door, like listening to the phone call of someone else, or reading private papers. But only to find out that you are interested in those sentences that you have overheard, in those pages of others, because they concern a world and a chain of events, places and people, facts and Facts. It is a story that is not an essay, not a novel, where every idea (and the theory derived from the idea) comes from something that happened, where events crisscross each other and the imagination is a reflection of things that happened, words that were spoken, not invention. The cover of the book has been created by the Publisher from a drawing by the author.
During Qing dynasty China, Italian artists were hired through Jesuit missionaries by the imperial workshops in Beijing. In The Shining Inheritance: Italian Painters at the Qing Court, 1699–1812, Marco Musillo considers the professional adaptations and pictorial modifications to Chinese traditions that allowed three of these Italian painters — Giovanni Gherardini (1655– ca. 1729), Giuseppe Castiglione (1688–1766), and Giuseppe Panzi (1734–1812) — to work within the Chinese cultural sphere from 1699, when Gherardini arrived in China, to 1812, the year of Panzi’s death. Musillo focuses especially on the long career and influence of Castiglione (whose Chinese name was Lang Shining), who worked in Beijing for more than fifty years. Serving three Qing emperors, he was actively engaged in the pictorial discussions at court. The Shining Inheritance perceptively explores how each painter’s level of professional artistic training affected his understanding, selection, and translation of the Chinese pictorial traditions. Musillo further demonstrates how this East-West artistic exchange challenged the dogma of European universality through a professional dialogue that became part of established workshop routines. The cultural elements, procedures, and artistic languages of both China and Italy were strategically played against each other in negotiating the successes and failures of the Italian painters in Beijing. Musillo’s subtle analysis offers a compelling methodological model for an increasingly global field of art history.
CHOICE MAGAZINE Outstanding Academic Title for 2007 "In addition to discussing relevant content, the various contributors to the book are excellent communicators. Sentences are clear, paragraphs are coherent, and chapters fulfill the promise of their introductions, and readers will benefit from the diagrams, figures, and charts that are used to enhance the text. I enjoyed reading this book and recommend it highly. This book will be of particular interest to advanced students, academics, and practitioners. Although statistical background is necessary to comprehend the advanced analytical techniques, most readers are likely to benefit from the overviews provided in this well-written book." —Guldem Gokcek, JOURNAL OF MARKETING The Handbook of Marketing Research: Uses, Misuses, and Future Advances comprehensively explores the approaches for delivering market insights for fact-based decision making in a market-oriented firm. Divided into four parts, the Handbook addresses (1) the different nuances of delivering insights; (2) quantitative, qualitative, and online data gathering techniques; (3) basic and advanced data analysis methods; and (4) the substantial marketing issues that clients are interested in resolving through marketing research. Key Features: Appeals to users as well as suppliers of marketing research: Comprehensive topics in marketing research (such as philosophy, techniques, and applications) are delivered in a reader-friendly, applications-oriented, and non-mathematical fashion. Covers many cutting-edge techniques of data collection and analysis: Traditional quantitative techniques, innovative qualitative techniques, and emerging online methods are presented. Provides a broad range of current ideas and applications: The contributors address models of the impact of marketing mix variables, segmentation, brand equity, satisfaction, customer lifetime value, and marketing ROI. Chapters on international marketing research and marketing management support systems are also included.
From the chilling threats of the "ISIS vampire" to the view of al-Qaeda as the "Frankenstein the CIA created," terrorism seems to be inextricably bound with monstrosity. But why do the media and government officials often portray terrorists as monsters? And perhaps more puzzling, why do terrorists sometimes want to be perceived as such? This book, the first of its kind, examines the use of archetypal metaphors of monstrosity in relation to terrorism, from the gorgons of Robespierre's "reign of terror" to the dragons and lycanthropes of anarchism, the beasts and blood-licking demons of ethnonational terrorism, and the hydras and Frankenstein's monsters of Islamic jihadism. Marco Pinfari argues that politicians frame terrorists as unmanageable monsters not only in an effort at cultural "othering" and dehumanization, but also to secure popular backing for rule-breaking behavior in counter-terrorism. The book also explores the way that terrorists themselves impersonate monsters, showing that several groups have pursued such a tactic throughout the history of terrorism. It contributes to a number of ongoing public debates by highlighting how, even when actors like the Islamic State present themselves as mad and irrational, their tactics remain in essence rational. Pinfari also provides an original historical outlook on the roots of monster metaphors and discusses several types of terrorism, including state terrorism, left-wing terrorism, anarchism, ethnonationalist terrorism, and white supremacist groups. In unpacking the functions played by monster metaphors and by their impersonation, Terrorists as Monsters helps the reader understand the political processes that hide behind the fangs.
The European Court of Human Rights has long held unparalleled sway over questions of human rights violations across continental Europe, Britain, and beyond. Both its supporters and detractors accept the common view that the European human rights system was originally devised as a means of containing communism and fascism after World War II. In The Conservative Human Rights Revolution, Marco Duranti radically reinterprets the origins of the European Convention on Human Rights (ECHR), arguing that conservatives conceived of the treaty not only as a Cold War measure, but also as a vehicle for pursuing a controversial domestic political agenda on either side of the Channel. Just as the Supreme Court of the United States had sought to overturn Franklin Roosevelt's New Deal, a European Court of Human Rights was meant to constrain the ability of democratically elected governments to implement left-wing policies that British and French conservatives believed violated their basic liberties. Conservative human rights rhetoric, Duranti argues, evoked a romantic Christian vision of Europe. Rather than follow the model of the Universal Declaration of Human Rights, conservatives such as Winston Churchill grounded their appeals for new human rights safeguards in the values of a bygone European civilization. All told, these efforts served as a basis for reconciliation between Germans and the "West," the exclusion of communists from the European project, and the denial of equal protection to colonized peoples. Illuminating the history of internationalism and international law, and elucidating Churchill's Europeanism and critical contribution to the genesis of the ECHR, this book revisits the ethical foundations of European integration across the first half of the twentieth century and offers a new perspective on the crisis in which the European Union finds itself today.
Little has been written about the defense of the Kingdom of Northern Italy, and this is the first study in English to detail the two-year conflict (1813-1814) within the larger context of the Napoleonic Wars. The French commander responsible for the defense was Eugene Beauharnais, stepson of Napoleon and son-in-law of the King of Bavaria. Outnumbered three to one, Beauharnais fought an outstanding defensive campaign, covering all of Napoleon's southern front while Napoleon faced off against the main allied armies as they invaded France. This was only Beauharnais's third command, and as a result of his less than stellar performance in his two earlier posts, he had acquired a poor reputation as a leader. Nafziger and Gioannini explain, however, that in this instance Beauharnais proved himself once and for all as the commander of an independent army, defending one of the most important parts of the French Napoleonic Empire. He made full use of geography, keeping his army in being, rather than risking it to seek a decision in the field. Because his stepson held the plains of Italy, Napoleon was able to concentrate his energies upon the evacuation of Germany and to demonstrate his military prowess in France.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.