This chapter treats several approaches for employing nanophotonics or near-nanophotonics concepts to create low-power switches. The partly interrelated issues of low-power dissipation and small device footprint are elucidated and figures of merit for switches formulated. Both optically and electronically controlled optical switches are treated and the crucial role of material development emphasized, illustrated by several examples, including both theoretical analysis of switch concepts and experimentally realized switches. Thus, electronically controlled switches based on hybrid, metamaterial, and nanoparticle plasmonics, electrooptic polymers as well as switches based on silicon and photonic crystals are discussed. The all-optical switches focus on third-order nonlinear effects and carrier-induced refractive index changes in III–V materials, as well as on emerging concepts of near-field-coupled quantum-dot switches. A brief comparison to electronic switches is done.
Clinical Flow Cytometry - Emerging Applications" contains a collection of reviews and original papers that illustrate the relevance of flow cytometry for the study of specific diseases and clinical evaluations. The chapters have been contributed by authors from a wide variety of countries showing the broad application and importance of this technology in medicine. Examples include chapters on autoimmune disease, cancer, and the evaluation of new drugs. The book is intended to give newcomers a helpful introduction, but also to provide experienced flow cytometrists with novel insights and a better understanding of clinical cytometry.
The story of the false entries, good-faith errors, retractions, and mistakes that occurred during the formation of the Periodic Table of Elements as we know it.
The Author addresses the complex and unsolved relationship that Italians live with their "Cultural Heritage", analyzing the issue of their management and administration.
Unpacking Innovation is a detailed and empirically grounded account of business model diversity and innovation in the context of increasing competition and digitalization. Focusing on incumbent firms, the book presents a novel perspective on how business model reconfiguration can help companies to compete effectively.
Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style."--Page 4 of cover.
Deeply learned, and with a style all his own, Marco Grassi is as at home with Duccio as he is with Norton Simon; Bronzino as with Bernard Berenson; a painting on his desk as with a Last Supper in Florence’s Basilica of Santa Croce. In the Kitchen of Art selects the art conservator and dealer’s most memorable contributions to The New Criterion over a span of nearly twenty years. Beginning with a previously unpublished memoir of his own Florentine upbringing, and continuing with in-depth critical discussions of the greats of Italian art along with recollections of the grandest collectors of the twentieth century, this book shows the art world in the round.
Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
From the twelfth to the seventeenth century, Aristotle’s writings lay at the foundation of Western culture, providing a body of knowledge and a set of analytical tools applicable to all areas of human investigation. Scholars of the Renaissance have emphasized the remarkable longevity and versatility of Aristotelianism, but they have mainly focused on the Latin tradition. Scarce, if any, attention has gone to vernacular works. Nonetheless, several important Renaissance figures wished to make Aristotle’s works accessible and available outside the narrow circle of professional philosophers and university professors to a broad set of readers. The thesis underpinning this book is that Italian vernacular Aristotelianism, especially in the field of logic, made fundamental contributions to the thought of the period, anticipating many of the features of early modern philosophy and contributing to a new conception of knowledge.
Multicriteria Analysis and LCA Techniques introduces the reader to the basic principles of multicriteria analysis (MCA) and life cycle assessment (LCA) techniques. The use of these tools is rapidly becoming essential in any feasibility study for comparing different solutions, selecting the most suitable ones, and for analyzing the interface of economy and environment. The main feature of Multicriteria Analysis and LCA Techniques is the application of a new approach to the analysis of energy balance and environmental impact of agro-industrial production chains. It gives detailed descriptions of a number of food and non-food agro-industrial applications of MCA and LCA, thereby providing the reader with practical examples of the implementation of these tools in the field of agro-industry. Multicriteria Analysis and LCA Techniques represents a subsidiary reference book for both undergraduate and graduate students, and can also be used for basic or applied academic research.
This book offers a comprehensive and systematic examination of the issues involved within Ocean Economics. The oceans are the last frontier on Earth, and research and exploration are key to developing and enhancing global economic activity that is necessary to sustain a growing human population. Colazingari pinpoints the contentious issues relevant to oceans’ natural resources management and protection. He examines the cutting edge technology used for the exploration of the oceans’ living and non living resources (fisheries, bio-products, energy resources, mineral deposits) and identifies the significant emerging patterns that will determine the development of ocean economics in the future. Problems require timely action by politicians and policymakers at an international level, while scientists and researchers must assist in providing reliable information and investigating viable options. With writing that is straightforward but comprehensive, this book will appeal to professionals, academics, students, as well as anyone interested in marine environment.
This brief offers a novel vision of the city of Florence, tracing the development of chemistry via the biographies of its most illustrious chemists. It documents not only important scientific research that came from the hands of Galileo Galilei and the physicists who followed in his footsteps, but also the growth of new disciplines such as chemistry, pharmaceutical chemistry, and biochemistry. It recounts how, in the Middle Ages, chemistry began as an applied science that served to bolster the Florentine economy, particularly in the textile dyeing industry. Later, important scientific collections founded by the ruling Medici family served as the basis of renowned museums that now house priceless artifacts and instruments. Also described in this text are the chemists such as Hugo Schiff, Angelo Angeli, and Luigi Rolla, who were active over the course of the following century and a quarter. The authors tell the story of the evolution of the Royal University of Florence, which ultimately became the University of Florence. Of interest to historians and chemists, this tale is told through the lives and work of the principal actors in the university’s department of chemistry.
Regarded by his contemporaries as the leading madrigal composer of his time, Luca Marenzio was an important figure in sixteenth-century Italian music, and also highly esteemed in England, Flanders and Poland. This English translation of Marco Bizzarini's study of the life and work of Marenzio provides valuable insights into the composer's influence and place in history, and features an extensive, up-to-date bibliography and the first published list of archival sources?containing references to Marenzio. Women play a decisive role as dedicatees of Marenzio's madrigals and in influencing the way in which they were performed. Bizzarini examines in detail the influence of both female and male patrons and performers on Marenzio's music and career, including his connections with the confraternity of SS Trinit?nd other institutions. Dedications were also a political tool, as the book reveals. Many of Marenzio's dedications were made at the request of his employer Cardinal d'Este who wanted to please his French allies. Bizzarini examines these extra-musical dimensions to Marenzio's work and discusses the composer's new musical directions under the more austere administration of Pope Clement VIII.
A Times Literary Supplement Book of the Year A Marginal Revolution Best Non-Fiction Book of the Year A Seminary Co-op Notable Book of the Year A Times Higher Education Book of the Week A Choice Outstanding Academic Title of the Year Marco Santagata’s Dante: The Story of His Life illuminates one of the world’s supreme poets from many angles—writer, philosopher, father, courtier, political partisan. Santagata brings together a vast body of Italian scholarship on Dante’s medieval world, untangles a complex web of family and political relationships for English readers, and shows how the composition of the Commedia was influenced by local and regional politics. “Reading Marco Santagata’s fascinating new biography, the reader is soon forced to acknowledge that one of the cornerstones of Western literature [The Divine Comedy], a poem considered sublime and universal, is the product of vicious factionalism and packed with local scandal.” —Tim Parks, London Review of Books “This is a wonderful book. Even if you have not read Dante you will be gripped by its account of one of the most extraordinary figures in the history of literature, and one of the most dramatic periods of European history. If you are a Dantean, it will be your invaluable companion forever.” —A. N. Wilson, The Spectator
Offers an extremely bold, far-reaching, and unsuspected thesis in the history of philosophy: Aristotelianism was a dominant movement of the British philosophical landscape, especially in the field of logic, and it had a long survival. British Aristotelian doctrines were strongly empiricist in nature, both in the theory of knowledge and in scientific method; this character marked and influenced further developments in British philosophy at the end of the century, and eventually gave rise to what we now call British empiricism, which is represented by philosophers such as John Locke, George Berkeley and David Hume. Beyond the apparent and explicit criticism of the old Scholastic and Aristotelian philosophy, which has been very well recognized by the scholarship in the twentieth century and which has contributed to the false notion that early modern philosophy emerged as a reaction to Aristotelianism, the present research examines the continuity, the original developments and the impact of Aristotelian doctrines and terminology in logic and epistemology as the background for the rise of empiricism.Without the Aristotelian tradition, without its doctrines, and without its conceptual elaborations, British empiricism would never have been born. The book emphasizes that philosophy is not defined only by the ‘great names’, but also by minor authors, who determine the intellectual milieu from which the canonical names emerge. It considers every single published work of logic between the middle of the sixteenth and the end of the seventeenth century, being acquainted with a number of surviving manuscripts and being well-informed about the best existing scholarship in the field.
This Guide has resulted from years of research on the papers and music of Giacomo Meyerbeer, and aims to provide a bibliographical aid and point of reference for further research. The first part presents the private papers connected to the composer and his principal librettist, Eugène Scribe—both archival and printed, with working papers and correspondence, as found in Berlin, Paris and some of the famous libraries of the world. The body of Part 2 draws together all the known resources on Meyerbeer's life and historical reputation—from full scale biographies and entries in reference books, through critical discussions to website resources to records of symposia. The third part provides material about his background with its unique mixture of Jewish and Prussian elements, the powerful role of the city of Berlin in his life and work. The fourth part lists bibliographic material for Meyerbeer's music, looking at his operas, grouped as German, Italian and French, with each individual entry providing a record of the scores available, both modern and historical, the various arrangements made from the operas during the heyday of their popularity, reviews of modern performances, discography, and bibliography of studies and publications pertinent to the wider cultural and historical contexts of the works. The next two sections constitute an extended record of material pertinent to the contemporaries of Meyerbeer. In the fifth section are select bibliographies of composers, authors, artists, performers, politicians, those who played some part in the composer's life, or anyone of significance in his wider contemporary circumstances. This is continued in the sixth part where the cultural and aesthetic elements of the composer's milieu, or life in the theatre during seventy years of the nineteenth century, are listed. The seventh part adds a bibliography of social and historical background, where the incidental issues of Judaism in nineteenth-century Europe, and the wider political, historical and geographical circumstances of Meyerbeer's life, his relentless travelling, and closely recorded experiences in Germany, France, Italy, Belgium, England, and Austria. The eighth section provides a thematic key to this extensive material. Part 9 provides an extended tripartite series of lists of the published scores, arrangements and some special studies of Meyerbeer over the period 1820 to 2005—in alphabetical, chronological and thematic ordering. The last two sections furnish the modern equivalent of this record of Meyerbeer and his compositions, showing in Part 11 the list of performances of his operas since the Second World War, and in Part 12, listing the recordings of the operas, both commercial and private, for the same period. The thirteenth and last section is iconographical, pictures that represent an interesting survey of the popular response to Meyerbeer in the 19th century.
From the chilling threats of the "ISIS vampire" to the view of al-Qaeda as the "Frankenstein the CIA created," terrorism seems to be inextricably bound with monstrosity. But why do the media and government officials often portray terrorists as monsters? And perhaps more puzzling, why do terrorists sometimes want to be perceived as such? This book, the first of its kind, examines the use of archetypal metaphors of monstrosity in relation to terrorism, from the gorgons of Robespierre's "reign of terror" to the dragons and lycanthropes of anarchism, the beasts and blood-licking demons of ethnonational terrorism, and the hydras and Frankenstein's monsters of Islamic jihadism. Marco Pinfari argues that politicians frame terrorists as unmanageable monsters not only in an effort at cultural "othering" and dehumanization, but also to secure popular backing for rule-breaking behavior in counter-terrorism. The book also explores the way that terrorists themselves impersonate monsters, showing that several groups have pursued such a tactic throughout the history of terrorism. It contributes to a number of ongoing public debates by highlighting how, even when actors like the Islamic State present themselves as mad and irrational, their tactics remain in essence rational. Pinfari also provides an original historical outlook on the roots of monster metaphors and discusses several types of terrorism, including state terrorism, left-wing terrorism, anarchism, ethnonationalist terrorism, and white supremacist groups. In unpacking the functions played by monster metaphors and by their impersonation, Terrorists as Monsters helps the reader understand the political processes that hide behind the fangs.
This is the first comprehensive history of conscription and the military in Italy from the Restoration to the eve of WWI. The comparative and transnational approach enables this work to compare and contrast the Italian experience with that of many other countries in the world as well as understand transfers and the adaptive and imitative processes that emerge when conscription and the military are viewed from an Italian perspective. Peacetime and wartime recruitment, military life, culture, justice and civil-military relationships are analysed using a wide range of sources and an interdisciplinary approach that combines top-down and bottom-up perspectives. This enables the book not only to assess the contribution the military has made to the country in terms of state-building, nation building, modernization, pedagogical and disciplinary models, gender identity and roles, but also to reconsider the standard taxonomies as well as some established evolutionary models of the armies. Moreover, the Italian military is seen as an internally complex world that is incapable of defining its own one-dimensional identity or of imposing any such identity on its members. Consequently, it is an element in the history of a country that is substantially the same as any other such element and thus important in people’s collective and individual lives whether or not they are in uniform. Rather than being an object of study in and of itself, the military becomes a vantage point from which to observe the Italian history in the long 19th century. Therefore, this book can be profitably read by professional military historians and non-specialist readers interested in the military, as well as by all scholars working on Italian pre- and post-unification political, institutional, socio-economic, cultural and gender history.
Sustainability Ethics is a comprehensive exploration of the ethical dimensions of sustainability. The book delves into the complex relationships between ethics and sustainable development, examining the role of ethics in promoting a better world for all. The lens of sustainability ethics considers the interdependence of environmental, social, and economic factors. This provides a holistic understanding of the subject matter. Issues covered include the interconnectedness of people's rights, planetary wellbeing, prosperity, responsibility, and service to future generations; protecting sustainable human security, preserving biodiversity and nature rights; welcoming forced migrants and climate refugees, promoting labor and children's rights, advocating for human and indigenous rights, and fostering the inclusion of women and LGBTQI+ rights. The author concludes by synthesizing the various themes, and offers insights for ethical discernments and sustainable ethical decision making, and for building a better world for everyone. Throughout the book, readers will find references to relevant literature, providing a solid foundation for further exploration of sustainability ethics. The audience for this important book includes academics, researchers, students, policymakers, and practitioners in the fields of sustainability, environmental ethics, and social justice, and for anyone interested in understanding the ethical dimensions of sustainability, and exploring practical solutions to create a more just, inclusive, and sustainable world.
This anthology of some 60 excerpts offers a comprehensive overview from across Machiavelli's work of his ideas on international relations. It includes an introductory chapter framing the volume and accompanying illustrative material to situate Machiavelli's work within the complex political events of his time.
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
This book explores social cohesion in rural settlements in western Europe from 700–1050, asking to what extent settlements, or districts, constituted units of social organisation. It focuses on the interactions, interconnections and networks of people who lived side by side – neighbours. Drawing evidence from most of the current western European countries, the book plots and interrogates the very different practices of this wide range of regions in a systematically comparative framework. It considers the variety of local responses to the supra-local agents of landlords and rulers and the impact, such as it was, of those agents on the small-scale residential group. It also assesses the impact on local societies of the values, instructions and demands of the wider literate world of Christianity, as delivered by local priests.
Aleister Crowley (1875-1947) is one of the most famous and significant authors in the history of western esotericism. Crowley has been long ignored by scholars of religion whilst the stories of magical and sexual practice which circulate about him continue to attract popular interest. "Aleister Crowley and the Temptation of Politics" looks at the man behind the myth - by setting him firmly within the politics of his time - and the development of his ideas through his extensive and extraordinarily varied writings. Crowley was a rationalist, sympathetic to the values of the Enlightenment, but also a romantic and a reactionary. His search for an alternative way to express his religious feelings led him to elaborate his own vision of social and political change. Crowley's complex politics led to his involvement with many key individuals, organisations and groups of his day - the secret service of various countries, the German Nazi party, Russian political activists, journalists and politicians of various persuasions, as well as other writers - both in Europe and America. "Aleister Crowley and the Temptation of Politics" presents a life of ideas, an examination of a man shaped by and shaping the politics of his times.
S-PLUS programs for the forward search are available on a Web site." "This book is a companion to Atkinson and Riani's Robust Diagnostic Regression Analysis, of which the reviewer for The Journal of the Royal Statistical Society wrote, "I read this book, compulsive reading such as it was, in three sittings.""--Jacket.
This book aims to elucidate the current state of surgery for meningiomas of the posterior cranial fossa, seven decades after Professors Castellano and Ruggiero authored their book in 1953. The diagnosis and surgical treatment of these lesions posed an extraordinary challenge 70 years ago. In the words and descriptions of the 71 cases operated on by Olivecrona, each of us can still sense the emotion of someone venturing into unexplored terrain, striving to pave the way for those who would follow. Since 1953, thousands of meningiomas of the posterior cranial fossa have undergone surgery in Europe and around the world. This implies that many have traversed the path forged by Olivecrona in Europe and Cushing in the USA. While the road is now well-defined, our task today is to make this journey increasingly accessible. We must lay more stones on this path, illuminate it with lights, ensuring that no one loses their way. We cannot predict what the little path marked by Olivecrona and Erik Lindgren will become in another 70 years, but we hope for it to transform into a grand thoroughfare. A route that all neurosurgeons can navigate without losing their way, leading effortlessly and joyously to the singular goal we have always pursued: the health of our patients.
Two italian authors of the 16th century interpret the symbolism of the tarot deck. These texts are translated here for the first time. Deux auteurs italiens du 16e siècle interprètent le symbolisme du jeu de tarot. Ces textes sont ici traduits en anglais pour la première fois.
An examination of the influential Italian architectural historian Manfredo Tafuri's historical construction of contemporary architecture. The influential Italian architectural historian Manfredo Tafuri (1935–1994) invoked the productive possibilities of crisis, writing that history is a "project of crisis" (progetto di crisi). In this entry in the Writing Architecture series, Marco Biraghi explores Tafuri's multifaceted and often knotty oeuvre, using the historian's concept of a project of crisis as a lens through which to examine his historical construction of contemporary architecture. Mindful of Tafuri's statement that there is no such thing as criticism, only history, Biraghi carefully maps the influences on Tafuri's writing—Walter Benjamin, Karl Krauss, Massimo Cacciari, and the architect Ludovico Quaroni, among others—in order to create a portrait of one of the most complex minds in twentieth-century architecture and architectural history. Tracing an arc from Tafuri's first articles in the magazine Contropiano to the idea of contradiction at the center of the project of crisis, Biraghi cites Tafuri's writing on some of his contemporaries, including Louis Kahn, Le Corbusier, Robert Venturi, Aldo Rossi, and the "Five Architects" (Peter Eisenman, Michael Graves, Charles Gwathmey, John Hejduk, and Richard Meier). Tafuri's historical construction of the contemporary, Biraghi explains, is based on the idea that the past is open, providing the present with ever-changing and indeterminate form. There is no contradiction between Tafuri the historian and Tafuri the contemporary critic, only the greatest possible integration. The importance of Tafuri's interpretation of architecture goes beyond mere academic or historiographic interest, Biraghi argues; Tafuri's notion of the project of crisis is fundamentally important in understanding our present-day architectural condition
Louis I. Kahn was one of the most influential architects, thinkers and teachers of his time. This book examines the important relationship between his work and the city of Rome, whose ancient ruins inspired in him a new design methodology. Structured into two main parts, the first includes personal essays and contributions from the architect’s children, writers and other designers on the experience and impact of his work. The second part takes a detailed look at Kahn’s residency in Rome, its effects on his thinking, and how his influence spread throughout Italy. It analyses themes directly linked to his architecture, through interviews with teachers and designers such as Franco Purini, Paolo Portoghesi, Giorgio Ciucci, Lucio Valerio Barbera and the architects of the Rome Group of Architects and City Planners (GRAU). Rome and the Legacy of Louis I. Kahn expands the current discourse on this celebrated twentieth-century architect, ideal for students and researchers interested in Kahn’s work, architectural history, theory and criticism.
In L'italiano si impara in due students work in pairs. The situations and contexts are typical of Italian society, combining topics of interest to contemporary Italian youth with traditional elements of Italian culture.
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