Through the tools of economics, Annunziata's vivid and gripping book shows how the global financial crisis was caused by a failure of leadership and common sense in which we all played a role. The insights of this clear and compelling analysis are essential for learning the right lessons from the crisis, and seeing new threats around the corner.
Through the tools of economics, Annunziata's vivid and gripping book shows how the global financial crisis was caused by a failure of leadership and common sense in which we all played a role. The insights of this clear and compelling analysis are essential for learning the right lessons from the crisis, and seeing new threats around the corner.
Finance, Law, and the Courts offers a comprehensive legal treatment of finance's regulatory sources and complex problems. Drawing from European and US case law, the book demonstrates that law and the courts provide finance with the certainty it needs to operate and the elasticity it needs to evolve.
An Italian immigrant who arrived in Canada in 1958, Marco Micone writes bold plays that explore ethnic identity and define immigrant life in Canada. His first play, Voiceless People, portrays the exploitation of first-generation Italian immigrants, while Addolorata focuses more deeply on the role of authority in father/daughter and husband/wife relationships in the second generation. Through the theatrical device of a Brechtian narrator, the audience sees the expectations for material gain that are held so firmly within the Italian community tragically upset by low pay for hard labor. The presentation of Micone's work in English offers important lessons about a struggling community of immigrants.
This monograph provides a comprehensive analysis of corporate opportunities doctrines from a comparative perspective. It looks at both common law and civil law rules and relies to a large extent on a law and economics approach. This book broadens the conventional view on corporate opportunities, a vital step in light of the adoption of corporate opportunities rules in civil law jurisdictions and in light of investors' ever-changing strategies. This approach considers institutional complementarities and especially industrial complementarities. The book thus explores several jurisdictions and their economic and industrial environments, whilst also assessing the impact of globalisation onto legal reform. Furthermore, it analyses the problems related to the application of corporate opportunities rules to cross-border venture capital. In normative terms, the book advances one main stance, articulated in three points: first, it proposes different sanctions for undisclosed and disclosed misappropriations, supporting the core idea that sanctions should be set against disclosure and not authorisation. Secondly, it advances the idea that sanctions against undisclosed misappropriations should be more severe than the ones presently applied. Thirdly, it considers the possibility of a more flexible treatment of disclosed misappropriations. This study is positioned at the intersection of several fields, providing a lens into a much broader range of dynamics that will be of interest to a varied international readership, and offering a window into the broader institutional dynamics at work in centres of innovation (eg Silicon Valley and industrial districts in other jurisdictions). It is rooted in law and economics, but the emphasis is placed on how corporate opportunities rules fit within a broader set of institutional dynamics that affect innovation, industrial efficiency, and economic competitiveness.
A Times Literary Supplement Book of the Year A Marginal Revolution Best Non-Fiction Book of the Year A Seminary Co-op Notable Book of the Year A Times Higher Education Book of the Week A Choice Outstanding Academic Title of the Year Marco Santagata’s Dante: The Story of His Life illuminates one of the world’s supreme poets from many angles—writer, philosopher, father, courtier, political partisan. Santagata brings together a vast body of Italian scholarship on Dante’s medieval world, untangles a complex web of family and political relationships for English readers, and shows how the composition of the Commedia was influenced by local and regional politics. “Reading Marco Santagata’s fascinating new biography, the reader is soon forced to acknowledge that one of the cornerstones of Western literature [The Divine Comedy], a poem considered sublime and universal, is the product of vicious factionalism and packed with local scandal.” —Tim Parks, London Review of Books “This is a wonderful book. Even if you have not read Dante you will be gripped by its account of one of the most extraordinary figures in the history of literature, and one of the most dramatic periods of European history. If you are a Dantean, it will be your invaluable companion forever.” —A. N. Wilson, The Spectator
This book explores the relationship between the sciences of representation and the strategy of landscape valorisation. The topic is connected to the theme of the image of the city, which is extended to the territory scale and applied to case studies in Italy’s Umbria region, where the goal is to strike a dynamic balance between cultural heritage and nature. The studies demonstrate how landscape represents an interpretive process of finding meaning, a product of the relationships between mankind and the places in which it lives. The work proceeds from the assumption that it is possible to describe these connections between environment, territory and landscape by applying the Vitruvian triad, composed of Firmitas (solidity), Utilitas (utility) and Venustas(beauty). The environment, the sum of the conditions that influence all life, represents the place’s solidity, because it guarantees its survival. In turn, territory is connected to utility, and through its etymological meaning is linked to possession, to a domain; while landscape, as an “area perceived by people”, expresses the search for beauty in a given place, the process of critically interpreting a vision.
This book advances the understanding and modelling of sensemaking and cultural processes as being crucial to the scientific study of contemporary complex societies. It outlines a dynamic, processual conception of culture and a general view of the role of cultural dynamics in policy-making, drawing three significant methodological implications: pluralism, performativity, and semiotic capital. It focuses on the theoretical and methodological aspects of the analysis of culture and its dynamics that could be applied to the developing of policymaking and, in general, to the understanding of social phenomena. It draws from the experience and data of a large-scale project, RECRIRE, funded by the H2020 program that mapped the symbolic universes across Europe after the economic crisis. It further develops the relationship between culture and policy-making discussed in two previous volumes in this series, and constitutes the ideal third and final element of this trilogy. The book is a useful tool for academics involved in studying cultural dynamics and for policy-oriented researchers and decision-makers attentive to the cultural dimensions of the design, implementation and reception of public policies.
Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style."--Page 4 of cover.
This book introduces the Topological Weighed Centroid approach and describes some applications in the study of the dynamics of various spatial phenomena with a special emphasis on the spatial analysis of the relationship, influence, and dynamics of geographical phenomena. Offering a comprehensive introduction to the theory and illustrative examples from various kinds of geographical data, this book also takes an in-depth look at more complex case studies, such as the applications of the topological weighed centroid approach in the study of epidemic patterns, cultural processes, criminality, and environmental phenomena.
Humans may live in the Anthropocene, but this does not affect all in the same way. How would the Anthropocene look if, instead of searching its traces in the geosphere, researchers would look for them in the organosphere, in the ecologies of humans in their entanglements with the environment? Looking at this embodied stratigraphy of power and toxicity, more than the Anthropocene, we will discover the Wasteocene. The imposition of wasting relationships on subaltern human and more-than-human communities implies the construction of toxic ecologies made of contaminating substances and narratives. While official accounts have systematically erased any trace of those wasting relationships, another kind of narrative has been written in flesh, blood, and cells. Traveling between Naples (Italy) and Agbogbloshie (Ghana), science fiction and epidemic outbreaks, this Element will take the readers into the bowels of the Wasteocene, but it will also indicate the commoning practices which are dismantling it.
An era of exuberant creativity is the focus of this magnificently illustrated, competitively priced new art book. Baroque art was characterized by unbridled emotion, intricate decorative flourishes, and a dramatic use of light, reaching its summit in works such as Bernini’s magnificent altarpiece, The Ecstasy of St. Theresa. Over time, this robust genre evolved into the more ornate and sensuously playful Rococo, a style epitomized by the opulent paintings of Watteau. This beautifully produced exploration of both movements guides the reader through more than a century of art history--exploring the lives and works of sculptors such as Bernini, painters such as Watteau, Boucher, Rubens, and Hogarth, and architects such as Christopher Wren.
In recent years, technology has emerged as a disruptive force in the economy and finance, leading to the establishment of new economic and financial paradigms. Focusing on blockchain technology and its implementations in finance, Technology in Financial Markets proposes a novel theoretical approach to disruption. Relying on complexity science, it develops a dynamic perspective on the study of disruptive phenomena and their relationship to financial regulation and the law. It identifies the intrinsic interconnections characterizing the "multidimensional" technology-driven transformations, involving commercial practices, capital markets, corporate-governance, central banking, and financial networks. From this perspective, it considers the way they are reflected at the level of contract law, financial law, corporate law, central banking law. The book adopts a unique comparative approach and explains and clarifies the factual and historical dimensions underlying the emergence of the crypto-economy. In this book blockchain is used as a case study. Blockchain exemplifies the way each subpart of the financial system - commercial practices, financial markets, corporations, central banking, networks - and consequently each subcategory of financial regulation evolves on an individual basis. It shows how such subparts evolve altogether bringing systemic transformations, and ultimately leading to the creation of new economic and financial paradigms. The book considers both these perspectives, analysing the evolution of each subpart and emphasizing the interconnected transformations. In doing this, it adopts the structure of an ascending climax, starting from contracts, and escalating to increasingly broad dimensions, in particular capital markets, corporate governance, central banking, and financial networks.
Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
This book investigates policies for the promotion of housing affordability in the rental sector of attractive cities in Europe. Affordability links the housing situation to the economic situation of households, referring to conditions of access to housing and to the role of housing in determining poverty or wealth. The book examines the current affordability crisis and frames it in the ongoing process of urban restructuring and devolution of welfare. From the perspective of the Foundational Economy, the book calls for a proactive and effective role of public administrations in making the rental sector an affordable and stable alternative to housing financialization and commodification. By intertwining theory construction and real-world data collected through case studies in Milan and Vienna, the book provides an original framework for the analysis of public policies that promote rental affordability in a multi-level setting. Through the analysis, it highlights critical nodes of the different (housing, urban, and social) policy domains at stake in the promotion of rental affordability in attractive cities. The book proposes a shift from the currently dominant supply-side argument to an integrated, intersectoral and multi-scalar policy system for making cities more affordable.
This ground-breaking book offers a deep and original analysis of the Mafia – in particular Cosa Nostra – as a distinct form of politics. Marco Santoro breaks with criminal and economic approaches which see the Mafia as an industry of private protection and rationally calculating wealth accumulation. Instead he argues that it represents an alternative way of organizing political relations, the exercise of power, and the struggle for prestige. Nor is this a distortion or failure of the modern Western state, based on the rule of law: the Mafia is best understood as an older, alternative tradition of politics, a distinctly Southern institutional arrangement of social life focused on personal ties and obligations. Today, the Mafia still thrives among subaltern classes and in regions that the modern state has not yet incorporated, as a conservative counter-politics of prestige. Pivotal to understanding this world is a cultural sociology of the Mafia, offering the tools and concepts necessary to penetrate the symbolism and structures of Mafia life. Blending diverse theoretical strands with folk sources and the voices of Mafiosi themselves, Santoro develops a political theory of the Mafia, shedding new light on this captivating, global, and remarkably resilient phenomenon.
Florence, 1966. The rain is never-ending. When a young boy vanishes on his way home from school the police fear the worst, and Inspector Bordelli begins an increasingly desperate investigation.Then the flood hits. During the night of November 4th, the swollen River Arno, already lapping the arches of the Ponte Vecchio, breaks its banks and overwhelms the city. Streets become rushing torrents, the force of the water sweeping away cars and trees, doors, shutters and anything else in its wake.In the aftermath of this unimaginable tragedy the mystery of the child's disappearance seems destined to go unsolved. But obstinate as ever, Bordelli is not prepared to give up.
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