Marcie was desperate to find out what was wrong with her. The constant depression with antidepressants and tranquilizers since the age of twelve; too many suicide attempts to count; migraines that caused her to hit her head against the wall; lost time she could not remember; and numerous psychiatrists, but no answers. There had to be an answer. Almost by accident she starts seeing a Christian psychologist who wants to find the answer too. Her feeling of losing control; her rapid mood swings; her nightmares about a closet door; these all led to an unexpected discovery. A poem she wrote in therapy led them to believe that her inner child was hiding in a closet. But why? A dream revealed a closet full of children that she was hiding. Twenty-seven of them to be exact. Who were they? What did this mean? More therapy revealed that they were all parts of her. Alternate personalities that had lived through: the sexual abuse as a child by her father and others, the rejection by her mother, who blamed her - a three year old; the horrifying rituals of a satanic cult; the torture she endured from them; the rapes, even by a religious clergyman. It all spelled out Multiple Personality Disorder. She had dissociated and alters were created to live through the horror and terror of her childhood. She would have to relive these memories that they had been keeping. Only through the help of God, and the caring therapists, was she able to live through the eleven years of therapy. Interesting and suspenseful as the discoveries are made and inspirational as God puts the pieces back together to make one whole person.
Marcie was desperate to find out what was wrong with her. The constant depression with antidepressants and tranquilizers since the age of twelve; too many suicide attempts to count; migraines that caused her to hit her head against the wall; lost time she could not remember; and numerous psychiatrists, but no answers. There had to be an answer. Almost by accident she starts seeing a Christian psychologist who wants to find the answer too. Her feeling of losing control; her rapid mood swings; her nightmares about a closet door; these all led to an unexpected discovery. A poem she wrote in therapy led them to believe that her inner child was hiding in a closet. But why? A dream revealed a closet full of children that she was hiding. Twenty-seven of them to be exact. Who were they? What did this mean? More therapy revealed that they were all parts of her. Alternate personalities that had lived through: the sexual abuse as a child by her father and others, the rejection by her mother, who blamed her - a three year old; the horrifying rituals of a satanic cult; the torture she endured from them; the rapes, even by a religious clergyman. It all spelled out Multiple Personality Disorder. She had dissociated and alters were created to live through the horror and terror of her childhood. She would have to relive these memories that they had been keeping. Only through the help of God, and the caring therapists, was she able to live through the eleven years of therapy. Interesting and suspenseful as the discoveries are made and inspirational as God puts the pieces back together to make one whole person.
In Gender, Theatre and the Origins of Criticism, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity.
In Interest Group Design, Marcie L. Reynolds examines the evolution of Common Cause, the first national government reform lobby. Founded in 1970 by John W. Gardner, the organization gained influence with Congress and established an organizational culture that lasted several decades. External and internal environmental changes led to mounting crises, and by 2000, Common Cause’s survival was in question. Yet fifteen years later, Common Cause is a renewed organization, with evidence of revival across the U.S. Empirical evidence suggests how Common Cause changed its interest group design but kept its identity in order to survive. Utilizing a mixed-methods approach to frame and analyze the history of Common Cause, Reynolds provides a lens for studying how key aspects of the U.S. political system—interest groups, collective action, lobbying, and representation—work as environments change. She extends work by previous scholars Andrew S. McFarland (1984) and Lawrence Rothenberg (1992), creating a sequence of analytical research about one interest group spanning almost fifty years, a unique contribution to political science. This thoroughly researched and comprehensive book will be of great interest to those who study political participation and organizational change.
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