We are surrounded with portraits: from the cipher-like portrait of a president on a bank note to security pass photos; from images of politicians in the media to Facebook; from galleries exhibiting Titian or Leonardo to contemporary art deploying the self-image, as with Jeff Koons or Cindy Sherman. In antiquity portraiture was of major importance in the exercise of power. Today it remains not only a part of everyday life, but also a crucial way for artists to define themselves in relation to their environment and their contemporaries. In Portrayal and the Search for Identity, Marcia Pointon investigates how we view and understand portraiture as a genre and how portraits function as artworks within social and political networks. Likeness is never a straightforward matter, as we rarely have the subject of a portrait as a point of comparison. Featuring familiar canonical works and little-known portraits, Portrayal seeks to unsettle notions of portraiture as an art of convention, a reassuring reflection of social realities. Pointon invites readers to consider how identity is produced pictorially and where likeness is registered apart from in a face. In exploring these issues, she addresses wide-ranging problems such as the construction of masculinity in dress, representations of slaves, and self-portraiture in relation to mortality.
This fully revised edition of the History of Art: A Student's Handbook introduces students to the kinds of practices, challenges, questions and writings they will encounter in studying the history of art. Marcia Pointon conveys the excitement of Art History as a multi-faceted discipline addressing all aspects of the study of media, communication and representation. She describes and analyses different methods and approaches to the discipline, explaining their history and their effects on the day-to-day learning process. She also discusses the relationship of Art History to related disciplines including film, literature, design history and anthropology. The fifth edition of this classic text includes: • information on why Art History is important and relevant in today’s world guidance on choosing a degree course case studies of careers pursued by Art History graduates advice on study skills and reading methods a bibliography and further reading detailed up to date advice on electronic resources and links to essential websites History of Art covers academic, training and vocational aspects of Art History, providing a wealth of information on the characteristics of courses available and on the relationship between Art History and the world of museums and heritage.
This handsomely illustrated book discusses portraiture as a cultural and political phenomenon in eighteenth-century England. Marcia Pointon offers detailed historical analyses of portraits by Gainsborough, Reynolds, Hogarth, and others, showing how portraiture of the period provided mechanisms for constructing and accessing a national past and for controlling a present that appeared increasingly unruly.
History of Art covers training and vocational aspects of Art History, providing a wealth of information on the different kinds of courses available on the relationship between, for example, museum and gallery work and academic Art History.
In this unusual and original study, Marcia Pointon examines the cultural effects and consequences of the participation by women in acts of representation in the late seventeenth and eighteenth centuries. She explores their lives and work, and a cultural environment in which images of female saints and goddesses established indices of femininity in the homes of wealthy men. Did the women portrayed also possess artifacts, and did they use the power of gifts and bequests to determine social relations? Did they themselves participate in the processes of creating images of the seen world? Pointon sets out to answer some of these questions through a series of novel and vividly recounted case studies of women such as Emma Hamilton (wife and mistress), Mary Moser, the artist, and Dorothy Richardson, the antiquarian.
This completely revised and updated edition of Marcia Pointon's guide introduces school and undergraduate students to the kinds of practices, challenges and questions that they will encounter in studying the history of art. Marcia Pointon vividly conveys the excitement of art history as a multi-faceted discipline addressing all aspects of the study of media, communication and representation. She describes and analyzes different methods and approaches to the discipline - structuralism, post-structuralism, Marxism, psychoanalysis - explaining the history of these differences and their effects of the day-today learning process. She also discusses the relationship of art history to related disciplines including film, literature, design history and anthropology. The handbook covers training and vocational aspects of art history, providing a wealth of information on the different kinds of courses available and on the relationship between museum and gallery work and academic art history. The third edition includes: discussion of recent debates and the new art history; and a guide to careers in art history.
The king of stones, valued since antiquity for their unrivalled hardness, diamonds today are both desired and deplored. Once faceted and polished they glitter on the fingers of brides-to-be and in the ornaments of the super-rich, but their extraction from some of the world’s poorest countries remains contentious. Immensely valuable for their size, diamonds can be easily hidden and transported, making them perfect contraband. Diamonds have been widely used in industry since the nineteenth century and have long been valued for their pharmaceutical and prophylactic properties. This entertaining and richly illustrated book examines the history of the diamond trade through the centuries from India and Brazil to South Africa and Europe and investigates what happens to diamonds once they reach the cutters and polishers. Marcia Pointon takes the reader on a unique tour of the ways in which the quadrahedron diamond shape has inspired design, architecture, and painting, from the symbolism of medieval manuscripts to modern-day graffiti. She questions the etiquette of engagement rings, and she reminds us why and how lost, stolen, or cursed diamonds create suspense in so many classic novels and films. This compelling and fascinating account of the history of sparklers around the world will appeal to all who covet, as well as all who despise, the unparalleled brilliance and glitter of the diamond.
The human body, and in recent times particularly the female body, is central to western painting. Images such as Delacroix's Liberty on the Barricades and Manet's Le Dejeuner sur l'Herbe are so well known that the question of how the gendered body functions in them is often overlooked. In this detailed feminist art-historical study of the body in general and the nude in particular, Marcia Pointon explores the narrative structures of a series of major European and American paintings and other images, mapping her interpretations on the historiography of nineteenth-century painting and employing an innovative theoretical methodology to demonstrate how the visual representation of gendered bodies works to articulate power relations that are to be understood in terms of the symbolic and the psychic as part of the historical.
History of Art covers training and vocational aspects of Art History, providing a wealth of information on the different kinds of courses available on the relationship between, for example, museum and gallery work and academic Art History.
The king of stones, valued since antiquity for their unrivalled hardness, diamonds today are both desired and deplored. Once faceted and polished they glitter on the fingers of brides-to-be and in the ornaments of the super-rich, but their extraction from some of the world’s poorest countries remains contentious. Immensely valuable for their size, diamonds can be easily hidden and transported, making them perfect contraband. Diamonds have been widely used in industry since the nineteenth century and have long been valued for their pharmaceutical and prophylactic properties. This entertaining and richly illustrated book examines the history of the diamond trade through the centuries from India and Brazil to South Africa and Europe and investigates what happens to diamonds once they reach the cutters and polishers. Marcia Pointon takes the reader on a unique tour of the ways in which the quadrahedron diamond shape has inspired design, architecture, and painting, from the symbolism of medieval manuscripts to modern-day graffiti. She questions the etiquette of engagement rings, and she reminds us why and how lost, stolen, or cursed diamonds create suspense in so many classic novels and films. This compelling and fascinating account of the history of sparklers around the world will appeal to all who covet, as well as all who despise, the unparalleled brilliance and glitter of the diamond.
History of Art covers training and vocational aspects of Art History, providing a wealth of information on the different kinds of courses available on the relationship between, for example, museum and gallery work and academic Art History.
We are surrounded with portraits: from the cipher-like portrait of a president on a bank note to security pass photos; from images of politicians in the media to Facebook; from galleries exhibiting Titian or Leonardo to contemporary art deploying the self-image, as with Jeff Koons or Cindy Sherman. In antiquity portraiture was of major importance in the exercise of power. Today it remains not only a part of everyday life, but also a crucial way for artists to define themselves in relation to their environment and their contemporaries. In Portrayal and the Search for Identity, Marcia Pointon investigates how we view and understand portraiture as a genre and how portraits function as artworks within social and political networks. Likeness is never a straightforward matter, as we rarely have the subject of a portrait as a point of comparison. Featuring familiar canonical works and little-known portraits, Portrayal seeks to unsettle notions of portraiture as an art of convention, a reassuring reflection of social realities. Pointon invites readers to consider how identity is produced pictorially and where likeness is registered apart from in a face. In exploring these issues, she addresses wide-ranging problems such as the construction of masculinity in dress, representations of slaves, and self-portraiture in relation to mortality.
In this unusual and original study, Marcia Pointon examines the cultural effects and consequences of the participation by women in acts of representation in the late seventeenth and eighteenth centuries. She explores their lives and work, and a cultural environment in which images of female saints and goddesses established indices of femininity in the homes of wealthy men. Did the women portrayed also possess artifacts, and did they use the power of gifts and bequests to determine social relations? Did they themselves participate in the processes of creating images of the seen world? Pointon sets out to answer some of these questions through a series of novel and vividly recounted case studies of women such as Emma Hamilton (wife and mistress), Mary Moser, the artist, and Dorothy Richardson, the antiquarian.
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