Despite claims about the end of history and the death of cinema, visual media continue to contribute to our understanding of history and history-making. In this book, Marcia Landy argues that rethinking history and memory must take into account shifting conceptions of visual and aural technologies. With the assistance of thinkers such as Gilles Deleuze and Félix Guattari, Cinema and Counter-History examines writings and films that challenge prevailing notions of history in order to explore the philosophic, aesthetic, and political stakes of activating the past. Marshaling evidence across European, African, and Asian cinema, Landy engages in a counter-historical project that calls into question the certainty of visual representations and unmoors notions of a history firmly anchored in truth.
Examines the Italian popular cinema's preoccupation with theatricality in the 1930s and early 1940s, arguing that theatricality was a form of politics--a politics of style.
Italian Film examines the extraordinary cinematic tradition of Italy, from the silent era to the present. Analyzing film within the framework of Italy's historical, social, political, and cultural evolution during the twentieth century, Marcia Landy traces the construction of a coherent national cinema and its changes over time. Her study traces how social institutions--school, family, the Church--as well as Italian notions of masculinity and femininity are dealt with in cinema and how they are central to the conceptions (and misconceptions) of national identity.
In this unprecedented survey of British cinema from the 1930s to the New Wave of the 1960s, Marcia Landy explores how cinematic representation and social history converge. Landy focuses on the genre film, a product of British mass culture often dismissed by critics as "unrealistic," showing that in England such cinema subtly dramatized unresolved cultural conflicts and was, in fact, more popular than critics have claimed. Her discussion covers hundreds of works--including historical films, films of empire, war films, melodrama, comedy, science-fiction, horror, and social problem films--and reveals their relation to changing attitudes toward class, race, national identity, sexuality, and gender. Landy begins by describing the status and value of genre theory, then provides a history of British film production that illuminates the politics and personalities connected with the major studios. In vivid accounts of the films within each genre, she analyzes styles, codes, and conventions to show how the films negotiate history, fantasy, and lived experience. Throughout Landy creates a dynamic sense of genre and of how the genres shape, not merely reflect, cultural conflicts. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Through her study of the narrative themes and strategies of Italian commercial sound films of the fascist era, Marcia Landy shows that cultural life under fascism was not monopolized by official propaganda. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Each volume in the 'BFI Film Classics' series features a brief production history, detailed filmography, notes and bibliography. This text explores MGM's 1933 production of 'Queen Christina', starring Greta Garbo, from a feminist perspective. The authors explore the role of Christina, who, fleeing an arranged marriage, is forced to disguise herself as a man. They read the film partly from a lesbian perspective, as well as looking at other ways in which gender and power impose contradictory pressures.
In this unprecedented survey of British cinema from the 1930s to the New Wave of the 1960s, Marcia Landy explores how cinematic representation and social history converge. Landy focuses on the genre film, a product of British mass culture often dismissed by critics as "unrealistic," showing that in England such cinema subtly dramatized unresolved cultural conflicts and was, in fact, more popular than critics have claimed. Her discussion covers hundreds of works--including historical films, films of empire, war films, melodrama, comedy, science-fiction, horror, and social problem films--and reveals their relation to changing attitudes toward class, race, national identity, sexuality, and gender. Landy begins by describing the status and value of genre theory, then provides a history of British film production that illuminates the politics and personalities connected with the major studios. In vivid accounts of the films within each genre, she analyzes styles, codes, and conventions to show how the films negotiate history, fantasy, and lived experience. Throughout Landy creates a dynamic sense of genre and of how the genres shape, not merely reflect, cultural conflicts. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Each volume in the 'BFI Film Classics' series features a brief production history, detailed filmography, notes and bibliography. This text explores MGM's 1933 production of 'Queen Christina', starring Greta Garbo, from a feminist perspective. The authors explore the role of Christina, who, fleeing an arranged marriage, is forced to disguise herself as a man. They read the film partly from a lesbian perspective, as well as looking at other ways in which gender and power impose contradictory pressures.
Marcia Landy's The Folklore of Consensus examines the theatricality in the Italian popular cinema of the 1930s and early 1940s, arguing that theatricality was a form of politics—a politics of style. While film critics no longer regard the commercial films of the era as mere propaganda, they continue to regard the cinema under fascism as "escapist," diverting audiences from the harsh realities of life under fascism. The Folklore of Consensus problematizes the notion of "escapism," examining the complexity that redeems the films from frivolity and evasion. It shifts the focus from a preoccupation with cinema as the public and spectacular purveyor of "fascinating fascism" to a more immediate and intimate terrain that bears on formulations about the role of mass culture then and now.
This book is carefully designed to inform and train readers in the techniques of content-based ESL instruction and to assist them in developing and implementing content-based materials and programs appropriate to their educational institutions and situations. Every chapter presents a balance of theory and practice, focusing on a detailed description, with clear examples of classroom practices including information, suggestions, and instructional tools. Each chapter addresses assessment issues as they apply to the particular methodology described.
This book of interviews with Olympic track and field athletes highlights those whose lives have revealed courage, persistence and decency, both on and off the field. After their great careers ended, they went on to become authors, teachers, coaches, radio and television sports commentators, consultants, congressmen, actors, businessmen, military officers, social workers and ministers. Many continued in athletics long after their days as Olympians. The Olympic track and field athletes include Glenn Cunningham (middle distances), Lee Calhoun (high hurdles), Ken Doherty (decathlon), Dick Fosbury (high jump), Bruce Jenner (decathlon), Abel Kiviat (middle distances), Bob Mathias (decathlon), Al Oerter (discus throw), Bob Richards (pole vault), Wes Santee (middle distances), Jackson Scholz (sprints), Bill Toomey (decathlon), Forrest Towns (high hurdles), Craig Virgin (long distances), Archie Williams (long sprints), John Woodruff (middle distances), and Olympic coaches Payton Jordan and Berny Wagner. They talk about the influences in their lives that helped them develop their values, their first memories of competition and participation in their sport, their educational experiences, the problems they faced when they were active competitors, the problems athletes today face, and many other topics.
Cinematic Uses of the Past was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. From the first, cinema has sustained a romance with the past. The nature of this attachment, and what it reveals about our culture, is the subject of Marcia Landy's book. Cinematic Uses of the Past looks at British, American, Italian, and African films for what they can tell us about popular history and our cultural investment in certain images of the past. Landy peruses six different moments in the history of cinema, employing the theories of Nietzsche and Gramsci. Her reading of these films explores their investments in history and memory in relation to ideas of nation, sexuality, gender, and race. Among the films she discusses are A Fistful of Dynamite, The Scarlet Empress, Dance with a Stranger, Holocaust, Schindler's List, Le camp de Thiaroye, Guelwaar, The Leopard, and Veronika Voss. A thoroughly compelling reading of these emblematic films, Cinematic Uses of the Past is also a revealing interpretation of popular history, exposing the fragmentary, tentative, and invested nature of cultural memory. Marcia Landy is professor of literature and film studies at the University of Pittsburgh. She is the author of several books, including Film, Politics, and Gramsci (Minnesota, 1995).
Want to identify fiction books that boys in grades three through nine will find irresistible? This guide reveals dozens of worthwhile recommendations in categories ranging from adventure stories and sports novels to horror, humorous, and science fiction books. In Get Those Guys Reading!: Fiction and Series Books that Boys Will Love, authors Kathleen A. Baxter and Marcia A. Kochel provide compelling and current reading suggestions for younger boys—information that educators, librarians, and parents alike are desperate for. Comprising titles that are almost all well-reviewed in at least one major professional journal, or that are such big hits with kids that they've received the "stamp of approval" from the most important reviewers, this book will be invaluable to anyone whose goal is to help boys develop a healthy enthusiasm for reading. It includes chapters on adventure books; animal stories; graphic novels; historical fiction; humorous books; mystery, horror, and suspense titles; science fiction and fantasy; and sports novels. Within each chapter, the selections are further divided into books for younger readers (grades 3–6) and titles for older boys in grades 5–8. Elementary and middle school librarians and teachers, public librarians, Title One teachers, and parents of boys in grades 3–9 will all benefit greatly from having this book at hand.
Anthropological contributions to the study of infectious disease and to the study of actual infectious disease eradication programmes have rarely been collected in one volume. In the era of AIDS and the global resurgance of infectious diseases such as tuberculosis and malaria, there is widespread interest and concern about the cultural, ecological and political factors that are directly related to the increased prevalence of infectious disease. In this book, the authors have assembled the growing scholarship in one volume. Chapters explore the coevolution of genes and cultural traits; the cultural construction of 'disease' and how these models influence health-seeking behaviour; cultural adaptive strategies to infectious disease problems; the ways in which ethnography sheds light on epidemiological patterns of infectious disease; the practical and ethical dilemmas that anthropologists face by participating in infectious disease programmes; and the political ecology of infectious disease.
A deeply personal memoir that unearths a family history of racism, slaveholding, and trauma as well as love and sparks of delight Marcia Herman's family moved to Birmingham in 1946, when she was five years old, and settled in the steel-making city dense with smog and a rigid apartheid system. Marcia, a shy only child, struggled to fit in and understand this world, shadowed as it was by her mother's proud antebellum heritage. In 1966, weary of Alabama's toxic culture, Marcia and her young family left Birmingham and built a life in North Carolina. Later in life, Herman-Giddens resumed a search to find out what she did not know about her family history. Unloose My Heart interweaves the story of her youth and coming of age in Birmingham during the Civil Rights Movement together with this quest to understand exactly who and what her maternal ancestors were and her obligations as a white woman within a broader sense of American family. More than a memoir set against the backdrop of Jim Crow and the civil rights struggle, this is the work of a woman of conscience writing in the twenty-first century. Haunted by the past, Unloose My Heart is a journey of exploration and discovery, full of angst, sorrow, and yearning. Unearthing her forebears' centuries-long embrace of plantation slavery, Herman-Giddens dug deeply to parse the arrogance and cruelty necessary to be a slaveholder and the trauma and fear that ripple out in its wake. All this forced her to scrutinize the impact of this legacy in her life, as well as her debt to the enslaved people who suffered and were exploited at her ancestors' hands. But she also discovers lost connections, new cousins and friends, unexpected joys, and, eventually, a measure of peace in the process. With heartbreak, moments of grace, and an enduring sense of love, Unloose My Heart shines a light in the darkness and provides a model for a heartfelt reckoning with American history.
Parents around the world grapple with the common challenge of balancing work and child care. Despite common problems, the industrialized nations have developed dramatically different social and labor market policies—policies that vary widely in the level of support they provide for parents and the extent to which they encourage an equal division of labor between parents as they balance work and care. In Families That Work, Janet Gornick and Marcia Meyers take a close look at the work-family policies in the United States and abroad and call for a new and expanded role for the U.S. government in order to bring this country up to the standards taken for granted in many other Western nations. In many countries in Europe and in Canada, family leave policies grant parents paid time off to care for their young children, and labor market regulations go a long way toward ensuring that work does not overwhelm family obligations. In addition, early childhood education and care programs guarantee access to high-quality care for their children. In most of these countries, policies encourage gender equality by strengthening mothers' ties to employment and encouraging fathers to spend more time caregiving at home. In sharp contrast, Gornick and Meyers show how in the United States—an economy with high labor force participation among both fathers and mothers—parents are left to craft private solutions to the society-wide dilemma of "who will care for the children?" Parents—overwhelmingly mothers—must loosen their ties to the workplace to care for their children; workers are forced to negotiate with their employers, often unsuccessfully, for family leave and reduced work schedules; and parents must purchase care of dubious quality, at high prices, from consumer markets. By leaving child care solutions up to hard-pressed working parents, these private solutions exact a high price in terms of gender inequality in the workplace and at home, family stress and economic insecurity, and—not least—child well-being. Gornick and Meyers show that it is possible–based on the experiences of other countries—to enhance child well-being and to increase gender equality by promoting more extensive and egalitarian family leave, work-time, and child care policies. Families That Work demonstrates convincingly that the United States has much to learn from policies in Europe and in Canada, and that the often-repeated claim that the United States is simply "too different" to draw lessons from other countries is based largely on misperceptions about policies in other countries and about the possibility of policy expansion in the United States.
Miami was among Florida's last communities to develop a Jewish population. Since the late 1800s, the area that was once just a settlement of frontiersmen has grown to become the core of the nation's third-largest Jewish community. Jews were prominent in business when Miami was chartered in 1896 and began settling in Miami Beach as early as 1913. Though faced with hardship and public discrimination, the immigrant group continued to expand its presence. Images of America: Jews of Greater Miami contains photographs from family albums that are part of the archives of the Jewish Museum of Florida. Each historic photograph tells a story and documents the area's pioneer Jews, the diverse ways they contributed to the development of their community, and the doors they opened for the acceptance of all ethnicities.
Margery learned that fourteen cans of pork and beans, with two gallons of liquid chicken boullion, and two packs of weiners and a gallon of water and a pack of bacon could feed three thousand people in under ground New York. We have to take care of each other people.
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