EPDF and EPUB available Open Access under CC-BY-NC licence. Drawing from the EU-funded DomEQUAL research project across 9 countries in Europe, South America and Asia, this comparative study explores the conditions of domestic workers around the world and the campaigns they are conducting to improve their labour rights. The book showcases how domestic workers’ movements put ‘intersectionality in action’ in representing the interest of various marginalized social groups from migrants and low-income groups to racialized and rural girls and women. Casting light on issues such as subjectification, and collective organizing on the part of a category of workers conventionally regarded as unorganizable, this ambitious volume will be invaluable for scholars, policy makers and activists alike.
In today’s Europe, migrant domestic workers are indispensable in supporting many households which, without their employment, would lack sufficient domestic and care labour. Black Girls collects and explores the stories of some of the first among these workers. They are the Afro-Surinamese and the Eritrean women who in the 1960s and 70s migrated to the former colonising country, the Netherlands and Italy respectively, and there became domestic and care workers. Sabrina Marchetti analyses the narratives of some of these women in order to powerfully demonstrate how the legacies of the colonial past have been, at the same time, both their tool of resistance and the reason for their subordination.
Exploring the performance by immigrants of domestic and care work in European households, this book places the employer centre-stage, examining the role of the employer and his or her agents in securing the balance between work, family and welfare needs, as well as investigating both who the employers are and the nature of their relationships with migrant workers. With attention to the dynamics of inequality, as class, ethnicity and gender become intertwined in a location that is at once home and workplace, this volume is organised into sections that deal with the subjectivities of employers and their relationships with their employees in the home; the re-organisation of welfare and care arrangements at state level; and the wider area of migrant domestic and care work, with the transformation of the au pair scheme. Bringing together the latest empirical work from across Europe, Employers, Agencies and Immigration will appeal to social scientists with interests in migration, ethnic and class relations, immigrant labour and domestic work and the sociology of the family.
This open access short reader offers a systematic overview of the scholarly debate on the experiences of migrant domestic workers at a global level, in the past as well as in present time. It tackles the nexus between migration and domestic work with a multi-layered approach. The book looks into the issue of (paid) domestic work in migratory contexts by investigating the feminization of migration, thereby considering the larger framework within which this specific phenomenon takes place. The author explains notions such as the “international division of reproductive labor” or “global care chains” which emphasize the inequality in the way care and domestic tasks are distributed today between middle-class women in receiving nations and migrant domestic workers. Moreover, the book shows how women migrating to work in the domestic work and private care sector are facing a complex landscape of migration and labor regulations that are extremely difficult to navigate. At the same time, this issue also addresses employers’ households who cannot find appropriate or affordable care among declining welfare states and national workers reluctant to take the job, whilst legal regulations make difficult to hire a domestic worker who is a third country national. As such this book offers an interesting read to academics, policy makers and all those working in the field.
Citing China explores the role film plays in creating a common ground for the exchange of political and aesthetic ideas between China and the rest of the world. It does so by examining the depiction of China in contemporary film, looking at how global filmmakers “cite” China on screen. Author Gina Marchetti’s aim is not to point to how China continues to function as a metaphor or allusion that has little to do with the geopolitical actualities of contemporary China. Rather, she highlights China’s position within global film culture, examining how cinematic quotations link current films to past political movements and unresolved social issues in a continuing multidirectional conversation. Marchetti covers a wide range of cinematic encounters across the China-West divide. She looks closely at specific movements in world film history and at key films that have influenced the way “China” is depicted in global cinema today, from popular entertainment to international art cinema, the DV revolution, video activism, and the emergence of “festival films.” Marchetti first considers contemporary Chinese-language cinema (Edward Yang, Hou Hsiao-Hsien); she then turns to Italian Neorealism and its importance to the Chinese Sixth Generation (Jia Zhangke) and the French New Wave’s ripple effect on filmmakers associated with the Hong Kong New Wave and Taiwan New Cinema (Ann Hui, Evans Chan). As the People’s Republic of China has gained increased global economic clout, filmmakers draw on Euro-American formulae (Bruce Lee, Clara Law) to attract new viewers and define cinematic pleasures for new audiences on the other side of the earth. The book concludes with a consideration of the role film festivals, women filmmakers, and emerging audiences play in the new world of global cinema. Citing China offers a framework for examining cinematic influence as a dynamic and multidirectional process. It is carefully researched, theoretically sophisticated, and animated by detailed and historically nuanced studies of individual films, making clear just how much a part of global film culture today’s China is. The book makes important contributions to debates in transnational film studies, postmodern versus modernist aesthetics and politics, and Asian as well as European art cinema.
This open access short reader offers a systematic overview of the scholarly debate on the experiences of migrant domestic workers at a global level, in the past as well as in present time. It tackles the nexus between migration and domestic work with a multi-layered approach. The book looks into the issue of (paid) domestic work in migratory contexts by investigating the feminization of migration, thereby considering the larger framework within which this specific phenomenon takes place. The author explains notions such as the “international division of reproductive labor” or “global care chains” which emphasize the inequality in the way care and domestic tasks are distributed today between middle-class women in receiving nations and migrant domestic workers. Moreover, the book shows how women migrating to work in the domestic work and private care sector are facing a complex landscape of migration and labor regulations that are extremely difficult to navigate. At the same time, this issue also addresses employers’ households who cannot find appropriate or affordable care among declining welfare states and national workers reluctant to take the job, whilst legal regulations make difficult to hire a domestic worker who is a third country national. As such this book offers an interesting read to academics, policy makers and all those working in the field.
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