Consacré à l'oeuvre cinématographique du grand cinéaste. Raconte la genèse des films à travers les feux croisés de textes et d'analyses approfondies, de notes techniques, d'anecdotes et de témoignages précieux. Enrichi de photos prises sur les plateaux de tournage ou dérobées à la vie privée de l'intéressé.
Following the break-up of the Soviet Union, Marx was regarded as a thinker doomed to oblivion about whom everything had already been said and written. However, the international economic crisis of 2008 favoured a return to his analysis of capitalism, and recently published volumes of the Marx-Engels-Gesamtausgabe (MEGA2) have provided researchers with new texts that underline the gulf between Marx's critical theory and the dogmatism of many twentieth-century Marxisms. This work reconstructs with great textual and historical rigour, but in a form accessible to those encountering Marx for the first time, a number of little noted, or often misunderstood, stages in his intellectual biography. The book is divided into three parts. The first – 'Intellectual Influences and Early Writings' – investigates the formation of the young Marx and the composition of his Parisian manuscripts of 1844. The second – 'The Critique of Political Economy' – focuses on the genesis of Marx's magnum opus, beginning with his studies of political economy in the early 1850s and following his labours through to all the preparatory manuscripts for Capital. The third – 'Political Militancy' – presents an insightful history of the International Working Men's Association and of the role that Marx played in that organization. The volume offers a close and innovative examination of Marx's ideas on post-Hegelian philosophy, alienated labour, the materialist conception of history, research methods, the theory of surplus-value, working-class self-emancipation, political organization and revolutionary theory. From this emerges “another Marx”, a thinker very different from the one depicted by so many of his critics and ostensible disciples.
This book will offer a full reconstruction of the history of Theoretical Marxism in Italy between 1895 and 1935, based on a rigorous philological method. The starting term (1895) is marked by the publication of Antonio Labriola's first essay on historical materialism (In memory of Communist Manifesto); the final term coincides with the conclusion of the "Prison Notebooks" written by Antonio Gramsci. This book analyses the original character of the Marxist philosophy in Italy, which emerged by distinguishing itself from the "orthodoxy" of the Second and Third International. By delineating a significant chapter in the history of Marxism, the book will also propose a specific contribution to the history of Italian Philosophy, which is here studied in relation to the developments of European philosophy, beyond the traditional subdivisions of Positivism, Idealism and Marxism.
The theatre of Diokaisareia (Cilicia, Asia Minor) has been partially excavated in 1993 by a team of Turkish archaeologists, when a large part of the cavea and part of the scaena have been brought to light. On this occasion many elements of the architectural decoration were uncovered and a significant fragment of the dedicatory inscription was rediscovered. This text allows to date the building during the principate of Marcus Aurelius and Lucius Verus, making this theatre the only dated monument so far in Roman Cilicia. Now the remains have been studied within the German research project directed by Detlev Wannagat. The purpose of the volume is to make a complete survey of the main architectural features of the theatre. Starting from the collation of travellers' notes and photographs, in breadth and detail Marcello Spanu analyses and illustrates all available data. The study provides a detailed survey of the ancient structures and a thorough catalogue of all the preserved architectural elements, accompanied by an accurate graphic and photographic documentation. Starting from these data, the author proposes the reconstruction of the monument, taking into account its main features and its situation within the ancient city's topographic layout. The book offers new light on the researches on Cilicia and on Asia Minor, proposing new hypothesis on architecture of ancient theatres and on architectural decoration history.
History of a Resistance is an important contribution to understanding the choice made by Italian soldiers after the armistice. In fact, during the Second World War, among the millions of soldiers taken prisoner by the Germans, only the Italians captured after 8th September 1943 were offered the chance to be freed in exchange for joining the Third Reich and the newly formed Italian Social Republic. This proposal was rejected by the vast majority, who preferred to face the harsh conditions of the German Lagers, even at the risk of their lives, so as not to contribute actively to the Nazi-Fascist war effort. The tragic story of the IMIs (Internati Militari Italiani - Italian Military Internees) is in its own right a chapter, so far too little known, in the history of the Resistance.
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