Criminal Procedures: Cases, Statutes, and Executive Materialsis known for its focus on materials from multiple institutions, including primary materials from U.S. Supreme Court cases, state high court cases, state and federal statutes, rules of procedure, and police and prosecutorial policies, along with materials from social science studies. Taken together, the principal materials highlight procedural variety, focus on real-world topics, provide the political context, offer a comparative analysis of different legal approaches, and consider the impact of procedures. The 2022 Supplement covers the most recent decisions of the U.S. Supreme Court as well as newsworthy developments such as policing and bail reform, emerging legal responses to new surveillance technologies, and the declination policies of newly-elected prosecutors. New to the 2022 Edition: Two new authors joined the editorial team in 2019: Jenia Iontcheva Turner of SMU Dedman School of Law and Kay L. Levine of Emory University School of Law. With her doctoral training in Socio-Legal Studies and her balanced experience as a prosecutor and a defense attorney in state court, Professor Levine sharpens the focus of the book on the real-world operation of courtroom actors in high-volume state systems. With her background in international criminal tribunals and comparative criminal procedure, Professor Turner strengthens the comparisons between court systems in the U.S. and those around the world. The 2022 Supplement incorporates all of the Criminal Procedure rulings of the U.S. Supreme Court from its October 2019, October 2020, and October 2021 terms, whether through reprinting opinions as principal materials or through summary coverage in new notes and practice problems. The Supplement includes opinions from high state courts that add texture to the doctrines described in the main volume. The Supplement also spotlights new legislative and enforcement trends, including proposals for limiting police use of force, "defunding" or reforming police departments, emerging legal responses to new surveillance technologies, bail reform, and the declination policies that prosecutors publish and apply.
This is the 2013 case supplement to accompany Criminal Procedures: Cases Statutes and Executive Materials, Fourth Edition by Marc L. Miller and Ronald F. Wright. Summary of Contents Preface Table of Cases Chapter 1. The Border of Criminal Procedure Chapter 2. Brief Searches and Stops Chapter 3. Full Searches of People and Places: Basic Concepts Chapter 4. Searches in Recurring Contexts (no Chapter 5) Chapter 6. Remedies for Unreasonable Searches and Seizures Chapter 7. Technology and Privacy Chapter 8. Interrogations Chapter 9. Identifications (no Chapter 10) Chapter 11. Defense Counsel Chapter 12. Pretrial Release and Detention Chapter 13. Charging
When Martin Scorsese finally won an Academy Award in 2007, for The Departed, it was widely viewed as the crowning achievement of a remarkable film career. But what it also represented was an acceptance by Hollywood of a man who became a prestigious auteur precisely because of his status as an outsider from New York. For someone with a high-culture reputation like Scorsese's, this middlebrow sign of respectability was not about cultural standing; rather, it was about using and even sacrificing his distinctive outsider status for a greater share of industry authority within the world of Hollywood. In Hollywood's New Yorker, Marc Raymond offers a fresh look at Scorsese's career in relation to the critical and social environment of the past fifty years. He traces Scorsese's career and films through his association with various cultural institutions, from his role as a student and instructor at New York University, to his move to Hollywood and his relationship with the studio system, to his relationship with prestigious institutions like the Museum of Modern Art. This sociological approach to film authorship provides analysis of previously overlooked Scorsese projects, particularly his documentary work, and gives importance to the role his extracurricular activities in the film preservation movement have played in the rise of his reputation. Hollywood's New Yorker places Scorsese and his films firmly within the various time periods of his career and compares the director with his peers, from fellow New Yorkers like Brian De Palma and Woody Allen to New Hollywood movie brats such as Francis Ford Coppola and Steven Spielberg. The result is a complete picture of Scorsese and the post–World War II American film culture he has both shaped and been shaped by.
Covering every single national note issued from 1861 to the present, including Confederate currency, a completely illustrated price guide to U.S. currency includes more than six thousand updated prices, along with tips on trading and collecting and a glossary of monetary terms. Original.
In 2002, we learned that President George Washington had eight (and, later, nine) enslaved Africans in his house while he lived in Philadelphia from 1790 to 1797. The house was only one block from Independence Hall and, though torn down in 1832, it housed the enslaved men and women Washington brought to the city as well as serving as the country's first executive office building. Intense controversy erupted over what this newly resurfaced evidence of enslaved people in Philadelphia meant for the site that was next door to the new home for the Liberty Bell. How could slavery best be remembered and memorialized in the birthplace of American freedom? For Marc Howard Ross, this conflict raised a related and troubling question: why and how did slavery in the North fade from public consciousness to such a degree that most Americans have perceived it entirely as a "Southern problem"? Although slavery was institutionalized throughout the Northern as well as the Southern colonies and early states, the existence of slavery in the North and its significance for the region's economic development has rarely received public recognition. In Slavery in the North, Ross not only asks why enslavement disappeared from the North's collective memories but also how the dramatic recovery of these memories in recent decades should be understood. Ross undertakes an exploration of the history of Northern slavery, visiting sites such as the African Burial Ground in New York, Independence National Historical Park in Philadelphia, the ports of Rhode Island, old mansions in Massachusetts, prestigious universities, and rediscovered burying grounds. Inviting the reader to accompany him on his own journey of discovery, Ross recounts the processes by which Northerners had collectively forgotten 250 years of human bondage and the recent—and continuing—struggles over recovering, and commemorating, what it entailed.
The 2017 painting Quebec by Adam Miller represents over four hundred years of Quebec history. Featuring recognizable Quebec and Canadian politicians, ordinary characters, and allegorical figures, this unusual work visualizes many of the debates surrounding the 150th anniversary of Canadian Confederation as well as the 375th anniversary Montreal's founding. Bringing together a collection of commentaries on the painting and its artist, this volume contemplates the Quebec and Canadian experience and the bonds that link art and history. Included within are a reproduction of the painting, assorted detail shots, a key to the figures represented, and preparatory drawings used for the final work. Furthermore, essays by art historians François-Marc Gagnon, Donald Kuspit, and Alexandre Turgeon reflect on the painting and its style, as well as on its representation of history in relation to questions of politics, art, and collective memory. The book also contains an interview with Adam Miller conducted by Clarence Epstein, which reveals the sources of inspiration for the piece and the artist's creative process. A preface by the patron who commissioned the painting, Salvatore Guerrera, rounds out the contributions. Adam Miller is a painter known for his polished neo-classical figurative style that dramatizes historical subject matter and themes of social justice. He lives in New York.
J. Fagg Foster (1907-1985) was one of the most significant creators of institutionalist economic theory in the twentieth century. He wrote and taught in the American intellectual tradition of Thorstein Weblen, John R. Commons, John Dewey and Clarence E. Ayres. This tradition shares purpose and philosophy with the European contributors, Gunnar Myrdal and K. William Kapp. Because little of Foster's scholarly work was formally published, professional knowledge of his extraordinary contribution is quite limited beyond the circle of his students and colleagues. Value Theory and Economic Progress attempts to correct that deficiency by providing an extended characterization of this missing and crucial component of the development of American heterodox economic thought. Its purpose is to demonstrate the timely relevance and significance of this model of inquiry in political economy. In addition, this volume explains that contemporary problem solving means changing `what is' into `what ought to be' through institutional adjustments; such a demonstration is at the heart of Foster's contribution to institutional thought.
Jimmy Stewart’s all-American good looks, boyish charm, and deceptively easygoing style of acting made him one of Hollywood’s greatest and most enduring stars. Despite the indelible image he projected of innocence and quiet self-assurance, Stewart’s life was more complex and sophisticated than most of the characters he played. With fresh insight and unprecedented access, bestselling biographer Marc Eliot finally tells the previously untold story of one of our greatest screen and real-life heroes. Born into a family of high military honor and economic success dominated by a powerful father, Stewart developed an interest in theater while attending Princeton University. Upon graduation, he roomed with the then-unknown Henry Fonda, and the two began a friendship that lasted a lifetime. While he harbored a secret unrequited love for Margaret Sullavan, Stewart was paired with many of Hollywood’s most famous, most beautiful, and most alluring leading ladies during his extended bachelorhood, among them Ginger Rogers, Olivia de Havilland, Loretta Young, and the notorious Marlene Dietrich. After becoming a star playing a hero in Frank Capra’s Mr. Smith Goes to Washington in 1939 and winning an Academy Award the following year for his performance in George Cukor’s The Philadelphia Story, Stewart was drafted into the Armed Forces and became a hero in real life. When he returned to Hollywood, he discovered that not only the town had changed, but so had he. Stewart’s combat experiences left him emotionally scarred, and his deepening darkness perfectly positioned him for the ’50s, in which he made his greatest films, for Anthony Mann (Winchester ’73 and Bend of the River) and, most spectacularly, Alfred Hitchcock, in his triple meditation on marriage, Rear Window, The Man Who Knew Too Much, and Vertigo, which many film critics regard as the best American movie ever made. While Stewart's career thrived, so did his personal life. A marriage in his forties, the adoption of his wife’s two sons from a previous marriage, and the birth of his twin daughters laid the foundation for a happy life, until an unexpected tragedy had a shocking effect on his final years. Intimate and richly detailed, Jimmy Stewart is a fascinating portrait of a multi-faceted and much-admired actor as well as an extraordinary slice of Hollywood history. “Probably the best actor who’s ever hit the screen.” —Frank Capra “He taught me that it was possible to remain who you are and not be tainted by your environment. He was not an actor . . . he was the real thing.” —Kim Novak “He was uniquely talented and a good friend.” —Frank Sinatra “He was a shy, modest man who belonged to cinema nobility.” —Jack Valenti “There is nobody like him today.” —June Allyson “He was one of the nicest, most unassuming persons I have known in my life. His career speaks for itself.” —Johnny Carson
“Everybody wants to be Cary Grant. Even I want to be Cary Grant.” —Cary Grant He is Hollywood’s most fascinating and timeless star. Although he came to personify the debonair American, Cary Grant was born Archibald Leach on January 18, 1904, in the seaport village of Bristol, England. Combining the captivating beauty of silent-screen legend Rudolph Valentino with the masculine irresistibility of Clark Gable, Grant emerged as Hollywood’s quintessential leading man. Today, “the man from dream city,” as critic Pauline Kael once described him, remains forever young, an icon of quick wit, romantic charm, and urbane sophistication, the epitome of male physical perfection. Yet beneath this idealized movie image was a conflicted man struggling to balance fame with a desire for an intensely private life separate from the “Cary Grant” persona celebrated by directors and movie studios. Exploring Grant’s troubled childhood, ambiguous sexuality, and lifelong insecurities as well as the magical amalgam of characteristics that allowed him to remain Hollywood’s favorite romantic lead for more than thirty-five years, Cary Grant is the definitive examination of every aspect of Grant’s professional and private life, and the first to reveal the man behind the movie star. Working with the most talented directors of his time, Grant starred in an astonishing seventy-two films, ranging from his groundbreaking comedic roles in such classics as Bringing Up Baby (Howard Hawks) and The Philadelphia Story (George Cukor) to the darker, unforgettable characters of Alfred Hitchcock’s Suspicion and Notorious, culminating in the consummate sophisticates of An Affair to Remember (Leo McCarey), North by Northwest (Hitchcock), and Charade (Stanley Donen). The camera loved Grant, and his magnetism helped illuminate his leading ladies, some of the most glamorous women ever to grace the silver screen: Mae West, Irene Dunne, Katharine Hepburn, Ingrid Bergman, Grace Kelly, and Sophia Loren, among others. Yet, because of his pioneering role as an independent player, Grant was repeatedly denied the Oscar he coveted—a snub from the Academy that would last until 1970, when he graciously accepted a special lifetime achievement award. Grant’s sparkling image on-screen hid a tumultuous personal life that he tried desperately to keep out of the public eye, including his controversial eleven-year relationship with Randolph Scott, five marriages, and numerous affairs. Rigorously researched and elegantly written, Cary Grant: A Biography is a complete, nuanced portrait of the greatest Hollywood star in cinema history.
Into The Twilight Zone: The Rod Serling Programme Guide includes complete episode guides with cast, credits and story summaries of the original Twilight Zone series, as well as its many film and television revivals, and Rod Serling's Night Gallery. The book features an overview and filmography of Serling's life and career, and interviews with many of his colleagues, including Buck Houghton, Richard Matheson, Frank Marshall, Joe Dante, Phil DeGuere, Wes Craven, Alan Brennert, Paul Chitlik and Jeremy Bertrand Finch. It also includes indices of actors and creative personnel. "The best TV programme guide I have seen." --Ty Power, Dreamwatch "The perfect complement to The Twilight Zone Companion." --David McDonnell, Starlog
An analysis of the ground-breaking author's vision and thematic concerns The Harlem-born son of a storefront preacher, James Baldwin died almost thirty years ago, but his spirit lives on in the eloquent and still-relevant musings of his novels, short stories, essays, and poems. What concerned him most—as a black man, as a gay man, as an American—were notions of isolation and disconnection at both the individual and communal level and a conviction that only in the transformative power of love could humanity find any hope of healing its spiritual and social wounds. In Understanding James Baldwin, Marc K. Dudley shows that a proper grasp of Baldwin's work begins with a grasp of the times in which he wrote. During a career spanning the civil rights movement and beyond, Baldwin stood at the heart of intellectual and political debate, writing about race, sexual identity, and gendered politics, while traveling the world to promote dialogue on those issues. In surveying the writer's life, Dudley traces the shift in Baldwin's aspirations from occupying the pulpit like his stepfather to becoming a writer amid the turmoil of sexual self-discovery and the harsh realities of American racism and homophobia. The book's analyses of key works in the Baldwin canon—among them, Go Tell It on the Mountain, Giovanni's Room, "Sonny's Blues," Another Country, The Fire Next Time, and The Devil Finds Work—demonstrate the consistency, contrary to some critics' claims, of Baldwin's vision and thematic concerns. As police violence against people of color, a resurgence in white supremacist rhetoric, and pushback against LGBTQ rights fill today's headlines, James Baldwin's powerful and often-angry words find a new resonance. From early on, Baldwin decried the damning potential of alienation and the persistent bigotry that feeds it. Yet, even as it sometimes wavered, his hope for both the individual and the nation remained intact. In the present historical moment, James Baldwin matters more than ever.
Only Ernest Withers, a key figure in the civil rights movement, could have delivered such iconic photographs—and the kind of information the FBI wanted . . . Renowned photographer Ernest Withers captured some of the most stunning moments of the civil rights era—from the age-defining snapshot of Dr. Martin Luther King, Jr., riding one of the first integrated buses in Montegomery, to the haunting photo of Emmett Till’s great-uncle pointing an accusing finger at his nephew’s killers. He was trusted and beloved by King’s inner circle, and had a front row seat to history . . . but few people know that Withers was also an informant for the FBI. Memphis journalist Marc Perrusquia broke the story of Withers’s secret life after a long investigation culminating in a landmark lawsuit against the government to release hundreds of once-classified FBI documents. Those files confirmed that, from 1958 to 1976, Withers helped the Bureau monitor pillars of the movement including Dr. Martin Luther King and others, as well as dozens of civil rights foot soldiers. Now, on the fiftieth anniversary of King’s assasination, A Spy in Canaan explores the life, complex motivations, and legacy of this fascinating figure Ernest Withers, as well as the dark shadow that era’s culture of surveillance has cast on our own time. Includes an 8-page, black-and-white photo insert.
We are all astronauts", the American architect and thinker Richard Buckminster Fuller wrote in 1968 in his book Operating Manual for Spaceship Earth, where he compared Earth to a spaceship, provided only with exhaustible resources while flying through space. These words show the presence the phenomenon of the astronaut and the cosmonaut had in the public mind from the second half of the twentieth century on: Buckminster Fuller was able to drive his point home by asking his audience to identify with one of the most prominent figures in the public sphere then: the space traveler. At the same time, Buckminster Fuller's words themselves seem to have played a significant role in further shaping the space-exploring human as a symbol and an image of humankind in general. The twelve contributions in this book by authors from the fields of literature, music, politics, history, the visual arts, film, computer games, comics, social sciences, and media theory track the development, changes and dynamics of this symbol by analyzing the various images of the astronaut and the cosmonaut as constructed throughout the different decades of space exploration, from its beginning to the present day.
Covering every national bank note issued since 1861, an up-to-date annual resource lists thousands of current national market prices while providing authoritative guidelines for how to buy and sell collectible pieces, a glossary of terms, and listings for paper money publications and organizations. Original.
Covering every single national note issued from 1861 to the present, including Confederate currency, a completely illustrated price guide to U.S. currency includes more than six thousand updated prices, along with tips on trading and collecting and a glossary of monetary terms. Original.
At the forefront of the postwar phenomenon known as tropical modernism, Vladimir Ossipoff (1907-1998) won recognition as the "master of Hawaiian architecture.” Although he practiced at a time of rapid growth and social change in Hawaii, Ossipoff criticized large-scale development and advocated environmentally sensitive designs, developing a distinctive form of architecture appropriate to the lush topography, light, and microclimates of the Hawaiian islands. This book is the first to focus on Ossipoff’s career, presenting significant new material on the architect and situating him within the tropical modernist movement and the cultural context of the Pacific region. The authors discuss how Ossipoff synthesized Eastern and Western influences, including Japanese building techniques and modern architectural principles. In particular, they demonstrate that he drew inspiration from the interplay of indoor and outdoor space as advocated by such architects as Frank Lloyd Wright, applying these to the concerns and vernacular traditions of the tropics. The result was a vibrant and glamorous architectural style, captured vividly in archival images and new photography. As the corporate projects and private residences that Ossipoff created for such clients as IBM, Punahou School, Linus Pauling, Jr., and Clare Boothe Luce surpass their fiftieth anniversaries, critical assessment of these structures, offered here by distinguished scholars in the field, will illuminate Ossipoff’s contribution to the universal challenge of making architecture that is delightfully particular to its place and durable over time.
This book examines the affinity between “theory” and “deconstruction” that developed in the American academy in the 1970s by way of the “Yale Critics”: Harold Bloom, Paul de Man, Geoffrey Hartman, and J. Hillis Miller, sometimes joined by the French philosopher Jacques Derrida. With this semi-fictional collective, theory became a media event, first in the academy and then in the wider print media, in and through its phantasmatic link with deconstruction and with “Yale.” The important role played by aesthetic humanism in American pedagogical discourse provides a context for understanding theory as an aesthetic scandal, and an examination of the ways in which de Man’s work challenges aesthetic pieties helps us understand why, by the 1980s, he above all had come to personify “theory.” Combining a broad account of the “Yale Critics” phenomenon with a series of careful reexaminations of the event of theory, Redfield traces the threat posed by language’s unreliability and inhumanity in chapters on lyric, on Hartman’s representation of the Wordsworthian imagination, on Bloom’s early theory of influence in the 1970s together with his later media reinvention as the genius of the Western Canon, and on John Guillory’s influential attempt to interpret de Manian theory as a symptom of literature’s increasing marginality. A final chapter examines Mark Tansey’s paintings Derrida Queries de Man and Constructing the Grand Canyon, paintings that offer subtle, complex reflections on the peculiar event of theory-as-deconstruction in America.
Kaufman details the incredible true story of science's search for the beginnings of life on Earth and the probability that it exists elsewhere in the universe.
In spirituality and mysticism, many seek a counterbalance to the strong emphasis on the self that modernity demands of us: We desire a fixed self on the one hand and are fascinated by selflessness on the other. But is our fascination with selflessness not a ruse to make that self of ours even stronger? And is that self-critical question not the kernel of even traditional mysticism? Marc De Kesel investigates some dark rooms of the mystical tradition to clarify this. This is a book for all who want to free themselves from the conceptual frameworks and rigid dogmas of late-modern religiosity. The first part of the volume deals directly with early modern Christian mysticism, and more specifically with the French spiritualité and discussions centered around the problem of what it means to love God in a pure, radically unselfish way. The second part explores the paradoxical dialectics between self and selflessness in relation to the way Christian religion deals with its own identity. If Christian love is selfless, why has Christianity in the end not given up its own self, its own identity? The third and last part of the volume discusses the dialectics between self and selflessness in three other domains: popular spirituality, politics, and modern science. It makes clear that "selflessness" is not limited to mysticism but is both a fascination and a problem/paradox for modernity in many fields.
These collected works represent twenty-five years of study of the designed landscape which the author here takes to include gardens, cemeteries, plazas and other shared spaces. Asking essential questions about the nature of order and its perception, this book includes in its impressive scope analyses of both historic and modern works with a geographical distribution that extends across Europe, Asia and North America. With unique depth in many areas of study, Treib brings his expertise to bear on a range of inter-related and mutually influential issues within the subject, taking in an assessment of the lives and contributions of a number of leading figures in the field, the contents of a landscape and the meanings ascribed to it, and a theoretical formulation of the ideas from which or by which landscape architecture is produced.
Many people are familiar with the story of Jewish support for the American civil rights movement, but this history has another side-- one that has not been fully told until now. "Outlines a compelling image of relations between the two communities.... In Shared Dreams, Rabbi Schneier reiterates our commonality, as upheld by Martin Luther King, Jr., and fuels the reader to continue to work for the advancement of race relations among all God's children." --from the Preface by Martin Luther King III Shared Dreams brings to life the impressive, surprising, and long-neglected history of Dr. Martin Luther King, Jr.'s efforts in support of the Jewish community. This is a story that sheds new light on the commitment and the relationship between the Jewish and African-American communities as they have struggled together to fight for justice and civil rights in our nation, and our lives.
Differential geometry began as the study of curves and surfaces using the methods of calculus. This book offers a graduate-level introduction to the tools and structures of modern differential geometry. It includes the topics usually found in a course on differentiable manifolds, such as vector bundles, tensors, and de Rham cohomology.
The voices of Brooklyn: “I’m a Brooklyn guy, it’s in my bones and it’s there in Brooklyn. There’s a certain rhythm you get growing up there. Every Brooklyn kid has it. Always on the right beat. The Bronx, no; Queens, you were out of it; but Brooklyn, that was it.” —Mel Brooks, Williamsburg “Everyone got along because we had one major thing that held everyone in Brooklyn…together: the emergence of big-time sports that happened after World War I. You could be an Irishman, an Italian, and a Jew and you could all be in Ebbets Field, sitting together, rooting for the Dodgers.” —Pete Hamill, Park Slope “I never really saw anyplace in the world as a kid except Brooklyn, so to me Brooklyn was the world. Every avenue was another country. It was a rough place, to be sure. You could say the wrong thing, make the wrong turn and be rubbed or killed, and I guess I was lucky because I had a talent that enabled me to get out . . . A part of me will always be that kid shooting hoops, with a dream in my hand as much as a basketball.” —Stephon Marbury, Coney Island “Both my parents were hard, hands-on workers, and that was the foundation of everything for me. Their work ethic was just over the top, and as a result of that I worked hard no matter what level job I had in the media. I was that tough Brooklyn girl pushing my way to the front, which eventually became the top. I was never afraid of hard work; I was always a go-getter, and that was something that came directly out of being born in Brooklyn. I cherish that, as I cherish my entire upbringing in Brooklyn.” —Maria Bartiromo, Bay Ridge A captivating oral portrait of America's favorite borough, in the words of those who know Brooklyn best—Mel Brooks, Spike Lee, Arthur Miller, Joan Rivers, Norman Mailer, Cousin Brucie, Maria Bartiromo, Pete Hamill, and many other current and former inhabitants. Song of Brooklyn gathers the oral testimony of nearly one hundred Brooklynites past and present, famous and unknown, about a mythic borough that is also an indisputably real place. These witnesses speak eloquently of what it was like back then, when the Dodgers played in Ebbets Field; later, when the borough fell on hard times; and now, when it has come roaring back on the tracks of a real-estate boom, giving it celebrity chic and hipster cred. With this surprising and inspiring renaissance in full swing, the story of Brooklyn is one of the great and still ongoing chapters of the American urban experience, and Song of Brooklyn sings that tune in pitch-perfect key.
The last in a series of three volumes edited by Marc Lee Raphael surveying some of the major rabbinic and lay personalities who have shaped Judaism in America for the past two centuries, this work focuses on Orthodox Judaism. Along with a basic description of the achievements of some of the most notable leaders, a bibliography of their writings and sources for further study is included as well as an essay on Orthodox rabbinic organizations and a survey of American Orthodox periodicals. Of interest to scholars, students, and lay persons alike, this volume will inform readers about the earliest communities of Jews who settled in America as they developed the institutions of Orthodox Jewish life and set a public standard of compliance with Jewish law. These early American Jews followed a Spanish-Dutch version of Sephardic customs and rites. Their synagogues used traditional prayer books, promoted the celebration of Jewish holidays, established mikvahs, acquired Passover provisions, and arranged for cemetery land and burial services. While many of these Sephardic immigrants did not maintain halakha in their daily regimen as did their European counterparts, they set a public standard of compliance with Jewish law, thus honoring Jewish tradition. Further immigration of thousands of Jews from Western and Central Europe in the middle of the 19th century brought a world of traditional piety and extensive Jewish learning to America, exemplified by Rabbi Abraham Rice, who served in Baltimore, and Yissachar Dov (Bernard) Illowy, who served communities from Philadelphia to New Orleans. Such men marked the beginning of a learned and scholarly rabbinate in America. This volume provides valuable biographical insights regarding some of the most notable religious leaders in American Orthodoxy.
For everyone who has ever yearned for a better life and a better world, Craig and Marc Kielburger share a blueprint for personal and social change that has the power to transform lives, one act at a time. Through inspirational contributions from people from all walks of life, the Kielburgers reveal that a more fulfilling path is ours for the taking when we find the courage to reach out. Me To We is an approach to life that leads us to recognize what is truly valuable, make new decisions about the way we want to live, and re-define the goals we set for ourselves and the legacy we want to leave. Written by individuals who have followed the Me To We philosophy, including Oprah Winfrey, Richard Gere, Queen Noor, and Archbishop Desmond Tutu. Above all, it creates new ways of measuring happiness, meaning, and success in our lives, and makes sure these elusive goals are attainable at last. Best of all, Me to We is relevant to all readers including parents, young people, seniors and business leaders providing practical ways on how to incorporate this philosophy into your lives. Be inspired and share the feeling with your neighbours, friends and family. Your life will never be the same!
From the early days of YMCA leagues to the modern game of the Timberwolves and Lynx, sports historians and basketball fanatics Hugunin and Thornley offer the complete story of the North Star State's most popular game.
This volume in the "ASPA Classics" series compiles the most influential contributions to the theory and practice of performance measurement that have been published in various journals affiliated with the American Society for Public Administration. The book includes major sections of original text along with the readings, and provides students and practitioners with a handy reference source for theory development and practice improvement in performance measurement. The coverage is broad, including methods and techniques for developing effective performance measurement systems, building performance-based management systems, and sustaining performance-based budgeting. The articles are all classics in the field that have endured the test of time and are considered 'must reads' on performance measurement.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.