DescriptionThe Greenygrey proclaims itself Britain's most famous werewolf. It has been a prolific rise in fame for the greenygrey one, and the GG brand is now known all over the werewolf world. Like a cross between Loki and Scooby Doo on the dog side, and Kerouac and Joanna Lumley on the human, the vegetarian werewolf helps the reader escape the restrictions of the body on an epic virtual travel across North America. As well as being an entertaining read as GG meets its heroes and lots of new characters across the continent, the book also has an educative angle, as the shape-shifting and chameleonising but mentally a bit muddled superhero creates an acronym map of North America that should help you remember your Newfoundland from your Nunavut and your Idaho from your Iowa. About the AuthorDr. Marc Latham is 44 and lives in Leeds. Marc grew up in a one-parent family in a small town and was the only child without a (known) father in his primary school class. Despite being a promising student Marc dropped out of school at about twelve years of age, as television and daydreaming took over his life. Ordinary work didn't interest Marc, and after he didn't get taken on as a footballer he saved up some money and spent his twenties travelling the world with Kerouac as his inspiration. With his big trips under his belt Marc spent his thirties in university and saw it out to the end of the line, although he jumped off the 'product creation' conveyor belt a long time before finishing. Television documentaries alerted Marc to conditions such as ADHD and bipolarity, and along with his experiences amongst 'normal' people these confirmed Marc's suspicions that he is a bit mad. This realisation, along with running and a healthier life have recently improved the author's moods, but he hopes to continue being a bit different while becoming a full-time writer.
Rebel without a cause, werewolf without claws, Grey travels across all regions of Oz (Australia) in a comedy-fantasy parody of the Wizard of Oz. It is not witches that hunt the protagonist for a ruby slipper, but monotheists desperate to get their hands on an emerald cork hat. There's no scarecrow, tin man and cowardly lion searching for brain, heart and courage; instead, we have Elle McPherson, Angry Anderson and Bon Scott inspired characters needing a body, mind and spirit confidence boost. Will Grey and the intrepid travellers elude their pursuers and reach their destination? This book provides amazing action and surreal comedy in poetry and prose before reaching a cohesive and thrilling ending.
DescriptionThis book of poems owes as much inspiration to rock music as poetry. The early poems in the collection were inspired by rock lyrics rather than poetry, with songs proclaiming the twisted effects of bipolarity, schizophrenia, paranoia, alienation and just downright depression by the likes of Guns N' Roses, Nirvana, Metallica, Rose Tattoo, Megadeth and Suicidal Tendencies mixed with the trash escapism of Faster Pussycat and Motley Crue. In recent years the raw anarchy of the early poems was harnessed within the Folding Mirror form created by Marc Latham; of which there are many examples in this collection. The form may have been influenced by bipolarity, as it calls for two sides of a poem to mirror each other either side of a folding middle line, as bipolar moods swing either side of the fine line of normality somewhere in the mind. It is therefore ideal for highlighting two sides of a personality or mood. The subject matter and style isn't limited to the mind and serious introspection though, and the poems range across almost all the topics imaginable: from politics and myth to ocean depths and the outer limits of space; and the seasons of the year and high mountain peaks to football and comedy. About the AuthorDr. Marc Latham was born in St. Helier, Jersey in 1965 and now lives in Leeds. Marc spent his teens in Wales and was an avid fan of heavy metal music; he did his utmost to emulate his rock n' roll heroes' life on the edge once he started boozing and partying. The hedonistic lifestyle was continued across the world in his twenties and in university for his thirties. This kept him feeling normal while it lasted, but once a couple of generations had pretty much given it up to live 'normal' lives Marc began to realise that he wasn't really that 'normal'. Being treated as an outsider by a university department in his own country that espoused the values of equality and diversity just brought matters to a head. Television documentaries alerted Marc to conditions such as ADHD and bipolarity, and he decided to try and take himself out of mainstream society through a freelance writing career. This had always been one ambition anyway.
242' is Dr. Marc Latham's second poetry collection, after the first one was published by Chipmunka in 2009. The first collection contained poems written by Marc from his youth to the creation of the Folding Mirror form, while this book focuses on the FM form recognised by Lewis Turco in his definitive 'The Book of Forms: A Handbook of Poetics, Including Odd and Invented Forms'. Caroline Gill, an award-winning poet whose 'Thalatta, Thalatta' Folding Mirror poem was used as an example in 'The Book of Forms' provides an introductory explanation of the Folding Mirror form at the start of this book. This book contains 121 Folding Mirror poems created in three years by Marc Latham as he tried to make sense of the universe and life's place in it. They are supported by 121 reflections relevant to the poems' themes. The seven chapters reflect the wide spectrum of issues and topics covered, being divided into: personal-psychological (containing thirty-four poems and thirty-four reflections), social (19-19), culture (15-15), literary (12-12), nature (30-30), travel (6-6) and space (5-5). The poems and reflections were inspired by the deepest thoughts of a PhD graduate and world traveller, and his new research and observations on the above subjects. Before and during his world travels and university education, Marc was inspired by Romantic and Beat poets, Rock musicians and other writers and journalists who have trawled the mind for self-analysis while searching for knowledge about human nature. Marc's first collection featured bipolarity and ADHD in the title, and included several poems inspired by them. These topics feature again in this collection, with the poet finding the mirror form especially conducive for bipolarity poetry. From his position in the average age's middle-age, Marc's poems and reflections in this collection stretch from humanity's prehistoric past to our current space exploration and prospective future, while also comparing us with the animal world, and tackling the important social and environmental problems of the present. Having focused on hegemony theory in his doctoral research, Marc uses his poetry to try and break through the cultural 'norms and accepted truths' of the modern monotheistic world to highlight alternative realities that could possibly improve conditions for plant, animal and human life. Marc uses the two sides of the Folding Mirror poem to show at least two sides of arguments and issues, with the folding line in the middle either connecting or dividing the two halves. There is also time for beauty and comedy amongst the digging and depression, and some poems and reflections provide colourful light-heartedness to lift the mood. Several of the poems posted as reflections were written while Marc undertook a 100-mile trek to view Everest in the Nepalese Himalayas. It is hoped that as well as entertaining the reader, the poems and thoughts will support the preservation of life and nature, and improve human understanding of itself and the world.
These are the last 74 Folding Mirror poems I wrote after my second collection was published in 2012. I consider that second collection (121-242) the peak of my poetry mountain, while this collection is the slide downhill to the end of the Folding Mirror journey.
A dialogue with self upon the mysteries of holding a holistic perspective upon life. It covers areas for self, self-interest, and enculturation, social and self-governing. It presents a new insightful way of seeing everything, psychology, philosophy, sociology, political, and liberating sovereignty
About the Author Marc E. King is the author of Changing Your Mind, A Theory of Space without Time, and Fifth Dimension, The Light to See. Based on new scientific understanding of hydrocarbon chemistry-of-life, he has also published The Modern Health Guide You Cannot Live Without. He is an accomplished writer who has presented technical works in an equally non-technical manner for all to enjoy. His book Changing Your Mind is a publisher's best-seller. His technical manuscript "A Mathematical Transformation of Variables Defining Space-Time and the Constant h" defines the relationship t=cB, the spatial frame width b meters, and the spatial energy per unit mass-volume EB. He is a solid state semiconductor device physicist by education and has more than 30 years experience in Silicon Valley, CA as a pioneer of high speed semiconductor technology for the applications of super computers, personal computers, programmable logic, and smart cell phones. He is married and the father of two daughters who both live and work in Silicon Valley.
. . . In Cold Blood, The Electric Kool-Aid Acid Test, Fear and Loathing in Las Vegas, Slouching Towards Bethlehem, The Armies of the Night . . . Starting in 1965 and spanning a ten-year period, a group of writers including Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, and Michael Herr emerged and joined a few of their pioneering elders, including Truman Capote and Norman Mailer, to remake American letters. The perfect chroniclers of an age of frenzied cultural change, they were blessed with the insight that traditional tools of reporting would prove inadequate to tell the story of a nation manically hopscotching from hope to doom and back again—from war to rock, assassination to drugs, hippies to Yippies, Kennedy to the dark lord Nixon. Traditional just-the-facts reporting simply couldn’t provide a neat and symmetrical order to this chaos. Marc Weingarten has interviewed many of the major players to provide a startling behind-the-scenes account of the rise and fall of the most revolutionary literary outpouring of the postwar era, set against the backdrop of some of the most turbulent—and significant—years in contemporary American life. These are the stories behind those stories, from Tom Wolfe’s white-suited adventures in the counterculture to Hunter S. Thompson’s drug-addled invention of gonzo to Michael Herr’s redefinition of war reporting in the hell of Vietnam. Weingarten also tells the deeper backstory, recounting the rich and surprising history of the editors and the magazines who made the movement possible, notably the three greatest editors of the era—Harold Hayes at Esquire, Clay Felker at New York, and Jann Wenner at Rolling Stone. And finally Weingarten takes us through the demise of the New Journalists, a tragedy of hubris, miscalculation, and corporate menacing. This is the story of perhaps the last great good time in American journalism, a time when writers didn’t just cover stories but immersed themselves in them, and when journalism didn’t just report America but reshaped it. “Within a seven-year period, a group of writers emerged, seemingly out of nowhere—Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, Michael Herr—to impose some order on all of this American mayhem, each in his or her own distinctive manner (a few old hands, like Truman Capote and Norman Mailer, chipped in, as well). They came to tell us stories about ourselves in ways that we couldn’t, stories about the way life was being lived in the sixties and seventies and what it all meant to us. The stakes were high; deep fissures were rending the social fabric, the world was out of order. So they became our master explainers, our town criers, even our moral conscience—the New Journalists.” —from the Introduction
The poems in Marc Hudson's The Disappearing Poet Blues are driven by a moral anguish: how do we live, they ask, in strict circumstances; what is the worth of profoundly limited human life; how can one be both a good father and a good artist?"--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A radical approach to growing high-quality talent--fast You know that winning in today's marketplace requires top-quality talent. You also know what it takes to build that talent--and you spend significant financial and human resources to make it happen. Yet somehow, your company's beautifully designed and well-benchmarked processes don't translate into the bottom-line talent depth you need. Why? Talent management experts Marc Effron and Miriam Ort argue that companies unwittingly add layers of complexity to their talent-building models--without evaluating whether those components add any value to the overall process. Consequently, simple activities like setting employee performance goals become multipage, headache-inducing time wasters that turn managers off and fail to improve results. Effron and Ort introduce a simple, powerful, scientifically proven approach to increase your ability to develop better leaders faster: One Page Talent Management (OPTM). Using the straightforward, easy-to-follow process described in this book, you will eliminate frustrating complexity, focus only on those components that add real value, and build transparency and accountability into every practice. Based on extensive research and experience in companies such as Avon Products, Bank of America, and Philips, One Page Talent Management shows you how to: Quickly identify high-potential talent without complex assessments Increase the number of "ready now" successors for key roles Generate 360-degree feedback that accelerates change in the most critical behaviors Significantly reduce the time required for managers to implement talent-building processes Do away with complexity and bureaucracy--and develop the high-quality talent you need, right now.
Screenwriters have always been viewed as Hollywood’s stepchildren. Silent-film comedy pioneer Mack Sennett forbade his screenwriters from writing anything down, for fear they’d get inflated ideas about themselves as creative artists. The great midcentury director John Ford was known to answer studio executives’ complaints that he was behind schedule by tearing a handful of random pages from his script and tossing them over his shoulder. And Ken Russell was so contemptuous of Paddy Chayefsky’s screenplay for Altered States that Chayefsky insisted on having his name removed from the credits. Of course, popular impressions aside, screenwriters have been central to moviemaking since the first motion picture audiences got past the sheer novelty of seeing pictures that moved at all. Soon they wanted to know: What happens next? In this truly fresh perspective on the movies, veteran Oscar-winning screenwriter Marc Norman gives us the first comprehensive history of the men and women who have answered that question, from Anita Loos, the highest-paid screenwriter of her day, to Robert Towne, Quentin Tarantino, Charlie Kaufman, and other paradigm-busting talents reimagining movies for the new century. The whole rich story is here: Herman Mankiewicz and the telegram he sent from Hollywood to his friend Ben Hecht in New York: “Millions are to be grabbed out here and your only competition is idiots.” The unlikely sojourns of F. Scott Fitzgerald and William Faulkner as Hollywood screenwriters. The imposition of the Production Code in the early 1930s and the ingenious attempts of screenwriters to outwit the censors. How the script for Casablanca, “a disaster from start to finish,” based on what James Agee judged to be “one of the world’s worst plays,” took shape in a chaotic frenzy of writing and rewriting—and how one of the most famous denouements in motion picture history wasn’t scripted until a week after the last scheduled day of shooting—because they had to end the movie somehow. Norman explores the dark days of the Hollywood blacklist that devastated and divided Hollywood’s screenwriting community. He charts the rise of the writer-director in the early 1970s with names like Coppola, Lucas, and Allen and the disaster of Michael Cimino’s Heaven’s Gate that led the studios to retake control. He offers priceless portraits of the young William Hurt, Steven Spielberg, and Steven Soderbergh. And he describes the scare of 2005 when new technologies seemed to dry up the audience for movies, and the industry—along with its screenwriters—faced the necessity of reinventing itself as it had done before in the face of sound recording, color, widescreen, television, and other technological revolutions. Impeccably researched, erudite, and filled with unforgettable stories of the too often overlooked, maligned, and abused men and women who devised the ideas that others brought to life in action and words on-screen, this is a unique and engrossing history of the quintessential art form of our time.
Some of the chief aims of President Ronald Reagan's economic agenda were to reduce the "regulatory burden," minimize state intervention, and reinvigorate market mechanisms. Toward these ends, his administration limited antitrust enforcement to technical cases of price-fixing, invoking the doctrine of the Chicago school of economics. In Antitrust and the Triumph of Economics, Marc Eisner shows that the so-called "Reagan revolution" was but an extension of well-established trends. He examines organizational and procedural changes in the Antitrust Division of the Department of Jusice and the Federal Trade Commission that predated the 1980 election and forced the subsequent redefinition of policy. During their early years, the Antitrust Division and the FTC gave little attention to economic analysis. In the period following World War II, however, economic analysis assumed an increasingly important role in both agencies, and economists rose in status from being members of support staff to being pivotal decision makers who, in effect, shaped the policies for which elected officials were generally assumed to be responsible. In the 1960s and 1970s, critical shifts in prevailing economic theory within the academic community were transmitted into the agencies. This had a profound effect on how antitrust was conceptualized in the federal government. Thus, when Ronald Reagan became president in 1981, the antitrust agencies were already pursuing a conservative enforcement program. Eisner's study challenges dominant explanations of policy change through a focus on institutional evolution. It has important implications for current debates on the state, professionalization, and the delegation of authority. Originally published in 1991. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The explosion of minimalism into the worlds of visual arts, music and literature in the mid-to-late twentieth century presents one of the most radical and decisive revolutions in aesthetic history. Detested by some, embraced by others, minimalism's influence was immediate, pervasive and lasting, significantly changing the way we hear music, see art and read literature. In The Theory of Minimalism, Marc Botha offers the first general theory of minimalism, equally applicable to literature, the visual arts and music. He argues that minimalism establishes an aesthetic paradigm for rethinking realism in genuinely radical terms. In dialogue with thinkers from both the analytic and continental traditions – including Kant, Danto, Agamben, Badiou and Meillassoux – Botha develops a constellation of concepts which together encapsulate the transhistorcial and transdisciplinary reach of minimalism. Illustrated by a range of historical, canonical and contemporary minimalist works of different media, from the caves of early Christian ascetics to Samuel Beckett's late prose, Botha offers a bold and provocative argument which will equip readers with the tools to engage critically with past, present and future minimalism, and to recognize how, in a culture caught between the poles of excess and austerity, minimalism still matters.
Based on twenty years of research on the social regulation of academic performances, this book offers theoretical and empirical arguments in favour of the inclusion of the social dimension of human beings as essential for their cognitive activities. We all engage in social interactions, compare ourselves with other people, belong to social groups, and are the object of a myriad of categorisations. Not only do such social experiences affect cognition, but they actually determine its form and its content. Several experiments indeed reveal that cognitive performance depends on the relationship between the individual and the social context in which cognition takes place. And this relationship is not forged directly by features of the situation, but rather by personal construals of these features (most notably social comparison). This fact alone justifies granting the individual's social experiences a psychological status and it further strengthens the key idea of this book, namely that the social context only exists through the intervention of cognitive processes of contextualization (producing a "cognitive context of the self") such as those involved in autobiographical memory. A "social psychology of cognition" is suggested, in which the fashionable distinction between cognition and social cognition makes no sense. From this innovative perspective it is indeed more the social nature of the individual rather than that of the object to be processed that defines the social nature of cognition. Well-known phenomena such as social facilitation and social loafing as well as established educational practices are also re-examined from this perspective.
What happens to intergovernmental organizations (IGOs) after their creation has remained in mystery over the years. Although the current globalized outlook has sparked new and growing interests on the role that IGOs play in the global landscape, the scholarship has largely focused on the political aspects of cooperation, primarily on how and why different IGO member states interact with each other and the outcomes associated with such cooperation. Research is yet to untangle how these organizations work and operate. This Element addresses this niche in the literature by delving into two important aspects: the management and governance of IGOs. We build on a four-year research program where we have collected three types of different data and produced several papers. Ultimately, the Element seeks to provide scholars with a description of the inner workings of IGOs, while providing guidance to policymakers on how to manage and govern them.
Can you imagine a choreographer only training one dancer to lead while his or her partner sits in the lobby staring at the wall? Yet we do this all the time in organizations. Half the partnership is missing. Leadership is Half the Story introduces the first model to seamlessly integrate leadership, followership, and partnerships. This research-backed, field-tested book contributes many new ideas and practical advice for everyone in an organization – from CEO to HR director to front-line manager to consultant. All of us lead, not just those with the formal title. All of us follow, not just front-line staff. In great collaborations, one moment we are leading and then we flip to following; in other words, the relationship between leadership and followership is dynamic, context-specific, and ever-evolving. This empowering perspective opens up leadership to everyone, normalizes followership, and enables more productive and innovative collaborations. Candid discussions about both roles allow for better coaching, mentoring, skill development, and interpersonal agility, and result in stronger teams. Marc and Samantha Hurwitz give us a category-busting book that “practically glows with energy and vision,” according to Marshall Goldsmith, executive coach and best-selling author of What Got You Here Won’t Get You There.
This previously unexamined history of open-air treatment in English coastal resorts demonstrates how contrasting meanings were assigned to tuberculosis along lines of class. It assesses the shifting inter-relation of medical, political and social forces in determining responses to this devastating disease, and analyses the relationship between scientific ideas, in particular social evolution and germ theory, and attitudes to poverty and chronic disease. In Folkestone and Sandgate these conflicting perceptions of the disease were highlighted in a clash of interests between reformist public health officials in overcrowded London Boroughs and a provincial plutocracy with a vested interest in maintaining the status quo in an elite health resort. This local controversy precipitated calls for state treatment of the disease and throws light on the ways in which doctors, politicians and academics have tended to frame the issue of tuberculosis according to their own political perspectives and values. Medical approaches to tuberculosis varied between viewing it as a disease of poverty that could most efficiently be eradicated through addressing problems of poor housing and overcrowding to a focus on the isolation and sterilisation of those deemed to possess an hereditary taint. Conflicts between an infection model of the disease and a focus on social reform still characterise approaches to tuberculosis treatment today.
This book provides a comprehensive overview over the models of contemporary democracy, its social, cultural, economic and political prerequisites, empirically existing varieties, and the two major challenges – globalization and mediatization – confronting established democracies today. As the boundaries of the national political communities increasingly dissolve, democracy as we know it is put into question. Similarly, as the role of the media in politics increases, the way established democracies function is being transformed. The book covers the transformation of established democracies, democracy's global expansion into new countries, as well as its spread into supranational polities such as the European Union. It confronts head on democracy's constantly changing nature; its diversity of institutions and practices; its repeated need to respond to exogenous challenges and, most importantly, its perpetually unsatisfactory quest to make 'real-existing democracy' conform better to 'potentially ideal democracy.
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
What is single-case research? How can single-case methods be used within sport and exercise? Single-case research is a powerful method for examining change in outcome variables such as behaviour, performance and psychological constructs, and for assessing the efficacy of interventions. It has innumerable uses within the context of sport and exercise science, such as in the development of more effective performance techniques for athletes and sportspeople and in helping us to better understand exercise behaviours in clinical populations. However, the fundamental principles and techniques of single-case research have not always been clearly understood by students and researchers working in these fields. Single-Case Research Methods in Sport and Exercise Psychology is the first book to fully explain single-case research in the context of sport and exercise. Starting with first principles, the book offers a comprehensive introduction to the single-case research process, from study design to data analysis and presentation. Including case studies and examples from across sport and exercise psychology, the book provides practical guidance for students and researchers and demonstrates the advantages and common pitfalls of single-case research for anybody working in applied or behavioural science in a sport or exercise setting.
How do researchers use dynamic network analysis (DYRA) to explore, model, and try to understand the complex global history of our species? Reduced to bare bones, network analysis is a way of understanding the world around us — a way called relational thinking — that is liberating but challenging. Using this handbook, researchers learn to develop historical and archaeological research questions anchored in DYRA. Undergraduate and graduate students, as well as professional historians and archaeologists can consult on issues that range from hypothesis-driven research to critiquing dominant historical narratives, especially those that have tended to ignore the diversity of the archaeological record.
Examining Internet culture in the People’s Republic of China, Taiwan, Hong Kong, and the US, this book analyzes videos which entertain both English and Chinese-speaking viewers to gain a better understanding of cultural similarities and differences. Each of the chapters in the volume studies streaming videos from YouTube and its Chinese counterparts, Todou and Youku, with the book using a combination of interpretative analysis of content, commentary, and ethnographic interviews. Employing a diverse range of examples, from Michael Jackson musical mash-ups of Cultural Revolution visuals, to short clips of Hitler ranting about twenty-first century issues with Chinese subtitles, this book goes on to explore the ways in which traditional beliefs regarding gender, romance, religion, and politics intersect. Looking at how these issues have changed over the years in response to new technologies and political economies, it also demonstrates how they engage in regional, transnational, and global dialogues. Comparing and incorporating the production of videos with traditional media, such as television and cinema, Internet Video Culture in China will be useful to students and scholars of Internet and digital anthropology, as well as Cultural Studies and Chinese Studies more generally.
This book is an adaptation of the successful US text Cost Management by Hilton, Maher and Selto, written specifically for an international audience.Major improvements include:Diverse and truly international examples of organizations - Examples used throughout the book are from all over the world and represent manufacturing, retail, not-for-profit, and service firms in many different countries. Completely restructured and rewritten text - The book has been rewritten, restructured and also shortened significantly to align content closer with international courses. Integral use of spreadsheets - Spreadsheet software is used for explaining techniques and making applications more realistic. In depth research - Summaries of international research studies that address important cost management issues have been updated and more references to recent research findings have been added. Intuitive explanation of accounting - The authors show directly how events impact the balance sheet and profit and loss account.
We are all astronauts", the American architect and thinker Richard Buckminster Fuller wrote in 1968 in his book Operating Manual for Spaceship Earth, where he compared Earth to a spaceship, provided only with exhaustible resources while flying through space. These words show the presence the phenomenon of the astronaut and the cosmonaut had in the public mind from the second half of the twentieth century on: Buckminster Fuller was able to drive his point home by asking his audience to identify with one of the most prominent figures in the public sphere then: the space traveler. At the same time, Buckminster Fuller's words themselves seem to have played a significant role in further shaping the space-exploring human as a symbol and an image of humankind in general. The twelve contributions in this book by authors from the fields of literature, music, politics, history, the visual arts, film, computer games, comics, social sciences, and media theory track the development, changes and dynamics of this symbol by analyzing the various images of the astronaut and the cosmonaut as constructed throughout the different decades of space exploration, from its beginning to the present day.
Presented by Holzer (public administration, Rutgers U., US) and Lee (public administration, Catholic U. of Korea), 38 papers address ''public administration professionals who are seeking insights into improving productivity and performance in the context of efficiency, effectiveness, quality, and out.
This book focuses on a very timely and important subject that merit s comprehensive analysis: "rethinking" the securities laws, with particular emphasis on the Securities Act and Securities Exchange Act. The system of securities regulation that prevails today in the United States is one that has been formed through piecemeal federal legislation, Securities and Exchange Commission (SEC) in vocation of its administrative authority, and self-regulatory episodic action. As a consequence, the presence of consistent and logical regulation all too often is lacking. In both transactional and litigation settings, with frequency, mandates apply that are erratic and antithetical to sound public policy. Over four decades ago, the American Law Institute (ALI) adopted the ALI Federal Securities Code. The Code has not been enacted by Congress and its prospects are dim. Since that time, no treatise, monograph, or other source comprehensively has focused on this meritorious subject. The objective of this book is to identify the deficiencies that exist under the current regimen, address their failings, provide recommendations for rectifying these deficiencies, and set forth a thorough analysis for remediation in order to prescribe a consistent and sound securities law framework. By undertaking this challenge, the book provides an original and valuable resource for effectuating necessary law reform that should prove beneficial to the integrity of the U.S. capital markets, effective and fair government and private enforcement, and the enhancement of investor protection"--
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