Religious diversity is a persistent theological predicament for Christian thinkers. Historically, theologians have wrestled with the relationship between believing Christians and religious others. The clash between the Christian doctrine of salvation and non-Christian belief systems often comes down to the question, can non-Christians be "saved"? In a pluralist world, a second question arises: can believers of divergent traditions reconcile their theological differences? Is the logical answer that one believer abandon her faith convictions and promote a relativistic mindset? This book draws upon original research, documenting conversations by women in an interreligious dialogue group, to show that when believers converse in honesty, empathy, and patience--in short, when engaged in virtuous dialogue--they can bridge the gap left by theory. When believers from different faiths come together in open conversation, it need not lead to relativism but, instead, can lead to strengthened belief. Sharing convictions with people who believe differently, sincere believers find they often come to hold their own core beliefs with newfound strength.
Religious diversity is a persistent theological predicament for Christian thinkers. Historically, theologians have wrestled with the relationship between believing Christians and religious others. The clash between the Christian doctrine of salvation and non-Christian belief systems often comes down to the question, can non-Christians be "saved"? In a pluralist world, a second question arises: can believers of divergent traditions reconcile their theological differences? Is the logical answer that one believer abandon her faith convictions and promote a relativistic mindset? This book draws upon original research, documenting conversations by women in an interreligious dialogue group, to show that when believers converse in honesty, empathy, and patience--in short, when engaged in virtuous dialogue--they can bridge the gap left by theory. When believers from different faiths come together in open conversation, it need not lead to relativism but, instead, can lead to strengthened belief. Sharing convictions with people who believe differently, sincere believers find they often come to hold their own core beliefs with newfound strength.
Religious diversity, cultural pluralism, and interreligious encounter are widely viewed in modern life as socially—and for many people of faith, spiritually—enriching. One of the most significant but frequently overlooked benefits of interreligious encounter is that it empowers us to see ourselves, and particularly our racialized identities, in new and revealing ways. In The Habits of Race and Faith in a Religiously Diverse World, Mara Brecht places whiteness under particular scrutiny—its tangled and entwined relationship with religious identity, as well as strategic associations with dominance and privilege. The analysis of whiteness gives way to fresh perspectives on Christian ideas about salvation, both in connection to religious faith and racial embodiment.
Turning away from the hard angles and edges of conventional modernism, bliobjects are the design of now, and the future. Blobjects & Beyond is the first survey of the explosion of amorphic, organic, and curvaceous design. A formless from with roots in Surrealism and the kidney-shaped motifs of the 1950s, the ever more biological blobject has come into its own, embodying and reflecting the new international ethos of fluidity." "Authors Steven Skov Holt and Mara Holt Skov - curators of a major exhibition of blobjects at the San Jose Museum of Art - and contributors Phil Patton and Bruce Sterling, parse the various manifestations of the blobject, bringing together the realms of art, architecture, industrial design, graphics, digital design, furniture, and pop culture. As a counterpoint to the effusive popularity of the blobject, the authors also address more recent, post-9/11 forms that are mutated and disturbed, dangerous and intimidating - the dark side of the blobject." "A manifesto for fluidity across disciplines, cultures, and international boundaries, Blobjects & Beyond documents the first major design language to bridge the last millennium with the new one."--BOOK JACKET.
Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize Winner of the 2019 Art Journal Prize from the College Art Association What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.
In combining practice and theory, this textbook provides a management perspective on the ‘business case’ for sustainability. Drawing on examples from 20 frontrunner companies located in the Netherlands, it builds upon a unique research project in which CEOs and middle-managers gave access not only to their decision-making process, but also revealed how their perceptions shaped the transition process. This book identifies four different archetypes of business cases and related business models that business students and managers can use to identify phases and related attitudes towards sustainability. The book provides in-depth analysis and insight into: • theoretical concepts and an overview of the relevant literature • the different business cases for sustainability • behavioural characteristics of each phase and the typical barriers between them • more than 70 tipping points • approaches to shaping stakeholder dialogue • effective engagement of stakeholders in each phase of transition • how companies move through the phases towards higher levels of sustainability • insights of employees of the 20 companies whether the business case was really achieved • summary of the interventions which have proved successful in these companies. This book offers students as well as managers of vocational and academic institutions at undergraduate and postgraduate level insight into real-life transition processes towards sustainability.
An Index to Music in Selected Historical Anthologies of Western Art Music is the essential reference for music history and music theory instructors for finding specific listings and details for all the pieces included in more than 140 anthologies published between 1931 and 2016. Containing over 5,000 individual listings, this concise book is an indispensable tool for teaching music history and theory. Since many anthologies exist in multiple editions, this Index provides instructors, students, and researches with the means to locate specific compositions in both print and online anthologies. This book includes listings by composer and title, as well as indexes of authors, titles, and first lines of text for music from antiquity through the early twenty-first century.
In this book Miller challenges contemporary aesthetic theory to include gardens in an expanded definition of art. She provides a radical critique of three central tenets within current intellectual debate: first, the art historical notion that art should only be studied within the context of a single culture and period; second, the philosophical belief that art should be conceived as a discrete object unrelated to our survival as persons, as cultural communities, as a species; and third, the notion that all signifying systems are like language.
This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.
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