Featuring deep dives into thirst traps, drag queens, Antonio Banderas, and telenovelas—all in the service of helping us reframe how we talk about (desiring) men—this insightful memoir-in-essays is as much a coming of age as a coming out book Manuel Betancourt has long lustfully coveted masculinity—in part because he so lacked it. As a child in Bogotá, Colombia, he grew up with the social pressure to appear strong, manly, and, ultimately, straight. And yet in the films and television he avidly watched, Betancourt saw glimmers of different possibilities. From the stars of telenovelas and the princes of Disney films to pop sensation Ricky Martin and teen heartthrobs in shows like Saved By the Bell, he continually found himself asking: Do I want him or do I want to be him? The Male Gazed grapples with the thrall of masculinity, examining its frailty and its attendant anxieties even as it focuses on its erotic potential. Masculinity, Betancourt suggests, isn’t suddenly ripe for deconstruction—or even outright destruction—amid so much talk about its inherent toxicity. Looking back over decades’ worth of pop culture’s attempts to codify and reframe what men can be, wear, do, and desire, this book establishes that to gaze at men is still a subversive act. Written in the spirit of Hanif Abdurraqib and Olivia Laing, The Male Gazed mingles personal anecdotes with cultural criticism to offer an exploration of intimacy, homoeroticism, and the danger of internalizing too many toxic ideas about masculinity as a gay man.
On the night of Sunday, April 23, 1961 Judy Garland made history. That's no hyperbole. Surrounded by a throng of ecstatic fans (3,165 to be exact), the legendary performer delivered a concert in Carnegie Hall the live recording of which became, upon release, an unlikely pop cultural phenomenon. Judy at Carnegie Hall, the two-disc set that captured all 25 numbers she performed that night, went on to spend more than 70 weeks on the Billboard charts, win four Grammy Awards--including Album of the Year (making it the first live music album and the first album by a female performer to win the category)--and become, in the process, the fastest-selling two-disc set in history. What the recording highlights, and what's made it an enduring classic in a class of its own, is the palpable connection between the songstress and her fans. "Indeed," The New York Times reported in its review of the evening's proceedings, "what actually was to have been a concert--and was--also turned into something not too remote from a revival meeting." By looking at her song choices, her stage banter, the album's cultural impact, and her place in the gay pantheon, this book argues that Judy's palpable connection with her fans is precisely what her Capitol Records' two-disc album captured.
It's nearly Halloween in The Cardboard Kingdom, and one thing is for sure: a mystery is afoot. Nate is positive he saw a monster in his backyard. It wasn't a shadow or a rustling tree. It wasn't his eyes playing a trick on him. It was a monster, plain and simple. But the trouble is, no one believes him. Even his stepbrother, Elijah, says he must have imagined it ... Until it shows up over and over again in the kingdom. Always at night, always on the move. This monster is quick, and it's, well, super scary. Even Vijay the Beast is rattled by this menacing new creature. But what does the monster want? Why has it come to the kingdom? And what can the kids do about it? It will take the greatest heroes, scientists, and sleuths in the Cardboard Kingdom to crack the case!"--Jacket
Featuring deep dives into thirst traps, drag queens, Antonio Banderas, and telenovelas—all in the service of helping us reframe how we talk about (desiring) men—this insightful memoir-in-essays is as much a coming of age as a coming out book Manuel Betancourt has long lustfully coveted masculinity—in part because he so lacked it. As a child in Bogotá, Colombia, he grew up with the social pressure to appear strong, manly, and, ultimately, straight. And yet in the films and television he avidly watched, Betancourt saw glimmers of different possibilities. From the stars of telenovelas and the princes of Disney films to pop sensation Ricky Martin and teen heartthrobs in shows like Saved By the Bell, he continually found himself asking: Do I want him or do I want to be him? The Male Gazed grapples with the thrall of masculinity, examining its frailty and its attendant anxieties even as it focuses on its erotic potential. Masculinity, Betancourt suggests, isn’t suddenly ripe for deconstruction—or even outright destruction—amid so much talk about its inherent toxicity. Looking back over decades’ worth of pop culture’s attempts to codify and reframe what men can be, wear, do, and desire, this book establishes that to gaze at men is still a subversive act. Written in the spirit of Hanif Abdurraqib and Olivia Laing, The Male Gazed mingles personal anecdotes with cultural criticism to offer an exploration of intimacy, homoeroticism, and the danger of internalizing too many toxic ideas about masculinity as a gay man.
The Mexican American orquesta is neither a Mexican nor an American music. Relying on both the Mexican orquesta and the American dance band for repertorial and stylistic cues, it forges a synthesis of the two. The ensemble emerges historically as a powerful artistic vehicle for the expression of what Manuel Peña calls the "dialectic of conflict." Grounded in ethnic and class conflict, this dialectic compels the orquesta and its upwardly mobile advocates to waver between acculturation and ethnic resistance. The musical result: a complex mesh of cultural elements—Mexican and American, working- and middle-class, traditional and contemporary. In this book, Manuel Peña traces the evolution of the orquesta in the Southwest from its beginnings in the nineteenth century through its pinnacle in the 1970s and its decline since the 1980s. Drawing on fifteen years of field research, he embeds the development of the orquesta within a historical-materialist matrix to achieve the optimal balance between description and interpretation. Rich in ethnographic detail and boldly analytical, his book is the first in-depth study of this important but neglected field of artistic culture.
Around 1930, a highly popular and distinctive type of accordion music, commonly known as conjunto, emerged among Texas-Mexicans. Manuel Peña's The Texas-Mexican Con;unto is the first comprehensive study of this unique folk style. The author's exhaustive fieldwork and personal interviews with performers, disc jockeys, dance promoters, recording company owners, and conjunto music lovers provide the crucial connection between an analysis of the music itself and the richness of the culture from which it sprang. Using an approach that integrates musicological, historical, and sociological methods of analysis, Peña traces the development of the conjunto from its tentative beginnings to its preeminence as a full-blown style by the early 1960s. Biographical sketches of such major early performers as Narciso Martínez (El Huracán del Valle), Santiago Jiménez (El Flaco), Pedro Ayala, Valerio Longoria, Tony de la Rosa, and Paulino Bernal, along with detailed transcriptions of representative compositions, illustrate the various phases of conjunto evolution. Peña also probes the vital connection between conjunto's emergence as a powerful symbolic expression and the transformation of Texas-Mexican society from a pre-industrial folk group to a community with increasingly divergent socioeconomic classes and ideologies. Of concern throughout the study is the interplay between ethnicity, class, and culture, and Peña's use of methods and theories from a variety of scholarly disciplines enables him to tell the story of conjunto in a manner both engaging and enlightening. This important study will be of interest to all students of Mexican American culture, ethnomusicology, and folklore.
This is the comprehensive account of the long and difficult road traveled to end the fifty-year armed conflict with the FARC, the oldest guerrilla army in the world; a long war that left more than eight million victims. The obstacles to peace were both large and dangerous. All previous attempts to negotiate with the FARC had failed, creating an environment where differences were irreconcilable and political will was scarce. The Battle for Peace is the story not only of the six years of negotiation and the peace process that transformed a country, its secret contacts, its international implications, and difficulties and achievements but also of the two previous decades in which Colombia oscillated between warlike confrontation and negotiated solution. In The Battle for Peace Juan Manuel Santos shares the lessons he learned about war and peace and how to build a successful negotiation process in the context of a nation that had all but resigned itself to war and the complexities of twenty-first-century international law and diplomacy. While Santos is clear that there is no handbook for making peace, he offers conflict-tested guidance on the critical parameters, conditions, and principles as well as rich detail on the innovations that made it possible for his nation to find common ground and a just solution.
Now in a Spanish-language edition: the definitive biography of Senator Marco Rubio, the youngest Speaker of the Florida Statehouse and the biggest rising star in the Republican Party. Florida Senator Marco Rubio has been called the “crown prince” of the Tea Party movement and “the Michael Jordan of Republican politics.” Some might think that’s a bit of an exaggeration, but no one—not even his rivals in the Democratic Party—disagrees with the fact that Marco Rubio is going far in American politics. Manuel Roig-Franzia delivers the story of how Rubio came up so fast and why. It’s a classic American odyssey: his parents left Cuba for a better economic life in Miami a few years before Castro came to power; his father worked as a bartender, his mother as a maid and then stock clerk at Kmart. When the cocaine cowboys were terrorizing south Florida, Rubio’s family moved to Vegas, where his father worked in a gambling hall. When they moved back to south Florida, the small but tough Rubio made the football team, became an expert on the Miami Dolphins, and raced to begin a political career minutes after graduating from law school. By the time he was sworn in as speaker of the Florida House of Representatives in 2000, he was the youngest person and the first Hispanic to hold that position. Mike Huckabee likes to say: “He is our Barack Obama with substance.” Marco describes all facets of this policy wonk married to a former Dolphins cheerleader with whom he has four children. Rubio has the endurance, smarts and charisma to be a presence on the American political scene for years to come. This is a book his fans, and critics, must read.
This book presents a cognitive styles framework that explores the relationship between traditionalism/modernism and cognitive styles and offers a method for multiculturalism assessment and psychotherapy that promotes the development of pluralistic perspectives and lifestyles.
Profiles the Senator and rising star in the Republican Party, from his humble roots as the son of immigrants to his becoming the youngest Speaker in the history of the Florida Statehouse.
A detailed and illustrated overview of all the art commissioned under the Dutch one per cent rule (which states that at least one per cent of the construction budget for a public building must be earmarked for art).
Monograph on the historical development of the sugar industry in Cuba between 1760 and 1860 - includes illustrations, references and statistical tables.
Pena traces the history of musica tejana from the fandangos and bailes of the nineteenth century through the cancion ranchera and the politically informed corrido to the most recent forms of Tejano music.
Manuel Gonzalez Prada was a powerful Peruvian writer and political reformer whose essays and speeches influenced generations of young radicals. He founded the Party of National Unity in 1891, was linked to the anarchist movement, and served as Director of the National Library from 1912-1914. His writings have had enormous impact on the literary and political life of Peru: taking up the defense of exploited indigenous people, broadsiding the landowning oligarchy, and denouncing the social and political errors of the country. In fact, the radical politics Prada advocated then are still alive and relevant today: Modernization (secularization) of Peru, transformation of a nation through its people, promotion of internationalism (universalism) versus overt patriotism (communitarianism), and condemnation of war. This translation is based on the Obras of Gonzalez Prada, edited by Luis Alberto Sanchez. It includes essays, speeches and polemical writings drawn from two of Prada's only books of prose published during his lifetime, Paginas Libres and Horas de Lucha, in addition to unpublished manuscripts and works previously printed in newspapers and magazines. His writings are gathered thematically under the subheadings "Peruvian Problems," "Anarchy," and "Philosophical, Literary, and Linguistic Problems.
The International Conference Zaragoza-Pau on Mathematics and its Applications was organized by the Departamento de Matem.tica Aplicada, the Departamento de M.todos Estad.sticos and the Departamento de Matem.ticas, all of them from the Universidad de Zaragoza (Spain), and the Laboratoire de Math.matiques et de leurs Applications, from the Universit. de Pau et des Pays de l’Adour (France). This conference has been held every two years since 1989. The aim of this conference is to present recent advances in Applied Mathematics, Statistics and Pure Mathematics, putting special emphasis on subjects linked to petroleum engineering and environmental problems. The Sixteenth Conference took place in Jaca (Spain) from 7th to 9th September 2022. The official opening ceremony was graced by the presence of the Vice–Chancellor for Academic Policy of the University of Zaragoza, D. Jos. .ngel Castellanos G.mez, and Vice–Chancellor of the Research Commission of the University of Pau, Mme. Isabelle Baraille. During those three days, 111 mathematicians, coming from different universities, research institutes or the industrial sector, attended 8 plenary lectures, 69 contributed talks and a poster session with 7 posters. We note that in this edition there were 11 mini-symposia, five of them co-organized by colleagues from the Universidad de Zaragoza and the Universit. de Pau et des Pays de l’Adour.
This work covers the impact of computational structural biology on protein structure prediction methods, macromolecular function and protein design, and key methods in drug discovery. It also addresses the computational challenges of experimental approaches in structural biology.
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